ADEVA Facsimiles: Complete Listing of Music Facsimiles of Akademische Druck- und Verlagsanstalt Distributed by OMI

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n.b. Titles without price are out-of-print & not deliverable at the present time

Monday, 26 February 2024

BEETHOVEN, Ludwig van, 1770-1827

[Concerto, violin, orch, op.61, D major] Konzert für Violine und Orchester, D-dur, Opus 61. [Österreichische Nationalbibl., Vienna, Mus. Hs. 17.538].
Musica Manuscripta, I. Graz, 1979. Oblong, 34 x 24 cm, 55, 260 pp. The Violin Concerto in D Major of Ludwig van Beethoven—probably the most famous of all violin concerti—has a complicated history. Written on rather short notice for his friend Fanz Clement in late 1806, and completed only hours before the concert was to begin (sight read by Clement according to some sources), the work was nearly forgotten until its rediscovery in 1844 by the vituoso Josef Joachim, who performed it with various orchestras conducted by Felix Mendelssohn. No violin cadenzas were written by Beethoven though cadenzas were written by him for the piano version published shortly after the 1808 edition for violin. It is one of the most fascinating Beethoven autographs, since it not only shows the usual corrections during and after the writing process, but also the first stages of the revisions of the violin solo part and the sketches of its transformation into a piano part. The faint colors of the main text in the autograph score—mat brown on ivory paper—and the latter autograph additions with strong ink, red crayon and pencil, reproduced here with utmost fidelity, allow scholar and musician alike to take a fascinating journey into the composer's creative process. Deluxe 5-color halftone of the autograph score, edited and introduced by Franz Grasberger. Limited edition of 1000 copies in half-leather binding that duplicates a former binding of the original. Handsome slipcase in full linen with gold lettering. (special OMI price, regularly $1,075). $599 (more info... ) [item no.151]

[Concerto, violin, orch, op.61, D major] Konzert für Violine und Orchester, D-dur, Opus 61. [Österreichische Nationalbibl., Vienna, Mus. Hs. 17.538].
Musica Manuscripta, I. Graz, 1979. Oblong, 34 x 24 cm, 55, 260 pp. Same as above but special bibliophile edition of 250 copies on laid paper. Includes printed score from the Neue Beethoven-Gesamtausgabe and phonograph record. Bound in vellum. $1947 [item no.152]

BEUTTNER, Nicolaus, 16-17th c.

Catholisch Gesang-Buch. Darinnen vil schöner, newe, un zuvor noch nie im Druck gesehen, christliche, andächtige Gesänger, die man nit allein bey dem Ambt der H. Meß, in Processionibus, Cruetz, un Walfarten, sonder auch zu Hauß sehr nützlichen gebrauchen mag.
Graz, 1968. 8º, 212, 108 pp. Line-cut of the Graz, 1602 edition. 141 songs and 86 chants. Hymnological introduction and comparative study of 6 later editions issued between 1609-1717 by Walter Lipphardt. Handsome binding in decorative paper. $59 [item no.1296]

BOURDELOT, Pierre, 1610-1685

Histoire de la musique et de ses effets, depuis son origine jusqu’à présent / [Jean Laurent de Cerf:] Comparaison de la musique italienne et de la françoise.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 2. Graz, 1966. 12º, 2 vols, c.1200 pp. Line-cut of the Amsterdam, 1725 and 1704-1706 editions. Two complementary titles. 4 vols. in 2. Linen. $95 (more info... ) [item no.2930]

EITNER, Robert, 1832-1905

Biographisch- Bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten christlicher Zeitrechnung bis zur Mitte des 19. Jahrhunderts.
Graz, 1959-1960. 8º, 5194 pp. Line-cut of the Leipzig, 1900-04 edition, supplements and corrections until 1914 by H. Springer, M. Schneider and W. Wolffheim “Miscellanea Musicae Bio-Bibliographica”. The basic reference tool (before RISM) for locating primary sources of music (prints and manuscript) before 1800. 10 vols plus 3 additional annual sets in 6. Cloth. [item no.4668]

