omi logo

Old Manuscripts & Incunabula, PO Box 6019 FDR Station, New York NY 10150
tel/fax 212/ 758-1946 • http://www.omifacsimiles.comimmels@earthlink.net

Winds
 

Wednesday, 1 November 2017
Music for recorder, flute, oboe, clarinet, bassoon, cornetto, trumpet & trombone (sackbutt). Includes
manuscript facsimiles—autographs & copyist manuscripts—, facsimiles of first and early editions,
together with a selection of modern editions & studies. For ordering information go to Contact OMI



Our winds catalog now gives you 5 different viewing options—just click the period(s) you want :
all winds  •  recorder family  •  transverse flute  •  oboe & bassoon  •  clarinet, cornetto, sacbut, horn, etc.



ABEL, Carl Friedrich, 1723-1787

[6 Easy Sonattas, kbd or vdg/vln/fl & bc] Six Easy Sonattas für Viola da Gamba und Basso Continuo oder andere Instrumente, WKO 141-146. Faksimile. Einführung von Leonore und Günter von Zadow. [Sächsische Landesbibl., Dresden].
Heidelberg, 2005. 4°, 2 partbooks, 4, 48 pp. Line-cut of the Amsterdam, 1771 edition. Preface in Ger-Eng. Wrappers. $46 [item no.8544]


[Sonatas, flute, bc, op.6] Sei sonate a solo per il flauto traversa e basso. Opera sesta. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 251. New York, [2006]. 4º, 26 pp. Line-cut of the London, n.d. edition. Wrappers. $18 [item no.8674]


[Sonatas, harpsichord, fl/vln, vc, op.5] Six sonates pour le clavecin. Avec l’accompagnement d’un violon, or flute traverière, et d’un violoncelle. Opera V.
Huntingdon, [1992]. 26 x 33 cm, 3 parts, 40 pp. Line-cut of the London, c.1764 edition. Wrappers. $25 [item no.4846]


[Trio sonatas, 2 vln, bc, or fl, vln, bc, op.3] Six Sonatas for Two Violins, or Flute and Violin and Continuo. Opus 3.
Chamber Music from Georgian England, 1. Huntingdon, c.1984. 4º, 4 partbooks, 45 pp. Line-cut of the London, c.1765 edition. Preface by Clifford Bartlett. Wrappers. $20 [item no.7020]


[Trio sonatas, vln, vla, bc, op.16] Six Trios for a Violin, Tenor, & Violoncello, op.XVI. [Library of Congress, Washington DC].
Performers’ Facsimiles, 180 New York, [2005]. 4º, 3 partbooks, 39 pp. Line-cut of the London, c.1783 edition. Wrappers. $33 [item no.8562]


ADSON, John, c.1585-1640

Courtly Masquing Ayres, Composed to 5. and 6. Parts, for Violins, Consorts, and Cornets. [Christ Church Library, Oxford University].
Performers’ Facsimiles, 293. New York, [2009]. 18 x 23 cm, 6 partbooks, 88 pp. Line-cut of T. Snodham edition, London, 1621. 20 ayres in partbook format, in mensural notation. Wrappers. $33 [item no.9094]


AGLIONE, Alessandro, fl.1599-1621

Giardino di spirituali concenti [à quattro, à due voci, con alcuni motetti à voce sola]. Venezia, G. Visconti 1618. [Universitätsbibl. Krakow].
Faksimile-Edition Krakau, 3. Stuttgart, 2006. 12 x 26 cm, 5 partbooks, 168 pp. Line-cut of the Venice, 1618 edition. Marvellous collection of sacred concerti: 8 works a4, 3 works a3, 16 works a2 and 12 for solo voice, all with basso continuo. Wrappers, in portfolio with marbled paper boards. $49 [item no.8666]


AGRICOLA, Martin, 1486-1556

Musica figuralis deudsch (1532). Im Anhang: Musica instrumentalis deudsch (1529); Musica choralis deudsch (1533); Rudimenta musices (1539). [Bayerische Staatsbibl., Munich & Bibliothek des Alten Gymnasiums, Flenburg].
Hildesheim, 1985. 10 x 16 cm, 412 pp. Line-cut of 4 of Agricola’s most famous treatises written in German. Musica instrumentalis was the second of its type (following Virdung’s Musica getuscht, 1511). Rich with woodcut illustrations and examples in Gothic and German lute tablature. Linen. $89 [item no.2531]


AICH, Arnt von, b.?-c.1528 [publisher]

Liederbuch des Arndt von Aich Köln 1519. [In diessem Buechlein fynt mann LVVV. hübscher Lieder myt Discant, Alt, Bas, und Tenor lustick zu syngen. Auck etlich zu sleiten, schwegelen, und an deren musicalisch Instrumenten artlichen zugebrauchten]. [Universitätsbibliothek, Basel].
Faksimile-Edition Rara, 4. Stuttgart, 1997. Oblong, 15 x 10 cm, 4 partbooks, 432 pp. Line-cut of the Cologne, 1519 print. Beautiful wood-block printed collection of 80 lieder, a4, appropriate for voices and/or instruments. The tenor partbook contains the complete texts of each lied. Composers include Hofhaimer, Isaac, Rener and Grefinger. Hardbound in decorative paper with matching slipcase. $95 [item no.8331]


ALBERT, Heinrich, 1604-1651

[Arias] Erster [2.3.4.5.6.7.8] Theil der Arien. [Stadtbibl., Ulm].
Faksimile-Edition Heinrich Albert, 1. Stuttgart, 2001. 20 x 32 cm, 226 pp. Line-cut of the Königsberg, 1652, 1651, 1651, 1651, 1651, 1652, 1648, 1650 editions. 170 songs, sacred and secular, written for weddings, funerals, anniversaries, and the visits of important persons as well as for the private enjoyment of the composer’s friends. For voices with instrumental accompaniment. Hardbound with boards in marbled paper. $95 [item no.7917]


[Arias] Arien erster Theil... Leipzig, Cellarius 1657; Arien ander Theil... Brieg, Tschorn 1657. RISM A 641 und 642. [Universitätsbibl. Tubingen].
Faksimile-Edition Heinrich Albert, 3. Stuttgart, 2002. 20 x 32 cm, 278, 279 pp. Line-cut of the Leipzig, 1657 and Brieg, 1657 editions. For voice with instrumental accompaniment. Hardbound with boards in marbled paper. $81 [item no.8131]


Alle Gelegenheitskompositionen. [Niedersächsische Staats-& Universitätsbibl., Göttingen & Bayerische Staatsbibl., Munich].
Faksimile-Edition Heinrich Albert, 5. Stuttgart, 2001. 20 x 32 cm, 37 pp. Line-cut of the 1644, 1645, 1645, 1649, 1619, 1650, 1651 editions. Contents: Partitura der Musica; Auf den erfreulichen Namens-Tag Herrn Johann Schmeissen; Freude dem Edlen Koyen; Hirten-Liedchen; Hochzeits-Lied; Rechte Heyrats-Kunst; Braut- & Ehren-Tantz. For voice and instrumental accompaniment. Hardbound, with boards in marbled paper. $30 [item no.7919]


Musicalische Kürbs-Hütte, welche uns erinnert menschlicher Hinfälligkeit, geschrieben und in 3. Stimmen gesetzt.
Faksimile-Edition Heinrich Albert, 4. Stuttgart, 2001. 20 x 29 cm, 10 pp. Line-cut of the Königsberg, 1615 edition. Wrappers. $10 [item no.7900]


Poetisch-Musicalisches Lust Wäldlein. [Niedersächsische Staats-& Universitätsbibl., Göttingen].
Faksimile-Edition Heinrich Albert, 2. Stuttgart, 2001. 20 x 32 cm, 159 pp. Line-cut of the Königsberg, 1648 edition. 144 songs for various functions, notated in score, for voices with instrumental accompaniment. Hardbound, with boards in marbled paper. $73 [item no.7918]


Verschiedene Gelegenheitskom positionen. 1. Auff den Nahmens-Tag Herrn Michael Adersbachen.. 2. Klag- und Tros-Lied... Herrn Georg von der Gröben 3: Braut-Tantz... Herr Barthel Michell Bräutigam 4: Hochzeit=Lied zu Ehren... Sigismund Scharffen... 5: Der Liebe Lob-Gesang, auff den Hochzeitlichen Ehren-Tag. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 10. Stuttgart, 2008. 22 x 33 cm, 2 vols, 56 pp. Line-cut of the Königsberg, 1642-1647 edition. 2 strophic settings a5 and settings for voices, with strings, trombone and bc support. Portfolio, with decorative paper boards. $45 [item no.8964]


ALCOCK, John, 1715-1806

Six Concerto’s in Seven Parts, 1750. Four Violins, a Tenor, a Violoncello: & a Thorough Bass for the Harpsicord. [Library of Congress, Washington, DC].
Alston, 2004. 4˚. 7 partbooks, ii. 127 pp. Line-cut of the London, 1750 edition. The 1st, 3rd, 4th and 6th concerto may be played with 2 German flutes and the 2nd and 5th with oboes and bassoons. Preface by Peter Holman. Ring binding. $64 [item no.8453]


ALTENBURG, Johann Ernst, 1734-1801

[Method, trumpet] Versuch einer Anleitung zur heroisch-musikalischen Trompeter- & Paukerkunst.
Monuments of Music and Music Literature in Facsimile, II/36. New York, 1967. 8º, 144 pp. Line-cut of the Halle, 1795 edition. Laid paper, clothbound. [item no.2925]


[Method, trumpet] Versuch einer Anleitung zur heroisch-musikalischen Trompeter- und Paukerkunst. Faksimile der Ausgabe von 1795 mit einem Nachwort in Deutsch und Englisch von Frieder Zschoch.
Leipzig, 1972. 19 x 20 cm, 144 facs, x pp. Line-cut of the Halle, 1795 edition. $45 [item no.3162]


[Method, trumpet] Versuch einer Anleitung zur heroisch-musikalischen Trompeter- und Paukerkunst. Reprint der Ausgabe von 1795. Nachwort von Frieder Zschoch. [Städtische Bibliothek, Leipzig].
Dokumentationen, Reprints, 31. Michaelstein, 1993. 17 x 19 cm, 144 facs, x pp. Line-cut of the Halle, 1795 edition. Wrappers. $38 [item no.4662]


AMON, Johannes Andreas, 1763-1825

An der Tod, mit begleitung einer obligaten Flöte und Piano-Forte oder Guittarre. Bonn s.d.
Archivum Musicum: L’Arte della Chitarra, 18. Florence, 1986. Oblong, 34 x 24 cm, 7 pp. Line-cut of the Simrock, early 19th-c. edition. Wrappers in decorative paper. $19 [item no.1818]


ANERIO, Felici, c.1560-1614

Canzonette a quattro voci [libro primo]. [Bischöfliche Bibliothek, Regensburg].
Faksimile-Edition Rara, 74. Stuttgart, 2016. 18 x 22 cm, 4 partbooks, 88 pp. Line-cut of the Venice, 1586 edition partbook edition. 22 4-voice settings (canto I, canto II, alto, basso). First ever facsimile of a publication solely dedicated to this important Roman madrigalist. Wrappers, with portfolio in decorative paper. $42 [item no.9526]


ANTICO, Andrea, c.1480-d.? [publisher]

Canzoni nove con alcune scelte de vari libri. Rom, 1510. [Universitätsbibliothek Basel].
Faksimile-Edition Rara, 59. Stuttgart, 2009. Oblong, 27 x 20 cm, 86, ivi pp. Line-cut of the Rome, 1510 edition. A unique print—Andrea Antico’s first—in the possession of the Basel University Library, with title page in woodcut that immortalizes the purchaser and first owner of the volume: the humanist Bonifacius Amerbach. The collection, comprised of 41 motets for 4 voices is engraved with incredible skill on wood blocks. Tromboncino is the best represented composer in the collection (18 works). Afterword by Martin Kirnbauer. Hardbound in decorative paper. $36 [item no.9069]


Liber quindecim missarum electarum quae per excellentissimos musicos compositae fuerunt (Rom: Andrea Antico 1516) (RISM 1516[1]). [Stadtbibl. Baden/Schweiz].
Faksimile-Edition Rara, 52. Stuttgart, 2006. 29 x 42 cm, 326, iii pp. Line-cut of the Rome, 1516 edition. This exquisite choirbook—executed entirely with woodblock engraving—is the first sacred music printed in Rome. In the dedication to Pope Leo X Antico mentions he spent three years laborious preparing the woodcuts for this publication. The graphic artist responsible for the cover page designs as well as numerous illustrations that appear throughout the print was probably Giovanbattista Columba. A gem for music historian and performer alike. The volume contains 15 masses, 3 by Josquin, 3 by Brumel (including Missa de beata virgine), 3 by Fevin, 2 each by de la Rue and Mouton, and 1 each by Pippelare and Rossell. Afterword by Martin Kirnbauer. Hardbound in decorative paper. $228 (more info... ) [item no.8744]


Motetti novi e chanzoni franciose a quatro sopra doi.
Geneva, 1982. Oblong, 18 x 13 cm, 76 pp. Line-cut of the Venice, 1520 edition. Antico printed these pieces with movable type in two impressions. Unique collection of canonic chansons and motets for four voices (notated in two) by Willaert, Mouton, Prioris, Divitis, Vassoris, de la Rue, etc. Wrappers. $25 [item no.1316]


ARNE, Thomas A., 1710-1778

[Cantatas, voice, strgs/winds, bc] Six Cantatas for a Voice and Instruments Set to Musick.
Huntingdon, 1986. 4º. 70 pp. Xerographic reprint of the c.1755 edition. Contains “The School of Anacreon”, “Lydia from Sappho”, “Folick and Free”, “Bacchus and Ariadne”, “The Morning”, & “Delia”. Various scoring, including oboes, horns, flute, strings & bc. Wrappers. $24 [item no.7038]


[Comus, masque] The Songs, Duet & Trio in the Masque of Comus. Set for the Violin, German Flute and Harpsichord. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 5. Hebden Bridge, 2007. 21 x 30 cm, 23 pp. Line-cut of the London, n.d. edition. Wrappers. $20 [item no.8920]


[Thomas & Sally, selections] Overture with Songs in Thomas and Sally, as Performed at the Theatre Roal in Covent Garden. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 7. Hebden Bridge, 2007. 21 x 30 cm, 18 pp. Line-cut of the London, n.d. edition. Vocal score with flute or violin accompaniment. Wrappers. $17 [item no.8922]


[Trio sonatas, 2 vln, bc, op.3] 7 Trio Sonatas, op.3.
Chamber Music from Georgian England, 2. Huntingdon, [1990]. 4º. Xerographic reprint of the 18th-c. edition. Flute may substitute for vln I in sonatas nos. 2, 5, 6 & 7. Wrappers. $25 [item no.7025]


ATTAINGNANT, Pierre, c.1494-1552 [publisher]

[Motet & magnificat collections, books 1-13] 1) Liber primus quinque et viginti musicales... 2) Liber secundus... 3) Liber tertius... 4) Liber quartus... 5) Liber quintus... 6) Liber sextus... 7) Liber septimus... 8) Liber octavus... 9) Lib. nonus... 10) Lib. decimus... 11) Lib. undecimus... 12) Lib. duodecimus... 13) Lib. decimus tertius... [Universitäts-Bibl., Jena].
Faksimile-Edition Rara, 35. Stuttgart, 2003. Oblong, 21 x 16 cm, 4 partbooks, c.1700 pp. Line-cut of the Paris, 1534 edition. Fantastic motet & magnificat collection for 3 to 8 voices by a wonderful cross section of European masters including Gombert, Verdelot, Richafort, Mouton, De la Fage, Josquin, Certon, Manchicourt, etc. Over 260 works in choirbook format. Hardbound in decorative paper with matching slipcase. $379 [item no.8332]


AUBERT, Jacques, 1689-1753

[Pièces, 2 flutes/violins, bc] Pièces à deux flûtes traversières ou à deux violons, 1723. 1ère suitte.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 16 pp. Line-cut of the author’s and Boivin edition, Paris, 1723. Wrappers. $10 [item no.8842]


AVENARIUS, Philipp, c.1553-c.1610

Cantiones sacrae quinque vocum, accommodatae ad omnes usus, tam viva voce, quam omnis generis instrumentis cantatu iucundae, iam recens in lucem editae. [Bayerische Staatsbibliothek, Munich].
Waiblingen, [1994]. Oblong, 20 x 15 cm, 5 partbooks, c.328 pp. Line-cut of the Neuber edition, Nuremberg, 1572. 30 pieces a5 with latin texts, written in mensural notation, for voices or instruments. Hardbound, with matching slipcase. $109 [item no.7118]


BABELL, William, c.1690-1723

[Concerti, violin & 1-2 flutes, bc, op.3] Concertos in 7 Parts: The First Four for Violins and One Small Flute and the Two Last for Violins and Two Flutes. The Proper Flute Being Nam’d to Each Concerto. Opera Terza. [Statens Musikbibliotek, Stockholm].
Alston, 2000. 4º, i, 7 partbooks, 86 pp. Line-cut of the London, c.1726 edition. Preface by Peter Holman. Ring binder. $54 [item no.7865]


[Solos, vln/ob, bc, part 1] XII Solos for a Violin or Hoboy: with a Bass, figur’d for the Harpsicord, with Proper Graces Adapted to Each Adagio by the Author. Part the First of his Posthumous Works. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 186. New York, [1997]. 24 x 31 cm, 61 pp. Line-cut of the Walsh edition, London, c.1725. The unaligned ornamental figures in this edition, almost impossible to transcribe, make the facsimile indispensable for performance practice. Wrappers. $20 [item no.7507]


[Solos, vln/ob, bc, part 1] XII Solos, For a Violin or Hautboy with a Bass, figur’d for the Harpsicord with proper Graces adapted to each Adagio by the Author. [British Library, London].
Alston, 1996/ 2000. 4º, i, 61 pp. Line-cut of the London, c.1725 edition. Preface by Peter Holman. Ring binder. $36 [item no.7834]


[Solos, vln/ob/fl, bc, part 2] XII Solos for a Violin, Hoboy or German Flute with a Bass figur’d for the Harpsicord... Part the Second of his Posthumous Works. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 187. New York, [1996]. 24 x 31 cm, 52 pp. Line-cut of the Walsh edition, London, c.1725. The unaligned ornamental figures in this edition, almost impossible to transcribe, make the facsimile indispensable for performance practice. Wrappers. $20 [item no.7351]


[Solos, vln/ob/fl, bc, part 2] XII Solos, For a Violin or Hautboy with a Bass, figur’d for the Harpsicord with proper Graces adapted to each Adagio by the Author. Part the Second of His Posthumous Works. [British Library, London].
Alston, 1996/ 2000. 4º, i, 52 pp. Line-cut of the London, c.1725 edition. Preface by Peter Holman. Ring binder. $36 [item no.7864]


BACH, Carl Philipp Emanuel, 1714-1788

[Sonata, flute, H.562/Wq.132, A minor] Sonate für Querflöte solo a-moll / Sonata in A Minor for Flute Alone (Wq 132), nach dem Erstdruck herausgegeben von Hermien Teske.
Winterthur, 1978. 4º, iv, 5 facs, 6 pp. Halftone of the Berlin, 1763 edition (from the musical quarterly, Musikalisches Mancherley), together with a new practical edition. Preface in Ger-Eng. Wrappers. $15 [item no.2001]


[Sonata, flute, H.562/Wq.132, A minor] Sonate a-moll für Flöte solo (Wq 132), herausgegeben von Mirjam Nastasi.
Wiener Querflöten-Edition. Vienna, 1986. 4º, vi, 6, 6 pp. Line-cut of the L. Winter edition, Berlin, 1763. Together with new practical edition. Foreword in Ger-Eng-Fr. Wrappers. $10 [item no.1594]


[Trio sonatas, 2 vln, bc; fl, vln, bc, H.579-78/Wq.161/1-2] Zwey Trio, das erste für zwo Violinen und Bass, das zweyte für 1. Querflöte, 1. Violine und Bass; bey welchen beyden aber die eine von den Oberstimmen auch auf dem Flügel gespielet werden kan [Wq. 161].
Performers’ Facsimiles, 9. New York, 1986. 24 x 33 cm, 28 pp. Line-cut of the Nuremberg, 1751 edition, in score format. Contains the piece “Sanguineus et Melancholicus”, a musical “argument” between sanguine and melancholy temperaments personified by the two violin parts. The composer provides about 40 stagedirections throughout the piece. Wrappers. $18 [item no.20]


BACH, Johann Christian, 1735-1782

[Quartets, fl/vln, vla, vc, op.8, W B51-56] Six Quartettos for a German Flute, Violin, Tenor and Violoncello. Opera VIII. [Yale University Library, New Haven].
Performers’ Facsimiles, 283. New York, [2009]. 26 x 33 cm, 4 parts, 54 pp. Line-cut of the London, c.1775 edition. Wrappers. $35 [item no.9100]


[Quartets, winds/strings, op.19, W B61-64] Four Quartettos, Two for Two Flutes, a Tenor and Violoncello, One for Two Flutes a Violin and Violoncello, and One for a Flute, Hoboy, or Two Flutes, a Tenor, Violoncello. Opera XIX.
Huntingdon, n.d. 4º. 4 partbooks, 45 pp. Xerographic reprint of the London, 1784 edition. Nos. 1-2 for 2 fl, vla, vc; no.3 for 2 fl, vln, vc; no.4 for f/ob, fl, vla, vc. Wrappers. $24 [item no.8309]


[Quartets, fl, vln, vla, vc; 2 vln, vla, vc] Six Quartettos for a German Flute, Violin, Tenor and Bass, or Two Violins, a Tenor and Bass.
Huntingdon, n.d. 4º. 4 partbooks, 54 pp. Xerographic reprint of the London, 1776 edition. Works by J.C. Bach, Abel & Giardini. Wrappers. $24 [item no.8310]


[Sonatas, keyboard, vln/fl, op.10, W B2-6a] Six Sonatas for Harpsichord or Pianoforte & Violin. Op.X.
Biblioteca Classica, 3. Rotterdam, 1984. 4º, 38 pp. Line-cut of the London, 1773 edition. Plastic ring binding. $25 [item no.4896]


[Sonatas, keyboard, vln/fl; keyboard, vln, vc, op.15] Four Sonatas and Two Duetts for the Piano Forte or Harpsichord with Accompaniments. . . Opera 15.
Biblioteca Classica, 4/I. Rotterdam, 1985. 4º, 3 parts, 36 pp. Line-cut of the London, 1778 edition. Wrappers. $19 [item no.4897]


[Sonatas, keyboard, vln/fl, op.16, W B10-15a] Six Sonatas for the Harpsichord or Pianoforte with an Accompanyment for the Violin or German Flute. Opera XVI.
Wilhelmshaven, n.d. Oblong, 30 x 21 cm, 39 pp. Line-cut of the London, 1779 edition. Wrappers. $26 [item no.23]


BACH, Johann Christoph Friedrich, 1732-1795

[Sonata, flute/violin, bc] Sonata per il flauto, violino, e basso.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 28 pp. Line-cut of the Hamburg, 1770 edition (extracted from Musikalisches Vielerley). Wrappers. $15 [item no.9036]


BACH, Johann Sebastian, 1685-1750

[Cantata 79] Gott der Herr ist Sonn und Schild (BWV 79). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Kommentar von Hans-Joachim Schulze. [Mus. ms. Bach P. 89].
Leipzig, 1988. 23 x 37 cm, v, 28 pp. Halftone of the autograph in its original loose bifolio format. Scored for solo SAB, SATB chorus, flutes, oboes, horns, timpani, strings & continuo. The beginning chorale and aria of this cantata served as the model for the Gloria chorale and duet “Domine Deus” of the Mass in G major (BWV 236); the aria “Gott ist unser Sonn’ und Schild” appears again as “Quoniam tu solus” in the Mass in A major (BWV 234). Introduction in Ger. Portfolio in blue linen. $73 (more info... ) [item no.1746]


[Cantata 105] Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort von Robert L. Marshall.
Leipzig, 1984. 23 x 37 cm, x, 24 pp. Halftone of the 1723 autograph score in the original loose gathering format. Scored for solo SATB, SATB chorus, horn, oboes, strings & continuo. Commentary in Ger-Eng. Handsome portfolio in blue linen. $72 (more info... ) [item no.2009]


[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78.
Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. Handsome binding in brown linen with lettering in gold. $285 (more info... ) [item no.7619]


[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78.
Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. “Sonder-Ausgabe” issued on the occasion of the 200th anniversary C-F. Peters for Bach-Jahr 2000. Bound in green buckram with gold lettering. $285 (more info... ) [item no.8986]


[Musical Offering, BWV 1079] Musikalisches Opfer / Musical Offering (Musical Sacrifice). BWV 1079. Score Based on Bach’s First Edition of 1747 with Inserted Facsimile. Edited by Hans-Eberhard Dentler with a Note by Alberto Basso.
Musica Humana, Faszikel 1. Mainz, 2012. 25 x 33 cm, 53, 113, 38 pp. Modern edition in score format with facsimile supplement reproducing the 1747 edition of the instrumental parts. “Regis iussu cantio et reliqua canonica arte resoluta” is Bach’s famous collection of canons and fugues based on a musical theme given to him by Frederick the Great, to whom they are dedicated. The work has its roots in a meeting on May 7, 1747 at the King’s residence in Potsdam, where Carl Philipp Emanual was employed as a court musician. The work comprises 2 ricercars, one a6 and one a3, 10 canons, and a “sonata sopr’li soggetto Reale”, a trio sonata in 4 movements featuring the flute, one of the instruments Frederick played. Introduction and critical notes in Ger-Eng-Fr. Handsome binding in red linen with gold title. $171 (more info... ) [item no.9321]


[Partita, flute, BWV 1013, A minor] Partita in a-moll für Flöte solo (BWV 1013) herausgegeben von Hermien Teske. [Staatsbibliothek Preußischer Kulturbesitz, Berlin, mus. ms. Bach P. 968].
Winterthur, 1980. 4º, ii, 3 facs, 6 pp. Halftone of a contemporary ms copy (the only known source for this piece), together with a new practical edition. Preface in Ger-Eng. Wrappers. $15 (more info... ) [item no.2014]


[Sonata, flute, harpsichord, BWV 1030, B minor] Sonata in si minore à cembalo obbligato e travers. solo (BWV 1030). IV manoscritti Berlinesi del XVIII sec. [Deutsche Staatsbibl. Berlin, Mus. ms. Bach P. 975].
Archivum Musicum: Monumenta Musicae Revocata, 8. Florence, 1989. 25 x 34 cm, xii, 65 pp. Line-cut of the complete autograph score, supplemented by a copy of the solo flute part in the hand of Christoph Friedrich Penzel. Presents in addition three 18th-c. ms copies in the Staatsbibliothek Preußischer Kulturbesitz, Berlin: Am B. 53, Mus. ms. P 229 and Mus. mus. P 1009, scores in the hand of Johnann Philipp Kirnberger and Christoph Altnikol, and the obligato cembalo part (alone) by an unknown copyist. Introduction in It-Eng by Marcello Castellani. Quarter linen. $44 (more info... ) [item no.2950]


Wollny, Peter. Generalbass- und Satzlehre, Kontrapunktstudien, Skizzen und Entwürfe. Herausgegeben von Peter Wollny. Anhang: Aria “Alles mit Gott und nichts ohn’ ihn” BWV 1127. Herausgegeben von Michael Maul.
Neue Ausgabe Sämtlicher Werke, Supplement. Kassel, 2011. 22 x 30 cm, 250 pp (incl. 77 facsimiles). Comprehensive study of Bach’s basso continue practice, documented with full-color reproductions from autograph manuscripts and sketches. Consists of teaching documents in figured bass and counterpoint, and sketches & fragments found in autograph full scores, all accompanied by modern transcriptions. Linen. $334 (more info... ) [item no.9278]


BACILLY, Bénigne de, 1625-1692

[Chansons, book.3] III. livre de chansons pour danser et pour boire, 1665. Présentation: Départment de musique ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris. [Bibl. Sainte-Geneviève, Paris].
La Musique Française Classique de 1650 à 1800, 171. Courlay, 2005. 24 x 33 cm, xviii, 46 pp. Line-cut of the Paris, 1665. Introduction in Fr-Eng-Ger. Includes dance notation for 12 numbers. Wrappers. $47 [item no.8573]


BACKOFEN, Johann Georg Heinrich, 1768-1830

[Method, clarinet & basset horn] Anweisung zur Klarinette nebst einer kurzen Abhandlung über das Bassett-Horn. Reprint der Ausgabe Leipzig 1803, herausgegeben und mit einem Vorwort versehen von Karl Ventzke.
Celle, 1986. 8º, i, 38 pp. Line-cut of the Leipzig, 1803 edition. Wrappers. $15 [item no.4330]


BALDANO, Giovanni Lorenzo, 1576-1660

[Method on tuning the sordellina] Libro per scriver l’intavolatura per sonare sopra le sordelline (Savona 1600). Facsimile del manoscritto e studi introduttivi a cura di Maurizio Tarrini, Giovanni Farris, John Henry van der Meer.
Studi e Fonti per la Storia della Musica in Liguria, 2. Savona, 1995. Oblong, 21 x 30 cm, 220, 73 pp. Unique source of music (in tablature notation) for the sordellina (fols. 1-31) and buttafuoco (fols. 145-149), two instruments typical in Neopolitan circles of the 16th and 17th centuries. It is the only ms containing instructions for tuning the sordellina, a type of Italian drawing-room bagpipe. The buttafuoco is a dulcimer-like instrument. Introduction in It, with modern transcriptions of 89 works. Wrappers. $82 [item no.7174]


BALDINI, Giuseppe, 17-18th c.

[Trio sonatas, flute, bc] Tre seguite e tre sonate per flauto traversiere e basso continuo. Amsterdam, s.d.
Archivum Musicum: Flauto Traversiere, 38. Florence, 2003. 24 x 34 cm, xii, 26 pp. Line-cut of the Amsterdam, c.1729 edition. Introduction in Ger-It by Nikolaus Delius. Wrappers, in decorative paper. $34 [item no.8565]


BANCHIERI, Adriano, 1568-1634

Fantaisie overo Canzoni alla francese. Venedig, Ricciardo Amadino 1603.
Faksimile-Edition Rara, 65. Stuttgart, 2014. 17 x 23 cm, 4 partbooks, 96 pp. Line-cut of the Venice, 1603 edition. 21 instrumental canzoni suitable for strings/winds. Wrappers, with portfolio in decorative paper. $42 [item no.9356]


Il zabaione musicale [inventioine boscareccia et primo libro di madrigali a cinque voci]. [Staats- & Stadtbibliothek, Augsburg].
Faksimile-Edition Augsburg, 1. Stuttgart, 1997. 15 x 20 cm, 3 partbooks, c.128 pp. Line-cut of the Simon Tini & Filippo Lomazzo edition, Milan, 1604. 17 settings a5, for voices with or without instruments, based on the pastoral stories of Greek mythology. Wrappers, with handsome portfolio in marbled paper. $76 [item no.7494]


BANISTER, John, II, 17-18th c.

[Method, oboe] The Sprightly Companion. Complete Facsimile Edition from the Copy in the British Library. Preface: Peter Hedrick.
Historical Oboe Tutor Series, I. Columbus, 1987. Oblong, 28 x 21 cm, vi, 19 pp. Line-cut of the Walsh edition, London, 1695. Wrappers. $18 [item no.3115]


BARON, Ernst Gottlieb, 1696-1760

[Sonata, flute, lute, G major] Sonate à 2 G Dur für Traversflöte und Barocklaute. Reproduktion nach einer Kopie aus der 2. Hälfte des 18. Jahrhunderts im Besitz der Stadt Leipzig Städtische Bibliothek Musikbibliothek (Signatur III.11.6a).
Lübeck, 1998. Oblong, 30 x 21 cm, 18 pp. Line-cut of a contemporary manuscript copy. (Lute part in French tablature). Ring binder. $21 [item no.7887]


BARSANTI, Francesco, c.1690-1775

[Sonatas, recorder/violin, bc, op.1] Sonate a flauto, o violino solo, con basso per violone, o cembalo. Londra 1724.
Archivum Musicum: Strumentalismo Italiano, 75. Florence, 1993. 23 x 33 cm, ii, 36 pp. Line-cut of the London, 1724 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.4287]


[Sonatas, recorder/violin, bc, op.1] Sonate a flauto, o violino solo con basso, per violone o cembalo. Introduction: P. Holman. [Royal Conservatory of Music, Brussels, Wq 12116].
Facsimile Series, IV/10. Peer, 1993. 4º, 36 pp. Line-cut of the London, 1724 edition. Wrappers. $21 [item no.4500]


BARTOLINI, Orindio, 1589-1640

Messe concertate [a 5. 8. & 9. voci, & motteti à 1. 2. 3. & 8. col basso continuo per l’organo]. Venedig, Bartholomeo Magni, 1634. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 35. Stuttgart, 2015. 17 x 25 cm, 10 partbooks, 308 pp. Line-cut of the Venice, 1621 partbook edition. Contents: Missa Stabat Mater dolorosa; Missa Susanna; Missa Diligam te Domine; Missa Sine Nomine. Wrappers, with portfolio covered in marbled paper. $79 [item no.9532]


BASELLI, Constantino, fl.1600-1640

Il primo libro de sacri concerti [a una, a due, a tre & quatro voci con il basso continuo per l’organo], Venetia, Ricciardo Amadino 1614. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 4. Stuttgart, 2006. 12 x 26 cm, 5 partbooks, 160 pp. Line-cut of the Venice, 1614 edition. Rich collection of sacred concerti for all sorts of vocal combinations: 8 works a4, 3 works a3, 9 works a2 and 4 for solo voice, all with basso continuo and many calling for trombone or chittarone accompaniment. Wrappers, in portfolio with marbled paper boards. $59 [item no.8689]


BASSANO, Giovanni, c.1550-d.?

