AGUADO, Dionisio, 1784-1849

[Works, complete, v.1] Colección de estudios (1820); Nuevo método de guitarra op.6; Biography & Bibliography. _☟

Heidelberg, 1994. 4º, 160 pp. Line-cut of the first and early editions. Preface by Brian Jeffrey. Wrappers. $56 [item no.7120]

[Works, complete, v.2] Nuevo método para guitarra (1843). _☟

Heidelberg, 1994. 4º, 192 pp. Line-cut of the first and early editions. Preface by Brian Jeffrey. Wrappers. $52 [item no.7121]

[Works, complete, v.3] Works with Opus Number. _☟

Heidelberg, 1994. 4º, 176 pp. Line-cut of the first and early editions. Preface by Brian Jeffery. Wrappers. $60 [item no.7122]

[Works, complete, v.4] Works without Opus Number. _☟

Heidelberg, 1994. 4º, 176 pp. Line-cut of the first and early editions. Preface by Brian Jeffery. Wrappers. $49 [item no.7123]

AMON, Johannes Andreas, 1763-1825

An der Tod, mit begleitung einer obligaten Flöte und Piano-Forte oder Guittarre. Bonn s.d. _☟

Archivum Musicum: L’Arte della Chitarra, 18. Florence, 1986. Oblong, 34 x 24 cm, 7 pp. Line-cut of the Simrock, early 19th-c. edition. Wrappers in decorative paper. $19 [item no.1818]

[Divertissement, guitar, strgs, op.16] Divertissement per chitarra, violino, viola e violoncello. Offenbach s.d. _☟

Archivum Musicum: L’Arte della Chitarra, 22. Florence, 1989. 24 x 34 cm, iii, 19 pp. Line-cut of the Offenbach, n.d. edition. Introduction in It by Andrea Sebastiani. Wrappers in decorative paper. $27 [item no.3189]

BACH, Johann Sebastian, 1685-1750

[Prelude, lute/cembalo, BWV 998] Prelude, Fugue and Allegro (BWV 998). Guitar Transcription by Michael Lorimer. _☟

Pacific, 1977. 4º, 21, 5 pp. Line-cut, together with practical edition for guitar by Michael Lorimer. Preface in Ger-Fr-Eng-Sp-Ger-Jap. Wrappers. $12 [item no.9139]

[Prelude, lute/cembalo, BWV 998] Prelude-Fuga-Allegro, BWV 998. Mit Faksimile des Autographs. _☟

Musik für Gitarre. Vienna, 1981. 4º, 13, 4 pp. Line-cut, together with practical edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Wrappers. $15 [item no.83]

[Sonatas & partitas, violin, BWV 1001-1006] Sonatas & Partitas for Solo Violin BWV 1001-1006. A New Bach Series. Transcribed for Guitar by Walter Dešpalj. Fingering by István Römer. _☟

Heidelberg, 2005. 4°, 123, 21 pp. Line-cut in reduced format (2 up per page) of the autograph ms, together with complete transcription for guitar. Wrappers. $40 [item no.9084]

[Suites, lute, BVW 995, 997 & 1000] Drei Lautenkompositionen in Zeitgenössischer Tabulatur (BWV 995, 997, 1000). Faksimiledruck nach den in der Musikbibliothek der Stadt Leipzig aufbewahrten handschriftlichen Originalen. Mit einer Einführung von Hans-Joachim Schulze. _☟

Leipzig, 1975. 23 x 33 cm, viii, 32 pp. Fine collotype. The copyist of BWV 995 is unknown; BWV 997 and 1000, copied c.1730-1740, are in the hand of Johann Christian Weyrauch. Coverboards in decorative paper. $55 [item no.75]

[Suites, lute, BVW 995, 997 & 1000] Drei Lautenkompositionen in Zeitgenössischer Tabulatur (BWV 995, 997, 1000). Faksimiledruck nach den in der Musikbibliothek der Stadt Leipzig aufbewahrten handschriftlichen Originalen. Mit einer Einführung von Hans-Joachim Schulze. _☟

Leipzig, 2/ 1979. 23 x 33 cm, viii, 32 pp. Fine collotype. The copyist of BWV 995 is unknown; BWV 997 and 1000, copied c.1730-1740, are in the hand of Johann Christian Weyrauch. Coverboards in decorative paper. $45 [item no.1745]

[Suites, lute, BVW 995, 997 & 1000] Stücke für Laute BWV 995, 997, 1000. BWV 997 & 1000 intavoliert von Johann Christian Weyrauch. Reproduktion in 85% der originaler Grösse nach der Handschrift im Besitz der Stadt Leipzig Städtische Bibliotheken Musikbibliothek, Signatur III.11.3/III.11.5/III,11.4). _☟

[Lübeck], 1999. 21 x 30 cm, viii, 26 pp. Line-cut. The copyist of BWV 995 is unknown; BWV 997 and 1000, copied c.1730-1740, are in the hand of Johann Christian Weyrauch. Ring binder. $33 [item no.8117]

[Suite, lute, BWV 995, G minor] Suite pour luth en sol mineur, BWV 995. Introduction Godelieve Spiessens. [Bibl. Royale Albert 1er, Brussels, Ms. Fétis 2910]. _☟

Fontes Musicae Bibliothecae Regiae Belgicae, I/I. Brussels, 1981. 25 x 35 cm, 4, 10 pp. Halftone of the autograph. Wrappers. $13 [item no.92]

[Suite, lute, BWV 995, G minor] Suite BWV 995. (“Pièces pour le luth à M. Schouster par J.S. Bach”). Transcrizione e diteggiatura per chitarra (in La minore) di Oscar Ghiglia dall’originale in Sol minore per liuto. [Bibl. Royal Albert Ier, Brussels, Fétis, 2910]. _☟

Milan, 1976. 4º, iv, 5, 20 pp. Halftone in reduced format. Wrappers. $20 [item no.93]

[Prelude, lute/cembalo, BWV 995; Lute Suite no. 3, BWV 1011] Lute Suite III (BWV 1011) / Cello Suite V (BWV 995). Guitar Transcription by Michael Lorimer. _☟

Pacific, 1977. 4º, 37, 10 pp. Line-cut, together with practical edition for guitar by Michael Lorimer. Preface in Ger-Fr-Eng-Sp-Ger-Jap. Wrappers. $12 [item no.9138]

[Suite, lute, BWV 995, G minor] Suite a-Moll, BWV 995. Original g-Moll. Faksimile. [Pièces pour la Luth à Monsieur Schouster]. _☟

Musik für Gitarre. Vienna, 1979. 4º, 21, 10 pp. Line-cut, together with practical edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Wrappers. $18 [item no.94]

[Suite, lute, BWV 1006a, E major] Suite E-Dur, BWV 1006a, mit Faksimile des Autographs. _☟

Musik für Gitarre. Vienna, 1976. 4º, 22, 14 pp. Line-cut, together with practical edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Wrappers. $18 [item no.95]

BEETHOVEN, Ludwig van, 1770-1827

[“Adelaide”, voice & guitar, op.46, arr. W.T. Matiegka] “Adelaide” [“Einsam wandelt dein Freund im Frühlingsgarten” ]. Per voce e chitarra, Wien s.d. _☟

Archivum Musicum: L’Arte della Chitarra, 20. Florence, 1988. 23 x 31 cm, i, 7 pp. Line-cut of the early 19th-c. printed edition by Artaria. Arranged for voice and guitar by Wenzeslaus Thomas Matiegka (1773-1830), one of the founder of the Viennese guitar school. Introduction in It by Francesco Gorio. Wrappers in decorative paper. $19 [item no.1820]

Serenade Op.8, Arranged for Violin, Viola and Guitar by Wenceslaus Matiegka. Revised and Edited by Matanya Ophee. _☟

Boston, 1981. 4º, iii, 48, 6 pp. Line-cut of the Artaria, 1807 edition in reduced format, together with a new practical edition (score & parts). Historical introduction. Wrappers. $26 [item no.3203]

[Küthen, Hans-Werner] Beethovens und die Rezeption der Alten Musik. Die hohe Schule der Überlieferung, Symposion Bonn 2000, Congressional Report Edited by Hans-Werner Küthen, 2002. _☟