FORKEL, Johann Nikolaus, 1749-1818

Allgemeine Geschichte der Musik. Leipzig 1788. Herausgegeben und mit Registern versehen von Othmar Wessely.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 8. Graz, 1967. 8º, 2 vols, 1344, cxix pp. Line-cut of the Leipzig, 1788-1801 edition. Forkel is often referred to as the “father of modern musicology”. This is the first full-scale history of music in German. Linen, in 2 vols. [item no.2934]

FUX, Johann Joseph, c.1660-1741

[Gradus ad Parnassum, Latin ed.] Gradus ad Parnassum. Vorgelegt von Alfred Mann.
Sämtliche Werke, VII/1. Graz, 1967. 26 x 32 cm, xxxiii, 288 pp. Line-cut of the Vienna, 1725 edition in the original folio format. Includes hundreds of music examples. Introduction in Ger-Eng. Wrappers. $196 [item no.2044]

GERBER, Ernst Ludwig, 1746-1819

Historisch-bibliographisches Lexikon der Tonkünstler, welches von dem Leben und Werken musikalischer Schriftsteller, berühmter Componisten, Sänger, usw. Herausgegeben von Othmar Wessely.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung. Graz, 1966-1977. 4º, 3230 pp. Line-cut of the Leipzig, 1812-1814 edition. The first major self-contained dictionary of musical biblography. Linen, 7 volumes in 4. Cloth. [item no.2942]

GERBERT, Martin, 1720-1793

De cantu et musica sacra a prima ecclesiae aetate usque ad praesens tempus.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 4. Graz, 1968. 8º, c.1400 pp. Line-cut of the St. Blasien, 1774 edition. Linen. In 2 vols. [item no.2932]

HAWKINS, John, 1719-1789

A General History of the Science and Practice of Music, London 1776. A New Edition with the Author’s Posthumous Notes, London 1875. Herausgegeben und mit Registern versehen von Othmar Wessely.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 5. Graz, 1969. 19 x 27 cm, 2 vols: xli, 1502, ccx pp. Line-cut of the London, 1776 edition, with a reprint of the author’s notes from 1875. Appeared the same year as Burney’s A General History of Music. Hawkins’ work contains extensive translations of excerpts from early theoretical works. Linen, in 2 vols. [item no.2933]

HAYDN, Franz Joseph, 1732-1809

[Quartet, strings, op.76,3] Gott! Erhalte Franz den Kaiser und Streichquartett Op. 76, Nr. 3: Variationensatz. Vollständige Faksimile-Ausgabe im Originalformat der Sammelhandschrift aus dem Besitz der Musiksammlung der Österreichischen Nationalbibliothek (Mus. Hs. 16. 501). Herausgegeben und kommentiert von Günther Brosche.
Musica Manuscripta, III. Graz, 2/ 1995. 33 x 24 cm, 25, 23 pp. Halftone in original format of the hymn which served as the Austrian National Anthem for more than 140 years. The fascicle contains: 1st version of the melody, melody with piano harmonization, fair copy of the harmonized version with Haydn’s signature, complete score for unison voices and orchestra, and 4 variations of the hymn from the “Kaiser” quartet (Hob. III: 77). 1st printed edition of the hymn from 1787 also included. [item no.325]

[Quartet, strings, op.76,3] Gott! Erhalte Franz den Kaiser (Hob. XXVIa: 4) und Streichquartett Op.76, Nr.3 (Hob. III:77), “Kaiserquartett” (Variationensatz). Vollständige Faksimile-Ausgabe im Originalformat der Mus. Hs. 16.501 aus dem Besitz der Österreichischen Nationalbibliothek. Herausgegeben und kommentiert von Günther Brosche.
Musica Manuscripta, 3a. Graz, 2008 32 x 23 cm, 26, 24 pp. Deluxe bibliophile facsimile in the original format of a composite ms comprising various versions of the hymn “Gott! erhalte Franz den Kaiser”, which has served as the Austrian National Anthem for more than 140 years. The fascicle contains: 1) 1st ms version of the melody (sketch material on the backside), 2) fair copy of the harmonized version with Haydn’s signature, 3) 1st version of the harmonized version with some erasures and corrections 4) complete score for unison voices and orchestra with signs of corrections, 5) four variations of the hymn for string quartet (= “Kaiser” quartet Hob. III: 77), 6) 1st printed edition of the hymn from 1787 with manuscript notations on the final page. Commentary in Ger. Binding after the original, with slipcase. $263 (more info... ) [item no.9027]