Ricercate, passaggi et cadentie per potersi essercitar nel diminuir terminatamente con ogni sorte d’istrumento: & anco diverti passaggi per la semplice voce. [Civico Museo Bibliografico Musicale, Bologna].
Münster, c.1995. 4º, i, 23 pp. Line-cut of the Venice, 1585 edition. Bassano, a cornetto player who was a member of the ensemble at St. Mark’s in Venice, wrote two important treatises. This is the first one, which includes examples of quasi-improvised pieces for solo instrument. Ring binder. $26 [item no.7355]


BASTON, John, fl.1711-1733

[Concerti, recorders/violins] Six Concertos (1729) in Six Parts for Violins and Flutes, viz. a Fifth, Sixth and Consort Flute. The Proper Flute Being Nam’d to Each Concerto. Présentation par Susi Möhlmeier & Frédérique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1997. 4º, 18, 6 partbooks, 61 pp. Line-cut of the Walsh edition, London, 1729. Concertos I & III are for alto recorder in f, concertos II, IV and V for soprano recorder in D, concerto VI for a C recorder. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.7430]


BÂTON, Charles, b.?-1758

[Suites, 2 viols/musettes/flutes/recorder/oboes; Suites, treble inst, bc] Premier œuvre contenant trois suites pour deux viéles, muzettes, flûtes traversieres, flûtes a bec, hautbois, et trois suites avec la basse continüe. [Collection Paul Fustier].
Béziers, 2003. 20 x 29 cm, ii, 28 pp. Line-cut of the Paris, [1733]. Introduction in Fr by Paul Fustier. Wrappers. $26 [item no.8214]


BATTISHILL, Jonathan, 1738-1801

[Songs, voice, strings/winds, bc] A Collection of Favourite Songs Sung at the Publick Gardens, and Theatres.
Huntingdon, n.d.. 4º, 24 pp. Line-cut of the London, c.1748 edition. Wrappers. $12 [item no.7628]


BECKER, Dietrich, 1623-1679

[Musikalische Frühlings-Früchte, strings/winds] Musikalische Frühlings-Früchte bestehend in drey-, vier- und funff-stimmiger Instrumental-Harmonia, nebenst dem Basso Continuo.
Huntingdon, 1991. 4º, 7 partbooks, c.190 pp. Line-cut of the Hamburg, 1668 edition. Sonatas and dances for 3, 4 & 5 instruments: strings, cornetti, bassoons, & viols. Wrappers. $49 [item no.7028]


[Trio sonatas, strings/winds] Erster Theil zwey-stimmiger Sonaten und Suiten nebest einem gedoppelten Basso Continuo.
Huntingdon, c.1990. 4º, 4 partbooks. c.225 pp. Line-cut of the Hamburg, 1674 edition. Vln I, II, bass, & bc partbooks. Wrappers. $48 [item no.7029]


BELLINZANI, Paolo Benedetto, c.1690-1757

[Sonatas, recorder, bc] Sonata a flauto solo con cembalo, o violoncello, Venezia 1720.
Archivum Musicum: Strumentalismo Italiano, 9. Florence, 1979. Oblong, 34 x 24 cm, v, 59 pp. Line-cut. 12 sonatas and folia. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $39 [item no.747]


BERARDI, Angelo, c.1635-1695

[Canzoni, violin/recorder, bc, book 1, op.7] Sinfonie a violino solo. Libro primo, opera settima. [Civio Museo Bibliografico Musicale, Bologna].
Münster, 1993. Oblong, 30 x 21 cm, 98 pp. Line-cut of the Giacomo Monti edition, Bologna, 1670. Six canzoni notated in score (treble plus basso continuo). Wrappers. $62 [item no.4355]


BERBIGUIER, Antoine Tranquille, 1782-1838

[Cavatina, 3 flutes, op.110] An Original Cavatina as a Trio for Three Flutes. Op. 110.
Collection Dominantes. Courlay, 2007. 21 x 30 cm, 24 pp. Line-cut of the London, c.1830 edition. Preface in Fr-Eng-Ger. Wrappers. $19 [item no.8944]


[Duos, flutes, op.71 & op.85] Three Brillant Duets for Two Flutes; Trois grands duos concertans, op.71; Trois grands duos concertans, op.85.
Nashua, c.1996. 4º, Line-cut. Wrappers. $33 [item no.7734]


BERG (= MONTANUS), Johann, b.?-1563 [publisher]

Bergkreyen, auff zwo Stimmen componirt, sambt etlichen dergleichen franckreichischen Gesenglein, mit Fleisz auszerlesen, und jetzund newlich zu freundlichem Gefallen, allen der edlen Musickliebhabern in Druck geordnet. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 11. Stuttgart, 1996. Oblong, 20 x 15 cm, 2 partbooks, 86 pp. Line-cut of the Berg & Neuber edition, Nuremberg, 1551. Vocal (or instrumental) duets by A. Erich, V. Fortius, J. Heller, R. Rephun, A. Schwartz, T. Stoltzer, and others. Wrappers, with slipcase in beautiful marbled paper. $91 [item no.7338]


Diphona amoena et florida, selectore Erasmo Rotenbuchero, boiaro. Nürnberg/ J. Montanus & U. Neuber. [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 8. Stuttgart, 2011. Oblong, 22 x 17 cm, 2 partbooks, 248 pp. Line-cut of the Berg & Neuber edition, Nuremberg, 1549. Wonderful anthology of 99 duos (diphonorum) for soprano & tenor pairings in mensural notation. Composers include Agricola, Fevin, Josquin, Isaac, Ockeghem, Lampadius. Hardbound in decorative paper, matching slipcase. $87 [item no.9262]


Psalmorum selectorum... Tomus primus. [Bayerische Staatsbibl., Munich].
Faksimile-Editionen Psalmen und Motetten, 1. Stuttgart, 2002. Oblong, 17 x 13 cm, 4 partbooks, c.512 pp. Line-cut of the Berg & Neuber edition, Nuremberg, 1553. Collection of vocal (or instrumental) psalm settings a4 by Josquin, Gombert, Clemens no Papa, and their contemporaries. Hardbound with decorative paper and matching slipcase. $142 [item no.8134]


Thesauri musici tomus [quintus, et utimus, continens sacras harmonias quatuor vocibus compositas]. Nürnberg, Berg und Neuber. RISM 1564(5). [Bayerische Staatsbibl., Munich].
Faksimile-Editionen Psalmen und Motetten, 3. Stuttgart, 2006. Oblong, 19 x 15 cm, 4 partbooks, c.416 pp. Line-cut of the Berg & Neuber edition, Nuremberg, 1564. Collection of 41 vocal (or instrumental) psalm settings a4 by Clemens non Papa (10), Crequillon (2), Galli (2), Lasso (4), Riuulo (2), Vaet (4), and their contemporaries. Hardbound with decorative paper and matching slipcase. $130 [item no.8667]


BERNIER, Nicolas, 1664-1734

[Cantatas, voice, bc, with & without instruments, book 3] Cantates françaises, ou musique de chambre a voix seulle et a deux avec symphonie et sans symphonie avec la basse continue, troisième livre, partition in folio.
La Musique Française Classique de 1650 à 1800, 43. Courlay, 1989. 22 x 31 cm, 12, 119 pp. Line-cut of the Paris, [1703] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $54 [item no.3526]


[Cantatas, voice, bc, book 3, selection] Le caffé (cantate extraite du IIIe livre) - 1703.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, [1703] edition. Wrappers. $14 [item no.8935]


[Cantatas, voice, bc, with & without instruments, book 6] Cantates françoises, ou musique de chambre a voix seulle avec symphonie et sans symphonie avec la basse-continue, sixième livre, partition in folio.
La Musique Française Classique de 1650 à 1800, 49. Courlay, 1990. 22 x 31 cm, xii, 98 pp. Line-cut of the Paris, 1718 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $48 [item no.3824]


[Cantatas, voice, bc, with & without instruments, book 7] Cantates françaises, ou musique de chambre a voix seulle avec symphonie et sans symphonie avec la basse continue, septième livre, partition in folio.
La Musique Française Classique de 1650 à 1800, 44. Courlay, 1989. 22 x 31 cm, 9, 106 pp. Line-cut of the Paris, 1723 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $51 [item no.3527]


[Motets, 1-3 voices, bc, with & without instruments, op.1] Motets à une, deux et trois voix, avec symphonie et sans symphonie, au nombre de vingt six. Première œuvre.
La Musique Française Classique de 1650 à 1800, 17. Courlay, 1987. 22 x 31 cm, ix, 259 pp. Line-cut of the Paris, 1703 edition. Introduction by Jean Saint-Arroman. Wrappers. $88 [item no.2142]


[Motets, 1-3 voices, bc, with & without instruments, op.2] Motets à une, deux et trois voix, avec symphonie et sans symphonie. Second œuvre, 1713. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 127. Courlay, 1999. 22 x 31 cm, 17, 196 pp. Line-cut of the Paris, 1713 edition. Introduction by Jean Saint-Arroman. Wrappers. $78 [item no.7711]


BERTALI, Antonio, 1605-1699

Prothimia suavissima ovvero XII sonate a tre o quattro strumenti e basso, parte seconda. S.l. 1672.
Archivum Musicum: Strumentalismo Italiano, 82. Florence, 2000. Oblong, 34 x 24 cm, 4 partbooks, c.112 pp. Line-cut of the 1672 edition. Scored for vln I, vln II, viola da gamba & basso continuo. Introduction in It by Hugh Ward-Perkins. Wrappers in decorative paper with matching slipcase. $49 [item no.7842]


BERTHEAUME, Isidore, c.1752-1802

Deux symphonies concertantes opus VI. La première pour deux violons, La seconde pour deux violons et alto ou cor. 1787. Présentation par les étudiants de la formation supérieure aux métiers de l’orchestre de musiques classiques et romantiques. Abbaye aux Dames - Saintes.
La Musique Française Classique de 1650 à 1800, 141. Courlay, 2001. 4º, 14 vols, xiii, c.120 pp. Line-cut of the Paris, 1787 edition. Scored for solo vlnI/vlnII/vla/hn and vlnI/vlnII/vla/bass/obI/obII,hnI/hnII. Preface in Fr-Eng-Ger by Helen Shillito, Anneke Scott & Anna Starr. Wrappers. $63 [item no.7940]


BICKHAM, George (younger), c.1706-1771 [engraver]

The Musical Entertainer. A Facsimile of the 1740 London Edition.
Monuments of Music and Music Literature in Facsimile, I/6. New York, 1965. 4˚. 102 + 102 pp. Line-cut of the London, 1740 edition. Approximately 200 songs, each adorned with a beautiful engraving, by various composers, chiefly for high voice with figured bass; most have part for flute printed at end. Printed (as the original) on recto pages. Laid paper, clothbound. [item no.706]


BITTI, M. 17-18th c.

[Sonatas, flute/oboe/violin, bc] VI sonate da camera a flauto traversa, haubois o violino solo. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 1. Florence, 1984. 22 x 31 cm, iv, 21 pp. Line-cut of the Amsterdam, c.1708-1712 edition. 4 sonatas by Haym and 2 by Bitti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.774]


BLANKENBURG, Gerbrandt van, 17th c.

[Method, recorder] Onderwyzinge hoemen alle de Toonen en halve Toonen, die meest gebruyckelyck zyn, op de Handt-Fluyt zal konnen t’eenemael zuyver Blaezen, en hoe men op yeder ’t gemackelyckst een Trammelant zal konnen maken, heel dienstigh voor de Lief-hebbers.
Münster, 2/ 1989. Oblong, 21 x 14 cm, 10 facs, 12 pp. (Rpt. of Munich, 1871 edition). Line-cut of the Amsterdam, 1654 edition, together with a new translation into German and afterword. Short treatise with information on performance practice during the time of Van Eyck. Wrappers. $12 [item no.4347]


BLAVET, Michel, 1700-1768

[Pièces, 2 flutes/violins/viols, collections 1-3] Premier recueil de pièces accomodé pour les flûtes traversières; Deuxième recueil de pièces accomodé pour les flûtes traversières; Troisième recueil de pièces accomodé pour les flûtes traversières. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 48. Florence, 1995. Oblong, 24 x 17 cm, viii, 245 pp. Line-cut of the Paris, c.1750-1755 editions. Introduction in It by Marcello Castellani. Wrappers. $49 (more info... ) [item no.7141]


[Pièces, 2 flutes/violins/viols, 1st collection] Ie recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c.
Paris, n.d. Oblong, 25 x 16 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.1589]


[Pièces, 2 flutes/violins/viols, 1st collection] 1er recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Olbong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8679]


[Pièces, 2 flutes/violins/viols, 1st collection] Ier. recueil de pieces... Paris. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Kammermusik des Barock, 1. Stuttgart, 2014. Oblong, 25 x 17 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Hardbound in marbled paper. $49 [item no.9375]


[Pièces, 2 flutes/violins/viols, 2nd collection] IIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c.
Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Wrappers. $28 [item no.3830]


[Pièces, 2 flutes/violins/viols, 2nd collection] 2ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8680]


[Pièces, 2 flutes/violins/viols, 2nd collection] IIe. recueil de pieces... Paris. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Kammermusik des Barock, 2. Stuttgart, 2014. Oblong, 25 x 17 cm, 81 pp. Line-cut of the Paris printed edition. Hardbound in marbled paper. $49 [item no.9376]


[Pièces, 2 flutes/violins/viols, 3rd collection] IIIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c.
Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.3831]


[Pièces, 2 flutes/violins/viols, 3rd collection] 3ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1757. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 182. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8681]


[Sonatas, flute, bc, op.2; Sonatas, flute, bc, book 3] Sonates mêlées de pièces pour la flûte traversière, avec la basse, œuvre II; Troisième livre de sonates pour la flûte-traversière, avec la basse.
Archivum Musicum: L’Art de la Flûte Traversière, 17. Florence, 1981. 20 x 29 cm, vii, 80 pp. Line-cut of the Paris, 1732 & 1740 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.748]


[Sonatas, flute, bc, op.2] Sonates mêlées de pièces pour la flûte traversière, avec la basse, œuvre II (1732). [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 66. Courlay, 1992. 4º, 36, 42 pp. Line-cut of the Paris, 1732 edition. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.4399]


[Sonatas, flute, bc, book 3] Troisième livre de sonates pour la flûte traversière avec la basse (1740). [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 67. Courlay, 1992. 4º, 25, 37 pp. Line-cut of the Paris, 1740 edition. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $32 [item no.4400]


[Sonatas, 2 flutes, op.1] Ier œuvre contenant six sonates à deux flûtes traversières sans baße. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 65. Courlay, 1992. 4º, 23, 31 pp. Line-cut of the 1741 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $31 [item no.4381]


BLOCHWITZ, Johann Martin, fl.1711-1740

[Pièces, flute, bc] Pièces pour la flûte traversière avec la basse continue. [Universitetsbibl., Lund].
Münster, 1990. Oblong, 4º, i, 9 facs, 22 pp. Line-cut of a contemporary ms copy, together with a transcription for alto recorder and harpsichord by Margret Sendelbach. Wrappers. $20 [item no.4348]


BÖDDECKER, Phillip Friedrich, 1607-1683

Jairi Todten-Post/Seuffzer/Trauerklang. [Staatsbibliothek zu Berlin, Preußischer Kulterbesitz, Berlin].
Faksimile-Edition Rara, 15. Stuttgart, 1998. 15 x 21 cm, 76 pp. Line-cut of the Stuttgart, 1661 edition. Contains two musical settings by Böddecker, one a4 & bc, the other a3 & bc. Bound together with Jairi Todten-Post und Christ Hertzen-Trost (Stuttgart, 1661) and Seuffzer und Thränen und klägliches Sehnen, for the funeral of Maria Agnes Müller. Hardbound in marbled paper. $20 [item no.7576]


BÖDDECKER, Phillip Jacob, 1607-1683

Höchst-schätzbares Seelen-Kleinod hangend an dem stets hell-leuchtenden geistlichen Morgenstern order Zwey schöne geistriche Lieder in einem doppelten (einfachen und fugirten) Contrapunkt. [Württembergischen Landesbibliothek, Stuttgart].
Faksimile-Edition Rara, 10. Stuttgart, 1997. 24 x 29 cm, 14 pp. Line-cut of the Stuttgart, n.d. edition. Written for soprano, alto, tenor, bass and continuo, only the continuo part for organ (reproduced here) survive. Hardbound in marbled paper. $17 [item no.7542]


Sacra Partitura. [Württembergischen Landesbibliothek, Stuttgart].
Faksimile-Edition Rara, 2. Stuttgart, 1997. 20 x 30 cm, 72 pp. Line-cut of the rare Strasbourg, 1651 print. 12 pieces for solo voice and bc in the style of Italian monody, including “O mira, ò magna” by Casati and “Ecce sacrum paratum” by Monteverdi; the collection ends with two very interesting instrumental sonatas by Böddecker: “Sonata. Violino solo” & “Sonate. sopra la Monica. Fagotto solo”, among the earliest known German examples of the genre. Hardbound. $44 [item no.7441]


BÖHM, Théobald, 1794-1881

[Method, flute] La flûte et son jeu dans ses aspects accoustique, techniques et artistique – 1871 & De la fabrication et des derniers perfectionnements des flûtes – 1847. Préface d’Alain Marion. Présentation de Philippe Allain-Dupré. Traduction, avertissement, Notice biographique et notes de Thierry Labat. 1ère Édition française intégrale.
Paris, 1994. 4º, 111 pp. Line-cut of plates of the original German edition, with a new French translation. Indispensable study on the design and construction of the Böhm flute. Cloth. $53 [item no.8387]


BOISMORTIER, J.B. Bodin de, 1691-1755

[Ballets, trios, 2 musettes/viols/rec/vln/ob/fl, bc, op.52] IV balets de village en trio pour les musettes, vieles, flutes à bec, violons, haubois, ou flutes traversières. Œuvres 54, 1734.
Les Plaisirs Champêtres. Paris, 1991. 4˚, 3 partbooks, ii, 36 pp. Line-cut of the Paris, 1752 edition. Preface in Fr-Eng by Jean-Christophe Maillard. Wrappers. $28 [item no.8726]


[Cantatas, voice, w/ various accomp., op.5] Les quatre saisons. Cantates françaises à voix seule, mêlées de symphonies. Œuvre cinquième. 1724. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 144. Courlay, 2002. 4º, xi, 104 pp. Line-cut of the author’s edition, Paris, 1724. Preface in Fr-Eng-Ger by Jean Saint-Arroman & Philippe Lescat. Wrappers. $60 [item no.8143]


[Concerti, 5 flutes, op.15] VI concertos pour 5 flûtes-traversières ou autres instruments sans Basse. On peut aussy les joüer avec une Basse. 1727. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 194. Courlay, 2006. 24 x 33 cm, 3 vols, ix, 81 pp. Line-cut of the Paris, [1727] edition. 3 parts: flutes 1-2, flutes 3-4, flute 5. Preface in Fr-Eng-Ger. Wrappers. $41 [item no.8789]


[Concerti, 2 flutes, op.38] VI concerto pour deux flûtes traversières sans basse op.38. Paris 1732.
Archivum Musicum: L’Art de la Flûte Traversière, 59. Florence, 2000. 24 x 33 cm, v, 28 pp. Line-cut of the Paris, 1732 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.7907]


[Divers pièces, 2 flutes] Divers pièces pour une flûte-traversière seule avec des preludes sur tous les tons, et des seconds dessus adjoûté, 1728. Présentation par Pauline van Agt et Lara Reynaud (CeFEdeM Île-de-France).
La Musique Française Classique de 1650 à 1800, 195. Courlay, 2007. 21 x 30 cm, xiii, 24 pp. Line-cut of the Paris, 1728 edition. For 2 solo flutes. Preface in Fr-Eng-Ger. Wrappers. $34 [item no.8895]


Motets à voix seule mêlés de simphonies. Œuvre 23. 1728 [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, x, 27 pp. Line-cut of the author’s edition, Paris, 1728. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $24 [item no.8142]


[Sonatas, 2 bassoons/violoncelli/viols, op.14, 40; Petites sonates, op.66] Œuvres pour deux bassoons, violoncelli ou violes. Opus 14, 40 & 66. [Bibl. Nationale de France, Paris].
La Musique Française Classique de 1650 à 1800, 131. Courlay, 2000. 4º, xii, 3 vols, 26+23+26 pp. Line-cut of the Paris, 1726, 1732, & 1737 editions. Introduction in Fr-Eng-Ger by Stephan Perreau. Wrappers. $46 [item no.7883]


[Sonatas, 2 bassoons/violoncelli/viols, op.40] 6 sonates. . . op.40.
Huntingdon, [1994]. 4º, Line-cut of the Paris, 1732 edition. Wrappers. $12 [item no.4849]


[Sonatas, 2 flutes, op.1] Sonates a deux flûtes-traversières sans basse. Œuvre premier.
Performers’ Facsimiles, 75. New York, [1991]. 23 x 30 cm, 27 pp. Line-cut of the Paris, 1724 edition. Wrappers. $15 [item no.4059]


[Sonatas, 2 flutes, op.1] Sonates a deux flûtes traversieres sans basse. Œuvre premier, 1724. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1724 edition. Wrappers. $12 [item no.8799]


[Sonatas, 2 flutes, op.2] Sonates a deux flûtes-traversières sans baße. Œuvre IIe.
Performers’ Facsimiles, 76. New York, [1989]. 23 x 30 cm, 27 pp. Line-cut of the Paris, 1724 edition. Wrappers. $15 [item no.3678]


[Sonatas, 2 flutes, op.6] Sonates a deux flûtes-traversières sans baße. Œuvre sixième.
Performers’ Facsimiles, 77. New York, [1989]. 23 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $15 [item no.3679]


[Sonatas, 2 flutes, op.6] Sonates à deux flûtes traversières sans basse. Opus 6, 1725.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the author’s, Boivin & Leclerc edition, Paris, 1725. Wrappers. $12 [item no.8843]


[Sonatas, 2 flutes, op.8] Sonates a deux flûtes-traversières sans basse. Œuvre huitième.
Performers’ Facsimiles, 78. New York, [1989]. 23 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $15 [item no.3649]


[Sonatas, 2 flutes, op.8] Sonates a deux flûtes traversières sans opus 8.
La Musique Française Classique de 1650 à 1800, 200. Courlay, 2007. 4º, 40 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.8947]


[Sonatas, flute, bc, op.9] Sonates pour la flûte-traversiere avec la basse. Œuvre neuvième, 1725. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $12 [item no.8800]


[Sonatas, flute, bc, op.19] Sonates pour la flûte-traversière avec la baße, œuvre dixneuvième.
Archivum Musicum: L’Art de la Flûte Traversière, 16. Florence, 1981. 20 x 29 cm, vii, 26 pp. Line-cut of the Paris, 1727 edition. 6 sonatas. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $31 [item no.750]


[Sonatas, flute, violin, op.51] VI sonates pour une flûte traversière et un violon par accords, op.51. Paris 1734.
Archivum Musicum: L’Art de la Flûte Traversière, 61. Florence, 2001. 24 x 33 cm, iv, 26 pp. Line-cut of the Paris, 1734 edition. Preface in It by Marcello Castellani. Wrappers. $34 [item no.8088]


[Sonatas, flute, violin, op.51] VI sonates pour une flûte traversière, et un violon par accords, sans basse. 1734. Présentation par Marion Delorme et Pauline van Agt (etudiantes au CeFEdeM Île-de-France).
La Musique Française Classique de 1650 à 1800. Courlay, 2007. 21 x 30 cm, ix, 24 pp. Line-cut of the Paris, 1734 edition. Preface in Fr-Eng-Ger. Wrappers. $27 [item no.8894]


[Sonatas, 2 violoncelli/viols/bassoons, bc, op.26 & op.50] Cinq sonates, un concerto. Opus 26 (violoncelle, viole ou basson); Six sonates, un trio. Opus 50 (violoncelle, viole ou basson). Présentation par Stéphan Perreau.
La Musique Française Classique de 1650 à 1800, 132. Courlay, 2000. 4º, vii, 52 pp. Line-cut of the Paris, 1729 and 1734 editions. Introduction in Fr-Eng-Ger. Hardbound. $42 [item no.7823]


[Suites, flute, bc, op.35, no.1, E minor] Suite no. 1 en mi mineur pour flûte traversière (ou flûte à bec) et basse continue. Restitution de Jean-Claude Veilhan. Réalisation de la basse Danièle Salzer.
Archives de la Musique Ancienne. Paris, 1975. 4º, 22, with 3 pp. Line-cut of the Paris, 1731 edition, together with a new practical edition. Wrappers. $16 [item no.752]


[Trio sonatas, 3 flutes, op.7] Sonates en trio pour trois flûtes traversières sans basse. Œuvre septième, Paris, 1725.
La Musique Française Classique de 1650 à 1800, 99. Courlay, 1996. 4º, 4 vols, 7, 36 pp. Line-cut of the Paris, 1725 edition. Preface in Fr-Eng-Ger by Philippe Lescat. Wrappers. $31 [item no.7329]


[Trio sonatas, 3 flutes, op.7] Sonates en trio pour trois flûtes traversières, op.7. Paris 1725.
Archivum Musicum: L’Art de la Flûte Traversière, 51. Florence, 1997. 24 x 34 cm, 3 vols, iv, 40 pp. Line-cut of the Paris, 1725 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.7506]


[Trio sonatas, 2 ob/fl/vln, bc; bass/bassoon, bc, op.28/37] Six sonates en trio, opus 28 / Cinq sonates en trio, suivies d’un concerto, opus 37. Présentation par les élèves du Ce. F.E. de M. de Rueil-Malmaison.
La Musique Française Classique de 1650 à 1800, 134. Courlay, 2000. 4º, xv, 78 pp. Line-cut of the Paris, 1730 and 1722 editions. Preface in Fr-Eng-Ger by Nathalie Lechat, Karen Daniau, Céline Morandeau & Marie-Hélène Landreau. Wrappers, in slipcase. $57 [item no.8120]


[Trio sonatas, flute/violin, bass/bassoon, bc, op.37] XXXVIIe Œuvre contenans V sonates en trio pour un deßus & deux baßes; suivica d’un concerto à cinq parties pour une flûte, un violon, un haubois, un baßon, & la baße.
Huntingdon, [1994]. 4º, 3 parts, 32 pp. Line-cut of the Paris, [1732] edition. Wrappers. $20 [item no.4859]


BON, Anna, 1740-1767?

[Sonatas, flute, bc, op.1] VI sonate per il flauto traversiere violoncello o cembalo. Opera prima, Nürnberg 1756.
Archivum Musicum: Flauto Traversiere, 14. Florence, 1988. 24 x 34 cm, iv, 22 pp. Line-cut of the Nuremberg, 1756 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.2887]


[Sonatas, flute, bc, op.1] VI sonate da camera per il flauto traversiere, e violoncello o cembalo. Opera prima. [Fürstlich Thurn und Taxissche Hofbibliothek, Regensburg].
Performers’ Facsimiles, 191. New York, [1998]. 26 x 37 cm, 22 pp. Line-cut of the Nuremberg, 1756 edition. Wrappers. $15 [item no.7603]


[Sonatas, flute, bc, op.1] VI sonate da camera per il flauto traversiere, e violoncello o cembalo. Opera prima. [Fürstlich Thurn und Taxissche Hofbibliothek, Regensburg].
Faksimile-Edition Kammermusik des Barock, 6. Stuttgart, 2016 26 x 37 cm, 25 pp. Line-cut of the Nuremberg, 1756 edition. Wrappers. $24 [item no.9527]


BOND, Capel, 1730-1790

[Concerti, strings, bc; trumpet, bassoon, strings, bc] Six Concertos in 7 Parts for Four Violins, a Tenor Violin, a Violoncello, with a Thorough Bass for the Harpsicord... The First is for a Trumpet, the Sixth a Bassoon Concerto. [Library of Congress, Washington, DC].
Alston, 2005. 4º. 9 partbooks, ii, 113 pp. Line-cut of the London, 1766 edition. Nos. 2-5 are concerti grossi for strings & bc, while Nos. 1 & 6 are solo concertos for trumpet and bassoon. Preface by Peter Holman. Ring binder. $63 [item no.8622]


BONI, Pietro Giuseppe Gaetano, 18th c.

[Divertimenti, violin/violone/cembalo/recorder/mandola] Divertimenti per camera à violino, violone, cimbalo, flauto e mandola. Roma s.d.
Archivum Musicum: Flauto Traversiere, 2. Florence, 1985. Oblong, 32 x 23 cm, v, 43 pp. Line-cut of the Rome, c.1717-27 editions. 12 divertimenti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $34 [item no.1251]


BONIZZI, Vincenzo, b.?-1630

[Alcune opera, viola bastarda, strings] Alcune opere di diversi autori. Passaggiate principalmente per la viola bastarda, ma anco per ogni sorte di stromenti e di voci, Venezia 1626. [Printed source & Ms, Civico Museo Bibl. musicale, Bologna].
Archivum Musicum: Strumentalismo Italiano, 54. Florence, 1983. Oblong, 24 x 17 cm, xvii, 94 pp. Line-cut. Includes facsimile of contemporary ms copy transmitting passaggiate. Introduction in It by Elio Durante & Anna Martellotti. Wrappers in decorative paper. $31 [item no.1169]


BORDET, Toussaint, 18th c.

[Method, flute] Méthode raisonée pour apprendre la musique. . . suivi d’un recueil d’airs en duo, livre premier. Paris S.D. [1755].
Archivum Musicum: L’Art de la Flûte Traversière, 46. Florence, 1993. Oblong, 28 x 21 cm, vii, 85 pp. Line-cut of the Paris, c.1755 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.4577]


BORGHI, Luigi, b.?-c.1806

Six Violin Concertos and Sixty Four Cadenzas. With an Introduction by Frederick Neumann. With Performance Notes by Gabriel Banat.
Masters of the Violin, 1. New York, 1981. 27 x 37 cm, xii, 162 pp. Line-cut. For solo violin, string orchestra, 2 ob & 2 hn. Wrappers, with protective box. $85 [item no.1173]


BORJON DE SCELLERY, Charles Emmanuel, 17th c.

[Method, musette] Traité de la musette avec une nouvelle methode, pour apprendre de soy-mesme à joüer de cét instrument facilement, & en peu de temps. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, II/42. Bologna, 1983. 22 x 32 cm, 63 pp. Line-cut of the Lyon, 1672 edition. Unique source for the history and technique of the musette. Examples by Chédeville & Hotteterre. Concludes with a series of branles and airs à chanter in tablature. Cloth. $45 [item no.2440]


[Method, musette] Traité de la musette.
Vielle et Musette, 2. Geneva, 1972. 4º, 63 pp. Line-cut of the Lyon, 1672 edition. Wrappers. $35 [item no.1253]


BOUFFIL, Jacques Jules, 1783-1868

[Duos, 2 clarinets, op.5] Trois duos pour deux clarinettes. Opus 5.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Gaveaux edition, Paris, n.d. Wrappers. $13 [item no.8844]


BOULEZ, Pierre, 1925

Le marteau sans maître. Fac-similé de l’épure et de la première mise au net de la partition / Facsimile of the Draft Score and the First Fair Copy of the Full Score. Édité par / Edited by Pascal Decroupet.
Eine Publikation der Paul Sacher Stiftung. Mainz, 2005. Oblong, 38 x 30 cm. 215 pp. Beautiful full-color facsimile edition of the autograph draft score and fair copy, produced on the occasion of the 80th birthday of the composer. Since its premiere 50 years ago at the 1955 Baden-Baden Festival, “Le marteau sans maître”, with its novel scoring (contralto, alto flute, viola, guitar, vibraphone, xylorimba and unpitched percussion) and poetry by René Char in four of the nine interlocked movements, has been considered one of the most outstanding serial works of the postwar avantgarde. Commentators have pointed out its wonderful hypnotic soundworld, complex rhythmic structure, and sudden bursts of instrumental crossfire, creating such a demand on the performers that some fifty rehearsals were required before its premiere. This excellent facsimile offers an exciting entry into Boulez’ “workshop”—allowing us to examine, side by side, the pencil draft score, final ink version, as well as a selection of sketch pages. Handsome binding in red linen with slipcase. $254 (more info... ) [item no.8588]


BOYCE, William, 1711-1779

[Trio sonatas, 2 vln/fl, bc] Twelve Sonatas for Two Violins with a Bass, 1747.
Chamber Music from Georgian England, 4. Huntingdon, [1990]. 4º, 4 partbooks, 132 facs, [12] pp. Line-cut of the Walsh edition, London, 1747. Wrappers. $39 [item no.7468]


BRAHMS, Johannes, 1833-1897

[Trio, piano, clarinet, violoncello, op.114, A minor] Trio für Pianoforte, Clarinette und Violoncell, Opus 114. Faksimile des Autographs und Werkbericht von Alfons Ott. [Ms. Sammlungen der Gesellschaft der Musikfreunde, Vienna].
Tutzing, 1958. Oblong, 35 x 27 cm, 14, 32 pp. Outstanding halftone of the elegant 1891 autograph score. Clarinettist Richard Mühlfeld (b.1856), a soloist and chamber virtuoso with the Meininger Hofkapelle, gave Brahms the impetus to write this beautiful Trio, whose composition is also closely tied with the Clarinet Quintet, op.115. The work premiered on 24. Nov. 1891, played directly from the manuscript, Brahms at the piano and Mühlfeld and Robert Hausmann respectively playing clarinet and cello. This facsimile represents the publishing debut of the venerable music publisher Dr. Hans Schneider. Handsome bibliophile edition of 800 copies bound in grey linen with ivory colored boards. $55 (more info... ) [item no.212]


BRAUN, Jean Daniel, 18th c.

[Sonatas, 2 bassoons/cellos/basses] Six sonates pour deux bassons ou deux basses. Présentation: Département de Musique Ancienne du Conservatoire National Supérieur de Musique de de Danse de Paris.
La Musique Française Classique de 1650 à 1800, 176. Courlay, 2005. 4º, ix, 31 pp. Line-cut. Wrappers. $23 [item no.8518]


BRÉVAL, Jean-Baptiste Sébastien, 1753-1823

[Duos, 2 flutes, op.16] Six duo pour deux flûtes. Opera XVI.
La Flûte Retrouvée, 12. Béziers, 1996. 21 x 28 cm, 2 partbooks, 26 pp. Line-cut of the author’s edition. Laid paper, with wrappers. $30 [item no.7265]


BROSSARD, Sébastien de, 1655-1730

Dictionaire de musique, contenant une explication des termes grecs, latins, italiens & françois, les plus usitez dans la musique, seconde édition, 1705. Eingeleitet von Harald Heckmann.
Dictionarium Musicum, 1. Hilversum, 1965. 17 x 24 cm, xviii, 390 pp. Halftone of the second edition, Paris, 1705. Cloth (also available in wrappers). $116 [item no.2112]


BRUMEL, Antoine, c.1460-c.1515

Missae. Petrucci, Venedig 1503. [Civico Museo Bibliografico Musicale, Bologna].
Faksimile-Edition Rara, 47. Stuttgart, 2004. Oblong, 23 x 17 cm, 4 partbooks, 132 pp. Line-cut of the Petrucci edition, Venice, 1503. Five masses a4: “Je nay dueul”; “Berzerette savoyenne”; “Ut re mi fa sol la”; “Lomme arme”; “Victime paschali”. Hardbound, in decorative paper with slipcase. $84 [item no.8498]


BRUNNENMÜLLER, Elias, b.?-1762

Fasciculus musicus (1711). Introduction by Rudolf Rasch.
Dutch Music Facsimiles, 8. Utrecht, 1991. 4º, iv, 44 pp. Line-cut of the Leeuwarden, c.1711 edition. Contains 3 keyboard suites, 3 solos with figured bass (resp. for oboe, recorder and violin) and 4 songs with figured bass and oboe ad libitum (3 with Italian texts and 1 with German text). Introduction in Eng.Wrappers. $32 [item no.4345]


BUONANNI, Filippo, 1638-1725

Descrizione degl’istromenti armonici d’ogni genere.
Leipzig, 1975. 20 x 28 cm, 256 pp. Line-cut of the Rome, 1726 edition. Extremely informative treatise on organology with altogether 140 extended descriptions provided in Italian and French. Bilingual indices. Accompanied by 142 superb woodcuts of scenes of musicians with their instruments. Linen. $175 [item no.2703]


BUTERNE, Charles, 17-18th c.