Veröffentlichungen des Beethoven-Hauses, IV/16. Bonn, 2002. 8˚, viii, 312 pp. Contents: Martin Zenck, “Geschichtsreflexion und Historismus im Musikdenken Beethovens”; Hans-Josef Irmen, “Beethoven, Bach und die Illuminaten”; Tomislav Volek, “Mozartsche Fragmente und Beethovensche Rente. Zwei historische Tatsachen von großer Aussagekraft”; William Drabkin,” Die langsame Einleitung zur Kreutzersonate. Form und Vorbilder”; Richard Kramer, “Beethovens Opus 90 und die Fenster zur Vergangenheit”; William Kinderman, “Rückblick nach vorn: Beethovens ‘Kunstvereinigung’ und das Erbe Bachs”; Annette Monheim, “Händel auf dem Weg nach Wien. Die Händel-Rezeption in Florenz, Berlin und Wien von 1760 bis 1800”; Ulrich Bartels, “Zwischen Assimilation und Provokation. Bemerkungen zur ‘barocken’ Beethoven-Interpretation”; Christopher Reynolds, “Beethovens ‘Arioso dolente’ und die Frage seiner motivischen Erbschaft”; Hans-Werner Küthen, “’Szene am Bach’ oder der Einfluss durch die Hintertür. Die Bach-Rezeption der anderen als Impuls für Beethoven”; Norbert Gertsch, “Wer verfasste die Orgelstimmen in Beethovens Messen?”. Wrappers. $55 [item no.6704]

BOULEZ, Pierre, 1925

Le marteau sans maître. Fac-similé de l’épure et de la première mise au net de la partition / Facsimile of the Draft Score and the First Fair Copy of the Full Score. Édité par / Edited by Pascal Decroupet. _☟

Eine Publikation der Paul Sacher Stiftung. Mainz, 2005. Oblong, 38 x 30 cm. 215 pp. Beautiful full-color facsimile edition of the autograph draft score and fair copy, produced on the occasion of the 80th birthday of the composer. Since its premiere 50 years ago at the 1955 Baden-Baden Festival, “Le marteau sans maître”, with its novel scoring (contralto, alto flute, viola, guitar, vibraphone, xylorimba and unpitched percussion) and poetry by René Char in four of the nine interlocked movements, has been considered one of the most outstanding serial works of the postwar avantgarde. Commentators have pointed out its wonderful hypnotic soundworld, complex rhythmic structure, and sudden bursts of instrumental crossfire, creating such a demand on the performers that some fifty rehearsals were required before its premiere. This excellent facsimile offers an exciting entry into Boulez’ “workshop”—allowing us to examine, side by side, the pencil draft score, final ink version, as well as a selection of sketch pages. Handsome binding in red linen with slipcase. $254 (more info... ) [item no.8588]

CARCASSI, Matteo, c.1792-c.1853

[Method, guitar] Méthode complète pour la guitarre divisée en trois parties. Les deux premières parties contiennent: les principes élémentaires de musique, la théorie de l’instrument, les exemples et les leçons nécessaires classés successivement pour en faciliter l’application. La troisième renferme cinquante morceaux choisis de différents caractères. _☟

Geneva, 1972. 4º, 120 pp. Line-cut of the Paris, [1836] edition. Important guitar tutor with 50 progressive pieces, including marches, waltzes, rondos, chasses, theme & variations. Wrappers. $45 [item no.1607]

CARULLI, Ferdinando, 1770-1841

Méthode complète pour le décacorde, nouvelle guitare, op.293. _☟

Archivum Musicum: L’Arte della Chitara, 14. Florence, 1981. 23 x 30 cm, 78 pp. Line-cut. Carulli’s method for the ten string guitar. Wrappers in decorative paper. $20 [item no.984]

Scelta di opere per due chitarre. _☟

Archivum Musicum: L’Arte della Chitarra, 2. Florence, 1981. 23 x 30 cm, 22 parts, xvi, c.150 pp. Line-cut of the first edition. Contains Andante et Rondeau de Mozart, op.167; Trois airs variés, op.166; Larghetto et Variations de Mozart, op.164; Fantaisie tirée des ouvrages de Beethoven, op.157; Andante varié et Rondeau de Beethoven, op.155; Symphonie d’Haydn, op.152; Duo brillant, op.133; Nocturne concertant, op.118; Fantaisie, op.117; Trois duos, op.62; and Grand duo concernant. Introduction in It by Paolo Paolini. Wrappers in decorative paper with slipcover. $46 [item no.985]

COSTE, Napoléon, 1806-1883

[=Works, v.1, guitar, Études de genre, op.38] 25 études de genre op.38 pour la guitare. Reprint of the 2nd. Richault Edition, c.1880. [Edited by Simon Wynberg]. _☟

Heidelberg, 2006. 4º, vi, 41 pp. Line-cut of the Paris, c.1880, 2nd edition (”edition revue et corrigée”). Wrappers. $13 [item no.8875]

[Works, v.2, guitar, op.2-7, 9] Published Solo Works, Opus Nos. 2-7, 9. Editor: Simon Wynberg. _☟

The Guitar Works of Napoleon Coste, II. Monaco, 1981. 4º, ix, 64 pp. Line-cut of the 19th-c. editions. Wrappers. $30 [item no.1001]

[Works, v.4, guitar, op.27, 28a, 29-31, 33a, 39-41] Published Solo Works, Opus Nos. 27, 28(a), 29-31, 33(a), 39-41. Editor: Simon Wynberg. _☟

The Guitar Works of Napoleon Coste, IV. Monaco, 1981. 4º, xiv, 77 pp. Line-cut of the 19th-c. editions. Wrappers. $30 [item no.1003]

[Works, v.5, guitar, op.42-49] Published Solo Works, Opus Nos.42-49. Edited by Simon Wynberg. _☟

The Guitar Works of Napoleon Coste, V. Heidelberg, 2/ 1992. 4º, ix, 64 pp. Line-cut of the 19th-c. editions. Wrappers. $30 [item no.1004]

[Works, v.6, guitar, op.50-53] Published Solo Works, Opus. Nos. 50-53. Editor: Simon Wynberg. _☟

The Guitar Works of Napoleon Coste, VI. Monaco, 1981. 4º, x, 64 pp. Line-cut of the 19th-c. editions. Wrappers. $30 [item no.1005]

[Works, v.7, 2 guitars, op.10, Duetto, Grand Duo] Music for Two Guitars. Edited by Simon Wynberg. [Op.10, Duetto WoO, Grand Duo WoO]. _☟

The Guitar Works of Napoleon Coste, VII. Heidelberg, 2/ 1991. 4º, vii, 43 pp. New edition. Wrappers. $25 [item no.1006]

[Works, v.8, ob/fl/vln, guitar, op.25, 36, 33b, 34a] Works for Oboe (Flute or Violin) & Guitar. Edited and Arranged by Simon Wynberg. [Op.25, 36, 33b, 34a]. _☟

The Guitar Works of Napoleon Coste, VIII. Heidelberg, 2/ 1986. 4º, v, 28 pp. New edition. Wrappers. $21 [item no.1007]

[Works, v.9, guitar, op.11, 14, 24, 28b, 28c] Unpublished Solo Works. Editor: Simon Wynberg. [Op.11, 14, 24, 28b, 28c, and Works without Opus No.]. _☟

The Guitar Works of Napoleon Coste, IX. Monaco, 1983. 4º, xv, 60 pp. New edition of the unpublished guitar works. Wrappers. (Practical edition). $30 [item no.1008]

DIABELLI, Anton, 1781-1858

Trauermarsch auf den Tod des Herrn Michael Haydn vorgelegt von Gerhard Walterskirchen. [private collection]. _☟

Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 7. Salzburg, 1998. 26 x 38 cm, 6, ii pp. Halftone of the Vienna, 1806 edition. Introduction in Ger. Wrappers. $11 [item no.8110]

DOISY, Charles, 18-19th c.

[Method, guitar] Principes généraux de la guitarre dédiés à Madame Bonaparte. _☟

Geneva, 1979. 4º, 92 pp. Line-cut of the Paris, 1801 edition. Wrappers. $44 [item no.3264]

FERANDIERE, Fernando, 18th c.