[Sonata, piano, Hob. XVI:49] Klaviersonate in Es-Dur, Hob. XVI:49. Vollständige Faksimile-Ausgabe im Originalformat der Musikhandschrift aus dem Besitz der Wiener Stadt- und Landesbibliothek (MH 4177/c). Einschließlich einer Übertragung in Notendruck. Im Auftrag der Wiener Stadt- und Landesbibliothek herausgegeben von Otto Brusatti.
Musica Manuscripta, IV. Graz, 1982. Oblong, 32 x 23 cm, 20, 36 pp. Handsome 4-color halftone in loose sheet format like the original. Commentary and transcription by Otto Brusatti. Linen. $140 [item no.328]

LA BORDE, Jean Benjamin de, 1734-1794

Essai sur la musique ancienne et moderne.
Graz, 196?. 8º, Line-cut of the Paris, 1780 edition. Linen. [item no.2954]

LE CERF DE LA VIÉVILLE, Jean Laurent de, 1674-1707

Comparaison de la musique italienne et de la françoise / [Pierre Bourdelot & Pierre Bonnet:] Histoire de la musique et de ses effets, depuis son origine jusqu’à présent.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 2. Graz, 1966. 8º, c.1200 pp. Line-cut of the Amsterdam,1704-1706 and 1725 editions. 4 vols in 2. Linen. $95 (more info... ) [item no.2930]

MARTINI, Giovannni Battista, 1706-1784

Storia della musica. Bologna 1757. Herausgegeben und mit Registern versehen von Othmar Wessely.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 3. Graz, 1967. 15 x 19 cm, 3 vols, xxxii, 1391, 209 pp. Line-cut of the Bologna, 1757, 1770, & 1781 edition. Although Martini did not proceed further than the music of the ancients, the Storia is an important contribution and became an important source book for later historians. Linen. In 3 vols. [item no.2931]

MOZART, Wolfgang Amadeus, 1756-1791

[Motet, Ave verum, SATB, strings, organ, K.618] Ave verum corpus KV 618. Vollständige Faksimile-Ausgabe im Originalformat der Originalhandschrift Mus. Hs. 18.975/3 der Musiksammlung der Österreichischen Nationalbibliothek. Herausgegeben und kommentiert von Günther Brosche.
Musica Manuscripta, VII. Vienna, 2000. Oblong, 31 x 23 cm, 16, 2 pp. Full-color halftone of the autograph, reproduced in the exact size and format of the original. Scored for SATB, orchestra and organ, this motet was believed to have been composed for his friend Anton Stoll in Baden outside of Vienna, 17 June 1791, mere six months before the composer’s death. Notably it is the only church music Mozart composed after he left the service of the archbishop of Salzburg.The carefully copied MS, only four pages in length, is an orthographic jewel; once in the in the possession of Ludwig Ritter von Köchel it passed to the Königliche Hofbibliothek then later to the National Library. Deluxe edition, hardbound, with blue boards. $72 (more info... ) [item no.7856]

[Motet, Ave verum, SATB, strings, organ, K.618] Ave verum corpus KV 618. Vollständige Faksimile-Ausgabe im Originalformat der Originalhandschrift Mus. Hs. 18.975/3 der Musiksammlung der Österreichischen Nationalbibliothek. Herausgegeben und kommentiert von Günther Brosche.
Musica Manuscripta, VII. Vienna, 2000. Oblong, 31 x 23 cm, 2, 4 pp. Full-color halftone of the autograph, reproduced in the exact size and format of the original. Scored for SATB, orchestra and organ, this motet was believed to have been composed for his friend Anton Stoll in Baden outside of Vienna, 17 June 1791, mere six months before the composer’s death. The carefully copied MS, only four pages in length, is an orthographic jewel; once in the in the possession of Ludwig Ritter von Köchel it passed to the Königliche Hofbibliothek then later to the National Library. Standard edition with paper folder. $46 (more info... ) [item no.7855]