[Sonatas, winds/strings, bc, op.2] Six sonates pour la vielle, musette, violon, flutes, hautbois et pardessus de violles; quatre avec la basse continue, et deux en duo. Œuvre IIe. [Bibl. Municipale, Nimes].
Béziers, 1985. 29 x 21 cm, 29 pp. Line-cut of the 1745 edition. Sonatas for viel/mus/vln/fl/rec/ob/viol, bc, and 2 viel/mus/vln/fl/rec/ob/viol, without bc. Laid paper, with wrappers. $20 [item no.2149]


BUUS, Jacques, b.?-1565

[Canzoni francese] Il primo libro di canzoni francese. Venedig 1543 / Il secondo libro di ricercari. Venedig, Antonio Gardane 154 [Stadtbibliothek Lübeck & Bischöfliche Bibliothek, Regensburg].
Faksimile-Edition Rara, [73]. Stuttgart, 2016. Oblong, 21 x 16, 6 partbooks, 316 pp. Line-cut of the Venice, 1543 & 1549 partbook editions comprised of 30 settings with French texts, and 8 textless ricercari suitable for string & wind ensembles. Decorative paper boards with matching slipcase. $148 [item no.9525]


CAIX D’HERVELOIS, Louis de, 1670-1760

[Pièces, flute, bc, 1st-2nd collections] Pièces pour la flûte-traversière avec la basse continue.
Flûtistes Français du XVIIIe Siècle, II. Geneva, 1986. 4º, 55 pp. Line-cut of the author’s editions, Paris, 1726-1731. 7 suites. Wrappers. $56 [item no.757]


[Pièces, flute, bc, 1st collection] Pièces pour la flûte traversière. Premier recueil. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 54. Courlay, 1991. 24 x 33 cm, 9, 27 pp. Line-cut of the 1726 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $23 [item no.4099]


[Pièces, flute, bc, 1st collection] Pièces pour la flûte-traversière avec la basse continue, 1. recueil.
Performers’ Facsimiles, 36. New York, 1987. 25 x 33 cm, 28 pp. Line-cut of the Paris, 1729 edition. Wrappers. $18 [item no.2152]


[Pièces, flute, bc, 2nd collection] Deuxième recueil de pièces pour la flûte. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 52. Courlay, 1990. 24 x 33 cm, xv, 28 pp. Line-cut of the 1731 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $26 [item no.3955]


[Pièces, flute, bc, 2nd collection] Deuxième recueil de pièces pour la flûte-traversière avec la basse.
Performers’ Facsimiles, 37. New York, 1987. 24 x 33 cm, 28 pp. Line-cut of the Paris, 1731 edition. Wrappers. $18 [item no.2153]


[Suites, flute/viol, bc, 3rd collection, op.6] Sixième œuvre contenant quatre suites pour la flûte-traversière, avec la baße, qui conviennent aussi au pardessus de viole. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 57. Courlay, 1991. 24 x 33 cm, 12, 28 pp. Line-cut of the 1736 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $25 [item no.4103]


CAMBINI, Giuseppe Maria, 1746-1825

[Airs variés, flute, bc] [6] Airs variés; La Marseilloise et la Carmagnole pour flûte et basse. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 47. Florence, 1994. 24 x 34 cm, iii, 18 pp. Line-cut of the Paris, c.1793 editions. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $31 [item no.4759]


[Concerti, flute, orch, op.37] Deux concerto pour la flûte dont le premier a été executé au concert de la Reine par M. Rault, œuvre 37.
Archivum Musicum: L’Art de la Flûte Traversière, 36. Florence, 1986. 24 x 34 cm, 6 parts: vi, 43 pp. Line-cut of the Paris, 1783 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $50 [item no.1799]


[Method, flute] Tre metodi per flauto del Neoclassicismo francese: F. Devienne, Nouvelle méthode, Paris c. 1794 / J.M. Cambini, Nouvelle méthode, Paris c.1796 / A. Vanderhagen, Nouvelle méthode, Paris c.1798.
Archivum Musicum: L’Art de la Flûte Traversière, 29. Florence, 1984. 24 x 33 cm, 15, 229 pp. Line-cut. 3 complementary method books. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $51 [item no.804]


CAMPRA, André, 1660-1744

[Cantatas, voice, winds/strings, bc, book 2] Cantates françaises mêlées de symphonies et pour différents voix, avec un duo. Livre second, 1714. Présentation par Bertrand Porot. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 174. Courlay, 2006. Oblong, 4º, vvi, 156 pp. Line-cut of the Paris, 1714 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $67 [item no.8661]


[Cantatas, book 2, selections] Cantate Enee & Didon (extraite du Second livre de cantates), 1714. Œuvre au programme du Capes et de l’Agrégation. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 177. Courlay, 2004. Oblong, 4º, ix, 36 pp. Line-cut of the Paris, 1714 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.8419]


[Motets, a1-3, flutes/violins, bc, book 1] Motets à I, II et III voix, avec la basse continue. Livre premier.
La Musique Française Classique de 1650 à 1800, 1. Courlay, 1986. 22 x 31 cm, x, 116 pp. Line-cut of the Ballard edition, Paris, 1699. Introduction by Jean Saint-Arroman. Wrappers. $54 [item no.2033]


Motets a I, II, III voix. . . Livre premier. Paris / Christophe Ballard 1700. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Canto e Continuo, 7. Stuttgart, 2014. 22 x 35 cm, 116 pp. Line-cut of the Paris, 1700 edition. Hardbound, with boards in decorative paper. $65 [item no.9410]


[Motets, a1-3, flutes/violins, bc, book 2] Motets à I, II et III voix, et instruments avec la basse continue. Livre second.
La Musique Française Classique de 1650 à 1800, 2. Courlay, 1986. 22 x 31 cm, xi, 139 fasc pp. Line-cut of the Ballard edition, Paris, 1700. Introduction by Jean Saint-Arroman. Wrappers. $63 [item no.2034]


Motets a I, II, III voix. . . Livre second. Paris / Christophe Ballard 1700. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Canto e Continuo, 7. Stuttgart, 2014. 22 x 35 cm, 140 pp. Line-cut of the Paris, 1700 edition. Hardbound, with boards in decorative paper. $62 [item no.9428]


CANTONE, Serafino, fl.1580-1627

Sacrae cantiones, [sive motecta, tum ad instrumenta omnia, tum ad vocis modulationem aptissima]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 22. Stuttgart, 1997. 16 x 23 cm, 5 partbooks, c.120 pp. Line-cut Gardano edition, Venice, 1596. 20 sacred settings a5, for voices with or without instruments. Wrappers, with slipcase. $79 [item no.7438]


CAPRICORNUS, Samuel Friedrich, 1628-1665

Geistliche Concerten mit 2. und 3. Stimmen. [Universitätsbibl., Uppsala].
Faksimile-Edition Capricornus, 11. Stuttgart, 2000. 14 x 19 cm, 4 partbooks, c.120 pp. Line-cut of the Gerjard edition, Nuremberg, 1658. Partbook format: vox prima, vox secunda, vox tertia, bassus pro organo. Wrappers, with slipcase in marbled paper. $84 [item no.7899]


Geistliche Concerten ander Theil. Stuttgart 1665. RISM C 936. [Landesbibl. Dresden; Universitätsbibl., Tübigen].
Faksimile-Edition Capricornus, 3. Stuttgart, 2002. 14 x 19 cm, 3 partbooks, 102 pp. Line-cut of the Stuttgart, 1665 edition. 12 settings a 3 plus basso continuo (”vox prima” partbook of original print has been lost and is not included in this facsimile). Wrappers, in portfolio covered with decorative paper. $56 [item no.8658]


[Geistliche Harmonie, 3 voices, winds, strings, bc] Erster [-Ander, -Dritter] Theil geistlicher Harmonien mit zwei und drey Stimmen und 2. Violinen.
Faksimile-Edition Capricornus, 9. Stuttgart, 2000. 16 x 23 cm, 7 partbooks, 740 pp. Line-cut of the Stuttgart, 1659, 1660 & 1664 editions. 42 pieces for two and three sopranos, two violins, in various combinations with flute, cornetto, bassoon, trombone, & viola da gamba. Hardbound in marbled paper. $158 [item no.7815]


Jubilus Bernhardi [in 24. partes distributus, & quinque vocibus concertantibus, quibus adjunctae quatuor violae]. [Bibliothèque Nationale, Paris, Ms. VM1 988].
Faksimile-Edition Capricornus, 8. Stuttgart, 2000. 15 x 21 cm, 15 partbooks, c.590 pp. Line-cut of the Endter edition, Stuttgart, 1660. 24 sacred numbers in concerted form in partbook format: cantus 1, cantus 1 ripieno, cantus 2, cantus 2 ripieno, alto, alto ripieno, 4 violas, tenor, tenor ripieno, bassus, bassus ripieno, & basso continuo (organ). Wrappers, with slipcase. $160 [item no.7821]


Opus aureum missarum [ad sex, decem & duodecim tonos redactae, cum basso ad organum. [Bibliothèque Nationale, Paris, Ms. VM1 982].
Faksimile-Edition Capricornus, 7. Stuttgart, 2000. Oblong, 30 x 20 cm, 11 partbooks, c. 110 pp. Line-cut of the Bencard edition, Frankfurt, 1670. Partbook format: 2 cantus, 2 alto, 2 tenor, 2 violins & bass continuo (organ). Wrappers, with slipcase in marbled paper. $137 [item no.7755]


Opus Musicum. [Zentralbibliothek, Zürich].
Faksimile-Edition Capricornus, 15. Stuttgart, 2001. 20 x 33 cm, 18 partbooks, c.190 pp. Line-cut of the Nuremberg, 1655 edition. Concerted pieces for voice and instruments, from 1 to 8 parts & bc. Wrappers, with portfolio in marbled paper. $134 [item no.7947]


Raptus Proserpinae. In einem singenden Schaw-Spiel vorgestellet. [Landesbibliothek Stuttgart].
Faksimile-Edition Capricornus, 4. Stuttgart, 1999. 14 x 19 cm, 46 pp. Line-cut of the Nuremberg, 1662 edition. Libretto only. Hardbound, with marbled paper boards. $20 [item no.7747]


Scelta musicale ò la prima opera d’eccellenti motteti, voce sola è uno, overò duos instrumenti. [Zentralbibliothek, Zürich].
Faksimile-Edition Capricornus, 5. Stuttgart, 2000. Oblong, 28 x 20 cm, 4 partbooks, c.80 pp. Line-cut of Ammon edition, Frankfurt, 1669. 8 settings for voice (canto, alto, basso) and various instruments (viola da gamba, violins, cornetti, trombone, bassoon, organo). Hardbound, with slipcase in marbled paper. $115 [item no.7987]


[Sonatas, 2 violins, trombone/viola da gamba] Sonaten und Canzonen [mit 3. Instrumenten gesezt. Instrumentum primum]. Nürnberg, Christoff Gerhard 1660. [Bischöflichen Zentralbibliothek Regensburg].
Faksimile-Edition Capricornus, 16. Stuttgart, 2014. 16 x 22 cm, 24 pp. Line-cut of the Nuremburg, 1660 edition. Rare collection of of 6 sonatas for violins & trombone/viola da gamba. Only the Violino I part survives. Hardbound, with marbled paper boards. $23 [item no.9377]


[Tafelmusik, voice, strings/winds, bc, part 1] Neu-Angestimte und erfreuliche Tafelmusik. [Österreichische Nationalbibliothek, Vienna].
Faksimile-Edition Capricornus, 12. Stuttgart, 2001. Oblong, 28 x 19 cm, 3 partbooks, 28 pp. Line-cut of the Frankfurt, 1670 edition. Wrappers, with portfolio in marbled paper. $46 [item no.7945]


[Tafelmusik, strings/winds, bc, part 2] Continuation der neuen wohl angestimmten Taffel-Lustmusik. [Österreichische Nationalbibliothek, Vienna].
Faksimile-Edition Capricornus, 13. Stuttgart, 2001. Oblong, 28 x 19 cm, 3 partbooks, 34 pp. Line-cut of the Frankfurt, 1671 edition. Wrappers, in marbled portfolio. $48 [item no.7946]


Theatrum musicum [quod per duodecim secenas sue sacras cantiones]. Würzburg, Bencard 1669. RISM C 937.
Faksimile-Edition Capricornus, 2. Stuttgart, 2003. Oblong, 29 x 20 cm, 8 partbooks, 131 pp. Line-cut of the Würzburg, 1669 edition. 12 settings with sacred Latin texts scored for altus, tenor, bass, four viols & organ. Hardbound, with marbled paper boards & matching slipcase. $87 [item no.8346]


Continuatio theatri musici [seu Sacrarum cantionum. Pars secunda]. Würzburg, Bencard 1669. [Bibl. Nationale de France, Paris].
Faksimile-Edition Capricornus, 6. Stuttgart, 2003. Oblong, 28 x 20 cm, 10 partbooks, c.114 pp. Line-cut of J. Bencard edition, Würzburg, 1669. 8 sacred settings for various voice and instrumental combinations (partbooks: SSTAB, vdg I-II-III-IV, trb, org). Portfolio in marbled paper. $92 [item no.8375]


Zwey Lieder von dem Leyden und Tode Jesu, in 6. Stücke getheilet und mit 2. Stimmen wie auch 4. Violen (welche doch nach belieben können aussgelassen werden) auf besondere Concerten Art gesetzt. [Landesbibliothek Stuttgart].
Faksimile-Edition Capricornus, 1. Stuttgart, 1997. 15 x 19 cm, 7 partbooks, 80 pp. Line-cut of the Nuremberg, [1660] edition. For two sopranos, four viols (ad libitum) & bc. Wrappers, in portfolio. $36 [item no.7544]


CAROLO, 17th c.

X Sonates [à 2 violes de gambe & 1 basse continue également bons à jouer sur 2 bassons ou basses de violon]. Rogier, Amsterdam. [Bibliothek des Mariengymnasiums Jever].
Faksimile-Edition Viola da Gambe, 1. Stuttgart, 2014. 21 x 33 cm, 3 partbooks, 42 pp. Line-cut of the Amsterdam, n.d. edition. Wrappers with hardbound porfolio covered in marbled paper. $44 [item no.9367]


CASA, Girolamo dalla, c.1543-c.1601

Il vero modo di diminuir, con tutte le sorti di stromenti.
Bibliotheca Musica Bononiensis, II/23. Bologna, 1980. 22 x 31 cm, iii, 104 pp. Line-cut of the Angelo Gardano edition, Venice, 1584. Introduction in It by Giuseppe Vecchi. Gives curious sidelight on how contemporary music was performed, including examples of brilliant and very difficult divisions on the individual voice parts of popular madrigals. Laid paper, wrappers. $63 (more info... ) [item no.1261]


CASTRO, Jean de, c.1540-c.1600

Chansons, sonets, stanses et epigrammes a deux parties. Livre second. [Bibl. Royal, Brussels].
Facsimile Series, I/B.6. Peer, 1984. Oblong, 21 x 16 cm, 2 partbooks, c.60 pp. Line-cut of the Phalèse edition, Antwerp, 1610. Adds to “Sonets, chansons a deux parties” published in the same year. Introduction in Flem-Eng by Liesbet Vereertbrugghen. Wrappers, with slipcover. $28 [item no.1355]


Sonets, chansons a deux parties. Livre premier. [Bibl. Royale, Brussels].
Facsimile Series, I/B.10. Peer, 1986. Oblong, 21 x 17 cm, x, 2 partbooks, c.60 pp. Line-cut of the Phalèse edition, Antwerp, 1610. Duets to be sung or played (or both) on instruments. Introduction in Flem-Eng by Liesbet Vereertbrugghen. Wrappers, in slipcover. $28 [item no.1354]


CAZZATI, Maurizio, c.1620-1677

[Masses a8, op.28] Messe brevi a otto voce [con una concertata a 4. e suoi ripieni à beneplacito, & una à otto da capella]. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 14. Stuttgart, 2011. 16 x 21 cm, 11 partbooks, c.390 pp. Line-cut of the Antonio Pifarri edition, Bologna, 1662. Wrappers, with slipcase with marbled paper. $74 [item no.9253]


CECERE, Carlo, 1706-1761

[Concerti, flute, strings, bc] Concerto per flauto traversiero con violini obbligati e basso, ms. Uppsala; Concerto a 5 stromenti, flauto traverso, violino primo, violino secondo, viola e basso, ms. Karlsruhe.
Archivum Musicum: Flauto Traversiere, 21. Florence, 1991. Oblong, 32 x 22 cm, 5 partbooks, vii, 73 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper with matching slipcase. $40 [item no.4176]


CERONE, Pietro, c.1560-1625

El melopeo y maestro : (Napoles, J.B. Gargano y L. Nucci, 1613) / Pedro Cerone ; Antonio Ezquerro Esteban, ed.
Monumentos de la Música Española, 74. Madrid, 2007 23 x 32 cm, 2 vols: 1392 pp. Line-cut of the Naples, 1613 edition based on exemplars preserved in the Biblioteca “Jose Maria Lafragua” de la Benmerita Universidad Autonoma de Puebla (Puebla de los Angeles, Mexico), and in the Biblioteca Publica del Estadoo “Fray Francisco de Burgoa” de la Universidad Autonoma “Benito Juarez” de Oaxaca (Oaxaca, Mexico). Huge synthesis of musical-theoretical topics divided into 22 books. Deals with plainsong, mensural theory, vocal and instrumental variation, counterpoint, canon & fugue, problems of composition, mensuration and “tonality”. The last book deals with musical enigmas and puzzle canons. Contains numerous references to composers and detailed musical examples, including a careful analysis of Palestrina’s Missa L’homme armé. Hardbound. $295 [item no.9151]


CERVETTO, Giacomo Basevi, c.1682-1783

[Sonatas, flute, bc] Eight Solos for a German Flute. London s.d. [British Library, London].
Archivum Musicum: Flauto Traversiere, 34. Florence, 2000. Oblong, 32 x 23 cm, v, 26 pp. Line-cut of the London, [1757] edition. Introduction in It by Francesca Bassi. Wrappers, in decorative paper. $31 [item no.8085]


CHARDAVOINE, Jean, 1538-c.1580

Le recueil des plus belles et excellentes chansons en forme de voix de ville.
Geneva, 1980. Oblong, 17 x 15 cm, 292 pp. Line-cut of the Paris, 1576 edition. 186 chansons based on texts by Marot, Ronsard, du Bellay, and others, plus dance tunes. Wrappers. $62 [item no.1292]


CHARPENTIER, Marc-Antoine, 1643-1704

[Complete works, from autographs] Mélanges autographes. Volume 1. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.
Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/1. Geneva, 1990. 23 x 35 cm, 159 pp. Halftone of the autograph score. Cloth. $111 (more info... ) [item no.3052]


[Complete works, from autographs] Mélanges autographes. Volume 4. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.
Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/4. Geneva, 1996. 23 x 35 cm, 255 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3055]


[Complete works, from autographs] Mélanges autographes. Volume 10. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.
Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/10. Geneva, 1997. 23 x 35 cm, 177 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3061]


CHAUVON, François, fl.1712-1736

[Tibiades, flute/oboe, bc; Sonatas, violin, bc] Tibiades, nouveau genre de pièces pour la flûte, et le hautbois, avec quelques sonates pour le violon. Paris, 1717. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 92. Courlay, 1995. Oblong, 31 x 22 cm, 10, 72 pp. Line-cut of the Paris, 1717 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $47 [item no.7225]


CHÉDEVILLE, Nicolas, 1705-1782

[Sonatas, flute/oboe/violin, bc, op.7] Six sonates pour la flûte traversière, hautbois ou violon avec la basse.
Flûtistes Français du XVIIIe Siècle, V. Geneva, 1986. 4º, 32 pp. Line-cut of the author’s edition, Paris, 1739. Discusses transposition for the musette. Wrappers. $30 [item no.758]


[Sonatas, flute/oboe/violin, bc, op.7] Six sonates pour la flûte traversière, hautbois ou violon, avec la basse. Œuvre VIIe. Paris s.d. [c.1739].
Archivum Musicum: L’Art de la Flûte Traversière, 67. Florence, 2008. 24 x 34 cm, iv, 26 pp. Line-cut of the author’s edition, Paris, 1739. Discusses transposition for the musette. Wrappers. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $42 [item no.8991]


[Sonatas, musette/flute/oboe, bc] VIII sonate per musette, flûte traversière o hautbois e basso continuo. Paris s.d.
Archivum Musicum: Flauto traversiere, 33. Florence, 1998. 24 x 34 cm, vii, 48 pp. Line-cut of the Paris, c.1740 edition. Set of 8 sonatas with 35 movements arranged by Chédeville, 27 of which are from E.F. Dall’Abaco’s “Opera Quarta”. Introduction in It by Marcello Castellani. Wrappers. $31 [item no.7688]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido, sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe, Opera XIII. Réimpression de l’édition de Paris, Boivin, 1737. Source: München, Bayerische Staatsbibliothek, cote 4729/4. RISM: V. 2233. Catalogue: P. Ryom RV 54-59.
Collection Facsimiles, B1. Gland, 1991. 4º, 40, 8 pp. Line-cut of the Paris, 1737 edition. Together with an introduction in Fr-Eng by Peter Ryom entitled “An Authentic Case of Falsification” which reproduces a document from the Archives Nationales de France clearly identifying N. Chédeville as the composer/arranger of the six sonatas. Limited edition of 500 numbered copies. Linen slipcase. $40 [item no.4302]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido, sonates, pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Opera XIII. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 111. New York, [1992]. 24 x 31 cm, 41 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4481]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido (œuvre attribuée à Antonio Vivaldi), 1737. Présentation par Philippe Lescat. [Munich, Bayerische Staatsbibliothek].
La Musique Française Classique de 1650 à 1800, 78. Courlay, 1994. 24 x 33 cm, 21, 38 pp. Line-cut of the Paris, 1737 edition. Preface in Fr-Eng-Ger. Wrappers. $31 [item no.4804]


CHÉRON, André, 1695-1766

[Sonatas, fl/vln, bc; Trio sonatas, fl, vln, bc, op.2] Sonates en duo et en trio pour la flûte traversière et le violon avec la basse, second œuvre.
Archivum Musicum: L’Art de la Flûte Traversière, 18. Florence, 1982. 20 x 28 cm, 3 partbooks, vii, 64 pp. Line-cut of the Paris, 1729 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $35 [item no.759]


[Trio sonatas, 2 fl/ob/vln, bc, op.1] Sonates en trio p. deux flûtes traversières avec la basse continue. Premier œuvre.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 3 parts, 84 pp. Line-cut of the Paris, 1727 edition. Wrappers. $43 [item no.9038]


CHILCOT, Thomas, c.1700-1766

[Songs, voice, strings/winds, bc] Twelve English Songs with Their Symphonies, the Words by Shakespeare and other Celebrated Poets.
Huntingdon, c.1988. 4º, 48 pp. Line-cut of the London, c.1744 edition. Wrappers. $20 [item no.7047]


CHINZER “DA FIRENZE”, Giovanni, c.1700-d?

Allettamenti armonici per due flauti traversieri senza basso, op. IV. Paris s.d.
Archivum Musicum: Flauto Traversiere, 37. Florence, 2002. 4º, 2 partbooks, iv, 26 pp. Line-cut of the Paris, 18th-c. edition. Prefare in It by Marcello Castelliani. Wrappers in decorative paper, with slipcover. $31 [item no.8156]


CHIOCCHIA, Prospero, 17th c.

Del metallo ricercari a due voci per sonare, e cantare. [British Library, London].
Faksimile-Edition Rara, 33. Stuttgart, 2002. 16 x 23 cm, 2 partbooks, 104 pp. Line-cut of the Rome, 1674 edition. 39 duos for various vocal or instrumental ranges. Wrappers, with portfolio in marbled paper. $34 [item no.8097]


CHRISOPONUS, Gevicenus Andreas [publisher], 16th c.

Bicinia nova. Prag, Typis nigricianis 1579. RISM 1579(7). [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 4. Stuttgart, 2006. Oblong, 20 x 14 cm, 2 partbooks, 380 pp. Line-cut of the Prague, 1579 edition. 102 compositions for two voices with Latin/Czech texts. Suitable for different voice ranges, with or without instrumental accompaniment. Hardbound in decorative paper, matching slipcase. $96 [item no.8775]


CIARDI, Cesare, 1818-1877

[duos, flutes] 22 duettini per due flauti alla foggia dei principianti. A cura di Rossella Fabbri.
Lucca, 2011. 4°, vi, 22 pp. Line-cut of the Ricordi, 1897 edition. Wrappers. $33 [item no.9304]


CLEMENS NON PAPA, Jacobus, c.1500-c.1556

Souterliedekens, IIII. Het sevenste musyck boexken mit dry partien, waer inne begrepen syn XXIX psalmen van David (met meer ander geestelycke lofsangen wt der beiligher Schrift) . . . seer lustich om singen ter eeren Gods. Introduction: Ignace Bossuyt. [Bibl. Jagiellońska, Krakow].
Facsimile Series, I/B.19. Peer, 1987. Oblong, 20 x 15 cm, xiv, 3 partbooks, 134 pp. Line-cut of the fourth and last volume of the Souterliedekens, based on the recently discovered partbooks (superius, tenor, bassus) found in the Biblioteka Jagiellońska, Kracow. 29 psalm settings. Introduction in Eng. Wrappers, in slipcase. $43 [item no.1586]


CLEMENTI, Muzio, 1752-1832

[Duets, piano 4-hands; sonatas, piano, vln/fl accomp, op.3] Three Duets for Two Performers on One Piano Forte or Harpsichord and Three Sonatas with an Accompanyment for a Flute or Violin. Opera terza. [Yale University, Music Library, New Haven].
Performers’ Facsimiles, 269. New York, [2008]. Oblong, 35 x 24 cm, 49 pp. Line-cut of the London [after.1786] edition. Wrappers. $23 [item no.8996]


[Sonatas, piano, vln/fl accomp., op.2] Six Sonatas for the Piano Forte or Harpsichord with an Accompanyment for a German Flute or Violin. Opera II. [Yale University, Music Library, New Haven].
Performers’ Facsimiles, 268. New York, [2008]. Oblong, 35 x 24 cm, 45 pp. Line-cut of the London, n.d. edition. Wrappers. $23 [item no.8995]


CLÉRAMBAULT, Louis Nicolas, 1676-1749

[Cantatas, voice, winds/strings, bc, book 1, selections] Médée.
La Cantate Française au XVIIIe Siècle, VI. Geneva, 1984. 4º, 36 pp. Line-cut of the author’s edition, Paris, 1710. Wrappers. $30 [item no.252]


[Cantatas, voice, winds/strings, bc, book 2, selections] Pirame et Tisbé.
La Cantate Française au XVIIIe Siècle, VII. Geneva, 1984. 4º, 32 pp. Line-cut of the author’s edition, Paris, 1713. Wrappers. $30 [item no.253]


[Cantatas, voice, winds/strings, bc, book 3] Cantates françaises mêlées de symphonies, livre troisième. Paris, 1716.
La Musique Française Classique de 1650 à 1800, 46. Courlay, 1989. 22 x 31 cm, 10, 79 pp. Line-cut of the Paris, 1716 edition. Contents: Apollon, Zephire et Flore, L’Isle de Délos, & La mort d’Hercule. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $43 [item no.3528]


[Cantatas, books 3 & 4; La muse & Abraham] Cantates françoises, livre IIIe; Cantates françoises, livre IVe; La muse de l’opéra, cantate à voix seule et simphonie; Le Bouclier de Minerve, cantate; Abraham, cantate à voix seule.
Basel, 1980. 24 x 34 cm, 201, i pp. Line-cut of the Paris, 1716, 1720, 1716, 1714 & 1715 editions. Wrappers. $33 [item no.3641]


[Cantatas, book 4, selection] Apollon et Doris.
Basel, 1980. 24 x 34 cm, 32 pp. Line-cut of the Paris, 1720 editions. For haute-contre, violin, bc. Ring binder. $20 [item no.9306]


[Cantatas, voice, winds/strings, bc, selection, 1715] Abraham. Cantate à voix seule, dessus et basse continue. [Bibliothèque Nationale, Paris].
Collection Facsimiles, D1. Gland, 1992. 21 x 31 cm, ii, 13 pp. Line-cut of the author’s & Foucault edition, Paris, 1715. Wrappers. $12 [item no.4642]


CLINTON, JOHN, 1810-1864

A Code of Instruction for the Fingering of the Equisonant Flute by the Inventor & Patentee. With an Introduction by Karl Ventzke.
The Flute Library, 14. Buren, 1990. 8º, xiii, 34 pp. Line-cut of the London, c.1860 edition. Hardbound. $62 [item no.4994]


CONFORTI, Giovanni Luca, c.1560-d.?

Breve et facile maniera d’essercitarsi . . . a far passaggi. A Facsimile of the Rome, 1593[?] Edition.
Monuments of Music and Music Literature in Facsimile, II/115. New York, 1978. Oblong, 20 x 14 cm, 40 pp. Line-cut of the Rome, c.1593 edition. Laid paper, cloth. [item no.1635]


Breve et facile maniera d’essercitarsi a far passaggi. Roma, 1593.
Prattica di Musica, A/1. Rome, 1986. 24 x 30 cm, iv, 10 pp. Halftone, reproduced 2 original pages per page. Introduction in It by Giancarlo Rostirolla. Bibliography. Wrappers. $18 [item no.3520]


The Joy of Ornamentation by Giovanni Luca Conforto, Being Conforto’s Treatise on Ornamentation (Rome, 1593) with a Preface by Sir Yehudi Menuhin and an Introduction by Denis Stevens.
White Plains, 1989. 16 x 23 cm, 40, with 21 pp. Line-cut, reproducing 2 original pages per page. Historical commentary, with bibliography. Wrappers. $12 [item no.4030]


Passaggi sopra tutti li salmi [che ordinariamente canta santa chiesa, ne i vesperi della dominica, & ne i giorni festiui di tutto l’anno. Con il basso sotto per sonare, & cantare con organo, ò con altri stromenti]. Venedig, Angelo Gardano & Fratelli 1607. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 30. Stuttgart, 2014. 16 x 22 cm, 56 pp. Line-cut of the Venice, 1607 edition. This fascinating ornamentation treatise—unlike Conforti’s Rome c.1593 edition—is printed entirely in movable type and addresses the sacred repertoire. Hardbound, in marbled paper. $32 [item no.9363]


CORBETT, William, c.1675-1748

[Trios, 2 flutes/violins, bc, op.1] XII Sonatae à tre. Due Violins & Violoncello col basso per l’organo. Opera I. [King’s College, Cambridge]
Alston, [2003]. 4º. 4 partbooks, iii, 80 pp. Line-cut of the London, c.1700 edition. Introduction by Peter Holman. No. 1 is scored for vln, bass viola da gamba obbligato & bc and no.12 is for tpt/vln, ob/vln, vc & bc. Ring binder. $32 [item no.8367]


CORELLI, Arcangelo, 1653-1713

[Concerti grossi, op.6; arr., libri 1-3] XII Concertos Transpos’d for Flutes viz a Fifth a Sixth a Consort and Voice Flute. The Proper Flute Being Nam’d to Each Concerto and so Adapted to the Parts that They Perform in Consort with the Violins and Other Instruments.
Münster, 1990. 4º, 4 partbooks: i, 145 pp. Line-cut of the Walsh edition (London, 1725). Scored for 2 recorders, violoncello & bc. Introduction in Ger by Winfried Michel. Wrappers. $78 [item no.4641]


[Sonatas, violin, bc, op.5; arr.] VI sonate per flauto traversiere e basso trascritte dall’opera V, parte 1. Paris s.d.
Archivum Musicum: Flauto Traversiere, 32. Florence, 1996. 24 x 33 cm, v, 39 pp. Line-cut of the Paris, c.1745-1754 edition. The first part of op.5, arranged for flute by an anonymous Frenchman. Preface in It by Marcello Castelliani. Wrappers, in decorative paper. $31 [item no.7374]


[Sonatas, violin, bc, op.5, arr.] Six Solos for a Flute and a Bass. Walsh and Hare, London, 1702. Présentation par Susi Möhlmeier & Frédérique Thouvenot. [British Library].
Collection Dominates. Courlay, 1998. Oblong, 32 x 24 cm, 3 vols, 35, 28 pp. Line-cut of the London, 1702 edition. The second part of op.5, arranged for recorder and bc. Introduction in Fr-Eng-Ger. Wrappers. $44 [item no.7585]


[Sonatas, violin, bc, op.5, arr.] 6 Sonaten für Altblockflöte und basso continuo [Six Solos for a Flute and a Bass].
Münster, 1998. Oblong, 4º, 2 partbooks, ii, 30 pp. Line-cut of the Walsh edition, London, c.1702. Introduction in Ger by Winfried Michel. Ring binder. $28 [item no.7870]


CORRETTE, Michel, 1709-1795

[Concerti, flute, bc, op.8] Six concertos comiques pour trois flûtes haut-bois ou violons avec la basse, Le premier dessus du 2e, 3e, 4e, et 6e. Se peut joüer sur la musett et viele. Œuvre VIII.
Huntingdon, [1992]. 4º, 5 parts, c.60 pp. Xerographic reprint of the Paris, edition. Wrappers. $30 [item no.4851]


[Method, flute] Méthode pour apprendre aisément à joüer de la flute traversiere. [British Library, London].
Hildesheim, 1975. 13 x 18 cm, 53 pp. Line-cut of the Paris, 1739 edition. Discussion of cadences, flattements, battements and agréments plus the technique of tonguing, fingering and transposition. Composition for fl, ob and clar given as one of the examples. Wrappers. $27 [item no.761]


[Method, flute] Méthode pour apprendre aisément à jouer de la flûte traversière. Paris (1740). With Introduction and Notes by Mirjam Nastasi.
Flute Library, 6. Buren, 1978. 8º, iii, 50 pp. Line-cut of the Paris, 1740 edition. Wrappers. $42 [item no.2157]


[Method, flute] Méthode pour apprendre aisément à jouer de la flûte traversière. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 49. Florence, 1995. 21 x 30 cm, x, 54 pp. Line-cut of the Paris, 1735 edition. Preface in It by Marcello Castellani. Wrappers. $35 [item no.7209]


[Méthode raisonnée, flute] Méthode raisonnée pour apprendre aisément à jouer de la flûte traversière.
Geneva, 2/ 2000. 17 x 25 cm, 70 pp. Line-cut of the Paris, 1773 edition. $51 [item no.762]


[Method, keyboard; Sonatas, violin, flute, viol] Le maître de clavecin pour l’accompagnement / Prototipes contenant des leçons d’accompagnement.
Geneva, 1976. 4º, 130 pp. Line-cut of the Paris, 1753 & 1775 editions. Prototipes contains lessons in questions and answer form, and illustrative sonatas for the vln, fl, and descant viol. $76 [item no.829]


[Sonatas, violoncello/viol/bassoon, bc, op.20] Les délices de la solitude, sonates, pour le violloncelle, viole, basson. Avec la basse continüe chiffrée. Œuvre XX.
Huntingdon, [1992]. 4º, 26 pp. Xerographic reprint of the Paris, 1740 edition. Wrappers. $18 [item no.4771]


[Sonatas, violoncello/viol/bassoon, bc, op.20] Les délices de la solitude, sonates, pour le violloncelle, viole, basson. Avec la basse continüe chiffrée. Œuvre XX.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1740 edition. Wrappers. $17 [item no.9039]


[Trio sonatas, 2 flutes, bc, op.14] Sonates en trio pour deux flûte traversiere ou violon avec la basse continue. Opera XIV.
Huntingdon, [1992]. 4º, 4 partbooks, 52 pp. Line-cut of the Paris, [c.1736] edition. Wrappers. $25 [item no.4860]


COSTE, Napoléon, 1806-1883

[Works, v.8, ob/fl/vln, guitar, op.25, 36, 33b, 34a] Works for Oboe (Flute or Violin) & Guitar. Edited and Arranged by Simon Wynberg. [Op.25, 36, 33b, 34a].
The Guitar Works of Napoleon Coste, VIII. Heidelberg, 2/ 1986. 4º, v, 28 pp. New edition. Wrappers. $21 [item no.1007]


COUPERIN, François, 1668-1733

[Apothéose de Corelli & Lully, winds/strings] Apothéose de Corelli; Apothéose de Lully.
La Musique Française Classique de 1650 à 1800, 35. Courlay, 1989. 24 x 33 cm, x, 45 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $31 (more info... ) [item no.2908]


[Apothéose de Lully, winds/strings] Concert instrumental sous le titre d’Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Lully. [Nederlands Muziek Instituut, The Hague].
Performers’ Facsimiles, 248. New York, [2001]. 26 x 34 cm, 29 pp. Line-cut of another surviving print of the Paris, 1725 edition. Wrappers. $20 [item no.7942]


[Concerts royaux; Goûts réunis, nos.1-14] Concerts royaux; Les goûts réunis ou nouveaux concerts à l’usage de toutes les sortes d’instrumens de musique.
La Musique Française Classique de 1650 à 1800, 36. Courlay, 1989. 24 x 33 cm, x, 91 pp. Line-cut of the Paris 1722 & 1724 editions. 14 concerts for unspecified intruments and basso continuo, notated in keyboard format. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $57 (more info... ) [item no.2909]


[Concerts royaux, nos.1-4] Concerts royaux. Supplement du troisième livre de pièces de clavecin. Introduction by Don Hulbert.
Performers’ Editions. New York, 1989. 27 x 36 cm, iii, 30 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3843]


[Concerts royaux, nos.1-4] Concerts royaux.
Música Facsímil, 18. Madrid, 1988. 21 x 30 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $16 [item no.1936]


[Concerts royaux, nos.1-4] Concerts royaux. [Rowe Music Library, King’s College, Cambridge].
Basel, c.1980. 25 x 35 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3644]


[Goûts réunis, nos.5-14] Les goûts réunis du 5e au 14e concerts.
Paris, 1990. 4º, 64 pp. Line-cut of the author’s edition, Boivin, Paris, 1724. $64 [item no.4492]