[Method, guitar] Arte de tocar la guitarre española por música, Madrid, 1799. Complete Facsimile Edition with an Introduction, English Translation, and Transcription of the Music by Brian Jeffery. _☟

London, 2013 15 x 22 cm, 85, 59, 36 pp. Line-cut of the Madrid, 1799 edition. Wrappers. $38 [item no.9371]

FOSSA, François de, 1775-1849

Trio concertante for Guitar, Violin, and Violoncello. Op.18 No.1. Edited by Margarita Mazo. _☟

Boston, 1984. 4º, vi, 52, 12 pp. Line-cut of the autograph score, together with a new practical edition (score & parts). Historical introduction. Wrappers. $17 [item no.3200]

3 trios concertantes for Guitar, Violin, and Violoncello Op. 18 (c.1825). Facsimile Edited by Simon Wynberg. _☟

Heidelberg, c.1985. 4º, Line-cut of the first edition. Wrappers. $32 [item no.3201]

GARCIA, Manuel, 1805-1906

Caprichos líricos españoles. Cahiers 5 et 6. _☟

Geneva, 1993. 21 x 30 cm, 32 pp. Line-cut of the Paris, 1830 edition. Contents: “Que tentacion de risa”, “Baxelito nuevo”, “San Anton”, “Venid paxaritos”, “Llevame à zurguen”, “Malito estava”, “Y no lo digo”, “Que ay dinero”, “Tu que no puedes”, “Poderoso cavallero”, “Aotro selasvenda”, and “Vogo”. Wrappers. $40 [item no.4707]

GEMINIANI, Francesco, c.1680-1762

[method, guitar] The Art of Playing the Guitar or Cittra containing Several Compositions with a Bass for the Violoncello or Harpsichord. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 216. New York, [1999]. 4º, 52 pp. Line-cut of the Edinburgh, 1760 edition. Wrappers. $20 [item no.7707]

[method, guitar] The Art of Playing the Guitar or Cittra. A cura di Carlo Mascigli Migliorini. [Library of Congress, Washington, DC]. _☟

Musurgiana: Sources and Materials for the History and Theory of Music, 20. Lucca, 2002. 4º, vi, 52, 26 pp. Line-cut of the Edinburgh, 1760 edition, together with a new practical edition (on single clef) of the 11 music examples. Preface in It. Wrappers. $42 [item no.8116]

GIULIANI, Mauro, 1781-1829

[Cavatine & romanze, voice, guitar, op.13] Cavatine e romanze per voce e chitarra. a. 3 cavatine ridotte per l’accompagnamento di chitarra, s.n.; b. 3 romances pour la guitare op.13. _☟

Archivum Musicum: L’Arte della Chitarra, 11. Florence, 1983. Oblong, 30 x 23 cm, iii, 12 pp. Line-cut of the Vienna, 1807 & 1810 editions. Introduction in It by Paolo Paolini. Wrappers in decorative paper. $19 [item no.1043]

[Lieder, voice, guitar/piano, op.89] Sechs Lieder, Op.89, for Voice and Guitar or Piano. Edited by Thomas F. Heck. Facsimile. _☟

London, 1976. 4º, 27 pp. Line-cut of the first edition. Wrappers. $10 [item no.1046]

[Serenade, flute/violin, guitar] Serenade für Flöte oder Violine und Gitarre. Reprint der Originalausgabe. _☟

Musik für Gitarre. Vienna, n.d. 4º, i, 16 pp. Line-cut of the Hofmeister edition, Leipzig, [1825]. Preface by Karl Scheit. Wrappers. $15 [item no.2880]

[Works, complete, guitar] The Complete Guitar Works in 39 Volumes. _☟

London, 1980-1988. 4º, c.3700 pp. Line-cut of the early or first editions. Contains all known works including studies, solos, concertos, and chamber music with guitar. Index. Wrappers. $1120 [item no.3654]

[Works, v.1, guitar, studies, op.1] Studio per la chitarra, op.1. _☟

The Complete Works in Facsimiles of the Original Editions, 1. London, 1984. 4º, Line-cut. Wrappers. [item no.3156]

[Works, v.2, guitar, solos, op.2-12] Guitar Solos, opp.2-12. _☟

The Complete Works in Facsimiles of the Original Editions, 2. London, 1984. 4º, Line-cut. Wrappers. [item no.3157]

[Works, v.3, guitar, solos, op.14-22] Guitar Solos, opp.14-22. _☟

The Complete Works in Facsimiles of the Original Editions, 3. London, 1984. 4º, Line-cut. Wrappers. [item no.3158]

[Works, v.4, guitar, solos, op.24b-34]] Guitar Solos, opp.24b-34. _☟

The Complete Works in Facsimiles of the Original Editions, 4. London, 1985. 4º, Line-cut. Wrappers. [item no.3159]

[Works, v.5, guitar, solos, op.37-44] Guitar Solos, opp.37-44. _☟

The Complete Works in Facsimiles of the Original Editions, 5. London, 1985. 4º, Line-cut. Wrappers. [item no.3160]

[Works, v.6, guitar, solos, op.45-50] Guitar Solos, opp.45-50. _☟

The Complete Works in Facsimiles of the Original Editions, 6. London, 1985. 4º, Line-cut. Wrappers. [item no.3161]

[Works, v.7, guitar, solos, op.51-60] Guitar Solos: Opus Numbers 51, 54, 56, 57, 58, 59, and 60. _☟

The Complete Works in Facsimiles of the Original Editions, 7. London, 1986. 4º, 10, c.70 pp. Line-cut. Wrappers. $35 [item no.7198]

[Works, v.8, guitar, solos, op.61-73] Guitar Solos, opp.61-73. _☟

The Complete Works in Facsimiles of the Original Editions, 8. London, 1986. 4º, Line-cut. Wrappers. [item no.7397]

[Works, v.9, guitar, solos, op.78-97] Guitar Solos: Opus Numbers 78, 83, 87, 88, 90, 91, 96, and 97. _☟

The Complete Works in Facsimiles of the Original Editions, 9. London, 1987. 4º, 10, 67 pp. Line-cut. Wrappers. [item no.7398]

[Works, v.10, guitar, solos, op.98-102] Guitar Solos: Opus Numbers 98, 99, 100, 101, and 102. _☟

The Complete Works in Facsimiles of the Original Editions, 10. London, 1987. 4º, 8, 65 pp. Line-cut. Wrappers. $31 [item no.7399]

[Works, v.12, guitar, solos, op.111-125] Guitar Solos, opp.111-125. _☟

The Complete Works in Facsimiles of the Original Editions, 12. London, 1987. 4º. Line-cut. Wrappers. [item no.7401]

[Works, v.13, guitar, Le Rossiniane, op.119-124] Guitar Solos: The Six Rossiniane, Opus Numbers 119-124. _☟

The Complete Works in Facsimiles of the Original Editions, 13. London, 1986. 4º, 14, 85 pp. Line-cut. Wrappers. [item no.7402]

[Works, v.14, guitar, op.128-145] Guitar Solos, opp.128-145. _☟

The Complete Works in Facsimiles of the Original Editions, 14. London, 1988. 4º. Line-cut. Wrappers. [item no.7403]

[Works, v.15, guitar, op.147-150] Guitar Solos, opp.147-150. _☟

The Complete Works in Facsimiles of the Original Editions, 15. London, 1988. 4º. Line-cut. Wrappers. [item no.7404]

[Works, v.16, guitar, w/o opus no.] Seven Works for Guitar without Opus Number. _☟

The Complete Works in Facsimiles of the Original Editions, 16. London, 1987. 4º. Line-cut. Wrappers. [item no.7405]

[Works, v.17, guitar, operatic arrangements] Seven Operatic Works Arranged for Guitar Solo. _☟

The Complete Works in Facsimiles of the Original Editions, 17. London, 1987. 4º. Line-cut. Wrappers. [item no.7406]

[Works, v.18, guitar, arr. of Semiramide] Seventeen Arrangements for Guitar Solo from Rossini’s Semiramide. _☟

The Complete Works in Facsimiles of the Original Editions, 18. London, 1987. 4º. Line-cut. Wrappers. [item no.7407]