[Requiem mass, K.626] Requiem. Vollständige farbige Faksimile-Ausgabe im Originalformat der 2-teiligen Handschrift Mus. Hs. 17.561 aus dem Besitz der Österreichischen Nationalbibliothek. Herausgegeben und kommentiert von Günther Brosche.
Documenta Musicologica, II/27 = Musica Manuscripta, VI. Graz & Kassel, 1990. Oblong, 35 x 26 cm, 3 vols, 200, 40 pp. First complete facsimile of the autograph parts and sketches with the finishing work of Süßmayr and others. 3 volumes, 2 of autographs plus commentary in Eng-Ger by Günter Brosche. Superb 4-color halftone in the original format. Wrappers in period design with slipcase in decorative paper. (more info... ) [item no.3657]

[Requiem mass, K.626] Requiem. Vollständige farbige Faksimile-Ausgabe im Originalformat der 2-teiligen Handschrift Mus. Hs. 17.561 aus dem Besitz der Österreichischen Nationalbibliothek. Herausgegeben und kommentiert von Günther Brosche.
Graz & Kassel, 1990. Oblong, 35 x 26 cm, 40, 200 pp. Superb 4-color halftone in the original format. First complete facsimile of the autograph parts and sketches with the finishing work of Süßmayr and others. Commentary in Eng-Ger by Günter Brosche. Special edition produced for Philips Records with parts I and II of the MS and commentary bound into one volume. Hardbound with handsome red Efalin paper boards with gold lettering. $350 (more info... ) [item no.8974]

[Brosche, Günther, et al] Requiem. Wolfgang Amadeus Mozart, 1791/1991. Ausstellung der Musiksammlung der Österreichischen Nationalbibliothek. Prunksaal, Wien 1., Josefsplatz 1, 17. Mai bis. 5. Dezember 1991. Katalog.
Graz, 1991. Oblong, 24 x 18 cm, 328 pp. Illustrated exhibition catalog issued on the occasion of the bicentennial of Mozart’s death. Hardbound. [item no.5873]

NIEDHART VON REUENTHAL, c.1180-c.1240

Lieder von Neidhart (von Reuental) bearbeitet von Wolfgang Schmieder. Revision des Textes von Edmund Wiessner mit Reproduktion der Handschriften.
Denkmäler der Tonkunst in Österreich, 71. Graz, 1959. 27 x 35 cm, ix, 25, 33 pp. (Rpt. of Vienna, 1930 edition). Halftone in reduced format, 4 plates per page. Facsimiles of 55 songs from mss Berliin, ms. germ. 779, Vienna Suppl. 3344, Vipiteno-Sterzing, Frankfurt & Kolmar. Together with transcriptions in equal note values, and. $36 [item no.3252]

OSWALD VON WOLKENSTEIN, c.1377-1445

Handschrift A. Vollständige Faksimile-Ausgabe im Originalformat des Codex Vindobonensis 2777 der Österreichischen Nationalbibliothek. Kommentar von Francesco Delbono.
Codices Selecti, 59. Graz, 1977. 37 x 27 cm, 50, 122 pp. 3-color facsimile of the complete ms copied around 1425 in the Tyrol. The codex, with close to 100 songs, was evidently commissioned by Oswald himself; it includes 1 large format miniature portrait of the musician-poet. Linen. $795 (more info... ) [item no.1420]

PRINTZ, Wolfgang Caspar, 1641-1717

Historische Beschreibung der edelen Sing- und Kling-Kunst, in welcher deroselben Ursprung und Erfindung, Fortgang, Verbesserung, unterschiedlicher Gebrauch . . . in möglichster Kürtze erzehlet und vorgestellt werden.
Die Großen Darstellungen der Musikgeschichte in Barock und Aufklärung, 1. Graz, 1969. 8º, lii, 240, 67 pp. Line-cut of the Dresden, 1690 edition. Considered the first chronical of music beginning with an account of ancient music up to the time of Christ (including Greek and Hebrew instruments) and finishing with a thorough report on 17th-c. music and musicians. Linen. [item no.2929]