[Goûts réunis, nos.5-14] Les goûts-réünis ou noveaux concerts à l’usage de toutes les sortes d’instruments de musique augmentés d’une grande sonade en trio intitulée Le Parnasse ou l’Apothéose de Corelli. [Nederlands Muziek Instituut, The Hague].
Performers’ Facsimiles, 249. New York, [2001]. 26 x 34 cm, 82 pp. Line-cut of another surviving print of the Paris, 1724 edition. Wrappers. $28 [item no.7922]


[Goûts réunis, nos.10, 12 & 13] 12e, 13e et 10e concerts extraits des “Goûts réunis ou Nouveaux concerts”.
Musique pour Viole de Gambe, 1 Paris, 1981. 4º, i, 13 pp. Line-cut of the Paris, 1724 edition. Preface in Fr by Jean-Louis Charbonnier. Wrappers. $23 [item no.3833]


[Motets, 1-2 voices, flute, violin, bc, 1703] Quatre versets d’un motet composé de l’ordre du Roy. On y a joint le verset qui dat nivem, du pseaume lauda Jerusalem, 1703. [British Library, London].
La Musique Française Classique de 1650 à 1800, 94. Courlay, 1996. Oblong, 31 x 22 cm, xiv, 34 pp. Line-cut of the Chr. Ballard edition, Paris, 1703. 5 verses of a motet (“Tabescere me fecit”, “Ignitum eloquium tuum”, “Adolescentulus sum ego”, “Justitia tua in aeternum”, “Qui dat nivem”). Set for voice(s), flutes, and continuo. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.7259]


[Motets, 1-2 voices, flute, oboe, bc, 1704] Sept versets du motet composé de l’ordre du Roy. Pseaume Benedixisti Domine terram tuam (Paris, 1704). [British Library, London].
La Musique Française Classique de 1650 à 1800, 105. Courlay, 1997. Oblong, 4º, xv, 40 pp. Line-cut of the Christophe Ballard edition, Paris, 1704. 7 verses of the motet “Benedixisti domine terram tuam” (“Converte nos Deus”, “Numquid in aeternum”, “Ostende nobis Domine”, ”Audiam quid loquatur”, “Misericordia & veritas”, “Veritas de terra”, “Etenim Dominus”). Set for voice(s), flutes, and continuo on psalm 84. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $31 [item no.7456]


[Motets, 1-2 voices, flute, oboe, bc, 1705] Sept versets du motet composé de l’ordre du Roy. Pseaume Qui Regis Israel, Intende, Paris, 1705. [British Library, London].
La Musique Française Classique de 1650 à 1800, 135. Courlay, 2000. Oblong, 4º, xvi, 56 pp. Line-cut of the Christophe Ballard edition, Paris, 1705. 7 verses from the motet “Qui regis Israël” (“Qui Regis Christi”, “Excita potentiam tuam”, “Veneam de Aegypto”, “Dux itineris fuisti”, “Operuit montes umbra ejus”, “Extendit palmitos suos”, “Deus virtutum convertere”). Set for voice(s), flutes, oboes, and continuo. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Hardbound. $36 [item no.7878]


[Nations, 2 violins/flutes, bc] Les nations. Édition de 1726: La Françoise – L’Espagnole – La Piémontaise; Manuscrit de Lyon: La Pucelle – La Visionnaire – L’Astrée – La Steinkerque – La Sultane – La Superbe; Manuscrit de Paris: La Pucelle – La Visionnaire – L’Astrée – La Steinkerque.
La Musique Française Classique de 1650 à 1800, 68. Courlay, 1993. 24 x 33 cm, 9 partbooks, 44, 296 pp. Line-cut of the engraved edition from the Bibl. Nationale in Paris and two non-autograph manuscripts (resp. Bibl. Nationale, Paris and Bibl. Municipale, Lyon); both of which pre-date the printed edition. Commentary by Jean Saint-Arroman and Philippe Lescat. Wrappers, in portfolio. $103 [item no.4682]


[Nations, 2 violins/flutes, bc] Musique de chambre – 3. Les Nations. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/3. Monaco, 1987. 4º, 224, 4 partbooks: 128 pp. Line-cut of the Paris, 1726 edition, together with newly revised critical edition. 2 vols, wrappers. $138 [item no.5548]


[Nations, 2 violins/flutes, bc] Les nations. Sonades; et suites de simphonies en trio.
Performers’ Facsimiles, 40. New York, [1988]. 22 x 28 cm, 4 partbooks, 129 pp. Line-cut of the Paris, 1726 edition. Wrappers, with folder. $45 [item no.1687]


[Sonatas, 2 melody inst, bc (Sonades inédites)] In, Musique de chambre – 4. Apothéose de Corelli; Apothéose de Lully; Pièces de violes; Sonades inédites. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/4. Monaco, 1992. 4º, 214, with 48 pp. Line-cut of the first three sonatas from “Six sonades inédites”, from Brossard’s score (Bibl. Nationale, Ms. Vm7 1156), with sonatas entitled “La Pucelle”, “La Visionaire” and “L’Astrée”. Together with practical edition of the Apothéoses and Pièces de violes. Critical notes. Wrappers. $124 [item no.5549]


CROFT, William, 1678-1727

[Sonatas, vln/fl, bc] Six Sonatas or Solos, Three for a Violin and Three for the Flute with Thorough Bass for ye Harpsicord, Theorboe or Bass-Viol. [The College, Durham].
Alston, 1999. 4º, 2 partbooks, ii, 26 pp. Line-cut of the London, 1700 edition. Three sonatas by Croft and three by an ”Anonymous Italian, possibly Gottfried Finger. Preface by Peter Holman. Ring binder. $25 [item no.7832]


DAQUIN, Louis-Claude, 1694-1772

[Noëls, organ/harpsichord, vln, fl, ob, etc, op.2] Nouveau livre de noëls pour l’orgue et le clavecin, dont la plûpart peuvent s’éxécuter sur les violins, flutes, hautbois, &c, dédié à son altesse sérénissime Monseigneur Le Compte d’Eu, Prince Souverain de Dombes. Œuvre II.
Performers’ Facsimiles, 32. New York, [1987]. 4°, 52 pp. Line-cut of the Paris, [1757] edition. Wrappers. $20 [item no.1688]


[Noëls, organ/harpsichord, vln, fl, ob, etc, op.2] Nouveau livre de noëls pour l’orgue et le clavecin, dont la plûpart peuvent s’éxécuter sur les violins, flutes, hautbois, &c, dédié à son altesse sérénissime Monseigneur Le Compte d’Eu, Prince Souverain de Dombes. Œuvre II.
La Musique Française Classique de 1650 à 1800, 27. Courlay, 1989. 22 x 31 cm, xi, 52 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $32 [item no.2170]


DELUSSE, Charles, c.1720-d.?

[Method, flute] L’art de la flûte traversière (1760). With Introduction and Notes by Greta Moens-Haenen. [Library, University of Michigan].
Flute Library, 10. Buren, 1980. 15 x 21 cm, vi, 57 pp. Line-cut of the Paris, 1760 edition. Hardbound. $79 [item no.2172]


[Method, flute] L’art de la flûte traversière / [J.-M. Hotteterre:] Principes de la flûte traversière.
Geneva, 1973. 4º, 118 pp. Line-cut of the Paris, 1761 & 1721 editions. De Lusse’s treatise includes a collection of examples and tables. Wrappers. $86 [item no.778]


[Method, flute] L’art de la flûte traversière. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 52. Florence, 1997. 17 x 24 cm, vii, 58 pp. Line-cut of the Paris, 1761 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $31 [item no.7591]


[Sonatas, flute, bc, op.1; Sonatas, 2 flutes, op.2] Six sonates pour la flûte traversières avec une tablature des sons harmoniques, 1er œuvre; Six sonates pour deux flûtes traversière, IIe œuvre.
Archivum Musicum: L’Art de la Flûte Traversière, 28. Florence, 1983. 24 x 30 cm, 2 partbooks + score, vii, 51 pp. Line-cut of the Paris, c.1751 editions. Introduction in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $35 [item no.768]


DE SELMA Y SALAVERDE, Bartolome, 17th c.

[Canzoni, fantasie, winds, strings, bc, books 1-4] Canzoni, fantasie et correnti, primo [secondo, terzo, & quarto] libro, Venezia 1638.
Archivum Musicum: Strumentalismo Italiano, 38. Florence, 1980. 24 x 34 cm, 5 partbooks, iii, 219 pp. Line-cut of the Venice, 1638 edition. 57 compositions for 1, 2, 3 & 4 voices with basso continuo. Introduction in It by Marcello Castellani. Wrappers and slipcover in decorative paper. $51 [item no.1196]


DEVIENNE, François, 1759-1803

[Duos concertants, flute, viola, op.5] Six duos concertants pour flûte et alto, 1784. Présentation par les étudiants du CeFEdeM Île-de-France. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 161. Courlay, 2005. 23 x 31, 2 partbooks, xii, 28 pp. Line-cut of the Paris, 1784 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $28 [item no.8542]


[Duos concertants, 2 bassoons, op.3] Six duos concertants pour deux bassoons. Opus 3.
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 32 pp. Line-cut of the Sieber edition, Paris, n.d. Wrappers. $13 [item no.8849]


[Method, flute] Tre metodi per flauto del Neoclassicismo francese: F. Devienne, Nouvelle méthode, Paris c. 1794 / J.M. Cambini, Nouvelle méthode, Paris c.1796 / A. Vanderhagen, Nouvelle méthode, Paris c.1798.
Archivum Musicum: L’Art de la Flûte Traversière, 29. Florence, 1984. 24 x 33 cm, 15, 229 pp. Line-cut. 3 complementary method books. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $51 [item no.804]


[Quartet; trios, strings/winds, bc] Sonate en quatuor pour le clavecin ou le forte-piano avec accompagnement de flûte, cor (ou violoncelle) et alto obligés / Six trios pour trois flûtes; Six trios pour deux flûtes et basse.
La Musique Française Classique de 1650 à 1800, 140. Courlay, 2001. 4º, 11 partbooks, xiii, 101 pp. Line-cut of the Paris, 1789, Paris, n.d., & London, n.d. editions. Preface in Fr-Eng-Ger. Wrappers. $57 [item no.7920]


[Quartets, fl, vln, vla, vc, op.66] Six quatuors concertants pour flûte, violon, alto et basse, 1799. Présentation par: Audry Jacques (CeFEdeM Île-de-France). [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 170. Courlay, 2005. 24 x 34 cm, 8 partbooks, xii, c.104 pp. Line-cut of the Paris, 1799 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $56 [item no.8575]


[Sonatas, keyboard, flute] Trois sonates pour le clavecin ou le piano-forte avec accompagnement de flüte obligé. Présentation par les étudiants du CeFEdeM Île-de-France. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 169. Courlay, 2005. 24 x 34 cm, 2 partbooks, ix, 39 pp. Line-cut of the Paris, 1785 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $32 [item no.8576]


[Sonatas, flute, bc, op.68] Six sonates pour flûte avec accompagnement de basse, op.68, livre 4.
Archivum Musicum: L’Art de la Flûte Traversière, 35. Florence, 1985. 24 x 34 cm, vii, 61 pp. Line-cut of the Paris, c.1799 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $31 [item no.2175]


[Sonatas, flute, bc, op.68, book 4] Six sonates pour flûte avec accompagnement de basse, op.68, livre 4.
Flûtistes Français du XVIIIe Siècle, VIII. Geneva, 1990. 4º, 61 pp. Line-cut of the Paris, 1799 edition. Wrappers. $66 [item no.3827]


[Symphonie concertante, 1789] Quatrième symphonie concertante (pour flûte - hautbois - cor et basson) Présentation par les étudiants de la formation supérieure aux métiers de l’orchestre des musiques classiques et romantiques. Abbaye aux Dames - Saintes. [Universitätsbibl., Münster].
La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, xx, 12 parts, 41, 63 pp. Line-cut of the Paris, 1789, edition (parts), and newly edited full score. Scored for solo hn, fl, ob & bsn solo, plus vln I-II, vla, bass, ob I-II, hn I-II, Preface in Fr-Eng-Ger. Portfolio. $56 [item no.8366]


[Trios, flutes] Six trios pour trois flûtes. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 58. Florence, 2000. 24 x 34 cm, 3 partbooks, v, 51 pp. Line-cut of the Paris, c.1800 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.8087]


DIEUPART, Charles, c.1670-c.1740

[Suites, harpsichord; or, vln/rec, viol/archlute, bc] Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert.
Monaco, 1990. 4º, 2 partbooks 32, 64 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542]


[Suites, vln/rec, viol/archlute, bc] Six suittes de clavessin divisées en ouvertures, allemandes, courantes, sarabandes, gavottes, menuets, rondeaux & gigues. Pour un violon & flûte avec une basse de viole & un archilut.
Münster, 1990. 4º, 2 partbooks: i, 49 pp. Line-cut of the Roger partbooks, (Amsterdam, 1711), for violin or recorder and viol or archlute. Wrappers. $28 [item no.4353]


DOMNICH, H., 18-19th c.

[Method, horn] Méthode de premier et second cor.
Méthodes Instrumentales, VIII. Geneva, 1974. 4º, 120 pp. Line-cut of the Paris, 1807 edition. Hardbound. $116 [item no.3265]


DORNEL, Louis Antoine, c.1685-1765

[Sonatas, violin; Suites, flute, bc, op.2] Sonates a violon seul et suites pour la flûte traversière avec la basse. Œuvre second, Paris 1711.
Archivum Musicum: L’Art de la Flûte Traversière, 12. Florence, 1981. 24 x 34 cm, i, 44 pp. Line-cut. 8 sonatas and 4 suites. Preface in It by Marcello Castellani. Wrappers. $33 [item no.1198]


DÔTHEL, Niccolò, 17-18th c.

[Studies, flute; Sonatas, flute, violoncello, op.2] Studi per il flauto in tutti i tuoni è modi / Sonates pour une flûte traversière et un violoncelle. . . IIe œuvre.
Archivum Musicum: Flauto Traversiere, 19. Florence, 1990. 24 x 34 cm, vi, 38 pp. Line-cut of the Paris, [c.1778 & c.1775] editions. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $35 [item no.3863]


DRESSLER, Gallus, 1533-c.1580

Opus selectissimum sacrarum cantionum [quinque et pluribus vocibus in gratiam musicorum compositarum]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 21. Stuttgart, 1997. Oblong, 20 x 15 cm, 5 partbooks, c.690 pp. Line-cut of the Gerlach edition, Nuremberg, 1574. 37 sacred settings a4, 38 a5, 2 a6 and 1 a8, for voices with or without instruments. Hardbound in vellum paper, with matching slipcase. $184 [item no.7513]


Zehen deudscher Psalmen / [Lasso:] Newe teütsche Liedlein. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 5. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 255 pp. Line-cut of the Adam Berg edition, Munich, 1567. 10 psalm settings a4 and 5 by Dressler and 19 settings on German sacred texts by Lasso. Hardbound with slipcase. $129 [item no.7210]


DROUET, Louis, 1792-1873

[Method, flute] Method of Flute Playing Intended for Those Who Have Already Made Some Progess on the Instrument. With an Introduction by Stephen Preston and Rudolf Rasch.
Flute Library, 17. Buren, 1988. 8º, xxiv, 113 pp. Line-cut of the London, 1830 edition. Cloth. $100 [item no.3584]


[Method, flute] Drouët’s Method of Flute Playing, London, 1830. Facsimile Edition with Introduction by Janice Dockendorff Boland.
Historical Flute Tutor, 2. Marion, 1992. 4º, vi, 113 pp. Line-cut. $22 [item no.4627]


DUMONT, Henri, 1610-1684

Motets a II. III. et IV. parties pour voix et instruments avec la basse-continue. Introduction: José Quitin. [Conservatoire Royal, Brussels & Bibl. Nationale, Paris].
Facsimile Series, III/9. Peer, 1989. 18 x 24 cm, 5 partbooks, viii, 410 pp. Line-cut of the Christophe Ballard edition, Paris 1681. Contains 37 motets (often with violin accompaniment & basso continuo), and 3 instrumental “symphonies”. Three of the motets can be performed by double choir. Wrappers. $62 [item no.2793]


DUVERNOY, Frédéric, 1765-1838

[Method, horn] Méthode pour le cor.
Méthodes Instrumentales, I. Geneva, 1974. 4º, 76 pp. Line-cut of the Paris, c.1802 edition. Wrappers. $61 [item no.3268]


DVOŘÁK, Antonín, 1841-1904

[Largo, fl, vln, vla, triangle] Largo A dur. Pro flétnu, housle, violu a triangl. Faksimile partitury s revidovanými party / For Flute, Violin, Viola and Triangle. Facsimile of the Score with Revised Parts. [Ms. Museum Antonina Dvořáka, Prague, Signatur ČMH-MAD S 76/1563].
Prague, 2006. Oblong, 4°, 5, 4, 4 pp. Full-color facsimile of the autograph score, together with modern performance parts. The recently rediscovered bifolio begins with a sketch for a piece in four-part choral texture, without words; the Largo, spanning pages 2 through 4, consist of 64 bars in 3/4 time and was probably composed in 1867. We can easily imagine this Largo having been composed to provide variety in a musical soirée in someone’s home, with the composer himself playing the viola, colleagues of his the flute and violin, and one of the audience members the triangle. Dvořák’s annotation at the end—“mea culpa, mea maxima culpa”—suggests that the piece may have been intended as a joke. Preface in Czech-Eng-Ger-Fr-Jap. Wrappers. $28 [item no.8784]


EARL OF KELLY, 18th c.

The Favourite Minuets.
Huntingdon, n.d. 4º. Xerographic reprint of the London, 1775 score. Scored for 2 vln, vc, db, 2 cl, 2 hn. Wrappers. $5 [item no.8288]


ECCLES, John, c.1668-1735

A Collection of Songs. For One, Two and Three Voices Together with Such Symphonys for Violins or Flutes as Were by the Author Design’d for any of Them. And a Thorough-bass to Each Song Figur’d for an Organ. Harpsicord or Theorbo-Lute.
Huntingdon, c.1994. 4º. Line-cut of the London, 1704 edition. Wrappers. $49 [item no.8260]


EGENOLF, Christian, 1502-1555 [publisher]

Gassenhawerlin und Reutterliedlin zu Franckenfurt am Meyn. Bei Christian Egenolf 1535.
Hildesheim, 1970. Oblong, 20 x 15 cm (partbooks each 10 x 7), 4 partbooks: xv, 474 pp. (Rpt. of Augsburg & Cologne, 1927 edition). Line-cut of the printed partbooks (altus, bassus, discantus & tenor). One of the leading collections of Lutheran contrafact songs (78 in all), predominantly secular in nature. Separate introduction booklet. Wrap. $54 [item no.1301]


Geminae undeviginti odarum horatii [melodiae, quatuor vocibus probè adornatæ...]. Frankfurt, C. Egenolph 1551. RISM 1551/17. [Musikbibliothek Leipzig].
Faksimile-Edition Rara, 55. Stuttgart, 2008. 10 x 14 cm, 221 pp. Line-cut of the Frankfurt, 1551 edition. 53 polyphonic settings a4 on the odes of the Roman poet Horace (Quintus Horatius Flaccus, 65 BC - 8 BC). Hardbound with decorative paper boards. $37 [item no.9059]


ERTEL, Sebastian, c.1550-1618

Psalmodiae vespertinae [solemnibus totius anni festivitatibus octonis vocibus, et tam vocum quam variorum instrumentorum usui, accommodatae. Quibus accesserunt canticum deiparse virginis, & singulae eiusdem antiphonae, cum basso ad organum]. München, Nicolaus Heinrich 1617. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 7. Stuttgart, 2014. 16 x 21 cm, 9 partbooks, c.460 pp. Line-cut of the Munich, 1617 partbook edition (Canto/Canto, Alto/Alto, Tenore/Tenore, Basso/Basso, Organo. 22 settings for double choir. Wrappers, with slipcase covered in marbled paper. $126 [item no.9358]


Sacrosanctum magnae [et intemeratae virginis canticum. Octonis vocibus, cum intonationibus psalmorum ad octo vsitatos tonos duobus choris una cum clausula Gloria Patri &e. quà instrumentis, quà viuis vocibus cum duplici basso ad organum accommodato, compositum & iam primum in lucem editum.] München / Nicolaus Heinrich 1615. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, [34]. Stuttgart, 2015. 15 x 19 cm, 9 partbooks, 996 pp. Line-cut of the Munich, 1625 partbook edition (cantus, altus, tenor, bassus, V vox, VI vox, VII vox, VIII vox, partitura. Contents: 15 settering for magnificat. Wrappers, with slipcase covered in marbled paper. $204 [item no.9537]


EYCK, Jhr Jacob van, c.1589-1657

Euterpe oft Speel-goddinne, Amsterdam 1644. Facsimile Edition with an Introduction by Thiemo Wind.
Utrecht, 2007. Oblong, 20 x 11 cm, vii, 90 pp. Line-cut of the 1644 edition. “Euterpe oft Speel-goddinne” (Euterpe of the Goddess of Instrumental Music) is the first half of Jacob van Eyck’s famous collection of solo variations, preludes and fantasias, containing 55 pieces. Issued on the occasion of the 350th anniversary of Van Eyck’s death. Wrappers. $35 [item no.9024]


FABER, Heinrich, b.?-1522

Cantiones aliquot sacrae trium vocum. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 43. Stuttgart, 1998. 15 x 19 cm, 3 partbooks, c.84 pp. Line-cut of the Abraham Wagenmann edition, Nuremberg, 1607. 10 sacred settings for 3 voices. Wrappers with portfolio in marbled paper. $66 [item no.7570]


FAIGNIENT, Noë, b.?-c.1595

Chansons, madrigales & motetz a quatre, cincq & six parties. Anvers, vefve de Iean Laet, 1568. Introduction: Eugeen Schreurs. [Bayerische Staatsbibl., Munich].
Facsimile Series: I/B.11. Peer, 1986. Oblong, 20 x 15 cm, 5 partbooks, c.209, xvi pp. Line-cut of the Antwerp, 1568 edition. 44 works, including chansons, madrigals and motets. 5 polyphonic songs with Dutch texts and a beautiful parting song, “Adieu Anvers, adieu la noble ville”. Introduction in Fle-Eng. Wrappers. $30 [item no.1360]


FALCONIERI, Andrea, 1585-1656

Sacrae modulationes [quinque et sex vocibus]. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 16. Stuttgart, 2009. 17 x 23 cm, 6 parts, 120 pp. Line-cut of the Gardane/Magni edition, Venice, 1619. 14 setting for a5 & a6. Portfolio, with decorative paper boards. $68 [item no.9097]


FALLA, Manuel de, 1876-1946

[Concerto, harpsichord/piano, fl, ob, cl, vln, vc] Concerto per clavicembalo (ou pianoforte), flauto, oboe, clarinetto, violino, e violoncello. Edición crítica de la partitura y facsímil de los manuscritos fundamentales del Archivo Manuel de Falla y del Archivo de Valentín Fuiz-Aznar. Editión y estudio de Yvan Nommick.
Colección “Facsímiles”, Serie “Manuscritos”, 3. Granada, [2004]. 25 x 35 cm. lxxxviii, 193 pp. Full-color reproduction of the autograph sketches, composing copy and fair copy (including extensive revisions), plus new critical edition. The work was written in hommage to Wanda Landowsky for her indispensable role in the 20th century resurgence of the harpsichord. Commentary in Sp. Limited edition of 500 copies. Cloth. $187 (more info... ) [item no.8441]


FANTINI, Girolamo, fl.1630-1640

[Method, trumpet] Modo per imparare a sonare di tromba. Tanto di guerra quanto musicalmente in organo, con tromba sordina, col cimbalo, e ogn’altro istrumento (Frankfort, 1638). Facsimile Edition with a Complete English Translation and Critical Commentary by Edward H. Tarr.
Vuarmarens, 2/ 2009. 26 x 36 cm, 87, 7 pp. Line-cut of the Frankfurt (Florence?), 1638 edition. A seminal work in the history of the trumpet. Fantini was the first to introduce a new style of playing which made it possible for the trumpet to be accepted into art music. Wrappers. $75 [item no.9126]


[Method, trumpet] Modo per imparare a sonare di tromba. Tanto di guerra quanto musicalmente in organo, con tromba sordina, col cimbalo, e ogn’altro istrumento.
Performers’ Facsimile, 211. New York [2002] 24 x 33 cm, 87 pp. Line-cut of the Frankfurt [Florence?], 1638 edition. Wrappers. $25 [item no.8153]


FAUGUES, Guillaume, 15th c.

Opera omnia Faugues. Facsimile of the Compositions of Faugues from the Manuscripts Trent 88–Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona DCCLXI, Modena alpha M.1.13, with an Introduction by George C. Schuetze, J.
Publications of Mediaeval Musical Manuscripts, 7. New York, 1959. Oblong, 25 x 17 cm, xii, 100 pp. Halftone of all the works of Faugues (from Italian sources), a contemporary of Ockeghem. Wrappers. $45 [item no.1434]


FERRANDINI, Giovanni Battista, 1710-1791

[Sonatas, flute/oboe/violin, bc, op.2] VI sonate a flauto traversiere o oboé, o violino, basso continuo, opera seconda.
Archivum Musicum: Flauto Traversiere, 8. Florence, 1986. 21 x 30 cm, v, 32 pp. Line-cut of the Paris, c.1740 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.1805]


FERRARI, Giacomo Gotifredo, 1763-1842

[Sonatas, flute/violin, piano] Three Favourite Sonatas for the Pianoforte and Flute Obligato or Violin.
Archivum Musicum: Flauto Traversiere, 23. Florence, 1992. 24 x 34 cm, iv, 40 pp. Line-cut of the London, c.1790 edition. Introduction in It by Daniele Valersi. Wrappers. $31 [item no.4289]


FESCH, Willem de, 1687-1757

[Sonatas, flute/violin, op.9] VI Sonatas for Two German Flutes. Opera IX.
Huntingdon, c.1988. 4º, 24 pp. Line-cut of the London, 1739 edition. Wrappers. $11 [item no.7035]


[Tempest, songs, voice, strings/winds, selections] The Songs in the Tempest or the Enchanted Isteland as They were Perform’d at the Theatre Royal in Drury Land by Mrs. Clive and Mrs. Mozeen.
Huntingdon, n.d.. 4º, 20 pp. Line-cut of the London, c.1748 edition. Wrappers. $12 [item no.7627]


[Trio sonatas, 2 flutes/violins, bc, op.12] Twelve Sonatas for Two German Flutes or Two Violins with a Bass for the Violoncello or Harpsichord, opera XII (1748). Facsimile Edition Edited by Dick van den Hul.
Dutch Music Facsimiles, 1. Utrecht, 1987. 4º, ii, 3 partbooks, 75 pp. Line-cut of the Walsh edition, London, 1748. Introduction in Eng. Wrappers. $15 [item no.3658]


FESTING, Michael Christian, c.1680-1752

[Concerti, 2 solo vln/fl, strings, bc, op.3] Twelve Concerto’s in Seven Parts, the First Eight Concerto’s for Four Violins, One Tenor, One Violoncello, and a Thorough Bass. The Last Four Concerto’s for Two German Flutes, Two Violins, &c. [King’s College, Cambridge].
Alston, 2001. 4º, 7 partbooks, ii, 140 pp. Line-cut of the London, 1734 edition. Preface by Peter Holman. Ring binder. $74 [item no.7968]


FINCK, Heinrich, c.1444-1527

Schöne auszerlesene Lieder [des hoch berümpten Heinrich Finckens sampt andern newen Liedern von den fürnesten dieser Kunst gesetzt/lustig zu singen/und auff die Instrument dienstlich vor nie im Druck außgegangen]. Nürnberg/Formschneider 1536. RISM 1536(9). [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 2. Stuttgart, 2006. Oblong, 14 x 10 cm, 4 partbooks, 456 pp. Line-cut of the Formschneider edition, Nuremberg, 1536. 55 lieder in SATB partbook format. Beautifully printed German songbook, an anthology devoted exclusively to Heinrich Finck. Hardbound in decorative paper. $124 [item no.8778]


FINGER, Godfrey, c.1660-1730

A Collection of Musick in Two Parts 1691 by Mr. G. Finger to which is Added a Sett of Ayres in Four Part by Mr. John Banister. (University College, Durham].
Alston, 2002. Oblong, 4º, 2 partbooks, viii, 47 pp. Line-cut of the London, 1691. Ayres, chaconnes, divisions and sonatas for recorders/flutes (with and without bc) and four-part strings & bc. Introduction by Peter Holman. $20 [item no.8181]


[Sonatas, flute, bc, op.3] Dix sonates à 1 flute & basse continue. Opera terza. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 169. New York, [1996]. 26 x 35 cm, 2 partbooks, 23 pp. Line-cut of Roger edition, Amsterdam, [1701]. Wrappers, in folder. $23 [item no.7256]


[Sonatas, 2 flutes, bc, op.4 & 6] XII suonate a due flauti e violoncello o basso continuo. Opera quarta e sexta. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 143. New York, [1994]. 24 x 30 cm, 3 partbooks, 50 pp. Line-cut of Roger edition, Amsterdam, [1703]. Wrappers, in folder. $28 [item no.7087]


[Sonatas, 2 recorders] Quatorse sonates a 2 flustes dont les 6 premier sont composés par Mr. Fingher, les 6 suivants par Mr. Courtivill et les 2 derniers par Mr. Paisible.
Performers’ Facsimiles, 29. New York, [1987]. Oblong, 24 x 18 cm, 2 partbooks, 58 pp. Line-cut of the Amsterdam, c.1698 edition. Wrappers in folder. $20 [item no.1691]


[Trio sonatas, 2 vln, bc, op.5] X suonate à tre due violini e violoncello o basso continuo. Opera quinta. [Royal College of Music, London].
Alston, 1998. 4º, i, 5 partbooks, c.48 pp. Line-cut of the Roger edition, Amsterdam, 1702. No.10 is scored for violin, violone or fagotto obbligato and continuo. Introduction by Peter Holman. Ring binding. $27 [item no.7829]


FIORENZA, Nicola, fl.1720

[Concerto, flute, strings, bc] Concerto in la minore per flauto, 2 violini e basso continuo (1729). Facsimile e apparato critico a cura di Dario Benigno.
Bibliotheca Musica Bononiensis, IV/106. Bologna, 2012. Oblong, 4°, 32, 32, pp + 4 partbooks. Facsimile edition together with modern edition and performing parts. Wrappers. $36 (more info... ) [item no.9295]


FISCHER, Johann Caspar Ferdinand, c.1670-1746

[Musicalisch Divertissement, rec/fl/ob/vln/bsn, bc] Musicalisch Divertissement (flûte à bec ou flûte traversière ou hautbois ou violon et basse).
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 32 pp. Line-cut of the J. Riedeln edition, Dresden, 1699/1700. Wrappers. $13 [item no.8850]


FISCHER, Johann Christian, 1733-1800

[Method, oboe] New and Complete Instructions for the Oboe or Hoboy. Complete Facsimile Edition of the Copy from the Library of Congress. Preface: Peter Hedrick.
Historical Oboe Tutor Series, II. Columbus, 1987. Oblong, 28 x 21 cm, ix, 38 pp. Line-cut. Wrappers. $23 [item no.3114]


FLORIO, Pietro Grassi, c.1740-1795

[Trio sonatas, fl, vln, vc, op.3] Six Trios for a German Flute, Violin and Violoncello Obbligato. London s.d.
Archivum Musicum: Flauto Traversiere, 40. Florence, 2006. 24 x 30 cm, 3 partbooks, xii, 37 pp. Line-cut of the London, [1781] edition. Introduction in It by Giovanni Battista Columbro. Wrappers, in decorative paper, in matching portfolio. $40 [item no.8768]


FLÖTNER, Peter, c.1485-1546 [illustrator]

Die Flötnerschen Spielkarten und andere Curiosa der Musiküberlieferung des 16. Jahrhunderts aus Franken. Herausgegeben von C. Russell Crosby Jr. [Mss. Germanisches National Museum, Nürnberg & British Museum, London].
Denkmäler der Tonkunst in Bayern. Neue Folge. Sonderband 1. Wiesbaden, 1967. 19 x 26 cm, x, 39, 33, 23 pp. Full-color facsimile of the famous illustrated playing cards with 4-voice compositions—discantus, altus, tenor, bassus—notated on their backs. Besides Flötner’s wonderful cards, this publication includes “Oberdeutsches Trinklied” (Basel, Universitäts-Bibliothek, Hs. F. IX. 59-62) and “Rumpoltschen Spielkarten”. Commentary in Ger, with modern transcriptions of all the pieces. Wrappers. $83 (more info... ) [item no.1298]


FOCKING, Hendrik, 18th c.