[Works, v.19, 2 guitars, Ländler] Six Sets of Länder for Two Guitars. _☟

The Complete Works in Facsimiles of the Original Editions, 19. London, 1988. 4º. Line-cut. Wrappers. [item no.7408]

[Works, v.21, 2 guitars] Three Works for Guitar Duet. _☟

The Complete Works in Facsimiles of the Original Editions, 21. London, 1987. 4º. Line-cut. Wrappers. [item no.7410]

[Works, v.22, 2 guitars] Four Works for Guitar Duet. _☟

The Complete Works in Facsimiles of the Original Editions, 22. London, 1987. 4º. Line-cut. Wrappers. [item no.7411]

[Works, v.23, 2 guitars, operatic overtures] Three Operatic Overtures Arranged for Two Guitars. _☟

The Complete Works in Facsimiles of the Original Editions, 23. London, 1986. 4º. Line-cut. Wrappers. [item no.7412]

[Works, v.24, 2 guitars, operatic overtures by Rossini] Four Operatic Overtures by Rossini Arranged for Two Guitars. _☟

The Complete Works in Facsimiles of the Original Editions, 24. London, 1986. 4º. Line-cut. Wrappers. [item no.7413]

[Works, v.25, concerto, op.30, guitar & orchestra] Concerto for Guitar and Orchestra, Opus 30. Orchestra Parts. _☟

The Complete Works in Facsimiles of the Original Editions in Facsimiles of the Original Editions, 25. London, 2/ 2002. 4º, ix, 72 pp. Line-cut of the Haslinger edition (parts), Vienna, c.1810. Scored for guitar, vln I-II, vla, vc/db, ripieno vln I-II, fl I-II, ob I-II, clar I-II, hn I-II, bsn I-II (parts bound together). Wrappers. [item no.7414]

[Works, v.26, concerto, op.30, guitar & strings] Concerto for Guitar, op.30. _☟

The Complete Works in Facsimiles of the Original Editions, 26. London, 1985. 4º. Line-cut. Wrappers. [item no.7415]

[Works, v.27, concerto, op.30, guitar & pf, arr. Diabelli] Concerto for Guitar, Opus 30, Arranged by Diabelli for Guitar and Piano. _☟

The Complete Works in Facsimiles of the Original Editions, 27. London, 1986. 4º, 8, 46 pp. Line-cut. Wrappers. [item no.7416]

[Works, v.28, concerto, op.36, guitar & strings] Concerto for Guitar and Strings, Opus 36. _☟

The Complete Works in Facsimiles of the Original Editions, 28. London, 1985. 4º, vi, 5 parts, 43 pp. Line-cut of the Artaria edition (parts), Vienna, 1812. Scored for guitar, vln I-II, vla, vc/db. Wrappers. [item no.7417]

[Works, v.29, concerto, op.36, guitar & pf, arr. Diabelli] Concerto for Guitar and Strings, op.36. _☟

The Complete Works in Facsimiles of the Original Editions, 29. London, 1985. 4º, Line-cut. Wrappers. [item no.7418]

[Works, v.30, concerto, op.70, guitar & orch] Concerto for Guitar and Orchestra, Opus 70. _☟

The Complete Works in Facsimiles of the Original Editions, 30. London, 1987. 4º, vi, 17 parts, 89 pp. Line-cut of the Cappi & Diabelli edition (parts), Vienna, 1822. Scored for guitar, vln I-II, vla, vc/db, fl, ob I-II, clar I-II, hn I-II, bsn I-II, tpt I-II, tmp. Wrappers. [item no.7419]

[Works, v.31, concerto, op.70, arr. guitar & strings] Concerto for Guitar and Orchestra, Opus 70. Arranged for Guitar and String Quartet. _☟

The Complete Works in Facsimiles of the Original Editions, 31. London, 1987. 4º, vi, 5 parts, 59 pp. Line-cut of the Cappi & Diabelli edition, Vienna, 1822. Wrappers. [item no.7420]

[Works, v.32, concerto, op.70, guitar & pf, arr. Diabelli] Concerto, op.70, Arranged by Diabelli for Guitar and Piano. _☟

The Complete Works in Facsimiles of the Original Editions, 32. London, 1987. 4º, Line-cut. Wrappers. [item no.7421]

[Works, v.33, guitar & string quartet] Four Works for Guitar and String Quartet. _☟

The Complete Works in Facsimiles of the Original Editions, 33. London, 1988. 4º. Line-cut. Wrappers. [item no.7422]

[Works, v.34, guitar & keyboard] Five Works for Guitar and Keyboard. _☟

The Complete Works in Facsimiles of the Original Editions, 34. London, 1987. 4º, Line-cut. Wrappers. [item no.7423]

[Works, v.35, guitar & flute/violin] Ten Works for Guitar and Flute or Violin. _☟

The Complete Works in Facsimiles of the Original Editions, 35. London, 1986. 4º, 2 vols. Line-cut. Wrappers. [item no.7424]

[Works, v.36, guitar & flute/violin] Twelve Works for Guitar and Flute or Violin. _☟

The Complete Works in Facsimiles of the Original Editions, 36. London, 1987. 4º. Line-cut. Wrappers. [item no.7425]

[Works, v.37, guitar, voice] Ten Songs and Song Collections. _☟

The Complete Works in Facsimiles of the Original Editions, 37. London, 1986. 4º. Line-cut. Wrappers. $105 [item no.7426]

[Works, v.38, guitar, voice, pf, vc] La Sentinelle, Der Abschied der Trobadours, and Various Songs. _☟

The Complete Works in Facsimiles of the Original Editions, 38. London, 1988. 4º. Line-cut. Wrappers. [item no.7427]

[Works, v.39, index] The Complete Works - Index. _☟

The Complete Works in Facsimiles of the Original Editions, 39. London, 1988. 4º. Wrappers. [item no.7428]

HUMMEL, Johann Nepomuk, 1778-1837

[Potpourri, harpsichord, guitar, op.53] Potpourri pour le clavecin avec accomp. de guitarre Op: 53. Introduction: Peter Pieters. [Österr. Nationalbibl., Vienna]. _☟

Facsimile Series, III/2. Peer, 1989. Oblong & upright, 33 x 24 cm, ii, 13 pp. Line-cut of the Vienna, c.1815 edition. Contains fragments from Jean de Paris, La Vestale, Don Juan, etc. Wrappers with folder. $8 [item no.2808]

JANOVKA, Tomas, 1669-1741

Clavis ad thesaurum magnae artis musicae. . . Prag 1701. [Bibliothèque Royale Albert II, Brussel]. _☟

Dictionarium Musicum, 2. Buren, 1973. 15 x 23 cm, 343 pp. Line-cut of the Prag, 1701 edition. Along with Brossard’s Dictionnaire de musique one of the first modern dictionaries of musical terms. Wrappers. $66 [item no.2115]

JOHNSON, Robert, c.1583-c.1633

Sechs Stücke für Laute aus den Tabulaturen übertragen und für Gitarre eingerichtet von Reinbert Evers und Hildegard Ruhe. [Fitzwilliam Museum, Cambridge, mus. ms. 168]. _☟

Cologne, 1981. 4º, 16, 8, i pp. Halftone of a contemporary ms copy, in French tablature, together with a new practical edition. Historical note in Ger. Wrappers. $12 [item no.3207]

LEGNANI, Luigi, 1790-1877

Gran Studio, op.60. Urtext edition with Facsimiles of the Original Manuscripts Edited by Giuseppe Gazzelloni. _☟

Heidelberg, 1990. 4°, 16, 5 pp. Line-cut in reduced format (2 up per page) of the autograph ms, together with new practical edition and preface. Wrappers. $10 [item no.9085]

LEMOINE, Antoine Marcel, 1763-1817

[Method, guitar] Nouvelle méthode courte et facile pour la guitarre à l’usage des commençans. [A. Bailleux:] Méthode de guittarres par musique et tablature. _☟

Geneva, 1972. 4º, 104 pp. Line-cut of the Paris, n.d. edition and Paris, 1773 edition. Two complementary methods on playing the guitar. Staff notation. Wrappers. $45 [item no.3239]

L’HOYER, Antoine de, 18-19th c.