SCHUBERT, Franz, 1797-1828

[Schäfers Klagelied, D 121, op.3,1] Schäfers Klagelied (D 121). Musiksammlung der Österreichischen Nationalbibliothek Wien [Ms. 3267]. Wissenschaftliche Kommentar von Franz Grasberger.
Musica Manuscripta, II. Graz, 1978. Oblong, 30 x 22 cm, 4, 16 pp. Beautiful color halftone of the autograph fair copy, “first version”, dated 30 Nov. 1814. This lied with text by Goethe (“Da droben auf jenem Berg”)—a shepherd’s lament of lost love—is described by Otto Deutsch as Schubert’s first song. Introduction in Ger with reproduction of the title page of the first edition. Unopened copy with loose facsimile bifolo, in art paper folder. $30 (more info... ) [item no.564]

Hilmar, Ernst. Schubert.
Graz, 1989. 22 x 29 cm, 216, with 350 illus pp. Superb picture documentary with 50 color and 300 B/W illustrations. With bibliography and essays on the composer’s personality, his family, friends, autographs and first editions, as well as the the places he frequented and the public’s acceptance of his work. Index. Linen. $42 [item no.3508]

COMPOSITE & MISCELLANEOUS SOURCES

[Brussels, Bibl. Royale Albert I, 9085] Basses danses dites de Marguerite d’Autriche, Ms. 9085–aus dem Besitz der Bibliothèque Royale Albert Ier, Bruxelles. Vollständige Faksimile-Ausgabe im Originalformat der Handschrift.
Codices Selecti, 87. Graz, 1987. Oblong, 21 x 13 cm, 2 vols, 76, 56 pp. Beautiful 4- and 5-color facsimile in the original format of a ms once belonging to Marguerite of Austria. This magnificent ms, transmitting mostly basses danses from the Dufay-Binchois period, features black pages with notes and decorations in gold and silver. Separate historical commentary in Fr-Eng by Claude Thiry, Victor Gavenda and Claudine Lemaire. Limited edition of 500 numbered copies. Luxurious binding in quarter leather and wooden coverboards. Handsome case in vellum paper. $917 (more info... ) [item no.2312]

[Darmstadt, Hessische Landes- & Hochschulbibl., 1946] Echternacher Sakramentar und Antiphonar (Hessische Landes- und Hochschulbibliothek Darmstadt, Ms. 1946).
Codices Selecti, 74 (= Publications Nationales des Großherzogtums Luxemburg). Graz, 1982. 17 x 24 cm, 556 pp + commentary vol. Deluxe full-color facsimile of complete ms, copied and illuminated in Echternach, 1030. St. Gall-type notation. Commentary by K. H. Staub, P. Ulveling & F. Unterkircher. Limited edition of 500 numbered copies. Full leather, with slipcase. [item no.1535]

[Gniezno, Bibl. Kapitulna, 149] Missale plenarium. Bibl. Capit. Gnesnensis Ms 149. Facsimile. Edited by Krzysztof Bieganski and Jerzy Woronczak.
Antiquitates Musicae in Polonia, XII. Warsaw, 1970. 24 x 34 cm, 474 pp. Halftone facsimile with one full-color plate. This ms, c.1100, is believed to be of Bavarian origin. Wrappers. $277 [item no.1541]

[Gniezno, Bibl. Kapitulna, 149] Missale plenarium . . . Musicological and Philological Analyses by K. Bieganski and J. Woronczak.
Antiquitates Musicae in Polonia, XI. Warsaw, 1970. 24 x 34 cm, 368 pp. Commentary vol. (in Eng) to above. Wrappers. $238 [item no.1542]