[Sonatas, flute, bc, op.1] VI. sonates pour le flute traverse solo, avec une basse continuo, œuvre première.
Amsterdam, 1986. 4º, 31, i pp. Line-cut of the Amsterdam, 1732 edition. Afterword in Dutch by Kess Otten. Wrappers. $30 [item no.2185]


FONTEI, Nicolò, b.?-c.1647

Bizzarrie poetiche [a una, due, tre voci] op.4. Venetia, A. Vincenti 1639. [Bibl. del Conservatorio, Bologna].
Faksimile-Edition Fontei, 1. Stuttgart, 2002. 20 x 28 cm, 4 partbooks, 152 pp. Line-cut of the Venice, 1639 edition. 18 secular settings for soprano or tenor solo +bc, 2 each for contralto and bass solo + bc, 8 duos for various combinations and 4 trios for various combinations. Wrappers in portfolio. $54 [item no.8159]


Messa e salmi op.6 [a diverse voci et istromenti]. [Biblioteca Conservatorio, Bologna].
Faksimile-Edition Fontei, 3. Stuttgart, 2004. 15 x 23 cm, 14 partbooks, 492 pp. Line-cut of the Venice, 1647 edition. 1 mass 9 psalm and 2 magnificat settings for two SATB choirs, plus 2 violins, 3 trombones (”ò altro instromento”), bc. Wrappers, with slipcase covered with marbled paper. $119 [item no.8493]


Salmi brevi op.7 [a otto con il primo choro concertato]. [Biblioteca Conservatorio, Bologna].
Faksimile-Edition Fontei, 4. Stuttgart, 2003. 17 x 25 cm, 9 partbooks, c.315 pp. Line-cut of the Venice, 1647 edition. 19 settings for two SATB choirs, plus bc. Wrappers, with slipcase covered with marbled paper. $79 [item no.8203]


FORMSCHNEIDER, Hieronymus, b.?-1556 [publisher]

[Novum et insigne, part 1] Novum et insigne opus musicum. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 10. Stuttgart, 1996. Oblong, 20 x 15 cm, 6 partbooks. Line-cut of the Nuremberg, 1537 edition. Hardbound in marbled paper with matching slipcase. $191 [item no.7310]


[Novi operis musici, part 2] Secundus tomus novi operis musici. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 9. Stuttgart, 1996. Oblong, 20 x 15 cm, 5 partbooks, c.600 pp. Line-cut of the Nuremberg, 1538 edition. Anthology of 43 pieces a4. Hardbound, with slipcase. $195 [item no.7283]


FORSTER, Georg, c.1514-1568 [compiler]

[Teutsche Liedlein, parts 1 & 2] Georg Forsters Lieder-Sammlung Bände 1 und 2. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 2. Stuttgart, 1996. Oblong, 18 x 12 cm, 4 partbooks, 470 pp. Line-cut of the Nuremberg editions (v. 1 is based on the 4th edition and v. 2 on the 3rd edition. Forster, a doctor and composer, put together an excellent anthology of the best secular pieces of the period, including such beloved works as Isaac’s “Innsbruck, ich muß dich lassen”. This is the 1st and 2nd parts of Forster’s enomous 5-part work. Hardbound in vellum paper, with matching slipcase. $184 [item no.7299]


[Teutsche Liedlein, part 1] Forsters frische Liedlein, eine Sammlung deutscher Lieder aus dem XVI. Jahrhundert. Fünfzig ausgewählte Lieder für eine Singstimme und Klavier bearbeitet von Felix Schwab.
Vienna, 1908. 19 x 28 cm, 112, with 52 pp. Line-cut. Score arrangements in modern notation, each preceded by a facsimile of the tenor part of the original. Foreword in Ger and index-table. Wrappers. $45 [item no.1836]


[Teutsche Liedlein, part 2] Des andern Theyls viler kurzweyliger frischer teutscher Liedlein zu singen sehr lüstig, mit etlichen newen Liedlein gemehret. [Bayerische Staatsbibl., Munich].
Frankfurt, [1991]. Oblong, 21 x 15 cm, 4 partbooks, 220 pp. Line-cut of the Nuremberg, 1565 edition in the original format. 78 songs in mensural notation for four voices (sometimes five) by Forster and composers predominantly from the Heidelberg school. Part two of the immense five part collection. Coverboards in vellum paper with matching slipcase. $130 [item no.4159]


[Teutsche Liedlein, part 3] Der dritte Teyl schöner lieblicher teutscher Liedlein, nicht allein zu singen, sonder auch auff allerley Instrumenten zu brauchen, sehr dienstlich außerlesen, ubersehen und gebessert. [Staats- & Stadtbibliothek, Augsburg].
Faksimile-Edition Augsburg, 6. Stuttgart, 1998. Oblong, 14 x 11 cm, 4 partbooks, 406 pp. Line-cut of the Nuremberg, 1552 editionn. 80 works in mensural notation for 4 voices, with or without instrumental accompaniment. Hardbound in decorative paper, with matching slipcase. $129 [item no.7659]


FRANCK, Melchior, c.1579-1639

Fasciculus quodlibeticus. New musicalisch Werklein, darinnen de quodlibet, so bißhero unterschiedlich außgangen, jetzo aber mit noch andern gantz newen vermehret, alle zusammen getruckt, unnd von vier fünff unnd sechs Stimmen componirt. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 8. Stuttgart, 1996. 15 x 19 cm, 4 partbooks, 120 pp. Line-cut of the Coburg, 1611 edition. Secular settings, four a4, one a6 and one a5, suitable for voices and instruments. Wrappers, with handsome slipcase in marbled paper. $76 [item no.7342]


Flores musicales. [Neue anmutige musicalische Blumen zu allerhand Luft und Fröligkeit lieblich zu gebrauchen mit sonderbarem Fleiß ausammen getragen und mit 4.5.6. und 8 Stimmen]. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 41. Stuttgart, 1998. 16 x 20 cm, 5 partbooks, c.120 pp. Line-cut of the Balthasar Scherff/David Kauffmann edition, Nuremberg, 1610. 10 settings a4, 8 a5, and 5 a8, for voices, with or without instruments. Wrappers, with portfolio in marbled paper. $65 [item no.7578]


Tricinia nova lieblicher amorosischer Gesänge mit schönen boëtischen Texten gezieret und ettlicher massen nach Italienischer Art mit Fleiß componiert. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 42. Stuttgart, 1997. 15 x 19 cm, 3 partbooks, 86 pp. Line-cut of the Nuremberg, 1611 edition. 18 secular settings for 3 voices suitable for voices and instruments. Wrappers, with handsome portfolio in marbled paper. $50 [item no.7551]


Viridarium musicum [continens amaenissiomos et fragrantissimo ex sacra scriptura decerptos flosculos, quos ad dei ter optimi maximi laudem, ecclesiae usum quotidianum, depellendamque animae tristissimae melancholiam internam, 5.6.7.8.9. & 10. vocibus, harmonia suavissima composuit, & illustravit, Ducalis Capellae Saxo Coburgicae Praefectus]. Nürnberg, Georg Fuhrmann 1613. [Zentralbibliothek Zürich].
Faksimile-Edition Rara, 62. Stuttgart, 2012. 16 x 21 cm, 8 partbooks, 320 pp. Line-cut of the Nuremberg, 1613 edition. 43 settings with sacred texts including 18 a5, 7 a6, 2 a7, 13 a8, 2 a9, and 3 a10. Wrappers, with slipcase in decorative paper. $104 [item no.9271]


FREILLON-PONCEIN, Jean-Pierre, 17th c.

[Method, oboe, recorder, & flageolet] La véritable manière d’apprendre à jouer en perfection du hautbois, de la flûte et du flageolet / [A. Van der Hagen:] Méthode nouvelle et raisonnée pour le hautbois en deux parties.
Geneva, 1974. Oblong, 24 x 17 cm, 145 pp. Line-cut of the Paris, 1700 & c.1792 edition. Two complementary treatises on wind instruments. Wrappers. $51 [item no.3275]


FRESCOBALDI, Girolamo, 1583-1643

[Fiori musicali, keyboard/voices, op.12] Fiori musicali [di diverse compositioni, toccate, kirie, canzoni, capricci, e recercari in partitura a quattro utili per sonatori. . . Opera duodecima], 1635. Présentation par Philippe Lescat.
Collection Dominantes. Courlay, 1995. 24 x 32 cm, 29, 107 pp. Line-cut of the Venice, 1635 edition. For 4 unspecified singers/instruments or keyboard instrument, notated in open score. Wrappers. $57 [item no.4801]


[Fiori musicali, keyboard/voices, op.12] Fiori musicali. Introduzione di Luigi Ferdinando Tagliavini. [Biblioteca Communale Ariostea, Ferrara].
Bibliotheca Musica Bononiensis, IV/86. Bologna, 2000. 21 x 31 cm, xx, 108 pp. Line-cut of the Venice, 1635 edition. For 4 unspecified singers/instruments or keyboard instrument, notated in open scoreIntroduction in It-Eng. Wrappers. $47 (more info... ) [item no.2470]


GABREILSKI, Johann Wilhelm, 1791-1846

[Duos concertants, 2 fl, op.40] Trois duos concertants pour deux flutes, op.40.
Nashua, 1993. 4º, 2 parts, i, 42 pp. Line-cut of the Breitkopf & Härtel edition. Preface by Douglas Worthen. Wrappers. $9 [item no.4669]


[Duos concertants, 2 fl, op.85] Trois duos concertants pour deux flutes, op.85.
Nashua, 1993. 4º, 2 parts, i, 17 pp. Line-cut of the Breitkopf & Härtel edition. Introduction by Douglas Worthen. Wrappers. $10 [item no.4670]


GALLIARD, Johann Ernst, c.1680-1749

[Sonatas, bassoon/violoncello, bc] Six Sonatas for the Bassoon or Violoncello with a Thorough [Bass] for the Harpsichord.
Musique de Chambre, 8. Geneva, 1995. 21 x 30 cm, 28 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $30 [item no.7094]


[Sonatas, bassoon/violoncello, bc] Six Sonatas for the Bassoon or Violoncello with a Thorough Bass for the Harpsichord. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 255. New York, [2007]. 24 x 31 cm, 26 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $18 [item no.8811]


[Sonatas, flute, bc, op.1] Sonata a flauto solo e basso continuo. Opera prima. [private collection].
Performers’ Facsimiles, 278. New York, [2008]. 25 x 31 cm, 24 pp. Line-cut of the Amsterdam, n.d. edition. Wrappers. $18 [item no.8910]


GANASSI, Sylvestro, 1492-d.?

[Method, recorder] Opera intitulata Fontegara.
Bibliotheca Musica Bononiensis, II/18. Bologna, 2/ 2002. Oblong, 25 x 17 cm, 158 pp. Line-cut of the Venice, 1535 edition. Earliest known tutor on playing the recorder and indispensable source of information on 16th-c. ornamentation. Wrappers. $54 [item no.1838]


GARDANO, Angelo, b.?-1610 [publisher]

[Canzoni & ricercari, keyboard, book 5] Canzoni alla francese et ricercari ariosi [tabulate per sonar sopra istromenti da tasti. Libro quinto]. [Augsburg, Staats- & Stadtsbibliothek].
Faksimile-Edition Augsburg, 4. Stuttgart, 1997. Line-cut of the Venice, 1605 edition. 12 works in keyboard notation including works by Lasso, Crequillon and Jannequin. Hardbound in marbled paper. $54 [item no.7530]


GARDANO, Antonio, 1509-1569 [publisher]

[Duos, winds/strings] Il primo libro a due voci de diversi autori. RISM 1543(19).
[Yellow Book Series, 5]. Højbjerg, 1991. Oblong, 23 x 16 cm, 2 partbooks: 80 pp. Line-cut of the Venice, 1543 edition. Consists of 67 textless duos derived for the most part from masses by a representative selection of composers. Wrappers. $44 [item no.4155]


Fantasie recercari contrapunti a tre voci di M. Adriano & de altri autori appropriati per cantare & sonare d’ogni sorte di stromenti. [Bayerische Staatsbibl., Munich].
Facsimile Series: I/B.8. Peer, 1986. Oblong, 21 x 16 cm, 18, 3 partbooks, c.94 pp. Line-cut of the Venice, 1559 edition. Includes 2 Regina celi by Willaert and Rore and instrumental trios in strict contrapuntal style. Introduction in Flem-Eng by Ignace Bossuyt. Wrappers. [item no.1264]


[Madrigals/Canzoni francese, Ihan Gero/Clement Janequin] Quaranta madrigali di Ihan Gero insiema trenta canzoni francese di Clement Ianequin. RISM(22). Venezia, A. Gardane 1543. [Trent, Biblioteca Comunale & Eichstätt-Ingolstadt, Universitätsbibliothek].
Faksimile-Edition Rara, 43. Stuttgart, [2015]. Oblong, 22 x 16 cm, 3 partbooks, 118 pp. Line-cut of the Venice, 1534 edition containing madrigals by Gero and Canzoni francese by Janequin. No complete source of this print survives but this facsimile, by combining the incomplete Cantus and Bassus partbooks from Trent and the incomplete Tenor partbook from Eichstätt-Ingolstadt, is able to provide the music for nos. 9-55 of the Cantus; nos. 41-55 of the Tenor and nos. 11-55 of the Bassus, or 15 complete settings. Some of the missing parts can be completed from concordances found in other collections. Hardbound, in decorative paper with matching slipcase. $74 [item no.9478]


Novi thesauri musici liber primus. Venedig. A. Gardane 1568. [Landesbibliothek Mecklenburg-Vorpommern Schwerin].
Faksimile-Edition Rara, 57. Stuttgart, 2008. 17 x 24 cm, 6 partbooks, c.968 pp. Line-cut of the Venice, 1568 edition, consisting of cantus, altus, tenor, quintus, sextus, & bassus partbooks. The first of five volumes published in 1568 containing a magnificent collection of 254 5 & 6-voice motets, financed and overseen by Pietro Giovanelli, a member of a wealthy family from the Bergamo region of Italy. Liber primus presents 87 beautifully engraved motets preceded by striking initials in woodblock. The compilation consists of music written by the composers stationed at the Hofkapellen of Graz, Innsbruck, Prague, as well as the Imperial Hofkapelle in Vienna. Besides well-known composers such as Regnart, Vaet, & Lasso the collection contains many outstanding composers who are still virtually unknown today and only known in this collection. Wrapperr, with slipcase covered in decorative paper. $194 [item no.8975]


GARNIER, François-Joseph, 1755-1825

[Method, oboe] A Systematic Method for the Oboe. Facsimile Edition with English Translation by Peter Hedrick.
Historical Oboe Tutor Series, III. Columbus, 1987. 21 x 27 cm, xxiii, 103 pp. Line-cut. Wrappers. $32 [item no.3116]


GASTOLDI, Giovanni Giacomo, b.?-1622

Tricinia, welche zuvor mit italianischen Texten componiert. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 40. Stuttgart, 1998. 15 x 22 cm, 3 partbooks, c.150 pp. Line-cut of the Valentin Haußmann edition, Nuremberg, 1607. 47 works for 3 voices by Gastoldi, Affettuoso, Invaghito, and H. Vecchi. Wrappers, with portfolio in marbled paper. $69 [item no.7568]


GASTRITZ, Matthias, c.1530-1596

Newe symbola etlicher Fürsten [und Herrn, neben andern mehr schönen liedlein mit fünff und vier Stimmen, auf alle Instrument zu gebrauchen]. Dietrich Gerlatz 1571. [Stadtbibliothek Västerås].
Faksimile-Edition Västerås, 4. Stuttgart, 2016. 17 x 21 cm, 5 partbooks, 204 pp. Line-cut of the Nuremberg 1571 edition. 5 partbooks (discantus, altus, tenor, vagans, bassus) with 36 settings. Wrappers, with portfolio in decorative paper. $67 [item no.9530]


GAUTIER, Pierre, 1642-1696

[Suites, 1-2 recorders/flutes/violins, bc] Symphonies divisée par suites de tons. Introduction de Marc Signorile.
Musique de Chambre, 22. Geneva, 2005. Oblong, 25 x 19 cm, 16, 108 pp. Line-cut of the Chr. Ballard edition, Paris, 1707. Brings together 4 suites en duo for recorder or flute or violin & continuo, and 5 suites en trio for recorders or flutes or violins (or mixed combinations thereof) & continuo, 40 pieces in all. Introduction in Fr-Eng. Wrappers. $71 [item no.8657]


GEMINIANI, Francesco, c.1680-1762

[Concerti grossi, strings, bc, op.2] Concerti grossi con due violini, violoncello, e viola de concertino obligati, e due altri violini, e basso di concerto grosso ad arbitrio. Il IV. V. e VI. si potranno suonare con due flauti traversieri, o due violini con violoncello. Opera secunda.
Huntingdon, n.d. 4º. 6 parts, c.108 pp. Xerographic reprint of the London, 1732 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vc, db. Wrappers. $69 [item no.8281]


[Sonatas, violin, bc, op.1, arr.] Trio Sonata Versions of 12 Solos, op.1. Nos.1-6.
Huntingdon, c.1988. 4º, Xerographic reprint of the 18th-c. edition. Arranged by the Geminiani for trio sonata. Wrappers. $20 [item no.7055]


[Sonatas, violin, bc, op.1, arr.] Trio Sonata Versions of 12 Solos, op.1. Nos.7-12.
Huntingdon, c.1988. 4º, Xerographic reprint of the 18th-c. edition. Arranged by Barsanti for trio sonata. Wrappers. $20 [item no.7056]


GIBBONS, Orlando, 1583-1625

[Madrigals & motets, a3] The First Set of Madrigals and Mottets of 5. Parts: Apt for Viols and Voyces.
Performers’ Facsimiles, 50. New York, 1989. 18 x 24 cm, 5 partbooks, 120 pp. Line-cut of the London, 1612 edition. Wrappers. $45 [item no.2788]


GIORDANI, Tommaso, c.1730-1806

[Duets, flute/violin, op.7] Six Duets for German Flutes. Op.7.
Huntingdon, c.1988. 4º, 20 pp. Xerographic reprint of the London, 1775 edition. Wrappers. $10 [item no.7036]


GIULIANI, Mauro, 1781-1829

[Serenade, flute/violin, guitar] Serenade für Flöte oder Violine und Gitarre. Reprint der Originalausgabe.
Musik für Gitarre. Vienna, n.d. 4º, i, 16 pp. Line-cut of the Hofmeister edition, Leipzig, [1825]. Preface by Karl Scheit. Wrappers. $15 [item no.2880]


[Works, v.35, guitar & flute/violin] Ten Works for Guitar and Flute or Violin.
The Complete Works in Facsimiles of the Original Editions, 35. London, 1986. 4º, 2 vols. Line-cut. Wrappers. $62 [item no.7424]


[Works, v.36, guitar & flute/violin] Twelve Works for Guitar and Flute or Violin.
The Complete Works in Facsimiles of the Original Editions, 36. London, 1987. 4º. Line-cut. Wrappers. $130 [item no.7425]


GLUCK, Christoph Willibald, 1714-1787

[Sonatas, 2 violins/flutes, bc] Six Sonatas for the Two Violins & a Thorough Bass.
Performers’ Facsimiles, 53. New York, [1990]. 25 x 34 cm, 3 partbooks, 39 pp. Line-cut of the London, 1746 edition. Wrappers. $28 [item no.3793]


GRANDI, Alessandro, 1586-c.1630

Salmi a otto brevi. Venedig / Alessandro Vincenti 1629. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 28. Stuttgart, 2013. 16 x 21 cm, 9 partbooks, c.200 pp. Line-cut of the Venice, 1629 partbook edition (Canto/Canto, Alto/Alto, Tenore/Tenore, Basso/Basso, Basso cont. 19 settings for double choir. Wrappers, with slipcase covered in marbled paper. $105 [item no.9344]


GRAUPNER, Christoph, 1683-1760

[Concerto, fl, 2 vln, vla, bc, & other works] Œuvres pour flûtes à bec: Concerto à flûte a bec, 2 violini, viola e cembalo; Ouverture à flûte a bec, 2 violini, viola e cembalo; Canon all’unissono a 2 flauti, violoncello o vero viola da gamba e cembalo. Présentation par H. Susi Möhlmeier et Frédérique Thouvenot. [Hessische Landes- & Hochschulbibl., Darmstadt].
Collection Dominantes. Courlay, 1995. 24 x 33 cm, 3 partbooks, 25, 46 pp. Line-cut of the autograph parts. Wrappers. $33 [item no.7219]


GREENE, Maurice, 1696-1755

[Overtures, orch] Six Overtures.
Huntingdon, n.d. 4˚. Xerographic reproduction of the London, 1745. Scored for 2 vln, vla, vc, db, 2 ob/fl, bsn, kbd (flutes in slow movts of nos. 3 & 5). Wrappers $60 [item no.8287]


GRONEMAN, Albertus, c.1710-1778

[Sonatas, 2 flutes/violins, bc, op.2] Sei sonate à due flauti traversieri o violini e basso. Op.2.
Musica Repartita, 53. Utrecht, 1994. 4º, 3 partbooks, 38 pp. Line-cut of the Amsterdam, [1757] edition. Wrappers. $24 [item no.7249]


GRUBER, Franz, 1787-1863

Stille Nacht, heilige Nacht! Getreue Wiedergabe der eigenhändigen Niederschrift von Franz Gruber. Mit einem Begleitwort über die Geschichte des Weihnachtsliedes [von Otto Erich Deutsch].
Vienna, 1937. Oblong, 36 x 26 cm, iv, 1, 4 pp. Beautiful halftone of the autograph fair copy of the original version of “Silent Night” scored for strings, horn, SATB and organ. The famous Christmas song with text by Josef Mohr, was first performed in Arnsdorf, Austria, Dec. 24, 1818. Afterword in Ger. Hardbound. Rare. $200 [item no.741]


Weihnachtslied “Stille Nacht, heil’ge Nacht!” Faksimile. Vorgelegt von Gerhard Waterskirchen und Thomas Hochradner.
Salzburg, 1995. Oblong, 36 x 26 cm, iv, 4 pp. Color reproduction of the earliest known autograph version, together with Joseph Mohr’s text and transcription. Wrappers. $31 [item no.7505]


GUGGUMOS, Gallus, 16th c.

Mottecta III. V. et VI vocum. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 3. Stuttgart, 1996. 17 x 22 cm, 7 partbooks, c.160 pp. Line-cut of the Magni edition, Venice, 1612. Four motets a4, seven a5, and seven a6. Mensural notation. Wrappers, with handsome slipcase in marbled paper. $122 [item no.7336]


GUILLEMAIN, Louis Gabriel, 1705-1770

[Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuors, ou conversations galantes et amusantes entre une flûtte traversiere, un violon, une basse de viole et la basse continüe. Œuvre XIIe. [British Library, London].
Performers’ Facsimiles, 243. New York, [2000]. 4º, 4 partbooks, 80 pp. Line-cut of the Paris, 1743 edition. Wrappers. $43 [item no.7796]


[Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuor ou conversations galantes et amusantes, flûte traversière, violon, basse de viole, basse continue. Œuvre XII, 1743. Présentation par les étudiants du Ce.F.E. de M. d’Île-de-France.
La Musique Française Classique de 1650 à 1800, 149. Courlay, 2003. 22 x 33 cm, xvi, 88 pp. Line-cut of the Paris, 1743 edition. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.8241]


GUILLEMANT, Benoît, 18th c.

[Pièces, 2 bassoons/violoncellos, op.3] Pièces à deux bassons ou violoncelles — Opus 3.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, c.1748 edition. 6 sonatas for 2 bassoons or violoncellos without bc. Wrappers. $13 [item no.8883]


GUMPELZHAIMER, Adam, 1559-1625

Neue teutsche geistliche Lieder mit dreien Stimmen. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 39. Stuttgart, 1998. 16 x 20 cm, 3 partbooks, c.120 pp. Line-cut of the Valentin Schönigf edition, Augsburg, 1591. 27 secular settings a3 in the Italian style. Wrappers, with portfolio in marbled paper. $52 [item no.7572]


Neue teutsche geistliche Lieder mit dreien Stimmen. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 39. Stuttgart, 1998. 16 x 20 cm, 3 partbooks, c.120 pp. Line-cut of the Valentin Schönigf edition, Augsburg, 1591. 27 secular settings a3 in the Italian style. Wrappers. $40 [item no.7573]


HAHN, George Joachim Joseph, c.1690-c.1769

[Cornucopiae Musicum, 2 voices, 2 violins/flutes, bc] Cornucopiae Musicum in se sono vocali instrumentali continens cantilenas triginta duas. Nimirum arias XX. tam latinas tam germanicas per totum annum en ecclesia decantari folitas, et threnodias XII... [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 14. Stuttgart, 2000. 20 x 32 cm, 5 partbooks, 190 pp. Line-cut of the Augsburg, 1735 edition. 32 pieces for two sopranos, two violins, & bc. Wrappers with portfolio in marbled paper. $118 [item no.7816]


HAKE, Hans, 1628-dc.1663

Ander Theil newer Pavanen, [Sonaten, Arien, Balletten, Brandlen, Couranten, und Sarabanden, mit 2.3.4.5. und 8-Instrumenten mit dem basso continuo]. Stade 1654 / Elias Holwein. [British Library, London & Stadtbibliothek Växjö].
Faksimile-Edition Rara, 61. Stuttgart, 2010. 16 x 21 cm, 5 partbooks, 222 pp. Line-cut of the Stade, 1654 edition. Wonderful collection of 43 dance movements for various string and wind instrumental groupings (a2 to a5), including 4 for 2 cornetti & 3 trombones and 2 for 5 trombones. Wrappers, with portfolio. $98 [item no.9174]


HANDEL, George Frideric, 1685-1759

[Acis & Galatea, masque, HWV 49, selections] The Songs & Symphony’s in the Masque of Acis & Galatea, Made and Perform’d for His Grace the Duke of Chandos. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 8. Hebden Bridge, 2007. 21 x 30 cm, 38 pp. Line-cut of the London, n.d. edition. Wrappers. $26 [item no.8923]


[Alexander, ode, HWV 75, selections, arr.] “Alexander” for a Flute. The Ariets with Their Symphonys for a Single Flute and the Duet for Two Flutes of that Celebrated Opera.
Münster, 2/ 1991. Oblong, 4º, iii, 26 pp. Line-cut of the Walsh 18th c. edition. Arranged for one or two recorders. Wrappers. $18 [item no.4349]


[Musick for the Royal Fireworks, fl/vln, bc] The Musick for the Royal Fireworks [and Other Works] Set for the German Flute, Violin or Harpsichord. [Curtis Institute of Music, Philadelphia].
Performers’ Facsimiles, 114. New York, [1993]. 25 x 33 cm, 22 pp. Line-cut of the Walsh edition, London, c.1749. Also contains transcriptions of numbers from Atalanta, Joshua, Occasional Oratorio, Joseph, Saul, Ode for St. Cecilia’s Day, Coronation Anthem, plus two unidentified airs. Wrappers. $18 [item no.4619]


[Musick for the Royal Fireworks, orch, HWV 351; Concerti, orch, HWV 335a & The Musick for the Royal Fireworks / Feuerwerksmusik, HWV 351. Concerti HWV 335a & 335b. British Library Manuscript R.M. 20.g.7. Facsimile. Introduction and Commentary by Christoher Hogwood / Eingeleitet und kommentiert von Christopher Hogwood.
Documenta Musicologica, II/32. Kassel, 2004. 4˚, 26, 70 pp. Handel's great outdoor piece for strings and wind band. Halftone of the 1749 autograph score, composed for the celebration of the Treaty of Aix-la-Chapelle. The overture is the longest single instrumental movement that Handel wrote and is scored for tpt 1-3 (x3), hn 1-3 (x3), ob 1-3 (x12, x8, x4), bsn 1-2 (x8, x4), timp (3 pairs), & bc. The manuscript also includes 2 concerti, HWV 335a and 335b, intended as interludes during oratorio performances, scored for strings, 2 ob, 2 tpt (only HWV 335a), 4 hn, bsn, timp, & bc (organ). This is a fascinating score, in Handel’s forceful script, showing his erasures by smudging, his clarifications by writing note letters over a correction, and his normal abbreviations for colla parte using custodes. The manuscript also bears evidence of arguments over scoring that went on with the civil servants organizing the spectacle. Preface in Ger/Eng. Hardbound. $65 (more info... ) [item no.8448]


[Musick for the Royal Fireworks, orch, HWV 351, 1st ed.] The Musick for the Royal Fireworks in all its Parts, viz. French Horns, Trumpets, Kettle Drums, Violin, Hoboys, Violoncello, & Bassoons with a Thorough Bass for the Harpsicord or Organ. [British Library, London].
Performers’ Facsimiles, 120. New York, [1993]. 4º, 11 partbooks: 37 pp. Line-cut of the original Walsh printed parts, London, [1749]. Scored for 2 vln, 3 ob, 3 hns, 3 tpt, timp, bsn & bc. Wrappers. $40 [item no.4530]


[Sonatas, flute/violin/oboe, bc, op.1, HWV 359b, 360-62, 363b, 364a, 365, Sonates pour un traversière, un violon ou hautbois con basso continuo. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 151. New York, [1996]. 24 x 30 cm, 62 pp. Line-cut of the Roger edition, Amsterdam, c.1722 featuring 12 sonatas in these keys: E minor, G minor; A major; A minor; G major; G minor; C major; G minor; B minor; A major; F major; E major. This is John Walsh’s pirated edition of op.1, published without the composer’s consent. Walsh later produced an official version of op.1, substituting some sonatas with different works, making the definitive identification of Handel’s violin sonatas quite difficult for scholars. Wrappers. $23 [item no.7254]


[Sonatas, recorder, bc, op.1, selections, HWV 360, 362, 365 & 369] Four Sonatas, Op.1, Nos. 2, 4, 7, 11 for Treble Recorder and Continuo. Revised Edition by Edgar Hunt.
London, 1980. 4º, v, 44, 21 pp. Beautiful halftone of the 17th-c. Walsh edition. Together with introduction and practical edition. Wrappers. $24 [item no.1588]


[Sonatas, recorder, bc, op.1, HWV 365, 362, 360, 377, 369, 367a] Die Sonaten für Altblockflöte und B.C. [Fitzwilliam Museum, Cambridge].
Münster, 1989. Oblong, 4º, iii, 54 pp. Line-cut of the autograph score. 6 sonatas: G minor, F major, A minor, C major (incomplete), B major, D minor, plus G major (vln & bc), & F major (2 flutes). Introduction in Ger by Winfried Michel. Wrappers. $32 [item no.4281]


[Trio sonatas, 2 violins/oboes/flutes, bc, op.2, HWV 386b-391] VI sonates à deux violons, deux haubois ou deux flutes traversieres & basse continue. Second ouvrage.
Huntingdon, [1990]. 4º, 4 partbooks, c.80 pp. Line-cut of the John Walsh edition, London, c.1733. 6 sonatas: B minor; G minor; Bb major; F major; G minor; G major. Wrappers. $30 [item no.7019]


[Trio sonatas, 2 violins/oboes/flutes, bc, op.2, HWV 386b-391] VI sonates à deux violons, deux haubois ou deux flutes traversieres & basse continue. Second Ouvrage. [Miller Collection, Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 170. New York, [1997]. 4º, 3 partbooks, 71 pp. Line-cut of the Wdalsh edition, London, c.1733. 6 sonatas: B minor; G minor; Bb major; F major; G minor; G major. Wrappers. $38 [item no.7472]


[Trio sonatas, 2 violins/flutes, bc, op.5, HWV 396-402] Seven Sonatas or Trios for Two Violins or German Flutes with a Thorough Bass for the Harpsicord or Violoncello. Opera Quinta.
Performers’ Facsimiles, 20. New York, 1987. 24 x 31 cm, 3 partbooks, 80 pp. Line-cut of the London, [1739] edition. 7 sonatas: A major; D major; E minor; G major; G minor; F major; Bb major. Wrappers. $38 [item no.2048]


[Water Music, orchestra, HWV 348-350] The Celebrated Water Musick in Seven Parts, viz., Two French Horns, Two Violins or Hoboys, a Tenor, and a Thorough Bass for the Harpsichord or Bass Violin.
Performers’ Facsimiles, 70. New York, [1990]. 24 x 36 cm, 7 partbooks, 36 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $40 [item no.3690]


HART, James, 1647-1718

Synopsis musicae or The Musical Inventory, Being a Collection of the Choicest and Newest Ayres, Jiggs, Borees, Alemands, Gavots, Entries, Round O’s Horn-pipes, Trumpet-Tunes and Scotch Tunes, for the Recorder or Flute. To which are Added Several New Songs and Catches Compos’d by the Most Able Masters.
Performers’ Facsimiles, 131. New York, [1994]. Oblong, 23 x 15 cm, 32 pp. Line-cut of the Thomas Cross edition, London, 1693, in the possession of the Library of Congress, Washington, D.C. 52 pieces for flute or recorder, plus 6 pieces for flute and voice. Wrappers. $15 [item no.7005]


HASSE, Johann Adolph, 1699-1783

[Sonatas, flute/violin, bc, op.2] Solos for a German Flute or Violin with a Through Bass for the Harpsicord or Violoncello. Opera Seconda. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 271. New York, [2007]. 25 x 31 cm, 31 pp. Line-cut of the London, [1740] edition. Wrappers. $20 [item no.8812]


HASSLER, Hans Leo, 1562-1612

Lustgarten neuer teutscher Gesäng. Balletii, Galliarden und Intraden mit 4.5.6. und 8. Stimmen. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 45. Stuttgart, 1998. 16 x 20 cm, 4 partbooks, c.230 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1610. 15 settings a4, 13 a5, 8 a6, 3 a8 and 6 instrumental Intraden a6. Tenor, altus, quinta and sexta partbooks only. Wrappers, with portfolio in marbled paper. $72 [item no.7608]


Venusgarten [oder Neue lustige liebliche Täntz teutscher und polnischer art auch Galliarden und Intraden mit 4.5.6. Stimmen mit und ohne Text]. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 46. Stuttgart, 1998. 15 x 21 cm, 3 partbooks, c.240 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1615. 36 texted settings a5 and 11 a4 textless settings by J.L. Hassler and Valintin Haussmann. For voices, with or without instruments. Wrappers, with portfolio in marbled paper. $58 [item no.7582]


Venusgarten [oder Neue lustige liebliche Täntz teutscher und polnischer art auch Galliarden und Intraden mit 4.5.6. Stimmen mit und ohne Text]. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 46. Stuttgart, 1998. 15 x 21 cm, 3 partbooks, c.240 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1615. 36 texted settings a5 and 11 a4 textless settings by J.L. Hassler and Valintin Haussmann. For voices, with or without instruments. Wrappers. $40 [item no.7583]


HAUSSMANN, Valentin, c.1565-c.1614

[Dances, German & Polish] Außzug aus Valentini Haußmanns [Gerbipol. zweyen unterschiedlichen Wercken als der teutschen Täntz mit 4. Stimmen und des ersten Theils polnischer Täntz so Venusgarten tituliert mit 5. Stimmen mit und ohne Text in ein Opusculum zusammen gebracht durch V. Haußmann]. Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 26. Stuttgart, 1997. 15 x 19 cm, 5 partbooks, c.284 pp. Line-cut of the Balthasar Scherff edition, Nuremberg, 1609. 11 dances a4, 28 a5, plus 59 purely instrumental dances a4. Wrappers, with handsome portfolio in marbled paper. $115 [item no.7524]


Melodien unter weltliche Texte, da jeder einen besondern Namen anzeiget, umb ein guten Theil vermehret und von neuem auffgelegt. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 25. Stuttgart, 1997. 15 x 19 cm, 5 partbooks, c.260 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1608. 51 works a5, with German texts. Wrappers, with handsome portfolio in marbled paper. $115 [item no.7485]


Venusgarten [oder Neue lustige liebliche Täntz teutscher und polnischer art auch Galliarden und Intraden mit 4.5.6. Stimmen mit und ohne Text]. [Schermar Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 46. Stuttgart, 1998. 15 x 21 cm, 3 partbooks, c.240 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1615. 36 texted settings a5 and 11 a4 textless settings by J.L. Hassler and Valintin Haussmann. For voices, with or without instruments. Wrappers, with portfolio in marbled paper. $58 [item no.7582]


HAYDN, Franz Joseph, 1732-1809

[Concerto, horn, orch, Hob. VIId:3, D major] Hornkonzert D-Dur, Hob. VIId:3. Faksimile der autographen Partitur. Kommentar von Ingrid Fuchs.
Vienna, 2009. 22 x 32 cm, 28, 39 pp. Beautiful full-color facsimile. A fascinating and important representative of Haydn's entire concerto œuvre comes to light in this brilliant facsimile of the Horn Concerto in D Major, Hob. VIId:3. Haydn composed a relatively small group of wind concertos (6 in total), two which are lost. This work was most likely composed for the horn virtuoso Joseph Leutgeb, and in violation of his contract with the Esterházy House, since it was not written for the court orchestra. Of special mention is Haydn's note written on the last page of the score stating "in schlaff geschrieben" (written while asleep). This is due to a mistake in the scoring of the instruments and was most likely the result of Haydn composing secretly at night, half asleep. Commentary in German-English-Japanese. Limited edition of 500 copies with beautiful period design coverboards and pasted on etikette. $207 (more info... ) [item no.9120]


[Quartets, strings, op.76; arr. Arnold] Six Duets (Vol. 2, Nr. 4-6) Arranged for Two Flutes by Samuel Arnold (1740-1802).
Wiener Querflöten-Edition. Vienna, 1987. 4º, iii, 37 pp. Line-cut of the 18th-c. score. Preface in Ger-Eng-Fr. Wrappers. $26 [item no.1639]


HAYDN, Johann Michael, 1737-1806

Marcia turchese à più stromenti (1795). Faksimile der autographen Partitur aus dem Besitz der Erzabtei St. Peter Salzburg. Einführung von Gerhard Croll. [Sign. Hay 1890.I].
Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 9. Salzburg, 2001. Oblong, 31 x 22 cm, 8, vii pp. Beautiful halftone of the autograph score. Scored for 2 tpt, 2 hn, 2 fl, 2 ob, 2 cl, 2 bsn, Turkish piatelli & tamburo. Vienna, 1806 edition. Introduction in Ger. Wrappers. $26 [item no.8111]


HAYM, Nicola, c.1679-1729

[Sonatas, flute/oboe/violin, bc] VI sonate da camera a flauto traversa, haubois o violino solo. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 1. Florence, 1984. 22 x 31 cm, iv, 21 pp. Line-cut of the Amsterdam, c.1708-1712 edition. 4 sonatas by Haym and 2 by Bitti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.774]


HEBDEN, John, 1712-1765

[Solos, flute, bc] Six Solos for a German Flute with a Thorough Bass for the Harpsicord. [University of Wales, Cardiff].
Alston, 1995. 4º, i, 41 pp. Line-cut of the London, c.1745 edition. Preface by Peter Holman. Ring binder. $15 [item no.7837]


HENTZSCHEL, J., 17th c.

Canzon mitt 8. Viol-digambe oder Posaunen gesetzt.
Basel, c.1980. 17 x 25 cm, 5 parts, 10 pp. Line-cut of the Thorn, 1649 edition. Canzon for 8 instruments in mensural notation. Wrappers. $8 [item no.3642]


HINRICHS, Johann Christian, 1760-d.?

Entstehung, Fortgang und ietzige Beschaffenheit der russischen Jagdmusik.
Leipzig, 1974. 8º, 38 pp. Line-cut of the St. Peterburg, 1796 edition. This is the only contemporary account of the fascinating and long extinct phenomenon of the Russian Horn Band. Includes detailed illustrations of the horns and six musical examples. Quarter linen. $42 [item no.4131]


HŒZLIN, Joseph, 16-17th c.