Œuvres pour la guitare. Préface de François Lesure. _☟

Geneva, 1996. 4º, 5, 60 pp. Line-cut of the Paris, c.1823-1825 edition. Contents: Grande sonate, op.12; Six Exercises, op.27; Air varié; Fantaisie; Divertissement, op.43; God Save the King. Wrappers. $61 [item no.7097]

MARESCOT, Charles de, 18-19th c.

La guitaromanie. Recueil de rondeaux, valses, contredanses, chasse, fanfare, polonaise, marches, bolero, Sonatine, air varié et préludes d’une éxécution brillante. _☟

Archivum Musicum: L’Arte della Chitarra, 16. Florence, 1985. Oblong, 21 x 15 cm, 54 pp. Line-cut of the Paris edition. With beautiful full-color reproduction a Parisian concert scene. Wrappers. $35 [item no.2213]

MERTZ, Johann Kaspar, 1806-1856

Divertissement über Motive der Oper: Der Prophet (Meyerbeer), op.32. Flute (Violin), Viola, and Guitar. Edited by Brian Torosian. _☟

n.p., 2008. 4°, 19, 13 pp. Line-cut of the Jos. Aibl edition, Munich, 1851, together with preface and new practical edition. Meyerbeer’s music was rarely used as a source for guitar arrangements and these works by Mertz provide a pleasing addition to the 19th-c. guitar repertoire. Wrappers. $20 [item no.9086]

[Duets, guitar, piano] Duetten für Guitarre und Pianoforte. Unterhaltende Tonstücke verschiedenen Characters. Mazurka, Barcarole, Divertissement, Einsiedlers Waldglocklein, Wasserfahrt am Traunsee. Introduction: Peter Pieters. [Det Kongelige Bibl., Copenhagen]. _☟

Facsimile Series, III/17. Peer, 1991. 4º, 2 parts, 52, i pp. Line-cut of the Jos. Aibl edition, Munich, 1852-53 & 1864. Not written for standard guitar with E pitch, but a terz-guitar, a smaller instrument, tuned a minor third higher. Wrappers, in portfolio. $18 [item no.3898]

Opern-Revue, Op.8, Nos.1-8. Volume I. Edited by Brian Torosian. _☟

n.p., 2006. 4°, 11, 78 pp. Line-cut of the Vienna, 1843-1844 edition. The first 8 Hefte of “Opern-Revue. Ausgewählte Melodien für Guitare” feature exclusively the operas of Gaetano Donizetti and Vincenzo Bellini. Wrappers. $20 [item no.9087]

Opern-Revue, Op.8, Nos.9-16. Volume II. Edited by Brian Torosian. _☟

n.p., 2007. 4°, 17, 84 pp. Line-cut of the Vienna, 1843-1844 edition. The works in this volume illustrate a significant elevation of musical and technical demands compared to those of vol. I, and represent Mertz’ longest and most virtuosic works published during his lifetime. The composers included here are: Balfe, Bellini, Donizetti, Stradella, Adam, & Verdi. Preface. Wrappers. $20 [item no.9088]

MOLINO, Francesco, 1768-c.1847

Grande ouverture, grande sonate, Robin & Adair, God Save the King. Pour guitare. Op.17, 51, 58 & 59. Introduction: Peter Pieters. [Bibl. Nationale, Paris]. _☟

Facsimile Series, III/18. Peer, 1991. 4º, 40, i pp. Line-cut of the Paris, c.1825 & c.1826-29 editions. One of the most celebrated guitarists of the 19th c., along with Carulli and Carcassi. Wrappers. $18 [item no.3899]

[Nocturnes, guitar, piano, op.36, 44 & 57] Premier, second et troisième nocturne pour piano et guitarre, Opus 36, 44 & 57. Introduction: Peter Pieters. [Bibl. Nationale, Paris]. _☟

Facsimile Series, III/3. Peer, 1989. 4º, 3 books, i, 46 pp. Line-cut of the Paris, c.1825-29 editions. Wrappers, in folder. $11 [item no.2777]

[Works, selections, op.15, 17, 31, 34, 41, 51, 58, guitar] Opere scelte per chitarra. A cura di Mario Dell’Ara. _☟

Ancona, 1993. 4º, 12, 82 pp. Line-cut of the original Paris editions. Contents: Trois sonates op.15, Grande ouverture op.17, Douze variations op.31, Grande polonaise op.34, Variations brillantes op.41, Grande sonate, op.51, Robin Adair op.58. Wrappers. $48 [item no.7971]

MORETTI, Ferdinando, 18th c.

[Method, guitar] [Principj per la chitarra]. [Ms., Bibl. Estense, Modena]. _☟

Archivum Musicum: L’Arte della Chitarra, 10. Florence, 1983. Oblong, 30 x 23 cm, iv, 27 pp. Line-cut of a carefully produced ms copy of the Naples, 1792 edition. 17 tables, frets, scales, chords, ornaments, accompaniments, etc. Introduction in It by Mirko Caffagni. Wrappers in decorative paper. $26 [item no.1091]

MOZART, Wolfgang Amadeus, 1756-1791

[Lieder, voice & piano, collected works] 30 Lieder und Gesänge für eine und mehrere Singstimmen mit Klavierbegleitung. Faksimileausgabe des Erstdrucks aus den Œuvres complettes, Leipzig 1799 herausgegeben von Ulrich Leisinger. Nachwort mit Bemerkungen zur Textgestalt. _☟

Stuttgart, 2006. Oblong, 30 x 21 cm, 100, x pp. Line-cut of the Breitkopf & Härtel edition, Leipzig, 1799. (= Œuvres Complettes de Wolfgang Amadeus Mozart. Cahier V, XXX). Hardbound, with decorative paper boards. $130 (more info... ) [item no.8761]

PAGANINI, Niccolò, 1782-1840

[Quartet, vln, vla, guit & vc, op.5] Tre quartetti a violino, viola, chitarra e violoncello. _☟

Archivum Musicum: L’Arte della Chitarra, 15b. Florence, 1985. 24 x 34 cm, 4 partbooks, x, 68 pp. Line-cut of the G. Ricordi, 1820 edition. Introduction in It by Adriano Sebastiani. Wrappers in decorative paper with slipcover. $47 [item no.2072]

[Sonata, guitar & violin, Ms. 2] Sonata Concertata for Guitar & Violin (M.S. 2). Urtext Edition with a Facsimile of the Original Manuscript Edited by Giuseppe Gazzelloni. _☟

Heidelberg, 1990. 4º, vii, 9, 26 pp. Line-cut of the autograph, together with a new authoritative practical edition. Introduction in Eng. Wrappers, in slipcase. $15 [item no.3951]

[Sonata, guitar & violin, Ms. 3] Grand Sonata for Guitar & Violin (M.S. 3). Urtext Edition with a Facsimile of the Original Manuscript Edited by Giuseppe Gazzelloni. _☟

Heidelberg, 1990. 4º, vii, 10, 30 pp. Line-cut of the autograph, together with a new authoritative practical edition. Introduction in Eng. Wrappers, in slipcase. $25 [item no.3952]

[Works, guitar, complete] Complete Works for Solo Guitar Edited by Giuseppe Gazzelloni. [43 Ghiribizzi (M.S. 43); 37 Sonate (M.S. 84); Composizioni varie (M.S. 85-105)]. _☟

Heidelberg, 2006. 4º, 172, 34 pp Line-cut of the autograph (composing copy) in reduced format reproduced 2 up per page, together with a new authoritative practical edition. Introduction in Eng-It. Wrappers, in slipcase. $40 [item no.3655]

PIERRE, Constant, 1855-1918

Les facteurs d’instruments de musique. Les luthiers et la facture instrumentale. Précis historique. _☟

Geneva, 1971. 8º, 460 pp. Line-cut of Paris, 1893 edition. Treats French musical instrument makers, covering the period from the 15th to the 19th century. Wrappers. $61 [item no.4262]

PILKINGTON, Francis, c.1562-1638

Complete Works for Solo Lute. Edited and Transcribed by Brian Jeffery. _☟

Music for Lute, 3. Oxford, 1970. 4º, 30, 13 pp. Line-cut of the original lute tablature, together with a new practical edition. Wrappers. $39 [item no.7723]