[Graz, Universitätsbibl., 211] Codex Albensis. Ein Antiphonar aus dem 12. Jahrhundert von Z. Falvy–L. Mezey.
Monumenta Hungariae Musica, 1. Budapest/Graz, 1963. 19 x 28 cm, 175, 321 pp. Beautiful 2-color facsimile of the oldest antiphonary from Hungary, copied c.1125. 8 pages in 4 colors. Historical introduction, inventory and critical commentary in Ger, summary in Eng. Handsome binding in quarter leather with linen (last copies). $295 [item no.1533]

Huldigung der Tonsetzer Wiens an Elisabeth Kaiserin von Österreich (Wien 1854). Erstdruck in Reproduktion der Originalhandschriften. Mit einer Einführung von Brigitte Hamann. Veröffentlicht von Günther Brosche.
Denkmäler der Tonkunst in Österreich, 142-44. Graz, 1987. 26 x 304 cm, c.300 & 150 pp. Halftone. Wrappers. $166 [item no.743]

[New York, Pierpont Morgan Library, M.711] Hainricus Sacramentary (Pierpont Morgan Library, New York, MS. M711).
Codices Selecti, CX. Graz, 2005. 17.2 x 24.2 cm, 296 pp + commentary. The "Hainricus Sacramentary"—consisting of calendar, gradual-antiphonary, sequentiary & sacramentary—was written and illuminated at the Abbey of Weingarten, a Benedictine house in Württemberg, Germany, ca. 1225-1250. Under Welf IV and his wife Judith, Weingarten became an imperial abbey. The manuscript was commissioned by Hainricus sacristan, a monk at Weingarten Abbey, who is represented on the cover and in 4 miniatures (it has been suggested that Hainricus may have been also the illuminator, but no documentary evidence has been found). Decoration: 5 full-page miniatures, 2 illuminated text pages, 24 calendar medallions, 35 historiated initials. Music: the gradual-antiphonary and sequentiary parts of the manuscript are notated with non-diastematic neumes; the rite accords with the Hirsau tradition. Limited edition of 280 copies bound in full leather with clamshell box. Please call for special OMI price. (more info... ) [item no.8699]

[Pelplin Tablature, complete] The Pelplin Tablature. Facsimile. Parts 1-6. Edited by Adam Sutkowski and Alina Osostowicz-Sutkowska. [Diocesan Seminary Library, Poland, mus. ms. 304-308a].
Antiquitates Musicae in Polonia, II-VII. Warsaw, 1964-1965. 24 x 34 cm, 6 vols., each with c.300 pp. Halftone of enormous repository of music written by a Cistercian scribe, and discovered in 1957. 53 compositions (more than half of total) have an Italian origin; 29 are German. Wrappers. (Facsimile vols. can also be purchased individually). [item no.1391]

[Pelplin Tablature, complete] The Pelplin Tablature. A Thematic Catalogue. Edited by Adam Sutkowski and Alina Osostowicz-Sutkowska.
Antiquitates Musicae in Polonia, I. Warsaw, 1963. 24 x 34 cm, xxii, 676 pp. Wrappers. [item no.1392]

[Pelplin Tablature, complete] The Pelplin Tablature. Instrumental Compositions. Transcriptions by H. Feicht.
Antiquitates Musicae in Polonia, VIII. Warsaw, 1970. 24 x 34 cm, 381 pp. Transcription vol. of the instrumental compositions. Wrappers. [item no.1393]

[Pelplin Tablature, complete] The Pelplin Tablature. Choral Compositions. Transcriptions of Andrzej Hakenberger’s Works. Edited by Jan Wecowski.
Antiquitates Musicae in Polonia, IX. Warsaw, 1970. 24 x 34 cm, 483 pp. Transcription vol. of the choral compositions. Wrappers. [item no.1394]

[Pelplin Tablature, complete] The Pelplin Tablature. Choral Compositions. Transcriptions of the Works of Peter Philips and Melchior Vulpius. Edited by J. Golos and T. Maciejewski.
Antiquitates Musicae in Polonia, X. Warsaw, 1970. 24 x 34 cm, 529 pp. Second transcription vol. of the choral compositions. Wrappers. [item no.1395]