Sacrarum melodiarum [tribus vocibus]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 27. Stuttgart, 1997. 15 x 19 cm, 3 partbooks, 72 pp. Line-cut of the Abraham Wagenmann edition, Nuremberg, 1605. 19 settings a3 with sacred texts. Wrappers, with handsome portfolio in marbled paper. $58 [item no.7526]


Sacrarum melodiarum [tribus vocibus]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 27. Stuttgart, 1997. 15 x 19 cm, 3 partbooks, 72 pp. Line-cut of the Abraham Wagenmann edition, Nuremberg, 1605. 19 settings a3 with sacred texts. Wrappers. $34 [item no.7527]


HOLBORNE, Antony, b.?-1602

Pavans, Galliards, Almains and other Short Aeirs both Grave and Light, in Five Parts, for Viols, Violins, or other Musicall Winde Instruments.
Waiblingen, 1991. 8º, 5 partbooks, c.180 pp. Line-cut of the London, 1599 edition. 65 charming instrumental pieces, suitable for strings & winds, in mensural notation. It is the largest surviving collection of its kind, most of the pieces are of the pavan-galliard combination. Handsome bibliophile edition produced with vellum-paper boards, with matching slipcase. $122 (more info... ) [item no.4149]


Pavans, Galliards, Almains, and other Short Aeirs both Grave and Light, in Five Parts, for Viols, Violins, or other Musicall Winde Instruments. [Christ Church Library, University of Oxford].
Performers’ Facsimiles, 263. New York, [2010]. 19 x 23 cm, 5 partbooks, c.180 pp. Line-cut of the 2nd edition, London, 1648. 65 instrumental pieces, suitable for strings & winds, in mensural notation. Wrappers. $45 [item no.9161]


HOOK, James, 1746-1827

[Sonatas, piano/harpsichord, flute/violin, op.54] Six Sonatas for the Piano Forte, or Harpsichord, with an Accompaniment for the German Flute or Violin, Op. LIV.
Performers’ Facsimiles, 85. New York, [1990]. 25 x 32 cm, 27 pp. Line-cut of the London, 1788 edition. Wrappers. $18 [item no.3792]


HOTTETERRE, Jacques Martin, 1674-1763

[L’art de préluder, flute/recorder/oboe] L’art de préluder sur la flûte traversière, sur la flûte à bec, sur le hautbois et autres instruments de dessus. Œuvre VIIe.
Geneva, 1978. Oblong, 24 x 17 cm, 67 pp. Line-cut of the edition published by the composer and Boivin, Paris, 1719. Concerns the “improvised” or “true” prelude, its forms, cadences and transpositions. Wrappers. $45 [item no.775]


[L’art de préluder, flute/recorder/oboe] L’art de préluder sur la flûte traversière sur la flûte à bec, sur le hautbois et autres instrumens de dessus pour les flûtes traversières, flûtes a bec, haubois, & muzettes, œuvres VIII.
Archivum Musicum: L’Art de la Flûte Traversière, 55. Florence, 1999. Oblong, 29 x 21 cm, ix, 67 pp. Line-cut of the Paris 1719 edition. Preface in It by Marcello Castelliani. Wrappers in decorative paper. $37 [item no.7775]


[Method, flute, recorder, oboe] Principes de la flûte traversière de la flûte à bec et du haut-bois. Paris 1707.
Archivum Musicum: L’Art de la Flûte Traversière, 53. Florence, 1998. 21 x 30 cm, ii, 57 pp. Line-cut of the Paris 1707 Paris edition. Preface in It by Marcello Castellani. Wrappers. $35 [item no.7685]


[Method, flute, recorder, oboe] Principes de la flûte traversière ou flute d’allemagne, de la flûte à bec ou flûte douce, et du haut-bois par le Sieur Hotteterre-le Romain. Deutsche Übertragung von Hans Joachim Hellwig.
Documenta Musicologica, I/34. Kassel, 2/ 1965. 12 x 19 cm, 51, 48 & 5 foldouts pp. Line-cut of the Amsterdam, 1710 edition, together with a complete translation and afterword in German. Wrappers. $31 [item no.777]


[Method, flute, recorder, oboe] Principes de la flûte traversière / [Charles de Lusse:] L’art de la flûte traversière.
Geneva, 1973. 18 x 25 cm, 110 pp. Line-cut of the Paris, 1721 & 1761 editions. Hardbound. $86 [item no.778]


[Method, flute, recorder, oboe] Principes de la flûte. Reprint der Amsterdamer Ausgabe von 1728. Mit deutscher Übersetzung von Hans Joachim Hellwig und einer Einleitung von Vera Funk.
Kassel, 1998. 12 x 19 cm, xii, 55, 52 pp. Line-cut of the Amsterdam, 1728 edition, together with a complete translation and afterword in German. Wrappers. $16 [item no.8322]


[Pièces, flute, bc, op.2, book 1] Pièces pour la flûte traversière, livre premier. Première édition. Paris, 1708; Premier livre de pièces pour la flûte traversière. Nouvelle édition augmentée de plusieurs agréments. Paris, 1715. [British Library, London; Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 115. Courlay, 1999. Oblong, 31 x 22 cm, 2 vols, xviii, 126 pp. Line-cut of Paris, 1708 & Paris, 1715 editions. Introduction in Fr-Eng-Ger by Philippe Lescat. Hardbound, with slipcase. $54 [item no.7715]


[Pièces, flute, bc, op.2, book 1] Premier livre de pièces, Op. II.
Musica Musica, S/9. Basel, c.1980. 48 pp. Line-cut of the Paris, 1715 edition. Wrappers. $31 [item no.2189]


[Pièces, flute, bc, op.2, book 1] Premier livre de pièces pour la flûte-traversiere et autres instruments avec la basse. Œuvre second, nouvelle edition. [private collection].
Performers’ Facsimiles, 177. New York, [1998]. Oblong, 27 x 21 cm, 48 pp. Line-cut of the Paris, 1715 edition. Wrappers. $15 [item no.7554]


[Pièces, flute, bc, op.5, book 2] Deuxiéme livre de pièces pour la flûte-traversiere et autres instruments avec la basse. Œuvre Ve. [private collection].
Performers’ Facsimiles, 178. New York, [1998]. Oblong, 27 x 21 cm, 39 pp. Line-cut of the Paris, 1715 edition. Wrappers. $15 [item no.7555]


[Suite, 2 flutes/recorders/viols, op.4] Première suitte de pièces à deux dessus, sans basse continue. Pour les flûtes traversières, flûtes à bec, violes, etc. Paris, 1712. [Bibliothèque Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 86. Courlay, 1995. Oblong, 31 x 22 cm, 13, 18 pp. Line-cut of Paris, 1712 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $19 [item no.7146]


[Suite, 2 flutes/recorder/oboes/musettes, op.8] Troisième suitte de pièces à deux dessus pour flûtes traversières, flûtes à bec, haubois et muzettes. Œuvre VIIIe.
Musique de Chambre, 15. Geneva, 1991. Oblong, 25 x 17 cm, 13 pp. Line-cut of the edition published by the composer and Boivin, Paris, 1722. Wrappers. [item no.3105]


HOTTETERRE, Jean, b.?-1720

[Pièces, musette/flute/oboe, bc, op. post.] Pièces pour la muzette qui peuvent aussi se jouer sur la flûte, œuvre posthume. Paris 1722.
Archivum Musicum: L’Art de la Flûte Traversière, 66. Florence, 2007. Oblong, 29 x 21 cm, viii, 46 pp. Line-cut of the edition published by Jacques Martin Hotteterre and Boivin, Paris, 1722. The suite is by Jacques Martin Hotteterre. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $38 [item no.8987]


HOWARD, Samuel, 18th c.

A Cantata and English Songs. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 6. Hebden Bridge, 2007. 21 x 30 cm, 13 pp. Line-cut of the London, n.d. edition. For voice and bc with accompaniment by flute or violin. Wrappers. $15 [item no.8921]


HUGL, Franz Anton, c.1693-d.?

[Partitas, harpsichord, nos.1-3] Parthia I-II-III für Cembalo [aus Dreyssig Cammer- oder Galanterie-Stück vor das Clavier in VI Parthien vertheilet]. Passau 1738. Facsimile-Edition.
Musik aus Ostbayern, 3. Altötting, 1987. Oblong, 30 x 21 cm, 21, i pp. Line-cut of the Passau, 1738 edition. Hugl points out in the preface the possibility of doubling the melody line with a flute or violin. Afterword in Ger by Konrad Ruhland. Wrappers. $10 [item no.4372]


[Partitas, harpsichord, nos.4-6] Parthia IV-V-VI für Cembalo [aus Dreyssig Cammer- oder Galanterie-Stück vor das Clavier in VI Parthien vertheilet]. Passau 1738. Facsimile-Edition.
Musik aus Ostbayern, 13. Altötting, 1988. Oblong, 30 x 21 cm, i, 21 pp. Line-cut of the Passau, 1738 edition. Preface in Ger by Konrad Ruhland. Wrappers. $11 [item no.4373]


HUGOT, Antoine, 1761-1803

[Method, flute (completed by Jean-Georges Wunderlich)] Méthode de flûte.
Méthodes Instrumentales, V. Geneva, 1974. 4º, 169 pp. Line-cut of the Paris, 1804 edition. Hardbound. $131 [item no.3283]


ISAAC, Heinrich, c.1450-1517

Coralis constantini, primus tomus. Introduction: Edward R. Lerner. [Bayerische Staatsbibl., Munich].
Facsimile Series, III/14. Peer, 1991. 8º, 4 partbooks: xii, 540 pp. Line-cut of the H. Formschneider edition, Nuremberg, 1550. The first collection of polyphonic settings of the proprium for the whole liturgical year. Composed for the Hapsburg Royal Chapel. Senfl, Isaac’s pupil, is credited with completing some of the unfinished compositions. Wrappers, & slipcase. $75 (more info... ) [item no.3897]


Coralis constantini, tomus secundus. Introduction: Edward R. Lerner. [Bayerische Staatsbibl., Munich].
Facsimile Series, III/15. Peer, 1993. Oblong, 19 x 16 cm, 4 partbooks, xii, 536 pp. Line-cut of the Formschneider edition, Nuremberg, 1555. Wrappers, & slipcase. $75 (more info... ) [item no.4192]


Choralis constantini, tertius tomus. Introduction: Edward R. Lerner. [Bayerische Staatsbibl., Munich].
Facsimile Series, III/16. Peer, 1995. Oblong, 19 x 16 cm, 4 partbooks, xii, 724 pp. Line-cut of the Formschneider edition, Nuremberg, 1555. Wrappers, & slipcase. $95 (more info... ) [item no.4193]


JACQUET DE LA GUERRE, Élisabeth, 1659-1729

[Cantatas, 1-2 voices, violin/flute, bc, book 3] Cantates françaises, livre III. Semelé, L’Ile de Delos, Le Sommeil d’Ulisse, Le Raccommodement Comique. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 117. Courlay, 1999. 24 x 32 cm, 14, 89 pp. Line-cut of Paris, c.1715. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $50 [item no.7693]


[Cantatas, voice, violins, flutes, bc] Cantates francoises. Semelé, L’Ile de Delos, Le sommeil d’Ulisse, aûquelles on a joint Le raccommodement comique. [British Library, London].
Performer’s Facsimiles, 225. New York, [1998]. 24 x 32 cm, 85 pp. Line-cut of the Paris, n.d. edition. Wrappers. $28 [item no.7635]


[Trio sonatas, 2 vlns,viol/bsn, bc] Quatre sonates en trio (partition). Présentation par Catherine Cessac. [Ms Vm7 1110, Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800 164. Courlay, 2005. 24 x 33 cm, vii, 83 pp. Line-cut of a unique mnuscipt score (autograph?), a source which the theorist Brossard alludes to in his catalog. Introduction in Fr-Eng-Ger. Wrappers. $53 [item no.8559]


JANOVKA, Tomas, 1669-1741

Clavis ad thesaurum magnae artis musicae. . . Prag 1701. [Bibliothèque Royale Albert II, Brussel].
Dictionarium Musicum, 2. Buren, 1973. 15 x 23 cm, 343 pp. Line-cut of the Prag, 1701 edition. Along with Brossard’s Dictionnaire de musique one of the first modern dictionaries of musical terms. Wrappers. $66 [item no.2115]


JEEP, Johannes, 1581-1644

Studentengärtleins [erster Theil. Neuer lustiger weltlicher Liedlein mit 3.4. und 5. Stimmen]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 14. Stuttgart, 1997. 15 x 19 cm, 4 partbooks, c.98 pp. Line-cut of the Nuremberg, 1614 edition. 34 entirely homophonic strophic setting in mensural notation. Considered among the finest songs composed in the wake of Hassler. Hardbound, in slipcase. $85 [item no.7381]


Studentengärtleins [erster Theil. Neuer lustiger weltlicher Liedlein mit 3.4. und 5. Stimmen]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 14. Stuttgart, 1997. 15 x 19 cm, 4 partbooks, c.98 pp. Line-cut of the Nuremberg, 1614 edition. 34 entirely homophonic, strophic setting in mensural notation. Considered among the finest songs composed in the wake of Hassler. Wrappers. $67 [item no.7382]


JELIC, Vinco, 1596-1636

Parnassia militia [Concertuum unius, duarum, trivum et quattor vocum tam nativis quam instrumentalibus vocibus, ad organum concinendarum. Opus primum], Straßburg, Paul Ledertz 1622. [Universitätsbibliothek Frankfurt].
Faksimile-Edition Canto e Continuo, 5. Stuttgart, 2008. 16 x 22 cm, 5 partbooks, 220 pp. Line-cut of the Strasbourg, 1622 partbooks (cantus, altus, tenor, bassus, bassus ad organum). Collection of 24 motets for 1 to 4 voices, plus 4 ricercare for cornetto/violin, trombone/viol & bc). Wrappers, with portfolio. $58 [item no.9031]


JOMMELLI, Niccolò, 1714-1774

[Trio sonatas, 2 flutes/violins, bc] Six Sonatas for Two German Flutes or Violins with a Thorough Bass for the Harpsichord or Violoncello.
Archivum Musicum: Flauto Traversiere, 18. Florence, 1989. 24 x 34 cm, 3 partbooks, ii, 32 pp. Line-cut of the London, [1753] edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper with matching slipcase. $35 [item no.3186]


JOSQUIN DES PRÉS, c.1440-1521

[Masses, book 2; Mass fragments] Missarum [libri secundi] Josquin, Venetiis, Petrucci, 1505; Fragmenta missarum, Venezia, Petrucci 1505. [Herzog August Bibliothek, Wolfenbüttel].
Faksimile-Edition Rara, 32. Stuttgart, 2002. Oblong, 24 x 16 cm, 4 partbooks, c.200 pp. Line-cut of two separate Petrucci partbooks, Venice, 1505/1505. Contains the masses Ave maris stella, Hercules dux ferrarie, Malheur me bat, La mi baudichon, Una musque de Buscaya, and Dung aultre amer. Hardbound, in decorative paper, with matching slipcase. $194 [item no.8137]


JUAN MARTINEZ, José de, 19th c.

[Method, trumpet] Método de clarín (1830). Edición de Beryl Kenyon de Pascual. [Ms. S/1288, Real Conservatorio Superior de Música, Madrid].
Madrid, 1990. 4º, xi, 72 pp. New edition, with musical portions of the manuscript reproduced in facsimile. Wrappers. $25 [item no.7086]


KAPSBERGER, Johann Hieronymus, c.1575-c.1640

[Villanelle, a1-3, books 1-4] Libro primo [secondo, terzo & quarto] di villanelle a 1, 2, & 3 voci, Roma, 1610 [1619, 1619, & 1623].
Archivum Musicum: Strumentalismo Italiano, 28. Florence, 1982. 24 x 34 cm, ii, 4 books, 96 pp. Line-cut of the Rome, 1610, 1619, 1619 & 1623 editions. Contains 83 villanelle. Notated in score (staff notation) with lute accompaniment in Italian tablature for books 1 & 3. Books 2 & 4 are printed in movable type using staff notation. Introduction in It by Orlando Cristoforetti. Wrappers in decorative paper with slip case. $40 (more info... ) [item no.1065]


KAYSER, Isfrid, 1712-1771

[Masses, SATB chorus, orch] VI. missae a 4. vocibus ordinaris. Rieger, Augsburg 1743 (Druck Wagner Ulm). [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 4. Stuttgart, 2004. 20 x 32 cm, 11 partbooks, 427 pp. Line-cut of the Ulmg, 1743 edition. Scored for SATB, 2 vln, vc, timp, 2 trp, bc (organ). Hardbound in decorative paper, with slipcase. $156 [item no.8490]


Psalmi longiores, & breves in vesperas. . . a quatuor vocibus ordinariis canto, alto, tenore, basso, II. violinis necessar, II. Lituis ac tymp. ex diversis clavibus ad libitus colludentibus. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 9. Stuttgart, 2002. 20 x 32 cm, 11 partbooks, c.450 pp. Line-cut of the Ulm, 1746 edition. Five vesper sets scored for SATB chorus, 2 vln, 2 tpt, timp, vc, org/bc. Wrappers with slipcase. $160 [item no.8100]


KEIFFERER, Christian, c.1570-1636

Iubilus Bernardi [Ex melitissimo D. Bernhardi iubilio delibatus modisque musicis tribus vocibus]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 4. Stuttgart, 1996. 15 x 19 cm, 3 partbooks, 72 pp. Line-cut of the Dillingen, 1611 edition. 18 sacred songs a3 in mensural notation. Wrappers, with handsome slipcase in marbled paper. $58 [item no.7301]


KELLER, Godrey, b.?-1704

[Trio sonatas, tpt, ob (2 vln), bc; 2 fl, 2 ob (2 vln), bc] Six Sonatas. The First Three for a Trumpett, Houbois, or Violins, with Doubble Basses. The Other Three for Two Flutes, and Two Houbois, or Two Violins, with Doubble Basses. [British Library, London].
Alston, 2002. 4º, 7 partbooks, c.70 pp. Line-cut of the Roger edition, Amsterdam, 1700. Preface by Peter Holman. Ring binder. $58 [item no.8078]


[Trio sonatas, 2 fl/vln, bc; 2 fl, vln/ob, bc] 8 Sonatas a 3 Pties. Dont 5 sont a 2 flûtes ou violons & 2 basse & 3 a 2 flûte 2 violon ou hautbois & 2 basse le 4me est de la composition de Mr. Robert Orme Ecuyer & les 7 autres de celle de Monsr. Godefroy Keller. [Library of Congress, Washington, DC].
Alston, 2002. 4º, 4 partbooks, c.35 pp. Line-cut of the Roger edition, Amsterdam, 1700. Preface by Peter Holman. Ring binder. $28 [item no.8079]


KELLY, Thomas Alexander Erskine, Earl of, 1732-1781.

[Trio sonatas, 2 violins, bc] 6 Trio Sonatas.
Chamber Music from Georgian England, 5. Huntingdon, c.1988. 4º, Xerographic reprint of the 1769 edition. Flute may substitute for vln I. Wrappers. $18 [item no.7058]


KERN, Joseph Seraphin, 1700-1779

Hortus Marianus [consistens in selectissimus 24. antiphonis beatissimae mariae virginis, per annum integrum. Nempe 6. Ave regina, 6. Regina coeli, 6. Salve regina, 6. Alma redempt. 4. vocibus. 2. violinis. 1. viola, cum duplici basso continuo. Ad primum salve regina, cum 2. clarinis & tympano. Praeterquam, ad primum Ave regina, primum Regina coeli, & primum Alma, cum clar. & tymp. ad libitum]. Hals, Johann Anton Pustätt 1746. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 31. Stuttgart, 2014. 16 x 21 cm, 10 partbooks, 178 pp. Line-cut of the Passau, 1746 partbook edition (Canto/Alto/Tenore/Basso/Violino I/Violino II/Viola/Organo/Clarino/Tympano. 24 Marian settings for choir plus intruments. Kern was Fürstbischöflicher Kammer-Kompositeur in Passau. Wrappers, with portfolio covered in marbled paper. $82 [item no.9380]


KIRCHER, Athanasius, 1602-1680

Mursurgia universalis. Zwei Teile in einem Band. Mit einem Vorwort, Personen-, Orts-, und Sachregister von Ulf Scharlau. [Niedersächische Landesbibl., Hannover].
Hildesheim, 4/ 2006. 20 x 27 cm, 2 vols, xxxii, 1413 pp. Line-cut of the Rome, 1650 edition. Linen. $429 [item no.2556]


KNÖFEL, Johann, fl.1571-1592

Cantus choralis. Musicis numeris quinque vocum inclusus, eo ordine, quo per totum anni curriculum praecipuis diebus festis in ecclesia cantari solet. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 3. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 438 pp. Line-cut of the Dietrich Gerlach edition, Nuremberg, 1575. 14 sacred setting for five voices, in mensural notation, arranged by the liturgical calendar. Hardbound, in slipcase. $155 [item no.7180]


Cantus choralis. Musicis numeris quinque vocum inclusus, eo ordine, quo per totum anni curriculum praecipuis diebus festis in ecclesia cantari solet. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 3. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 438 pp. Line-cut of the Dietrich Gerlach edition, Nuremberg, 1575. 14 sacred settings for five voices, in mensural notation, arranged by the liturgical calendar. Wrappers. $122 [item no.7181]


Newe teutsche Liedlein [mit fünff Stimmen, welche den mehrern Theil den Brauch diser Welt beschreiben und anzeigen als nemlich von untrew der Leute von vil zusagen und wenig halten von guten worten und falschem her]. Nürnberg, Katharina Gerlach und Johann vom Berg Erben 1581. [Bayerische Staatsbibl., Munich].
Faksimile-Edition Rara, 19. Stuttgart, 2000. Oblong, 20 x 15 cm, 4 partbooks, 280 pp. Line-cut of the Nuremberg, 1581 edition. 23 settings for five voices, with or without instruments. Hardbound in decorative paper, with matching slipcase. $128 [item no.8247]


KÖNIGSPERGER, Marianus [Johann Erhard], 1708-1769

[Cymbala jubilationis, op.10] Cymbala jubilationis [sive VI. missae solemniores, unà cum hymno ambrosiano Te deum laudamus, 4. vocibus obligatis, 2. violinis necessariis, alto viola, 2. clarinis, vel cornibus & tympanis ad libitum, ac duplici basso generali. Opus X. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 7. Stuttgart, 2004. 20 x 32 cm, 11 partbooks, 429 pp. Line-cut of the Ulm, 1747 edition. 6 masses for SATB, 2 tpt/hrn, timp, 2 vln, vla, vc, org/bc. Wrappers with slipcase. $154 [item no.8462]


[Sacrae ruris, op.6] Sacrae ruris deliciae seu sex missae rurales. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 5. Stuttgart, 2001. 20 x 32 cm, 11 partbooks, 209 pp. Line-cut of the Ulm, 1744 edition. 6 masses for SATB, 2 tpt/hrn, timp, 2 vln, vc, org/bc. Wrappers with portfolio. $93 [item no.7926]


[Sacrae ruris, op.5] Sacrae ruris deliciae seu sex missae rurales. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 8. Stuttgart, 2006. 20 x 32 cm, 11 partbooks, 299 pp. Line-cut of the Ulm, 1743 edition. 4 vesper settings for SATB, 2 tpt, timp, 2 vln, vc, org/bc. Wrappers with slipcase. $134 [item no.8776]


[Threnodia Davidica, op.3] Threnodia Davidica et Mariana, sue Psalmus miserere, & planctus stabat mater, ille sexies, iste bis in modulos musicos. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 12. Stuttgart, 2001. 20 x 32 cm, 10 partbooks, c.210 pp. Line-cut of the Ulm, 1743 edition. 6 miserere and 2 stabat mater settings for 4 voices with instrumental accompaniment. Wrappers, with portfolio. $138 [item no.7986]


TELLER, Marcus, 1682-1728

Musica sacra [stylo plane Italico & Cromatico pro compositionis amatoribus]. P. und M. Veith & Joannis Fratrum Her. Augsburg. Druck Wagner Ulm 1733. [Stadtbibliothek, Ulm].
Faksimile-Edition Ulm, 15. Stuttgart, 2017. 21 x 31 cm, 13 partbooks, 512 pp. Line-cut of the 1733 partbook edition. This rare print contains 4 masses & 4 motets scored for concerto/ripieno voices plus strings. Partbooks: canto concert, canto ripieno, alto concert, alto ripieno, tenore concert, tenore ripieno, basso concert, basso ripieno, vln I, vln II, vla, bsn, bc). Wrappers, with slip case in marbled paper. $150 [item no.9555]


KRAF, Michael, 1595-1662

Virginis parentis canticum. . . Rohrschach / Johann Schrötter / Canticum deiparae virginis. . . Ravensburg / Johann Schröter 1623. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 32. Stuttgart, 2014. 16 x 21 cm, 9 partbooks, 718 pp. Line-cut of the Rohrschach (n.d.) and Ravensburg, 1623 partbook edition. (cantus/altus/tenor/bassus/quinta vox/ sexta vox/septima vox/octava vox/bas: contin:). Wrappers, with portfolio covered in marbled paper. $156 [item no.9416]


KRÄHMER, Ernest, 1795-1837

[100 Übungsstücke, recorder, op.31] 100 Übungsstücke für den Csakan (Recorder). 31tes Werk.
Facsimile Series, III/26. Peer, 1997. 4º, 30, i pp. Line-cut of the Diabelli edition, Vienna, 1837. Introduction by Patrick Denecker. Wrappers. $20 [item no.7560]


KRAKAMP, Emmanuele, 1813-1883

[Fantasies, flute] 5 fantaisies variées pour flûte seule. Napoli s.a.
Essercizî di Musica, 5. Rome, 1989. 24 x 33 cm, viii, 34 pp. Line-cut of the Naples, 1841-48 edition. Introduction in It-Eng by Maurizio Bignardelli. Wrappers. $19 [item no.3889]


KRASINSKY (Müller), Ernst Louis, 18th c.

[Duos concertants, flutes, op.5] Sex duo concertants pour deux fluttes. Œuvre Ve.
La Flûte Retrouvée, 1. Béziers, 1985. Oblong, 29 x 21 cm, 32 pp. Line-cut of the edition by De Roulède, Paris. 2 partbooks. Laid paper. Wrappers. $12 [item no.2195]


KROMMER, Franz, 1759-1831

[Quintet, fl, vln, 2 vla, vc, op.104] Seventh Quintet, op.104 for Flute, Violin, Two Violas and Cello.
Nashua, c.1996. 4º, 4 parts pp. Line-cut of the 1821 edition. Wrappers. $17 [item no.7732]


KUHLAU, Friedrich, 1786-1832

[Grande sonate brillante, flute, piano, op.64] Grande Sonate brillante pour pianoforte et flûte op.64. Hamburg s.d. [c.1825].
Archivum Musicum: Ottocento, 4. Florence, 2008. 24 x 34 cm, 2 parts, ix, 43 pp. Line-cut of the Hamburg, c.1825 edition. Preface in It by Marcello Castellani. Wrappers, in decorative paper with matching portfolio. $44 [item no.9058]


LA BARRE, Michel de, 1674-1744

[Pièces, flute, bc, op.4 (= Premier livre)] Pièces pour la flûte traversière avec la basse continue, œuvre quatrième.
Archivum Musicum: L’Art de la Flûte Traversière, 1. Florence, 1980. Oblong, 24 x 22 cm, vii, 85 pp. Line-cut of the Ballard edition (Paris, 1703) printed with movable type and diamond-shaped notes. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $33 [item no.766]


[Pièces, flute, bc, book 1 (= op.4)] Premier livre de pièces pour la flûte traversière avec la basse continue. [Bibliothèque Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 11. Courlay, 1987. Oblong, 24 x 17 cm, xxii, 52 pp. Line-cut of the author’s engraved edition, Paris, 1710. Introduction by Jean Saint-Arroman. Wrappers. $37 [item no.2135]


[Pièces, flute, bc, book 1 (= op.4)] Premier livre de pièces pour la flûte traversière, avec la basse-continue.
Performers’ Facsimiles, 47. New York, [1988]. Oblong, 25 x 21 cm, 53 pp. Line-cut of the Paris, 1710 edition. Beautifully engraved edition with distinctive diamond-shaped note heads. Wrappers. $18 [item no.2785]


[Pièces, flute, bc, book 2] Deuxième livre de pièces pour la flûte traversière avec la basse continue.
La Musique Française Classique de 1650 à 1800, 12. Courlay, 1987. Oblong, 24 x 17 cm, xvi, 55 pp. Line-cut of the Paris, 1710 edition. Introduction by Jean Saint-Arroman. Wrappers. $38 [item no.2137]


[Pièces, flute, bc, book 2] Deuxième livre de pièces pour la flûte.
Musica Musica, S/3. Basel, c.1980. Oblong, 4º, 55 pp. Line-cut of the printed score, Paris, 1710. Wrappers. $37 [item no.2136]


[Pièces, flute, bc, book 2] Deuxième livre de pièces pour la flûte traversière, avec la basse-continuë.
Performers’ Facsimiles, 48. New York, [1988]. Oblong, 25 x 21 cm, 55 pp. Line-cut of the Paris, 1710 edition. Wrappers. $18 [item no.2786]


[Suites, 2 flutes, books 1-6] Pièces à deux flûtes sans basse (première suite – deuxième suite – troisième suite – quatrième suite – cinquième livre – sixième livre). 1709-1714.
La Musique Française Classique de 1650 à 1800, 72. Courlay, 1993. Oblong, 24 x 17 cm, 21, 79 pp. Line-cut of the Paris, 1709-1714 editions. Introduction in Fr by Jean Saint-Arroman. Wrappers. $47 [item no.4727]


[Suites, 2 flutes, book 10] Deux suites à deux flûtes traversières sans bc, 10ème livre.
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 16 pp. Line-cut of the Boivin edition, Paris, 1722. Wrappers. $10 [item no.8848]


[Trios, violins/flutes/oboes, book 1] Premier livre des trio.
Huntingdon, [1993]. 4º, Xerographic reprint of the Paris, [1694 & 1707] editions. Wrappers. $30 [item no.4861]


[Trios, violins/flutes/oboes, book 2] Pièces en trio, livre second.
Huntingdon, [1993]. 4º, Xerographic reprint of the Paris, [1700] edition. Wrappers. $30 [item no.4862]


[Trios, violins/flutes/oboes, book 3] Troisième livre des trio. Mêlez de sonates pour la flûte traversière.
Archivum Musicum: L’Art de la Flûte Traversière, 2. Florence, 1980. Oblong, 24 x 22 cm, 3 partbooks, vii, 152 pp. Line-cut of the Paris, 1707 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcase. $35 [item no.767]


LALANDE, Michel-Richard de, 1657-1726

[Noëls, 2 flutes/violins/oboes, bc, book 1] Noëls en trio avec un carillon, pour les flûtes, violins, et hautbois. Ier livre. [Bibl. Nationale de France, Paris].
Performers’ Facsimiles, 213. New York, [2001]. 4º, 3 partbooks, 33 pp. Line-cut of the Paris, n.d., edition. Wrappers. $25 [item no.4632]


LASSO, Orlando di, 1532-1594

Fasciculi aliquot [sacraerum cantionum cum quatuor, quinque, sex & octo vocibus, antea quidem separatim excusi, nunc vero auctoris contensu in unum corpus redacti].
Faksimile-Edition Schermar-Bibliothek Ulm, 28. Stuttgart, 1997. Oblong, 20 x 15 cm, 6 partbooks, 888 pp. Line-cut of the Dietrich Gerlach edition, Nuremberg, 1582. Magnificent collection of 85 sacred songs and motets for 4, 5, 6 & 8 voices. Wrappers. $211 [item no.7535]


Teutsche Psalmen. [Geistliche Psalmen mit dreyen Stimmen welche mit alain lieblich zu singen sonder auch auff aller hand art Instrumenten zugebrauchen.] [Archiv, Freiherrn von Fürstenberg Herdringen].
Faksimile-Edition Rara, 41. Stuttgart, 2003. Oblong, 19 x 14 cm, 3 partbooks, 150 pp. Line-cut of the A. Berg edition, Munich, 1588. 50 setting a3, suitable for voices or instruments. Wrappers, with portfolio in marbled paper. $47 [item no.8202]


[Motets a5-6, book 1] Il primo libro de motetti [a cinque et a sei voci]. Einführung: Horst Leuchtmann. [Staatsbibl. zu Berlin, Musikabteilung].
Facsimile Series, I/B.23. Peer, 1993. Oblong, 8º, 5 partbooks, 16, 154 pp. Line-cut of the Johannes Laet edition, Antwerp, 1556. Lasso dedicated this work–also known as the “Antwerp Motet Book”–to Antoine Perrenot de Granville, Bishop of Arras and Secretary of State of Charles V. Contains 18 motets, some of which were undoubtedly written in Italy, but clearly rewritten in Antwerp. Wrappers, with slipcover. $40 [item no.4191]


Moduli nondum prius editi monachi boioariae ternis vocibus, ab Orlando Lasso Compositi. RISM L.886. [London, British Library].
[Yellow Book Series, 8]. Højbjerg, 2006. Oblong, 21 x 16 cm, 3 partbooks, 96 pp. Line-cut of the Ballard edition, Paris, 1576. 15 motet settings in partbook format (Superius, Tenor, Bassus) in mensural notation. Contents: Ave regina caelorum, Beati omnes, Cantate Dominio, Christus resurgens, Domine non est, Deus tu scis, Ego sum resurrectio, Exaudi me Domine, Ego sum pauper, Ego dixi Domine, Exaudi Deus, Haec quae ter triplici, Laetatus sum, O Maria clausus, Sancta & immaculata. Wrappers, with slipcase. $97 [item no.8781]


Newe teütsche Liedlein. [Dressler:] Zehen deudscher Psalmen. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 5. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 255 pp. Line-cut of the Adam Berg edition, Munich, 1567. 10 psalm settings a4 and 5 by Dressler and 19 settings on German sacred texts by Lasso. Hardbound with slipcase. $129 [item no.7210]


LECLAIR, Jean-Marie, 1697-1764

[Concerti, violin, orch, op.7] Ier et IIme concerto a tre violino, alto, basso per organo, e violoncello. Œuvre VIIme.
Huntingdon, [1994]. 4º, 7 partbooks. Xerographic reprint of the Paris, 1737 edition. Partbooks: vln solo, vln I, vln II, vla, vc, db, kbd. Concerto no.3 can be played by flute/oboe. Wrappers. $78 [item no.4865]


[Concerti, violin, orch, op.7] Six concertos pour violon et orchestre – Opus VII, 1737. Présentation par Jean Saint-Arroman. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 178. Courlay, 2006. 24 x 33 cm, 5 partbooks, viii, 116 pp. Line-cut of the Paris, 1743 edition. Concerto no.3 can be played by flute/oboe. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $47 [item no.8677]


[“Recreations”, 2 violins, bc, op.6; 2 flutes/violins, op.8] Première récréation de musique, œuvre VIe; Deuxième récréation de musique, œuvre VIIIe (1737). [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 81. Courlay, 1994. 22 x 31 cm, 3 partbooks, 8, 51 pp. Line-cut of the Paris, 1737 edition. The “recreations” op.6 were engraved by Elisabeth-Catherine Ballard Boivin, Louise Catherine Leclair and Louise Anne Roussel. Preface in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $36 [item no.4808]


[“Recreations”, 2 flutes/violins, bc, op.8] Deuxième recreation de musique d’une execution facile composée pour deux fluttes ou pour deux violons et la basse continue, œuvre VIIIe. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 124. New York, [1993]. 26 x 32 cm, 3 partbooks, 28 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4614]


[Sonatas, violin/flute, bc, op.1] Premier livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre I]. [Yale University, New Haven, CT].
Performers’ Facsimiles, 285. New York, [2011]. 27 x 36 cm, 86 pp. Line-cut of the Paris, 1723 edition, containing 12 sonatas. Wrappers. $30 [item no.9223]


[Sonatas, violin/flute, bc, op.2] Sonates pour le violon et pour la flûte traversière avec la basse continue (Second livre).
La Musique Française Classique de 1650 à 1800, 6. Courlay, 1986. 22 x 31 cm, xiv, 86 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. No.8 is à trois (vln/fl, vdg, bc). Introduction by Jean Saint-Arroman. Wrappers. $46 [item no.2199]


[Sonatas, violin/flute, bc, op.2] Second livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre II]. [Yale University, New Haven, CT].
Performers’ Facsimiles, 286. New York, [2010]. 27 x 36 cm, 90 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. Wrappers. $30 [item no.9178]


[Sonatas, violin/flute, bc, op.9, no.2, E minor] Sonate op. 9, no. II pour flûte traversière ou violon et basse continue. Restitution de Jean-Claude Veilhan. Réalisation de la basse Danièle Salzer.
Archives de la Musique Ancienne. Paris, 1977. 4º, 36, with 6 pp. Line-cut of the early Paris edition with a new practical edition for flute. Wrappers. $31 [item no.781]


LEFÈVRE, Jean Xavier, 1763-1829

[Sonatas, clarinet, bass] Trois grandes sonates pour clarinette et basse, 1793. Présentation par Jean Jeltsch. [Bibl. Nationale, Paris].
Collection Dominantes. Courlay, 1998. 24 x 32 cm, 9, 26 pp. Line-cut of the Paris, c.1793 edition. Introduction in Fr-Eng-Ger. Wrappers. $24 [item no.7622]


LE MAISTRE, Matthaeus, c.1505-c.1577

Geistliche und weltliche teutsche Geseng. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 7. Stuttgart, 1996. Oblong, 19 x 14 cm, 5 partbooks, c.600 pp. Line-cut of the J. Schwertel edition, Wittenberg, 1566. 92 pieces for 4, 5, and 6 voices. Hardbound, with slip case. $186 [item no.7279]


LE ROUX, Gaspard, c.1660-c.1707

[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavecin.
Musica Repartita, 124F. Amsterdam, 1995. 4º, 90 pp. Line-cut of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $37 [item no.7248]


[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavessin avec la manière de les joüer. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 222. New York, [2001]. Oblong, 29 x 21 cm, 90 pp. Line-cut of another surviving print of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $25 [item no.7923]


LE SAC, André, 17th c.