PORRO, Pierre-Jean, c.1759-1831

[Sonatas, guitar, violin, op.11] 6 sonates pour la guitare avec accompagnement de violon op.11; Dixième ouverture en sonate pour guitare et violon d’Iphigénie en Aulide de Gluck. Complete Facsimile Edition with an Introduction by Robert Spencer (Reproduced from Copies Owned by Robert Spencer). _☟

Heidelberg, 1981. Oblong, 31 x 23 cm, iii, 31 pp. Line-cut of the Paris, n.d. editions. Wrappers. $20 [item no.1118]

REGONDI, Giulio, 1822-1872

Concert Works for Guitar. In Reprints of the First Editions with Historical Notes and a Commentary by Simon Wynberg. _☟

Heidelberg, 3/ 2001. 4º, viii, 40 pp. Line-cut of the original 19th-c. editions, together with one newly edited piece. Contents: Rêverie op.19, Fête villageoise op.20, 1er Air varié op.21, 2me Air varié op.22, Introduction et caprice op.23. Wrappers. $30 [item no.3950]

SCHEIDLER, Christian Gottlieb, c.1750-c.1815

[Duo, guitar, violini, no.1] Duo No. 1 pour guitarre et violon chez Zulehner (ca. 1800). Facsimile Edition. Kaldeck Collection Ms. 41.988, Austrian National Library, Vienna. _☟

Heidelberg, 1980. 4º, 5 pp. Line-cut. Wrappers. $10 [item no.1133]

[Sonatas, guitar, nos.1-2] Two Sonatas for Guitar: No. 1 in C Major; No. 2 in G Major. Complete Facsimile Edition with an Introduction by Simon Wynberg. _☟

Heidelberg, 1980. 4º, 20 pp. Line-cut. Wrappers. $10 [item no.1134]

SCHUBERT, Franz, 1797-1828

[Cantata: Zur Namesfeier des Vaters, D.80] Terzetto für Männerstimmen (2 Tenöre, Baß) und Gitarre, mit einem Faksimile des Autographs. [Ms. Stadt- und Landesbibliothek Wien]. _☟

Gitarre-Kammermusik, 40. Vienna, 1960. 4º, 2, 11 pp. Line-cut of the autograph score, together with practical edition and parts. Edited by Karl Scheit. Wrappers. $9 [item no.566]

[Songs, selections] Lieder mit Gitarrenbegleiitung / 39 Songs with Guitar Accompaniment. Faksimile aus der Handschrift des Franz von Schlechta herausgegeben von Stefan Hack / Facsimile of a Manuscript by Franz von Schlechta. Edited by Stefan Hackl. _☟

Germolles-sur-Grosne, 2014. Oblong, 44 x 32 cm, 192 pp. Facsimile, with commentaries, of a historic document of the highest importance: a collection of 39 Schubert songs arranged for voice and guitar, transcribed by one of the composer's oldest and most faithful friends. It is not only the sole known source of one of Schubert’s compositions - Die Nacht - but moreover a unique testimony from the romantic age which once again calls attention to Schubert's relationship with the guitar. Commentary in Ger/Eng. Hardbound. $99 (more info... ) [item no.9442]

SOR, Ferdinando, 1778-1839

Les folies d’Espagne avec variations et un menuet. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 8 pp. Line-cut of the Simrock 2nd edition, Bonn/Cologne, c.1824-25. Wrappers. $9 [item no.8890]

TÁRREGA, Francisco, 1852-1909

The Collected Guitar Works. A Reprint Edition of the Complete Early Spanish Edition. With a Foreword and Critical Commentaries by Rafael Andiá. _☟

Centennary Edition 1909-2009. Monte Carlo, 2007. 4º, 352 pp. Unaltered line-cut of first and early editions of Tárrega’s music published in Spain from 1902-1920. This single volume supersedes the 2-volume edition published in the 1990s.. Wrappers. $98 [item no.9329]

WEBERN, Anton, 1883-1945

Sketches (1926-1945). Facsimile Reproductions from the Composer’s Autograph Sketchbooks in the Moldenhauer Archive. Commentary by Ernst Krenek with a Foreword by Hans Moldenhauer. _☟

New York, 1968. Oblong, 37 x 30 cm, 16, 47 pp. Fine line-cut reproduction of the autograph. Webern made preliminary drafts for his compositions which show stages of evolution and the unending thought and care that he bestowed upon them. While Stravinsky called the finished products “those dazzling diamonds”, this volume allows us a glimspe into the composer’s workshop. These fascinating sketches, extracted from five sketchbooks from the Webern Archive, illustrate the meticulous step-by-step process of the composer’s 12-tone technique. Compositions include op.19, 20, 21, 22, 24, 31 and several unidentified works. Handsome binding in beige and brown linen, with slipcase. $70 (more info... ) [item no.671]

COMPOSITE & MISCELLANEOUS SOURCES

[Dobney, Jayson Kerr] Guitar Heroes: Legendary Craftsmen from Italy to New York. Jayson Kerr Dobney. _☟

The Metropolitan Museum of Art Bulletin, Winter 2011. New York, 2011. 50 pp. Illustrated exhibition catalog with 70 color illustrations. Wrappers. $25 (more info... ) [item no.9227]

Flint, James. A Selection of Popular Sacred Songs Arranged with Accompaniments for the Spanish Guitar. With an Introduction by Peter Danner. _☟

Boston, 1984. 4º, iv, 9 pp. Line-cut of the Boston, 1837 edition. 10 popular religious pieces intended for home use. Composers include George James Webb, George Kinsley, Oliver Shaw. Two numbers are based on music by Mozart and Haydn. Historical introduction. Wrappers. $8 [item no.3209]

Flute & Guitar Facsimiles from the Romantic Salon (Facsimile Edition). Music by Hummel, Meyerbeer & Auber. Introduction by Janice Dockendorff Boland and John Dowdall. _☟

Nashua, 2000. 4º, iii, 44 pp. Line-cut of selections from Hummel, Neue Walzer mit Trios, op.91 (182?), Arnold (arr.), Potpourris sur des motifs des opéras modernes (184?), and Forest (arr.), Choix d’airs pur une flûte avec accompagnement de guitare de l’opera Zanetta (184?). Arranged for flute/violin & guitar. Wrappers. $19 [item no.7934]

[Methods, continuo, France, 1600-1800, parts 1-6] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, 6 vols, c.1185 pp. Line-cut, arranged chronologically, of 63 treatises on basso continuo practice by an anonymous writers, Bartolotti, Bovin, Buterne, Carre, Charpentier, Chaumont, Henry d’Anglebert, De la Barre, Delair, Feury, Marais, Nivers, Perrine/Saint-Lambert, F. Campion, T. Campion, Cheron, Clerambault, Couperin, Dandrieu, Delair, Leclair, Rameau, Dornel, Forqueray, Gervais, Goudat, Guillemain, Monnier, Monteclair, Pingre, Rameau, Serre de Rieux, Telemann, Travenol, Alembert, Blanville, Corrette, Dubugrarre/Geminiani, Laporte, Bethisy, Biferi, Clement, Dubreuil, Garnier, Gianotti, Gougelet, Labbet, Le Boeuf/Rameau, Roussier, Simon, Tapray, Bemetzrieder, Froestler, Gournay, Langle, Rodolphe, and Roussier. Wrappers. $423 [item no.8749]

[Methods, continuo, France, 1600-1800, part 1] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, c.240 pp. Line-cut of original articles or treatises on continuo practice from these sources: Fleury: Methode pour apprendre facilement - 1660; Bartolotti: Table pour apprendre facilement - 1669; Carré: Livre de Guitarre contenant plusieurs pièces - 1671; Perrine: Livre de musique pour le Lut - 1680; Anonymous: Petites regles generalles qui peuvent servir de methode - 1680; Nivers: Motets a voix seule - 1689; Henry d’Anglebert: Pièces de clavecin - 1689; Marais: Basse-continuës des pieçes a une et a deux violes - 1689; Anonymous: (traité abrégé d’accompagnement) - c. 1690; Anonymous: Règles pour l’accompagnement - 1690; Delair: Traité d’accompagnement pour le theorbe - 1690; Charpentier: Abrégé des règles de l’accompagnement - c. 1692; Chaumont: Pieçes d’orgue sur les 8 tons - 1695; Buterne: Petites regles pour l’accompagnement - 1700; Boyvin: 2. livre d’orgue - 1700; Anonymous: Traité d’accompagnement du clavecin - c. 1700; La Barre: 1. livre de pièces pour la flûte - 1702; Saint-Lambert: Nouveau traité de l’accompagnement - 1707. Wrappers. $93 [item no.8750]