(Perz, Miroslaw) Sources of Polyphony Up to c. 1500. Facsimiles. Edited by Miroslaw Perz.
Antiquitates Musicae in Polonia, XIII. Warsaw, 1973. 24 x 34 cm, xlv, 291, 3 pp. Halftones of 25 14th- and 15th-c. mss from Polish libraries. Includes manuscripts 52 and 378 from the Krasinskibi and National Libraries in Warsaw, important sources from the Ciconia period. Wrappers. [item no.1437]

(Perz, Miroslaw) Sources of Polyphony Up to c. 1500. Transcriptions. Edited by Miroslaw Perz in Collaboration with Henryk Kowalewicz (Transcriptions and Comments on Texts).
Antiquitates Musicae in Polonia, XIV. Warsaw, 1976. 24 x 34 cm, 511 pp. Transcription vol. to above. Wrapper. [item no.1438]

[Vatican, Bibl. Apost., lat. 9820] Exultet-Rolle (Codex Vaticanus lat. 9820). Wissenschaftlicher Kommentar: P. Dr. H. Douteil and P. F. Vongrey.
Codices Selecti, 47 (= Codices e Vaticanis Selecti, 35). Graz, 1974. Roll, 71 x 28 cm. Full-color facsimile of the entire scroll in its original format. Copied c.981 in Benevent. 14 miniatures framed with ornamental work. Numerous initials. Palimpsest script with neumes. [item no.1557]

[Vienna, Hofbibl., 2701] Gesänge von Frauenlob, Reinmar v. Zweter und Alexander. Nebst einem anonymen Bruckstück nach der Handschrift 2701 der Wiener Hofbibliothek. Bearbeitet von Heinrich Rietsch.
Denkmäler der Tonkunst in Österreich, 41. Graz, 1960. 27 x 34 cm, xi, 51, 51 pp. (Rpt. of Vienna, 1913 edition). Line-cut. One of the most important Minnesinger mss from the 14th c. Includes edition and full commentary. Wrappers. $65 [item no.1468]

[Vienna, Österr. Nationalbibl., 2856] Mondsee-Wiener Liederhandschrift aus Codex Vindobonensis 2856. Wissenschaftlicher Kommentar: Hedwig Heger.
Codices Selecti, 19. Graz, 1968. 21 x 28 cm, 46, 238 pp. Deluxe 2-color facsimile of one of the most important monuments of German song, c.1500-50, more than half of them attributed to Hermann von Salzburg but also to Hermann von Mügeln and Peter von Arberg. The present facsimile reproduces the music section of the MS, fols. 166-284 which in itself consists of an earlier section with music from the end of the 14th c. (f. 166v-252v) and a later one (f. 253-284v). The original part of the songbook contains 31 sacred and 57 secular songs; 12 mastersongs were added in the later section. The notation is of the ars nova type written on four- or five-line red staves, generally 8 per page. Breves can be represented by unison groups of 2 or 3 semibreves or in polyphonic sections by the breve too. The notation of polyphonic sections may employ two distinct parts, or may appear as a single part with a drone, or it may be only implicit with the used of the name "tenor", above which a further voice is assumed. The MS also employs mensuration signs and red notes. Handsomely bound in quarter leather with vellum paper boards. $699 (more info... ) [item no.1416]

[Vienna, Österr. Nationalbibl., nova 2700] Das Antiphonar von St. Peter. Vollständige Faksimile-Ausgabe im Originalformat des Codex Vindobonensis series nova 2700.
Codices Selecti, 21. Graz, 1974. 31 x 43 cm, I: 304, 68; II: 848 pp. Full-color facsimile. Copied c.1150 in Salzburg. 14 full-page and 2 half-page representations with initials in gold; 13 richly decorated calendar scenes, 50 half-page illuminations with dark violet lines on a green and blue background. More than 400 decorated initials. Many folios with musical notation of the St. Gall type. Separate commentary vol. Deluxe edition with heavy coverboards bound with pigskin. [item no.1531]