[Pièces, flute, bc] Premier livre de pièces pour la flûte traversière avec la basse. Paris 1721.
Archivum Musicum: L’Art de la Flûte Traversière, 60. Florence, 2001. Oblong, 29 x 21 cm, vii, 56 pp. Line-cut of the Paris, 1721 edition. Preface in It by Luigi Lupo. Wrappers in decorative paper. $35 [item no.8089]


[Sonatas, flute, bc, op.3] Sonates pour la flûte traversière. Op. III. Paris 1727.
Archivum Musicum: L’Art de la Flûte Traversière, 64. Florence, 2006. 21 x 30 cm, x, 39 pp. Line-cut of the Paris, 1727 edition. Preface in It by Luigi Lupo. Wrappers in decorative paper. $31 [item no.8770]


LE VAVASSEUR, Nicolas, 16-17th c.

Airs à III. IIII. et V. parties. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 11. Stuttgart, 1996. Oblong, 13 x 9 cm, 5 partbooks, c.325 pp. Line-cut of the Pierre Ballard edition, Paris, 1623. 27 airs for three, four and five parts, suitable for voices or instruments. Wrappers, with handsome slipcase in marbled paper. $78 [item no.7347]


LOCATELLI, Pietro, 1695-1764

[Sonatas, flute, bc, op.2] XII sonate à flauto traversiere solo è basso, opera seconda.
Archivum Musicum: Flauto Traversiere, 6. Florence, 1985. 23 x 32 cm, iii, 52 pp. Line-cut of the Amsterdam, n.d. edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $38 [item no.2207]


[Sonatas, flute, bc, op.2] XII sonate à flauto traversière solo e basso (opus 2). Présentation par Arlette Leroy-Biget. [Bibliothèque de l’Université, Leiden].
Collection Dominantes. Courlay, 1993. 4º, 42, 52 pp. Line-cut of the Amsterdam, 1732 edition. The exemplar used here bears Locatelli’s signature on the title page and this important autograph note on the last page: “I, the undersigned, having made some compositional changes, by removing and adding some details to this Opus 2, XII Sonatas for Flute and Bass, send another copy of the work to the Library of Leyden. 22 February 1737, Amsterdam, Pietro Locatelli”. Preface in Fr-Eng-Ger. Wrappers. $44 [item no.4398]


[Sonatas, flute, bc, op.2] XII sonate à flauto traversière solo à basso. Opera seconda. [Yale University, New Haven, CT].
Performers’ Facsimiles, 291. New York, [2010]. 25 x 32 cm, ii, 51 pp. Line-cut of the Amsterdam, 1732 edition. Wrappers. $20 [item no.9162]


[Trio sonatas, 2 violins/flutes, bc, op.5] Sonate à tre, o due violini, o due flauti traversieri, è basso per il cembalo. Opera quinta.
Archivum Musicum: Flauto Traversiere, 25. Florence, 1992. 24 x 34 cm, 3 partbooks, iv, 48 pp. Line-cut of the Amsterdam, n.d. edition. Includes 1 sonata for two harpsichords. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $43 [item no.4493]


[Trio sonatas, 2 violins/flutes, bc, op.5] Sei sonate à trè, o due violini, o due flauti traversieri, è basso per il cembalo. Opera quinta. Présentation par Brian W. Pritchard. [British Library].
Collection Dominantes. Courlay, 1997. 4º, 3 partbooks, 46; 29 pp. Line-cut of author’s edition, Amsterdam, n.d. Introduction in Fr-Eng-Ger. Includes critical apparatus. Wrappers. $39 [item no.7593]


[Trio sonatas, 2 violins/flutes, bc, op.5] Sei sonate à trè - Opus V.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 64 pp. Line-cut of the Paris, n.d. edition. Wrappers. $24 [item no.8929]


LOCKE, Matthew, 1630-1677

His Little Consort of Three Parts: Containing Pavans, Ayres, Corants and Sarabands, for Viols or Violins. In Two Several Varieties: The First 20 are for Two Trebles and a Basse. The Last 20 for Treble, Tenor & Basse. To be Performed either Alone or with Theorbo’s and Harpsecord. [The Chapter Library, The College, Durham].
Performers’ Facsimiles, 193. New York, [2002]. Oblong, 24 x 19 cm, 3 parts, 36 pp. Line-cut of the London, 1673 partbook edition, in staff notation. Wrappers. $25 [item no.8074]


LŒILLET, John Baptiste (John “of London”), 1680-1730

[Solos, recorder/flute, bc, op.3] XII Solos, Six for a Common Flute and Six for a German Flute. Opera terza. London, Walsh, ca 1729. Présentation par Susi Möhlmeier, Frédérique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1999. 4º, xvi, 51 pp. Line-cut of the Walsh edition, c.1729. Introduction in Fr-Eng-Ger. Hardbound. $41 [item no.7714]


[Trio sonatas, recorder, oboe, bc; 2 flutes, bc, op.1] Sonata’s for Variety of Instruments. Opera prima. London, Walsh, 1722. Présentation par Susi Möhlmeier, Fréderique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1999. 4º, 5 vols, xvi, 52 pp. Line-cut of the Walsh edition, 1722. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.7694]


[Trio sonatas, vln/fl/ob, bc, op.2] XII Sonatas in Three Parts. Opera Secunda. London, Walsh, ca 1725. Présentation par Susi Möhlmeier, Fréderique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1999. 4º, 3 partbooks, xvii, 75 pp. Line-cut of the Walsh edition, c.1725. Introduction in Fr-Eng-Ger. Wrappers, with slipcase. $44 [item no.7713]


LŒILLET, Jean-Baptiste (Lœillet de Gant), 1688-c.1720

[Sonatas, recorder, bc, op.1-3] Sonates à une flûte et basse continue. Premier [-deuxième & troisième] ouvrage.
Flûtistes Français du XVIIIe Siècle, I. Geneva, 1985. Oblong, 30 x 22 cm, 150 pp. Line-cut of the E. Roger edition, Amsterdam, 1715. 36 sonatas in the style of Corelli. Wrappers. $106 [item no.782]


[Sonatas, recorder, bc, op.2] XII Sonatas or Solos for a Flute with a Thorough Bass for the Harpsicord or Bass Violin. Opera Secunda. [Conservatoire Royal de Musique, Brussels].
Facsimile Series, III/7. Peer, 1989. 25 x 35 cm, 47 pp. Line-cut of the Walsh upright edition, London, 1714. Wrappers. $16 [item no.2810]


[Sonatas, recorder, bc, op.4, nos.1-6] XII Sonaten, 1-6, für Altblockflöte und Basso Continuo. [Gemeente Museum, The Hague].
Münster, 1991. 4º, 23 pp. Line-cut of the Walsh edition, London, 1716. Contains sonatas 1-6. Preface in Ger by Winfried Michel. Wrappers. $17 [item no.4282]


[Sonatas, recorder, bc, op.4, nos.7-12] XII Sonaten, 7-12, für Altblockflöte und Basso Continuo. [Gemeente Museum, The Hague].
Münster, 1994. 4º, 23 pp. Line-cut of the Walsh edition, London, 1716. Contains sonatas 7-12. Preface in Ger by Winfried Michel. Wrappers. $17 [item no.7200]


LORENZONI, Antonio, 1755-1840

[Method, flute] Saggio per ben sonare il flautotraverso.
Bibliotheca Musica Bononiensis, IV/203. Bologna, 2/ 1988. 15 x 21 cm, xi, 95 pp. Line-cut of the F. Modena edition, Vicenza, 1779. Introduction in It by F. Alberto Gallo. With 4 fold-out pages with musical examples. Wrappers. $33 [item no.784]


LOTTI, Antonio, 1667-1740

[Sonata, flute, viol, harpsichord, F maj.]] Sonata a flauto traversier, viola da gamba & cembalo, Ms (Wq 6829). Introduction: Piet Stryckers.
Facsimile Series, IV/11. Peer, 1995. 4º, i, 10 pp. Line-cut of a contemporary ms copy, a unique source for this sonata. Wrappers. $14 [item no.7153]


LÖWE VON EYSENACH, Johann Jakob, 17th c.

Einstimmige neue Arien [mit zweystimmigen Rittornellen, über Johann Georg Braunens / C.I.H. Weltliche Lieder]. Nürnberg, Christoph Gerhard 1682. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 18. Stuttgart, 2008. 21 x 32 cm, 3 vols, 86 pp. Line-cut of the Nuremberg, 1682 edition. 21 arias “à voce sola con rittornello à 2. violini” . Wrappers. $60 [item no.9143]


LULLY, Jean-Baptiste, 1632-1687

[Armide, instrumental pieces] Ouverture chaconne & tous les autres airs à jouer de l’opéra d’Armide [Amsterdam, c.1710]. [British Library, London].
Performers’ Facsimiles, 113. New York, [1995]. Oblong, 26 x 19 cm, 4 partbooks, 56 pp. Line-cut Roger Marchand edition, Amsterdam, [1710]. Dessus, second dessus, taille, & basse partbooks. Wrappers. $30 [item no.7126]


[Motets, 2 choirs, strings/winds, bc] Motets à deux chœurs pour la Chapelle du Roy: Motet dies irae. Partition: copie manuscrite (atelier de Philidor); Parties séparées: édition de Ballard (1684); Livret: édition de Ballard (1703).
La Musique Française Classique de 1650 à 1800, 125. Courlay, 1999. 4º, xlvii, 252 pp. Line-cut of the ms score from the Phildor atelier, the first edition of the instrumental and vocal parts, Paris, 1684 and the printed libretto, Paris, 1703. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $94 [item no.7671]


LUSCINIUS, Othmar, 1487-1537

Musurgia seu praxis musicae (Strassburg: Johann Schott 1536). Kommentar von Martin Kirnbauer.
Faksimile-Edition Theoretica, 7 Suttgart, 2014. Oblong, 20 x 16 cm, 108, xvi pp. Line-cut of the Strasbourg, 1536 edition. Essentially a free translation of Virdung’s Musica getutscht of 1511, preserving the dialogue format and copies of many of the original woodcuts. The translation was made upon the request of a Milanese bookseller who wanted to make Virdung’s treatise available to his Italian clientele. Besides the Virdung redux it also provides a treatise on mensural notation and polyphonic composition. Hardbound in decorative paper. $48 [item no.9408]


LYTTICH Johann, c.1581-1611

Venus-Glöcklein, oder Newe weltliche Gesänge mit anmuthtigen Melodien und lustigen Texten auff vier und fünff Stimmen. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 1. Stuttgart, 1996. 14 x 19 cm, 5 partbooks, 350 pp. Line-cut of the Johan Weidner edition, Jena, 1610. 20 songs a4 & a5, and 13 instrumental pieces. Mensural notation. Wrappers, with handsome slipcase in marbled paper. $83 [item no.7295]


Venus-Glöcklein, oder Newe weltliche Gesänge mit anmuthtigen Melodien und lustigen Texten auff vier und fünff Stimmen. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 1. Stuttgart, 1996. 14 x 19 cm, 5 partbooks, 350 pp. Line-cut of the Johan Weidner edition, Jena, 1610. 20 songs a4 & a5, and 13 instrumental pieces. Mensural notation. Wrappers. $67 [item no.7296]


MAHAUT, Antoine, c.1720-c.1785

[Method, flute] Nouvelle méthode pour apprendre en peu de tems à jouër de la flute traversière à l’usage des commençans et des personnes plus avancées suivie de petits airs, menuets, brunettes, et accomodés pour deux flûtes, violons et pardessus de viole.
Geneva, 1972. Oblong, 4º, 55 pp. Line-cut of the Paris, 1759 edition. Describes many aspects of performance, including ornaments; includes fingerings and trill fingerings. With numerous examples. Wrappers. $45 [item no.3298]


MAJER, Joseph Friedrich Bernhard Caspar, 1689-1768

Neu-eröffneter theoretisch- und praktischer Music-Saal, das ist: Kurze, doch vollständige Methode, so wohl die Vocal- als Instrumental-Music gründlich zu erlernen.
Dokumentationen, Reprints, 23. Michaelstein, 1990. Oblong, 21 x 15 cm, 125 pp. Halftone of the Nuremberg, 1741 edition (second, vastly reset edition of Museum Musicum). Fascinating treatment of music theory, including 10 woodcuts of instruments and a glossary of musical terms taken from Greek, Latin, Italian and French. Wrappers. $24 [item no.4221]


MANCINELLI, Domencio, d.1802

[Nocturnes, flutes/violins] Six Notturnos for Two German Flutes or Violins.
Huntingdon, c.1988. 4º, 12 pp. Xerographic reprint of the c.1780 edition. Wrappers. $8 [item no.7037]


MANCINI, Francesco, 1672-1737

[Sonatas, violin/recorder, bc] XII Solos for a Violin or Flute [. . . which Solos are Proper Lessons for the Harpsichord]. London s.d.
Archivum Musicum: Strumentalismo Italiano, 77. Florence, 1994. 25 x 34 cm, iv, 57 pp. Line-cut of the J. Barrett & Wm. Smith edition, London, n.d. Preface in It by Giuliano Furlanetto. Wrappers, in decorative paper. $42 [item no.4762]


[Sonatas, violin/recorder, bc] XII Solos for a Flute with a Thorough Bass for the Harpsicord or Bass Violin. [Rowe Music Library, King’s College, Cambridge].
Basel, c.1980. 25 x 35 cm, 57 pp. Line-cut of the third edition by John Walsh, London, n.d. (the original title “for a Violin or Flute” has been changed to “Flute with a Thorough Bass . . .”) Wrappers. $17 [item no.3639]


MARAIS, Marin, 1656-1728

[Trios, flutes/violins/viols, bc] Pièces en trio pour flûtes, violon & dessus de viole. Paris, 1692. [Bibl. Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 118. Courlay, 1999. Oblong, 4º, 3 partbooks, xvi, 342 pp. Line-cut of the Paris, 1692 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $118 [item no.8388]


[Trios, flutes/violins/viols, bc] Pièces en trio pour les flutes, violon, & dessus de viole. Edited by John Hsu.
Critical Facsimiles, 4. New York, 2003. Oblong, 21 x 13 cm, 3 partbooks, xiv, 342 pp. Line-cut of the Paris, 1692 edition. “Corrected” facsimile edition reflecting the views of the editor. With critical apparatus listing all errors and inconsistencies. Laid paper, wrappers. $50 [item no.8227]


MARCELLO, Alessandro, 1684-1750

[Concerti, “La Cetra”, 2 ob/vln, strings, bc] La cetra. Concerti [da Eterio Stinfalico. Parte prima. Oboe primo ò traversiere col violono principale]. [Staats- & Stadtbibliothek, Augsburg].
Performers’ Facsimiles, 233. New York, [2004]. Oblong, 38 x 28 cm, 6 partbooks, 72 pp. Line-cut of the Augsburg, c.1740 edition. 6 concerti scored for oboe I/violin I solo, oboe II/violin II solo, 2 violin I rip, 2 violins II rip, 2 violas, violoncello, cembalo & bc. Wrappers. $75 [item no.8488]


MARCELLO, Benedetto, 1686-1739

[Sonatas, recorder, bc, op.2] XII suonate a flauto solo con il suo basso continuo per violoncello ò cembalo, opera seconda.
Performers’ Facsimiles, 31. New York, [1988]. 26 x 34 cm, 37 pp. Line-cut of the Amsterdam, c.1717 edition. Wrappers. $18 [item no.2692]


MARCHAND, Jean-Noël, 1666-1710

[Cantiques spirituels, voices, vln/fl, bc] Cantiques spirituels. Présentation par Thierry Favier. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 124. Courlay, 1999. Oblong, 32 x 23 cm, 4 vols, xi, 97 pp. Line-cut of a contemporary ms copy, plus the Paris, 1694 edition of the text. Introduction in Fr-Eng-Ger. Wrappers. $53 [item no.7697]


MARINI, Biagio, c.1587-1663

[Arie, madrigali, a1-3, winds, strings, op.3] Arie, madrigali et correnti [a 1.2.3. Opera terza] (1620).
Monumenta Brixiensia, Fototypice Expressa, 8. Bologna, 1970. 21 x 31 cm, 32 pp. Line-cut of the Gardano edition, Venice, 1620. 22 works for 1-3 voices notated in score format, including three for unspecified instruments and one for violin, with or without bass. Hardbound. $39 [item no.1272]


MASSAINO, Tiburtio, c.1550-c.1609

[Musica per cantare, op.32] Musica per cantare con l’organo ad una, due, & tre voci di Tiburtio Massaino. Opera trentesima seconda. [Stadtbibliothek, Augsburg].
Faksimile-Edition Augsburg, 5. Stuttgart, 1998. 14 x 19 cm, 3 partbooks, 121 pp. Line-cut of the Venice, 1607 edition. 20 works a1, 21 a2, and 11 a3 in mensural notation and partbook format. Wrappers, with handsome portfolio in marbled paper. $49 [item no.7562]


Sacri modulorum concentus, a 6, 7, 8, 9, 10 e 12 voci (Venezia 1592). Edizione critica di Rafaello Monterosso. Introduzione; facsimile; testi letterari-trascrizione in notazione moderna.
Instituta et Monumenta, I/VI. Cremona, 1971. 25 x 35 cm, 182 pp. Line-cut of the Venice, 1592 edition, together with a new practical edition. $91 [item no.1335]


MASSE, Jean-Baptiste, 18th c.

[Sonatas, 2 violoncelli, op.1] Sonates a deux violonchelles. Œuvre 1er.
Performers’ Facsimiles, 6. New York, 1985. 28 x 36 cm, 28 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1736. 6 sonatas that can also be played by 2 bassoons, violas or violins. Wrappers. $18 [item no.1215]


[Sonatas, 2 violoncelli, op.1] Sonates a deux violoncelles (Violoncelle et basse continue), 1736. Présentation: Maëlle Trouvé. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 162 Courlay, 2005. 24 x 33 cm, ix, 27 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1736. 6 sonatas that can also be played by 2 bassoons, violas or violins. Wrappers. $28 [item no.8560]


MATTHES, Carl Ludwig, 18th c.

[Sonatas, oboe, bc] Deux sonates pour hautbois et basse continue.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 16 pp. Line-cut of the Hamburg, 1770 edition (extracted from Musikalisches Vielerley). Wrappers. $14 [item no.9041]


MATTHESON, Johann, 1681-1764

Das neu-eröffnete Orchestre [oder universelle und gründliche Anleitung, wie ein Galant Homme einen vollkommenen Begriff von der Hoheit und Würde der edlen Musik erlangen, seinen Gout darnach formiren, die Terminos technicos verstehen und geschicklich von dieser vortrefflichen Wissenschaft raisonnieren möge]. [Niedersächsische Landesbibl., Hannover].
Hildesheim, 3/ 2002 9 x 15 cm, 364 pp. Line-cut of the Hamburg, 1713 edition. Linen. $93 [item no.2572]


[Sonatas, flute/violin, bc] Der brauchbare Virtuoso, welcher sich (nach beliebiger Uberlesung der Vorrede) mit zwölff neuen Kammer-Sonaten auf der Flute Trafersiere, der Violine und dem Claviere bey Gelegenheit hören lassen mag. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 221. New York, [1998]. 25 x 36 cm, 69 pp. Line-cut of the Hamburg, 1720 edition. Wrappers. $25 [item no.7604]


MATTHYSZ, Paulus, 1613-1684 [publisher]

[Der Goden Fluit-hemel, 1, 2 & 3 recorders] Der Goden Fluit-hemel. Amsterdam 1644. An Anthology of Music for 1, 2 and 3 Soprano Recorders. Facsimile Edition with an Introduction by Thiemo Wind.
Utrecht, 1993. Oblong, 19 x 10 cm, 19, 54 pp. Line-cut of the Amsterdam, 1644 edition. Wonderful anthology–literally “Flute Heaven of the Gods”–consisting of dance music and popular vocal tunes arranged into 23 duets, 8 trios, and 25 solos, all for the recorder. Most of the works are anonymous. Wrappers. $19 [item no.4552]


MEGERLE, Abraham, 1607-1680

Speculum Musico-Mortuale [Das ist: Musicalischer-Todtenspiegel], 1672. [Staatliche Bibliothek, Regenburg].
Faksimile-Edition Theoretica, 3 Suttgart, 2008. 11 x 17cm, 54 pp. Line-cut of the Salzburg, 1672 edition. Megerle was from Innsbruck and was once a choirboy under Stadlmayer, later a treble singer and organist with the court music ensemble at Innsbruck. Speculum Musico-Mortuale contains a few pages of autobiography but its extraordinary content are mainly its 12 engravings showing a human skull in the center, surrounded emblematic symbols and beautiful depictions of musical instruments (almost 50 in all). Hardbound in decorative paper. $29 [item no.9070]


MEILAND, Jacob, 1542-1577

Cantiones aliquot [novae, quas vulgo motetas vocant, quinque vocibus summo studio compositae: quibus adiuncta sunt officia duo]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 17. Stuttgart, 1997. Oblong, 20 x 17 cm, 5 partbooks, 240 pp. Line-cut of the Frankfurt, 1576 edition. 21 motet settings a5. Hardbound in vellum paper, with matching slipcase. $129 [item no.7445]


Cantiones aliquot [novae, quas vulgo motetas vocant, quinque vocibus summo studio compositae: quibus adiuncta sunt officia duo]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 17. Stuttgart, 1997. Oblong, 20 x 17 cm, 5 partbooks, 240 pp. Line-cut of the Frankfurt, 1576 edition. 21 motet settings a5. Wrappers. $99 [item no.7446]


MERCI, Luigi, 1685-1750

[Sonatas, bassoon/violoncello, bc, op.3] VI sonate a fagoto ò violoncello col’basso continue. Opera terza, c.1735. Présentation par Marc Vallon.
Collection Dominantes. Courlay, 2006. Oblong, 33 x 24 cm, vii, 16 Line-cut of the Paris, c.1735 edition. Introduction in Fr-Eng-Ger. Wrappers. $25 [item no.8772]


MERSENNE, Marin, 1588-1648

Harmonicorum libri XII. In quibus agitur de sonorum natura, causis, et effectibus: de consonantiis, dissonantiis, rationibus, generibus, modis, cantibus, compositione, orbisque totius harmonicis instrumentis.
Geneva, 1973. 22 x 30 cm, 367 pp. Line-cut of the Paris, 1648 edition. Complements the Harmonie universelle. The copy used for this facsimile includes many manuscript notes and corrections in the author’s hand. Hardbound. $182 [item no.2754]


MERTZ, Johann Kaspar, 1806-1856

Divertissement über Motive der Oper: Der Prophet (Meyerbeer), op.32. Flute (Violin), Viola, and Guitar. Edited by Brian Torosian.
n.p., 2008. 4°, 19, 13 pp. Line-cut of the Jos. Aibl edition, Munich, 1851, together with preface and new practical edition. Meyerbeer’s music was rarely used as a source for guitar arrangements and these works by Mertz provide a pleasing addition to the 19th-c. guitar repertoire. Wrappers. $20 [item no.9086]


METZGER, Ambrosius, 1573-1632

Venusblümlein [erster Theil neuer lustiger Liedlein mit vier Stimmen welche nicht allein lieblich zu singen sondern auch auff hand Instrumentis artlich zu gebrauchen]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 16. Stuttgart, 1997. 14 x 20 cm, 4 partbooks, 128 pp. Line-cut of the G.L. Fuhrmann edition, Nuremberg, 1611. 25 secular settings a4. Hardbound in vellum paper, with matching slipcase. $68 [item no.7443]


Venusblümlein [erster Theil neuer lustiger Liedlein mit vier Stimmen welche nicht allein lieblich zu singen sondern auch auff hand Instrumentis artlich zu gebrauchen]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 16. Stuttgart, 1997. 14 x 20 cm, 4 partbooks, 128 pp. Line-cut of the G.L. Fuhrmann edition, Nuremberg, 1611. 25 secular settings a4. Wrappers. $50 [item no.7444]


MILLER, Edward, 1735-1807

[Solos, flute/violin/oboe, bc, op.1] Six Solos for a German Flute, with a Thorough Bass for the Harpsichord or Violoncello.
Alston, 1995. Oblong, 29 x 21 cm, i, 27 pp. Line-cut of the John Johnson edition, London, c.1761. Preceded by “Remarks on the German Flute”. Ring binding. $23 [item no.7804]


MINGUET Y YROL, Pablo, fl.1733-1775

Reglas y advertencias generales que enseñan el modo de tañer todos los instrumentos mejores, y mas usuales, como son la guitarra, tiple, vandola, cythara, clavicordio, organo, harpa, psalterio, bandurria, violin, flauta traversera, flauta dulce, y la flautilla.
Geneva, 1982. 8º, 120 pp. Line-cut of the Madrid, 1754 edition. An instrumental encyclopedia by a pupil of Sanz. Includes examples of dances in the Castillian, Italian, Catalonian and French styles, notated either in the author’s alfabeto-like notation or mensural notation. Wrappers. $25 [item no.3308]


MODERNE, Jacques, fl.1523-1544 [publisher]

[Motets, a5 & a6] Tertius liber mottetorum ad quinque e sex voces. Lyon, Moderne. RISM 1538(2).
Faksimile-Editionen Psalmen und Motetten, 2. Stuttgart, 2002. Oblong, 25 x 18 cm, 4 partbooks, c.224 pp. Line-cut of the Lyon, 1538 edition. Collection of 26 vocal (or instrumental) motets by Gombert, Archadelt, Verdelot and their contemporaries. Hardbound with decorative paper and matching slipcase. $124 [item no.8160]


Musicque de joye. Lyon. Introduction: Samuel F. Pogue. [Universitätsbibl., München].
Facsimile Series, I/B.21. Peer, 1991. Oblong, 22 x 16 cm, 4 partbooks: xiii, 160 pp. Line-cut of the Lyon, 1550 edition. A reworked and enlarged edition of Musica nova, 1540 (to the 21 four-part ricercars, 29 French dances were added). For “violons a fleutes” and “espinets”. Includes 13 keyboard works of Da Modena, as well as works by Parabosco, Cavazzoni, Willaert, Coste, Benoist and others. Wrappers. $36 [item no.3894]


MOLTER, Johann Melchoir, 1696-1765

Concerto No. 2 for D Trumpet, Strings and Continuo. Facsimile Score. Edited by Stephen L. Glover and John F. Sawyer. [Ms. Badische Landesbibl. Karlsruhe].
Blair Academy Series. Nashville, 1972. ii, 8 pp. Line-cut of a contemporary ms copy. Wrappers. $8 [item no.417]


MONTÉCLAIR, Michel Pinolet de, 1667-1737

Brunetes ancienes et modernes apropriées à flûte traversière avec une basse d’accompagnement, c.1725. Présentation par Anne Pichard. [British Library, London].
La Musique Française Classique de 1650 à 1800, 204. Courlay, 2010. Oblong, 30 x 22 cm, x, 106 pp. Line-cut of the Paris, c.1725 edition. Preface in Fr-Eng-Ger. Wrappers. $61 [item no.9163]


[Cantatas, voice, flutes/violins, bc, book 1] Cantates à voix seule, et avec simphonie. Premier livre qui contient six cantates françoises et deux cantates italiènes.
Archivum Musicum: La Cantata Barocca, 8. Florence, 1981. 20 x 29 cm, vi, 99 pp. Line-cut of the Paris, n.d. edition. 8 compositions notated in score with violin and flute accompaniment. Contents: La fortune; Le triomfe de la Constance; La Badine; Le Dépit généreux, Godimento e pena in Amore; La mort de Didon; Amante di bella donna; Le retour de la paix. Introduction in It by Piero Mioli. Wrappers in decorative paper. $35 [item no.422]


[Cantatas, voice, flutes/violins, bc, book 1] Cantates à voix seule et avec symphonie. Premier livre. Après 1709. Présentation par Bertrand Porot. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 172. Courlay, 2005. 4º, x, 102 pp. Line-cut of the Paris, c.1709 edition. Preface in Fr-Eng-Ger. Wrappers. $49 [item no.8648]


[Cantatas, 1-2 voices, flutes/violins, bc, book 2] Cantates à une et a deux voix et avec sinfonie. Second livre qui contient six cantates françoises et une cantate italiène.
Archivum Musicum: La Cantata Barocca, 9. Florence, 1981. 20 x 29 cm, vii, 105 pp. Line-cut of the Paris, n.d. edition. 7 compositions notated in score with violin, flute, & oboe accompaniment. Contents: L’amour vangé; Les syrènes; Le triomphe de l’amour, Pan et Sirinx; L’enlèvement d’Orithie; Pyrame et Thisbé; Il dispetto in amore. Introduction in It by Piero Mioli. Wrappers in decorative paper. $35 [item no.418]


[Cantatas, 1-2 voices, flutes/violins, bc, book 3] Cantates à une et a deux voix avec simphonie. Troisième livre qui contient huit cantates françoises, et une cantate italienne.
Archivum Musicum: La Cantata Barocca, 17. Florence, 1983. 24 x 34 cm, vii, 109 pp. Line-cut of the Paris, 1728 edition. 9 compositions notated in score with occasional violin and flute queues. Introduction in It by Piero Mioli. Wrappers in decorative paper. $37 [item no.419]


[Concerti, flute/violin/oboe,recorder, bc] Concerts pour la flûte traversière avec la basse. Paris 1724, 1725. [Bibl. Nationale, Paris].
Archivum Musicum: L’Art de la Flûte Traversière, 11. Florence, 1981. 20 x 29 cm, v, 94 pp. Line-cut of the Boivin edition, Paris, 1724-1725. Preface in It by Marcello Castelliani. Wrappers, in decorative paper. $35 [item no.797]


[Concerti, flute/violin/oboe/recorder, bc] Concert pour la flûte traversière avec la basse chiffrée, 1724. Présentation par Anne Prichard.
La Musique Française Classique de 1650 à 1800, 151. Courlay, 2003. 4º, xiii, 98 pp. Line-cut of the Paris, 1724 edition. Preface in Fr-Eng-Ger. Wrappers. $52 [item no.8239]


[Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse, [1.-6. concert].
Archivum Musicum: L’Art de la Flûte Traversière, 10. Florence, 1980. 20 x 29 cm, vii, 84 pp. Line-cut of the Paris, c.1724 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.796]


[Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse. 1724. Présentation par Anne Prichard.
La Musique Française Classique de 1650 à 1800, 152. Courlay, 2003. 4º, x, 86 pp. Line-cut of the Paris, 1724 edition. 6 sonatas. Preface in Fr-Eng-Ger. Wrappers. $44 [item no.8238]


[Serenade, melody instrument, bc or trio] Serenade ou concert, divisé en trois suites de pieces pour les violons, flûtes & hautbois composées d’airs de fanfares, d’airs de fanfares, d’airs tendres, & d’airs champêtres, propres à danser, 1697. Présentation: Département de Musique Ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris.
La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, 3 partbooks, xii, 104 pp. Line-cut of the Paris, 1697 edition. According to composer these pieces are suitable for dancing. Preface in Fr-Eng-Ger. Wrappers. $68 [item no.8240]


MONTEVERDI, Claudio, 1567-1643

Selva morale e spirituale. Madrigali e canzoni morali; una messa; mottetti; salmi; inni; tre salve regina, e in fine il pianto della Madonna sopra al Lamento del’Arianna (1640).
Bibliotheca Musica Bononiensis, IV/88. Bologna, 2001. 8º, 10 partbooks, 772 pp. Line-cut of the Venice, 1640 edition. Introduction in It-Eng by Iain Fenlon. Wrappers, with cloth folder. $186 (more info... ) [item no.3717]


MONZANI, Tebaldo, 1762-1839

[method, flute] Instructions for the German Flute. London s.d.; New and Enlarged Edition of Monzani’s Instructions for the German Flute. London s.d.
Archivum Musicum: Ottocento, 2. Florence, 2008. 24 x 34 cm, 2 vols, x, 50, 72 pp. Line-cut of the London, [1801] and London, [1819] editions. Preface in It by Marcello Castellani. Wrappers, in decorative paper with matching portfolio. $68 [item no.9056]


MORALES, Cristóbal, 1500-1553

Magnificat omnitonum cum quatuor vocibus. RISM 1562(1)/M3597. [Brussels, Konikklijke Bibliotheek].
[Yellow Book Series, 11]. Højbjerg, 2015. 28 x 41 cm, 128 pp. Line-cut of the Antonio Gardano edition, Venice, 1562. 16 settings (mostly a4) by Morales, with additional works by Carpentras (2), Iachet (1), and Richafort (1), beautifully and clearly printed in choirbook format. Wrappers $120 (more info... ) [item no.9446]


MORLEY, Thomas, 1557-1602

[Canzonets, a2] The First Booke of Canzonets to Two Voyces.
Performers’ Facsimiles, 39. New York, [1988]. 4º, 2 partbooks, c.60 pp. Line-cut of the London, 1595 edition. 11 duos (with texts) for cantus and tenor. Also contains 9 instrumental fantasies. Wrappers. $25 [item no.2693]


[Canzonets, a3] Canzonets or Little Short Songs to Three Voyces. Library of Congress & Folger Shakespeare Library, Washington, D.C.].
Performers’ Facsimiles, 93. New York, [1990]. 18 x 25 cm, 3 partbooks, c.132 pp. Line-cut of the London, 1593 edition. 20 canzonets for cantus, altus & bass. Wrappers. $35 [item no.3885]


Madrigales. The Triumphes of Oriana, to 5. and 6. Voices: Composed by Divers Severall Authors. Newly Published by Thomas Morley.
Performers’ Facsimiles, 63. New York, [1992]. 18 x 24 cm, 6 partbooks, c.150 pp. Line-cut of the Thomas Este edition, London, 1601. Wonderful anthology of works by Bennet, Carlton, Cavendish, Cobbold, Farmer, Gibbons, Hilton, Holmes, Hunt, Johnson, Jones, Kirbye, Lisley, Marson, Milton, Morley, Mundy, Nicholson, Norcombe, Tomkins, Weelkes and Wilbye. Wrappers. $45 [item no.4413]