[Methods, continuo, France, 1600-1800, part 2] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, c.220 pp. Line-cut of original articles or treatises on continuo practice from these sources: Couperin: Règles pour l’accompagnement - s.d.; Campion: Traité d’accompagnement et de composition - 1716; Clerambault: Règles d’accompagnement - 1716; Clerambault: Principes d’accompagnement - 1716; Dandrieu: Principes de l’accompagnement - 1719; Rameau: Traité de l’harmonie - 1722; Delair: Nouveau traité d’accompagnement - 1724; Leclair: 1. livre de sonates - 1723; Rameau: Nouveau système de musique théorique - 1726; Cheron: Sonates en trio - 1727; Campion: Lettre du sieur Campion a un philosophe - 1729; Campion: Addition au traité d’accompagnement - 1730. Wrappers. $85 [item no.8751]

[Methods, continuo, France, 1600-1800, part 3] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, c.230 pp. Line-cut of original articles or treatises on continuo practice from these sources: Pingre: Traité de l’harmonie - s.d.; Rameau: Observations sur la méthode d’accompagnement - 1730; Rameau: Plan abrégé d’une méthode nouvelle - 1730; Monteclair: Réponse du second Musicien au premier - 1729; Rameau: Réplique du premier Musicien à la réponse du second - 1730; Monteclair: Réponse du second Musicien au premier Musicien - 1730; Rameau: Réplique du premier Musicien à l’écrit du second - 1730; Rameau: Dissertation sur les différentes métodes - 1732; Gervais: Line-cut of original articles or treatises on continuo practice from these sources: Méthode pour l’accompagnement - 1733; Campion: 2. recueil d’airs - 1734; Serre de Rieux: Les dons des Enfans de Latone - 1734; Telemann: Nouveaux quatuors en six suites - 1738; Goudat: Principes de L'accompagnement - 1738; Travenol: 1. livre de sonates a violon seul - 1739; Guillemain: Six sonates en quatuors - 1743; Monnier le Cadet: L’art de toucher le clavecin dans son propre caractêre - c.1745; Dornel: le tour du clavier - 1745; Forqueray: Pièces de viole avec la basse continüe - 1747; Anonymous: (Méthode d’accompagnement) - s.d. Wrappers. $88 [item no.8752]

[Methods, continuo, France, 1600-1800, part 4] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, c.230 pp. Line-cut of original articles or treatises on continuo practice from these sources: D'Alembert: Elemens de musique - 1752; Blainville: Essay sur un troisième mode - 1751; Corrette: Le maître de clavecin - 1753; La Porte: Traité théorique et pratique - 1753; Geminiani: L’art de bien accompagner - 1754; Dubugrarre: Méthode plus courte et plus facile - 1754. Wrappers. $88 [item no.8753]

[Methods, continuo, France, 1600-1800, part 5] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, c.210 pp. Line-cut of original articles or treatises on continuo practice from these sources: Tapray: Abrège de l’accompagnement - 1755; Labbet & Leris: Sentiment d’un Harmoniphile - 1756; Clement: Essai sur l’accompagnement - 1758; Gianotti: Le guide du compositeur - 1759; Rameau: Code de musique pratique - 1760; Bethisy: Exposition de la théorie et de la pratique - 1764; Roussier: Traité des accords et de leur succession - 1764; Le Bœuf: Traité d’harmonie et règles d’accompagnement - 1766; Garnier: Nouvelle méthode pour l’accompagnement - 1767; Dubreuil: Manuel harmonique - 1767; Biferi: Traité de musique abrégé, divisé en trois parties - 1770; Simon: Théorie pratique d’accompagnement - s.d.; Gougelet: Méthode ou abrégé des règles - 1771. Wrappers. $80 [item no.8754]

[Methods, continuo, France, 1600-1800, part 6] Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six volumes réalisés par Jean Saint-Arroman. _☟

Méthodes et Traités, I. Courlay, 2006. 4º, c.255 pp. Line-cut of original articles or treatises on continuo practice from these sources: Roussier: L’harmonie pratique - 1775; Corrette: Prototipes contenant des leçons d’accompagnement - 1775; Anonymous: Abrégé des règles de composition - 1777; Bemetzrieder: Nouvelles leçons de clavecin ou instructions générales - 1782; Rodolphe: Théorie d’accompagnement - c.1785; Gournay: Lettre à M. l’abbé Roussier - 1785; Langle: Traité de la basse sous le chant - 1797; Froestler: Traité d’harmonie et de modulation - 1800; Anonymous: Principes de l’accompagnement - s.d.; Anonymous: Règles d’accompagnement - s.d. Wrappers. $98 [item no.8755]

[Methods, guitar, France, 1600-1800, part 1] Guitare – Méthodes – Dictionnaires et Encyclopédies – Ouvrages généraux – Préfaces d’œuvres. Volume I: Ancelet - Carpentier (1-2) - Corbetta - Corrette - De Visée - Derosiers – Don*** - Encyclopédie - Garsault - Lecocq - Merchi (1) - Mersenne - Trichet. _☟

Méthodes et Traités, I. Courlay, 2003. 4º, 272 pp. Complete theoretical writings on the guitar. Contents: Mersenne: Harmonie Universelle - 1636; Trichet: Traité des instruments - c.1640; Corbetta: La guitarre royale - 1671; Visee: Livre de guitarre - 1682; Derosiers: Les principes de guitarre - c.1690; Le Cocq: Recueil des pièces de guitare - 1729; Encyclopédie: Encyclopédie ou Dictionnaire raisonné des sciences - 1751/1772; Ancelet: Observations sur la musique - 1757; Don***: Méthode pour apprendre à joüer - 1760; Garsault: Notionnaire ou mémorial raisonné - 1761; Merchi: Le guide des écoliers - c.1761; Corrette: Les dons d’Apollon - 1762; Carpentier: Méthode pour apprendre, 1e partie - 1771; Carpentier: Méthode pour apprendre, 2e partie - 1773. Wrappers. $86 [item no.8381]

[Methods, guitar, France, 1600-1800, part 2] Guitare – Méthodes – Dictionnaires et Encyclopédies – Ouvrages généraux – Préfaces d’œuvres. Volume II: Alberti - Anonyme - Encyclopédie méthodique - Gatayes - Guichard - Laborde - Lemoine - Macquer - Merchi (2) - Pollet. _☟

Méthodes et Traités, I. Courlay, 2003. 4º, 240 pp. Complete theoretical writings on the guitar. Contents: Macquer: Dictionnaire raisonné - 1773; Pollet: Méthode pour apprendre - 1775; Merchi: Traité des agréments de la guitare - 1777; Laborde: Essai sur la musique - 1780; Alberti: Nouvelle méthode - 1786; Encyclopédie: Encyclopédie méthodique - 1788; Guichard: La guitare rendue facile - c.1795; Lemoine: Nouvelle méthode de guitare - c.1800; Gatayes: Méthode pour la guitare - 1800; Anon.: Méthode pour jouer de la guitare - n.d. Wrappers. $83 [item no.8382]

Notenbuch Julius von Ponikau 1820. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 16. Stuttgart, 2001. Oblong, 33 x 24 cm, 82 pp. Line-cut of a manuscript that contains a selection of movements (andantinos, menuets, adagios, waltzes, marches, contredanses), arranged for various instrumental duets, including flageolet, guitar, & posthorn. Hardbound. $62 [item no.7901]

Novísimo arte de tocar la guitarra par cifra, sin necesidad de maestro. Adornado con grabados y muchas láminas de piezas, bailes, etc. Por D.E.M. Decimasexta editión. _☟

Colección Biblioteca Valeciana. Valencia, n.d, [1996]. Oblong, 16 x 11 cm, 63 pp. Line-cut of the Madrid, 1891 edition. Wrappers. $18 [item no.7680]

Ryan’s Mammoth Collection: 1050 Reels and Jigs, Hornpipes, Clogs, Walk-arounds, Essences, Strathspeys, Highland Flings and Contra Dances, with Fugues, and How to Play Them by Patrick Sky. Bowing and Fingering Marked together with Forty Introductory Studies for the Violin, with Explanations of Bowing, etc. _☟

Pacific, 1995. 4°, 176 pp. This comprehensive book is a line-cut facsimile edition of the original collection published by William Bradbury Ryan in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th c. instrumental collections as well as a resource for students of American vernacular music. Examining the cultural exchange between minstrel show, ethnic music and even classical music influenced some of the genres of what we now call American music. A special section containing historical notes and comments is included. Wrappers. $23 [item no.9089]

(Spencer, Robert) 19th-Century Songs with Guitar Accompaniments of the Period. I: Beethoven, Haydn, Schubert. Facsimile of Original Editions (1819-1833) Introduced by Robert Spencer. _☟

Heidelberg, 2/ 2005. 4º, v, 56 pp. Line-cut. Contains Beethoven’s “Adelaide” Op.46, “Andenken” WoO 136; Haydn’s “An den Mond”; Schubert’s “Der Wanderer” Op.4,1, “Ungeduld” Op.25,7, “Der Liedler” Op.38, “Die zürnende Diana” Op.36,1, and “Nacht Stücke” Op.36,2. Wrappers. $21 [item no.719]

(Spencer, Robert) 19th-Century Songs with Guitar Accompaniment of the Period. II: Keller, Spohr, Weber. Facsimile of Original Editions (1810-1829) Introduced by Robert Spencer. _☟

Heidelberg, 1984. Oblong, 4º, iv, 72 pp. Line-cut. Contains Weber’s “Romance” Op.25,2, “Serenade”, “Die Zeit” Op.13,5, “Wiegenlied” Op.13,2; Spohr’s “Romance aus Zemier”, Sechs deutsche Lieder Op.37, Sechs deutsche Lieder Op.41, Sechs deutsche Lieder Op.72; and Keller’s “Der Traum” Op.27,1. Wrappers. $32 [item no.720]

Tonini, Giuliano. Scrinium musices. La raccolta di manoscritti e stample musicali Toggenburg di Bolzano (secc. XVIII-XIX) in deposito presso l’Archivio provinciale di Bolzano. / Die Bozner Musikaliensammlung Toggenburg (18.-19. Jahrhundert) im Südtiroler Landesarchiv. Atti del convegno - Bolanzo, Sala Vivaldi, Giovedi, 14 dicembre 2006 / Akten des Vortrasabends - Bozen, Vivaldi-Saal, Donnerstag, 14. Dezember 2006. A cura di / herausgegeben von Giuliano Tonini. _☟

Lucca, 2010. 29 x 37 cm, xxxii, 150 pp. Conference proceedings together with full-colorr reproductions of a selection of music works, including Johann Baptist Gänsbacher, Serenade pour Violon ou Flûte et Guitarre op.12 and Leonhard von Call, Serenade pour Violon ou Flûte et Guitarre op.54. Linen. $140 [item no.9159]

MODERN EDITIONS

[Chilesotti, Oscar] Musica del passato (da intavolature antiche). _☟

Bibliotheca Musica Bononiensis, IV/29. Bologna, 1968. 17 x 25 cm, 28 pp. (Rpt. of Ricordi, c.1890 edition). Modern edition for keyboard of 14 lute intabulations from the 16th c., including works by Newsidler, Da Milano, Rossetto, Corbetta, Visée, Roncalli and Weiss. Hardbound. $21 [item no.5375]

[Kapsperger, intavolatura, lute, book 1, arr] Intavolatura di liuto. Libro primo (Roma 1611). Traslitterato per chitarra / Transliterated for Guitar. A cura di Kenneth Gilbert. _☟

Chitarra. Bologna, 1998. 4º, x, 48 pp. Critical edition in staff notation transliterated for guitar. Wrappers. $30 [item no.6490]

Schoenberg, Arnold. Arrangements of Funiculi-Funicula (Luigi Denza); Ständchen (Franz Schubert). Weil I a alter Drahrer bin (Johann Sioly) _☟

Pacific Palisades, 1974 4˚, 12, 18 pp. Score and parts. Scored respecitively for vln, mandolin, cl, vla, guitar & vc; cl, bsn, mandolin, guitar, vln I/II, vla, vc; vln, mandolin, cl, vla, guitar, vc. $30 [item no.6550]

Stefani, Giovanni. Affetti amorosi di Giovanni Stefani. _☟

Bibliotheca Musica Bononiensis, IV/24. Bologna, 1969. 8º, 70 pp. (Rpt. of Ricordi, c.1890 edition). Modern edition in score--voice, guitar & bass--of 32 numbers. Includes 5 pages in facsimile from the original 1621 edition. Hardbound. $18 [item no.5370]

MONOGRAPHS

Bruni, Antonio Bartolomeo. Un inventaire sous la Terreur. Etat des instruments de musique relevé chez les émigrés et condamnés. Introduction, notices biographiques et notes par J. Gallay. _☟

Geneva, 1984. 8º, 280 pp. Line-cut of the Paris, 1890 edition. Inventories harpsichords, fortepianos, violins, violas, flutes, guitars, harps, etc. seized from the homes of emigrants in an official report in 1794. Includes names of makers and sometimes the date of the instruments. Wrappers. $76 [item no.4247]

Chilesotti, Oscar. Studi sulla chitarra e altri scritti. _☟

Bibliotheca Musica Bononiensis, III/110. Bologna, 1975. 8º, 35, 244 pp. Collection of 13 essays, together with biographical material by Giuseppe Vecchi and Vito Fedeli. Cloth. [item no.5365]

Cifariello, Giovanni. Alvaro Company. La chitarra in Italia nel novecento. _☟

Hermes, Musica e Spettacolo nel Novecento, 2. Lucca, 1999. 8º, 146 pp. Wrappers. $30 [item no.5574]

La lutherie lorraine et français depuis ses origines jusqa’à nos jours, d’après les archives locales. _☟

Vie Musicale dans les Provinces Françaises, 5. Geneva, 1985. 17 x 24 cm, 387 pp. (Rpt. of Paris, 1912 edition). Largely original work based on research in the Mirecourt and Nancya archives. Illustrations of instruments, violin labels, maker’s marks, portraits, etc. Wrappers. $126 [item no.4257]

Piccolellis, Giovanni de. Liutai antichi e moderni. Note critico-biografiche. _☟

Bibliotheca Musica Bononiensis, III/22. Bologna, 3/ 1985. 18 x 25 cm, 239 pp with 24 illus. (Rpt. of Florence, 1885-86 edition). Cloth. $53 [item no.5142]

Regazzi, Roberto. The Complete Luthiers Library. A Useful International Critical Bibliography for the Maker and Connoisseur of Stringed and Plucked Instruments Collected and Compiled by Roberto Regazzi. With a Foreword by Charles Beare. Revision of the English Text by Jane Helen Johnson. _☟

Bologna, 1990 8˚, xviii, 556 pp Limited edition of 600 copies. $225 [item no.6507]

Savart, Félix. Mémoire sur la construction des instruments à cordes et à archet. Lu à l’Académie des Sciences, le 31 mai 1819. Suivi du rapport qui en a été fait aux deux Académies des Sciences et des Beaux-Arts, par MM Haüy, Charles, de Prony, Cherubini, Catel, Berton, Le Sueur, Biot rapporteur. _☟

Geneva, 1972. 8º, 128 pp. Line-cut of the Paris, 1819 edition. Wrappers. $40 [item no.3327]

Torta, Mario. Catalogo tematico delle opere di Ferdinando Carulli a cura di Mario Torta. Volume I: Opere 1-120; Volume II: Opere 121-366. _☟

Musicalia, 3. Lucca, 1993. 8º, 2 vols, xcviii, 779 pp. Preface in It-Eng. Wrappers. $144 [item no.5568]