MOURET, Jean-Joseph, 1682-1738

Concert de chambre [à deux et trois parties, pour les violons, flutes, et hautbois]. Suivi u’une suite d’Airs à danser. Premier livre. 1737. Présentation: Département de musique ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris.
La Musique Française Classique de 1650 à 1800, 158. Courlay, 2004. 24 x 33 cm, 4 vols, xix, 33 pp. Line-cut of the Paris, 1737. Introduction (with dance choreography) in Fr-Eng-Ger. Wrappers. $33 [item no.8467]


Divertissemens: Hippolyte et Aricie (parodie); Arlequin Mogol.
Béziers, 1987. Oblong, 20 x 14 cm, 44 pp. Line-cut of the first edition. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.3197]


Divertissemens: Les surprises de la Haine; L’apologie du siècle ou Momus corrigé; Pygmalion; Les billets doux.
Béziers, 1989. Oblong, 20 x 14 cm, 44 pp. Line-cut of the original edition. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.3198]


Divertissemens: Le déguisement; Les femmes Corsaires; Le Conte de fée; Vénus à Paphos.
Béziers, 1990. Oblong, 20 x 14 cm, 44 pp. Line-cut of the first edition. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.3852]


Divertissemens: Les indes chantantes; Les amours anonymes; Le retour de Mars.
Béziers, 1990. Oblong, 21 x 15 cm, 40 pp. Line-cut. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.4123]


Divertissemens: Les fées; Les mascarades amoreuses; Les gaulois.
Béziers, 1992. Oblong, 21 x 15 cm, 38 pp. Line-cut. Laid paper, with wrappers in hand-made marbled paper. $12 [item no.4341]


[Fanfares, winds/strings] Fanfares pour des trompettes timbales violons et hautbois avec une suitte de simphonies melées de cors de chasse. Livre second. [Bibl. Nationale, Paris].
Performers’ Facsimiles, 109. New York, [1993]. 4º, 23 pp. Line-cut of the Paris, c.1729 edition. Wrappers. $18 [item no.4529]


[Fanfares, winds/strings] Fanfares pour des trompettes, timbales, violons et hautbois avec une suite de symphonies melées de cors de chasse — livre second.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the Paris, 1729 edition. Wrappers. $12 [item no.8887]


[Sonatas, 2 flutes, book 1] Sonates a deux flutes-traversieres. Premier livre.
Performers’ Facsimiles, 144. New York, [1994]. 24 x 31 cm, 29 pp. Line-cut of the Paris, 1725 edition. Wrappers. $18 [item no.4755]


MOZART, Wolfgang Amadeus, 1756-1791

Concerto for Horn and Orchestra in E-flat Major, K.370b + 371. Edited and with a Foreword by John B. Howard. Introductory Essays by Christoph Wolff and Robert D. Levin.
Cambridge, 1997. Oblong, 4º, 68 pp. 4-color halftone. This fascinating work, possibly commissioned for the Viennese hornist Jacob Eisen, is one of a number of incomplete concerti left by Mozart and one that suffered an unfortunate circumstance. In 1856, for the centennial of Mozart's birth, the composer's eldest son, Carl, decided to cut up and give away portions of the autograph (first movement) as souvenirs to several admirers of his father's music. Now, 150 years after Carl's strange celebration, eight of a total of nine fragments are preserved in seven libraries, six in Europe and one in the US. This facsimile offers two important reunifications of the concerto's parts. The first one, assembles and reproduces the scattered autograph fragments of the first movement (K.370b), producing an uninterrupted draft score of its first 131 measures. For the second reunification we have to be thankful to Mr. Robert Owen Lehman who has made it possible to present the autograph score of the second movement (”Concert Rondeau” K.371) in its entirety. The MS lacked a bifolio that reappeared in 1988. Mr. Lehman, who owns K.371, acquired this bifolio, miraculously completing, after nearly two centuries, this score. These extraordinary events make this publication an invaluable contribution to Mozart studies and highlight one the prime purposes and advantages of the facsimile edition: to have at one's disposal, and side by side, primary sources located thousands of miles apart. Limited edition of 400 copies. Cloth. $125 (more info... ) [item no.7496]


[Masonic Funeral Music, K.477] L’autografo della musica funebre massonica KV 477 (479a) della Musikabteilung della Staatsbibliothek (Preußischer Kulturbesitz) di Berlino. Das Autograph der “Maurerische Trauermusik KV 477 (479a) der Musikabteilung der Staatsbibliothek (Preußischer Kulturbesitz) von Berlin. Edizione in facsimile a cura di Giacomo Fornari.
Lucca, 2006. Color facsimile of the autograph issued on the occasion of the 250th anniversary of the composer’s birth. Composed around November 1785, and scored for strings, 2 oboes, 2 clarinets, 2 horns & basset horn, Masonic Funeral Music was written for the Masonic Lodge “Zur gekrönten Hoffnung” in Vienna, and was dedicated to the memory of Esterházy, a fallen brother. The composer’s autograph includes the characteristic Mason symbol (a square and compass); the “corno di bassetto” (basset horn) has special significance in the mason tradition. (in preparation) [item no.8708]


[Quartet, oboe, strgs, K.370 (368b)] Quatuor pour hautbois, violon, alto et violoncelle, K.370 (368b). Manuscrit autographe de 1781. Édition originale de 1800. Présentation par Michel Giboureau.
Collection Dominantes. Courlay, 1997. Oblong & upright, 4º, 5 vols, 36, 34 pp. Line-cut of the autograph score (1781) and first edition published by J. André (Offenbach, 1800). Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.4406]


[Quintet, piano & winds K.452] Quintette pour piano, hautbois, clarinette, cor et basson, K.452. Manuscrit autographe 1784, Esquisses et fragments (manuscrits autographes). Présentation par Michel Giboureau.
Collection Dominantes. Courlay, 1999. Oblong, 4º, xxvi, 9 + 32 pp. Line-cut of the autograph score and sketch (Ms. 221 & 250, Bibliothèque Nationale, Paris) and autograph fragment (Ms. Fot. 2449, Staatsbibliothek Preussischer Kulturbesitz, Berlin). Introduction in Fr-Eng-Ger. Wrappers. $43 (more info... ) [item no.7429]


[Serenade, winds, K.361, Bb major] Gran Partita, K.361 by Wolfgang Amadeus Mozart. A Facsimile of the Holograph in the Whittall Foundation Collection. [Library of Congress, Washington, D.C.].
Chicago, 2008. Oblong, 35 x 27 cm, 11, 98 pp. “Reissue” of Library of Congress 1976 facsimile edition using new full-color digital photography. The autograph score dates from c.1780. Known as the “Great Wind Serenade” or “Serenade for 13 Wind Instruments”, this brilliant 7-movement piece is Mozart’s first major work composed in Vienna. Scored for 2 oboes, 2 clarinets, 2 basset horns, 2 pairs of horns, 2 bassoons and a contrabass, Mozart exploits all the possible mixtures of sonorities—no instrument is treated in true concertante fashion, but rather each instrument strives to distinguish itself, true to it own character. The beautifully crafted serenade—intimate, cheerful, witty and symphonic in style—was obviously written to impress and “open doors” in the composer’s new city. New (second) introduction by Richard Floyd. Handsome two-tone cloth binding. $85 (more info... ) [item no.9019]


[Sonata, piano, violin/flute (violoncello ad lib.), K.10-15, 1st ed.] Six sonates pour le clavecin qui peuvent se jouer avec l’accompagnement de violon, ou flaute traversière [et d’un violoncelle]. Oeuvre III.
Biblioteca Classica, 65. Rotterdam, 1986. 4º, 2 parts, 42 pp. Line-cut of the London, 1765 edition (no autograph is known). Wrappers. $29 [item no.4927]


[Symphony, no.40, K.550, arr. Clementi] Sinfonia in sol minore K 550. Adattamento per 4 strumenti di Muzio Clementi. Introduzione, facsimile dell’autografo e trascrizione a cura di Remo Giazotto. [Biblioteca dell’Accademia Nazionale di Santa Cecilia, Rome].
L’Arte Armonica, I/1. Lucca, 1991. Oblong, 33 x 27 cm, xxxiii, 23, 77 pp. Beautiful halftone in full color of Clementi’s autograph transcription of the G Minor Symphony for four instruments (piano, flute, violin & violoncello). This is a fascinating document showing the tradition common at the turn of the 18th century of arranging symphonic works for smaller chamber groups. Together with a new printed edition of the score and introduction in It-Eng. Wrappers, with slipcase. $80 (more info... ) [item no.4243]


Skizzen und Entwürfe herausgegeben von Ulrich Konrad.
Supplement zur Neuen Mozart Ausgabe, X/30/3. Kassel, 1997. Oblong, 4º, 192, c.145 pp. A rare opportunity to enter the “workshop” of Mozart. Virtually every sketch and draft that has survived—192 pages—has been assembled and collated in chronological order for this superb facsimile edition reproduced in full color. Like Band 44 of the Bachgesellschaft edition which contained only reproductions of Bach manuscripts, this publication marks the culmination of the Neue Mozart Edition. The facsimiles are accompanied by careful transcriptions and critical commentary (Ger), making them accessible to both layman and specialist. Deluxe edition with clamshell case covered in burgundy linen and titles in gold lettering. An indispensable resource for any Mozart enthusiast. $395 (more info... ) [item no.7487]


MULLER, Jean-Michel, 1683-1743

[Sonatas, oboe/violin, viola, bc] XII sonates. Hautbois solo. Hautbois ou violon 1 – Hautbois ou violon 2, alto viola – basse continue. Présentation par Michel Giboureau. [Universitetsbibl., Lund].
Collection Dominantes. Courlay, 2003. 4˚, 5 partbooks, viii, 106 pp. Line-cut of the Roger edition, Amsterdam, c.1712. Introduction in Fr-Eng-Ger. Wrappers. $59 [item no.8206]


MÜNSTER, Joseph Joachim Benedict, 1694-c.1751

[Concerti, 2 tpt, timp, 2 vlns, vc, org, bc, op.5] Solsequium obsequii seu XII. concertationes brevis ac faciles. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 10. Stuttgart, 2000. 20 x 32 cm, 7 partbooks, 117 pp. Line-cut of the Ulm, 1744 edition. 12 concerti for two trumpets/horns, timpani, 2 violins, violoncello, organ/bc. Wrappers with portfolio. $74 [item no.7927]


NARDINI, Pietro, 1722-1793

[Sonatas, flute, bc] Due sonate a flauto traverso solo e basso, ms. Genova.
Archivum Musicum: Flauto Traversiere, 12. Florence, 1987. Oblong, 33 x 24 cm, vii, 16 pp. Line-cut of a contemporary ms copy. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.1810]


NAUDOT, Jacques-Christophe, c.1690-1762

[Concerti, flute, strings, op.11] Six concertos à sept parties (flûte-traversière, trois violons, alto, basson, basse continue). Vers 1737. Présentation par Mi-Sung Kim et Emilie Stahl (etudiantes au CeFEdeM Île-de-France).
La Musique Française Classique de 1650 à 1800, 197. Courlay, 2007. 21 x 30 cm, 7 parts, 136 pp. Line-cut of the Paris, c.1737 edition. Preface in Fr-Eng-Ger. Wrappers. $51 [item no.8896]


[Sonatas, 2 flutes, op.3] Sonates pour deux flutes-traversières sans basse. Œuvre troisième.
Performers’ Facsimiles, 38. New York, [1987]. 24 x 29 cm, 26 pp. Line-cut of the Paris, 1727 edition. Wrappers. $18 [item no.1690]


[Trio sonatas, 2 flutes, bc, op.2] Sonates en trio pour 2 flûtes-traversières avec la baße, deuxième œuvre.
Archivum Musicum: L’Art de la Flûte Traversière, 19. Florence, 1981. 20 x 28 cm, 3 partbooks, vi, 123 pp. Line-cut of the Paris 1726 edition. Together with Boismortier’s Sonates en trio (1726) and Braun’s Six sonates en trio (1728). Preface in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. [item no..753]


NEUMARK, Georg, 1621-1681

Poetisch und Musikalisches Lustwäldchen [In welches erster Abtheilung abgesonderliche geist- und weltliche wie auch keusche Ehren- und Liebeslieder mit beygefügten Melodien nach itziger neuen Ahrt. In der andern aber unterschiedliche ganze Gedichte, Hochzeits, Traut-Glückwünschungs und Lobschriften. Und in der dritten allerhand kurze Sinnlehr und Wehtsprüche etc. so wol geist- als weltliche enthalten sind]. [Stadtbibl. Leipzig].
Faksimile-Edition Rara, 53. Stuttgart, 2005. 8 x 13 cm, 228 pp. Line-cut of Hamburg, 1652 edition. Includes 29 songs and several pairs of dances for 3 tpt/vln, alto trb, 2 tenor tbn, bc. Hardbound in decorative paper. $46 [item no.8721]


NOLA, Giovanni Domenico da, c.1510-1592

[Villanelle, a3 & a4, book 1] Il primo libro delle villanelle alla napolitana, à tre et à quattro voci, RISM 1570(27). [Bayerische Staatsbibl., Munich].
[Yellow Book Series, 2]. Højbjerg, 198?. 11 x 15 cm, 3 partbooks, c.120 pp. Line-cut of the Girolamo Scotto edition, Venice, 1570. Contains 29 simple Italian pieces, many in AABCC form, for 3 and 4 voices. Wrappers, with slipcover. $44 [item no.1679]


NOORDT, Sybrand van, b.?-1705

[Sonatas, harpsichord, recorder/violin, op.1] Sonate per il cembalo appropriate al flauto & violino, opera prima.
Amsterdam, 1978. 16 x 26 cm, 23, iv pp. Halftone of the Amsterdam, 1690 edition. Includes sonatas for alto recorder & continuo, viol & continuo, 2 viols & continuo, and harpsichord solo. Afterword in Du-Eng by Reine Verhagen. Wrappers. $26 [item no.2227]


ORTIZ, Diego, c.1510-c.1570

[Treatise, ornamentation] El primo libro nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone.
Archivum Musicum: Strumentalismo Italiano, 57. Florence, 1984. Oblong, 24 x 17 cm, vi, 121 pp. Line-cut of the Rome, 1553 edition. Rules on ornamentation with examples in mensural notation. Divided into two books, part I for the performer of consort music for viols; part II presents several different kinds of compositions for one viol and cimbalo. Total of 29 works. Introduction by Marco Di Pasquale. Wrappers. $43 (more info... ) [item no.2228]


OTHMAYR, Caspar, 1515-1553 [compiler]

Bicina sacra. [Schöne geistliche Lieder unnd Psalmen mit zwo Stimmen lieblich zu singen]. Gestelt durch Caspar Orthmayr. Nürnberg/ Berg und Neuber. [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 7. Stuttgart, 2009. Oblong, 18 x 15 cm, 2 partbooks, 136 pp. Line-cut of the Berg & Neuber edition, Nuremberg, 1547. Wonderful collection 32 duets for instruments or voices. Hardbound in decorative paper, matching portfolio. $64 [item no.9113]


Symbola, illustrissimorum principum, nobilium, aliorumque doctrina, ac virtutum ornamentis praestantium virorum, musicis numeris explicata. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 4. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 358 pp. Line-cut of the Montanus & Neuber edition, Nuremberg, 1547. 34 motets a5 featuring texts with heraldic mottoes, or symbola, of illustrious men of the day, the publisher among them. Hardbound, in slipcase. $164 [item no.7184]


Symbola, illustrissimorum principum, nobilium, aliorumque doctrina, ac virtutum ornamentis praestantium virorum, musicis numeris explicata. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 4. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 358 pp. Line-cut of the Montanus & Neuber edition, Nuremberg, 1547. 34 motets a5 featuring texts with heraldic mottoes, or symbola, of illustrious men of the day, the publisher among them. Wrappers. $139 [item no.7185]


OTT, Hans, b.?-1546 [compiler]

[Lieder, 4-5 voices, 1534] Der erst Teil: Hundert ainund zweintzig newe Lieder... Nürnberg/Formschneider 1534. [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 3. Stuttgart, 2006. Oblong, 15 x 9 cm, 5 partbooks, c.936 pp. Line-cut of the Formschneider edition, Nuremberg, 1534. A wonderful collection devoted mainly to German secular songs, and a primary source for the music of Ludwig Senfl. Hardbound in decorative paper, matching slipcase. $174 [item no.8816]


[Lieder, 4-6 voices, 1544] Hundert und fünfftzehen guter newer Liedlein [mit vier, fünff, sechs Stimmen, vor nie im cruck außgangen. Deutsch, Französisch, welsch und Lateinisch lustig zu singen und auff die Instrument dienstlich von den berhümbtesten diser Kunst gemacht]. RISM 1544(20). [SPKB, Berlin].
Faksimile-Edition Rara, 28. Stuttgart, 2000. Oblong, 18 x 14 cm, 4 partbooks, c.750 pp. Line-cut of Nuremberg, 1544 edition. Wonderful anthology of German secular songs by Isaac, Senfl, Stoltzer. Müller & others. Hardbound in decorative paper, with matching slipcase. $229 [item no.7822]


OZI, Étienne, 1754-1813

[Method, bassoon] Neue Fagot-Schule von E. Ozi. Mitglied des Konservatoriums der Musik in Paris mit einem Nachwort von Günter Angerhöfer.
Dokumentationen, Reprints, 18. Michaelstein, 1988. 21 x 30 cm, 62, vii pp. Halftone of the Leipzig, 1806 edition. Wrappers. $26 [item no.4220]


PEPUSCH, John Christopher, 1667-1752

[Concerti, 2 flutes/recorders/oboes/violins, bc, op.8] VI concerts à 2 flûtes à bec, 2 flûtes traversières, hautbois ou violons et basse continue. Présentation per Susi Möhlmeier et Frédérique Thouvenot. [Universitetsbibliothek, Uppsala].
Collection Dominantes. Courlay, 1993. 4º, 5 partbooks, 32, 61 pp. Line-cut of a Roger edition, Amsterdam, n.d. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.4600]


PERAUT, Mathieu, 18-19th c.

[Method, flute] Méthode pour la flûte. Enrichie de plusieurs exemples démonstratifs et graduels, pour parvenir à bien jour de cet instrument. De douze airs, avec accompagement, de six duos, de six sonates le tout précédé de nombreux préludes, et d’instructions pour les coup de langue. Terminée six grands caprices . . . .
Archivum Musicum: L’Art de la Flûte Traversière, 37. Florence, 1987. 24 x 34 cm, ix, 100 pp. Line-cut of the Paris, c.1800 edition. Introduction in It by Marcello Castelliani. Wrappers in decorative paper. $35 [item no.1803]


PESORI, Stefano, c.1613-d.?

[Lo scrigno armonico, winds, strings, harpsichord, bc, op.2] Lo scrigno armonico. Opera seconda. Ove si rinchiudono vaghissime danze, & ariette al modo italiano, spagnolo, e francese, per suonare in concerto con basso, violino, manacordo, & altri instromenti.
Archivum Musicum: Strumentalismo Italiano, 65. Florence, 1986. 34 x 24 cm, 60 pp. Line-cut. Wrappers in decorative paper. $31 [item no.1793]


PETREIUS, Johann, 1497-1550 [publisher]

Guter seltzamer und künstreicher teutscher Gesang [sonderlich ettliche künstliche Quodlibet, Schlacht und der gleichen mit vier oder fünff Stimmen biß her im Truck nicht gesehen]. [Bayerische Staatsbibliothek, Munich].
Faksimile-Edition Rara, 5. Stuttgart, 1997. Oblong, 20 x 15 cm, 4 partbooks, c.610 pp. Line-cut of the Nuremberg, 1544 edition. 25 settings a4, for voices with or without instruments. Hardbound in vegetable vellum, with matching slipcase. $174 [item no.7495]


PETRUCCI, Ottaviano, 1466-1539 [publisher]

Canti B numero cinquanta. A Facsimile of the Venice, 1501/2 Edition. [Unique copy, Civico Museo Bibliografico Musicale, Bologna].
Monuments of Music and Music Literature in Facsimile, I/23. New York, 1975. Oblong, 26 x 17 cm, 111 pp. Line-cut of the Venice, 1501/2 edition. Continuation of Harmonice musices odhecaton A. Laid paper, handsomely bound in white linen. $72 [item no.1342]


Canti C numero cento cinquanta. A Facsimile of the Venice, 1503/4 Edition. [Copy, Österreichische Nationalbibl., Vienna].
Monuments of Music and Music Literature in Facsimile, I/25. New York, 1978. Oblong, 26 x 17 cm, 334 pp. Line-cut of the Venice, 1503/4 edition. Continuation of Odhecaton A and Canti B. Laid paper, clothbound. $110 [item no.1344]


Harmonice musices odhecaton A. Introduzione di / Introduction by Iain Fenlon. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, IV/95. Bologna, 2003 Oblong, 26 x 17 cm, xxviii, 210 pp. Line-cut of the Venice, 1501 edition. Contains the earliest part-music printed from type, and produced by a triple impression process (staves, then text, then music); it is also the earliest instance of a complete volume of part-music. Includes works by the most important composers of the day: Issac, Ockeghem, Obrecht, Josquin, Hayne, de la Rue, Compère, Tinctoris, Agricola, and others. Introduction in It-Eng. Wrappers. $87 (more info... ) [item no.8204]


Harmonice musices odhecaton A. Edited by Stanley Boorman and Ellen S. Beebe. Introduction by Stanley Boorman. [Library of Congress, Washington, DC].
Critical Facsimiles, 7. New York, 2001. Oblong, 26 x 17 cm, xvii, 234 pp. Line-cut of the third edition, Venice, 1504. “Corrected” facsimile edition reflecting the views of the editors. With critical apparatus listing all errors and inconsistencies. Laid paper, wrappers. $45 [item no.7949]


Lamentationum Jeremie... liber primus und secundus. Venezia, O. Petrucci 1506. [Civico Museo Bibliografico Musicale, Bologna].
Faksimile-Edition Rara, 45. Stuttgart, 2004. Oblong, 24 x 17 cm, 204 pp. Line-cut of the Venice, 1506/1506 edition. Two books of lamentations settings a4, notated in choirbook format, by Agricola, Tinctoris, Bernhard Ycart, Marbrianus de Orto, Johannes de Quadris, Tromboncino, Gaspar, Francesco d’Ana, Erasmus Lapicida and others. Hardbound, in decorative paper. $64 (more info... ) [item no.8439]


Laude libro primo, Venezia 1508. Ristampa Anastatica, presentazione di Giulio Cattin e introduzione di Francesco Luisi.
Serie VII, A: Ottaviano Petrucci, 1. Venice, 2001. Oblong, 28 x 17 cm, 83, 130 pp. Halftone reproduction of the Venice, 1508 edition, from the copy preserved at the Biblioteca Capitolare Colombina, Seville. The only anthology of lauda (66) published by Petrucci devoted to a single composer—Innocentius Dammonis, a prior of San Salvador in Venice. This is the "second" edition (the 1506 “first” edition survives incomplete). Introduction in It-Sp-Eng. Hardbound. $100 (more info... ) [item no.8463]


Laude libro secondo (Venezia, O. Petrucci, 1507). RISM 1508(3). [Biblioteca Colombina, Seville].
[Yellow Book Series, 7]. Højbjerg, 2006. Oblong, 23 x 16 cm, 112 pp. Line-cut of the Venice, 1507 edition. Contains 60 setting for 3 and 4 voices by Bartolomeo Tromboncino and his contemporaries. Wrappers. $58 (more info... ) [item no.8725]


[Masses, 1504, 1503] Alexander Agricola: Misse. Venezia, Petrucci 1504 / Pierre de la Rue: Misse. Venezia 1503. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, [12]. Stuttgart, 2007. Oblong, 23 x 18 cm, 4 partbooks, 192 pp. Line-cut of 2 Petrucci mass volumes, respectively by Agricola (1504) and de la Rue (1503). Contents: Misse Alexandri Agricole—Le serviteur, Je ne demande, Mal heur me bat, Primi toni, Secundi toni; Misse Petri de la Rue—De beata virgine, Puer natus, Sexti ut fa, Lomme arme, Nunquam fue pena maior. Hardbound, in decorative paper, with matching slipcase. $158 [item no.8915]


Motetti A, numero trentatre. Petrucci, Venezia 1502. [Civico Museo Bibliografico Musicale, Bologna].
Faksimile-Edition Rara, 44. Stuttgart, 2004. Oblong, 24 x 17 cm, 112, 22 pp. Line-cut of the Venice, 1502 edition. Motets a4, choirbook format, by Josquin, Compere, Agricola, Brumel and their contemporaries. In this particular Petrucci print from the CMBM four additional pieces were added in manuscript in 1850. Hardbound, in decorative paper. $62 [item no.8425]


Motetti de passione de cruce de sacramento de beato virgine et huiusmodi. B (Venezia, O. Petrucci, 1503. RISM 1503(1). [British Library, London].
[Yellow Book Series, 6]. Højbjerg, 2006. Oblong, 23 x 16 cm, 144 pp. Line-cut of the Venice, 1503 edition. Contains 30 motet settings by Josquin and his contemporaries. Wrappers. $72 [item no.8724]


Motetti libro quarto (Venezia, O. Petrucci, 1505). RISM 1505(2). [Wolfenbüttel, Herzog-August Bibliothek].
[Yellow Book Series, 10]. Højbjerg, 2011. Oblong, 23 x 16 cm, 4 partbooks, 256 pp. Line-cut of the Venice, 1505 edition. Contains 55 settings (counting separate movements) for 4 voices by Josquin, Brumel, Obrecht, Mouton and their contemporaries. Wrappers, with slipcase. $130 (more info... ) [item no.9269]


Strambotti, ode, frottole, sonetti, et modo de cantar versi latini e capituli. Libro quarto. RISM 1507(2).
[Yellow Book Series, 3]. Højbjerg, 1991. Oblong, 23 x 16 cm, 112 pp. Line-cut of the Venice, 1507 edition. Includes 91 Italian secular songs in four parts; choirbook format with mensural notation. Wrappers. $44 (more info... ) [item no.4156]


PHALÈSE, Pierre, c.1510-1574 [publisher]

Liber primus leviorum carminum. Premier livre de danseries contenant plusieurs pavanes, passomezo, almandes, le tout convenable sur tous instruments musicals. Préface d’Henri Vanhulst. [Stadtarchiv, Heilbronn].
Musique de Chambre, 5. Geneva, 1989. Oblong, 22 x 15 cm, 4 partbooks, xxx, 224 pp. Line-cut of the P. Phalèse & Bellère edition, Louvain 1571. Liber primus leviorum carminum—or “first book of easy songs”—consists of 103 dances a4 intended for all instruments. Mostly by Jean d’Estrée, the works include pavane-galliard pairs, allemandes and numerous branles, all written in mensural notation in partbook format. Index. Wrappers. $110 [item no.1367]


Liber primus leviorum carminum. Premier livre de danseries. Löwen, P. Phalèse und Antwerpen, J. Bellère 1571. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 2. Stuttgart, 1995. Oblong, 19 x 15 cm, 4 partbooks, 438 pp. Line-cut of the Louvain, 1571 edition. Liber primus leviorum carminum—or “first book of easy songs”—consists of 103 dances a4 intended for all instruments. Mostly by Jean d’Estrée, the works include pavane-galliard pairs, allemandes and numerous branles, all written in mensural notation in partbook format. Hardbound in vegetable vellum. Slipcase. $126 [item no.7287]


PHILIDOR, André, 17-18th c.

Partition de plusieurs marches et batteries de tambour tant françoises qu’étrangères avec les airs de fifre et de hautbois a 3 et 4 parties. Fac-similé du manuscrits musical 168 de la Bibliothèque Municipale de Versailles. Introduction de François Lesure.
Manuscrits, XXXI. Geneva, 1994. 23 x 34 cm, 10, 170 pp. Line-cut of autograph. André Philidor, music librarian to the French King from 1684, compiled this collection of “marches and batteries for drums, with airs for fife and oboes” in 1705. The elegantly copied source, showing the keen interest of Louis XIVin military music, includes music by Lully, the Philidors (André & Jacques), Hotteterre, Lalande, and Descroziers (the “fifre des mousquetaires”). Wrappers. $87 [item no.4893]


PHILIDOR, André Danican, 1681-1728

[Pièces, fl/rec/ob/vln, bc] 1. livre de pièces pour la flûte traversiere, flûte a bec, violons et hautbois, avec la basse continue, 1712. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 25 pp. Line-cut of the author’s, Roussel & Foucault edition, Paris, 1712. Wrappers. $12 [item no.8807]


PHILIDOR, François Danican, 1689-c.1717

[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière. Paris 1716. [Bibl. Nationale, Paris].
Archivum Musicum: L’Art de la Flûte Traversière, 6. Florence, 1980. Oblong, 24 x 22 cm, iii, 51 pp. Line-cut of the Ballard edition, Paris, 1716. The edition, printed with type, employs diamond shaped notes. Wrappers in decorative paper. $33 [item no.793]


[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière qui peuvent aussi se jouer sur le violon, premier livre. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 56. Courlay, 1991. Oblong, 31 x 22 cm, 18, 51 pp. Line-cut of the Paris, 1716 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $31 [item no.4100]


[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière (ou le violon) - 1716.
Collection FacsiMusic. Courlay, 2007. Oblong, 30 x 21 cm, 32 pp. Line-cut of the Paris, 1716 edition. Wrappers. $14 [item no.8939]


[Quartets, ob/fl/vln, 2 vln, bc] L’art de la modulation; Quatuors pour un hautbois, deux violons et basse (la partie de hautbois peut se jouer sur la flûte ou le violon). 1755. Présentation par les élèves de l’I.F.E. de M. de Rueil-Malmaison.
La Musique Française Classique de 1650 à 1800, 108. Courlay, 1998. 4º, 4 partbooks, 13, 52 pp. Line-cut of the Paris, 1755 edition. Introduction in Fr-Eng-Ger. Wrappers. $45 [item no.7586]


PHILIDOR, Pierre Danican, 1681-1731

[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.1] Premier œuvre.
Musica Musica, S/14. Basel, c.1980. 49 pp. Line-cut of the printed score. Wrappers. $34 [item no.2231]


[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.1] Premier œuvre contenant III. suittes a II. flûtes traversieres seules avec III. autres suittes dessus et basse, pour les hautbois, flûtes, violons, &c. [private collection].
Performers’ Facsimiles, 275. New York, [2007]. Oblong, 27 x 21 cm, 52 pp. Line-cut of the Paris, 1717 edition. Wrappers. $20 [item no.8902]


[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.2] Deuxiéme œuvre contenant II. suittes a 2. flûtes-traversieres seules avec II. autres suittes deßus et baßse, pour les hautbois, flûtes, violons, &c. [private collection].
Performers’ Facsimiles, 276. New York, [2007]. Oblong, 27 x 21 cm, 26 pp. Line-cut of the Paris, 1718 edition. Wrappers. $15 [item no.8903]


[Suite, 2 flutes; Suite, oboe/flute/violin, bc, op.3] Troisiéme œuvre contenant une suitte a deux flûtes-traversieres seules, et une autre suitte dessus et basse, pour les hautbois, flûtes, violons, &c. Avec une réduction de la chaße. [private collection].
Performers’ Facsimiles, 277. New York, [2007]. Oblong, 27 x 21 cm, 22 pp. Line-cut of the Paris, 1718 edition. Wrappers. $13 [item no.8904]


PIANI, Giovannni Antonio, 1678-c.1760

[Sonatas, violin/flute/recorder, bc, op.1] XII sonate a violino solo e violoncello col cimbalo, opera prima.
Archivum Musicum: Flauto Traversiere, 26. Florence, 1993. 23 x 33 cm, iv, 80 pp. Line-cut of the Paris, 1712 edition. Introduction by Giovanni Battista Columbro. Wrappers, in decorative paper. $39 [item no.4578]


PIERRE, Constant, 1855-1918

Les facteurs d’instruments de musique. Les luthiers et la facture instrumentale. Précis historique.
Geneva, 1971. 8º, 460 pp. Line-cut of Paris, 1893 edition. Treats French musical instrument makers, covering the period from the 15th to the 19th century. Wrappers. $61 [item no.4262]


PLATTI, Giovanni Benedetto, 1697-1763

[Sonatas, flute, bc, op.3] Sei sonate à flauto traversiere solo con violoncello overo cembalo, opera terza. Nürnberg s.d.
Archivum Musicum: Flauto Traversiere, 10. Florence, 1986. Oblong, 30 x 21 cm, iv, 37 pp. Line-cut of the Nuremberg, c.1743 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $32 [item no.1807]


[Sonatas, flute, bc, op.3] Sei sonate à flauto traversiere solo con violoncello overo cembalo, opera terza.
Shumilov Facsimile Collection. Magdeburg, [2005]. Oblong, 30 x 21 cm, 37 pp. Line-cut of the Nuremberg, c.1743 edition. Spiral bound. $24 [item no.8549]


PLAYFORD, Henry, 1657-c.1709

Apollo’s Banquet, Newly Reviv’d: Containing New and Easie Instructions for the Treble-Violin with Variety of the best and choicest Ayres, Tunes, Jiggs, Minuets, Sarabrands, Chacones and Cybells, that have been Perform’d at both Theatres, and other Publick Places. To which are added, The Newest French Dances, now in use at Court, and in Dancing-Schools.
Alston, 1999. Oblong, 4º, ii, 66 pp. Line-cut of the London, 1701 edition. A collection of choice tunes, many traceable to the suites of incidental music written for plays by Henry Purcell, John Eccles, William Croft, Thomas Tollett, Thomas Morgan and others. Novel new engraving font (“NewTy’d Character” or “new London character”, developed by the printer William Pearson. Preface by Peter Holoman. Ring binding. $29 [item no.7833]


PLEYEL, Ignaz, 1757-1831

[Sonatas, keyboard, fl/vln/vc] Trois sonates pour clavecin ou forte-piano avec accompagnement de flûte (ou violon) et violoncelle, 1788. Présentation par Les étudiants du Ce.F.E. de M.-Ile-de-France. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 157. Courlay, 2004. 4º, 3 partbooks, xii, 58 pp. Line-cut of the Paris, 1788 edition. Preface in Fr-Eng-Ger. Portfolio. $36 [item no.8418]


POSCH, Issac, b.?-1623

Musicalische Ehrenfreudt. [Das ist: Alleyley neuer Balleten, Gagliarden/Couranten und Täntzen teutscher arth, mit 4. Stimmen, wie solche auff wie II solche auff adelichen Panqueten, auch andern ehrlichen Convivijs und Hochzeyten gemusiciert und auff allen instrumentalischen Sayttenspilen, u. zur Fröligkeit gebraucht werden mögen: Erster Theil]. Regenburg 1618. [Bischöfliche Bibliothek, Regensburg].
Faksimile-Edition Rara, 76. Stuttgart, 2017. 18 x 22 cm, 4 partbooks, 160 pp. Line-cut of the Regensburg, 1618 partbook edition. 34 4-voice instrumental settings (canto I, canto II, alto, basso). Wrappers, with portfolio in decorative paper. $46 [item no.9538]


POULENC, Francis, 1899-1963

Cocardes. Chanson populaire sur le poëme de Jean Cocteau: I. Miel de Narbonne; II. Bonne d’enfant; III. Enfant de troupe (1919). Introduction-Inleiding: Catherine Miller.
Fontes Musicae Bibliothecae Regiae Belgicae, I/VII. Brussels, 2000. 27 x 35 cm, xii, 14 pp. Halftone of the autograph. Version for violin, cornet, trombone, bass drum & triangle. Wrappers. $16 (more info... ) [item no.8075]


PRAETORIUS, Michael, 1571-1621

Cantiones sacrae [de festis praecipuis totius anni, 5.6.7.10. & 11. vocum]. Ohr, Hamburg 1607. [Stadtbibliothek Augsburg].
Faksimile-Edition Augsburg, 7. Stuttgart, 2000. 15 x 21 cm, 8 partbooks, c.700 pp. Line-cut of the Hamburg, 1607 edition. 47 compositions for 5 to 12 voices, with or without instruments. Hardbound in marbled paper, with matching slipcase. $269 [item no.8245]


Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619. Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt.
Kassel, 1929 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes the instruments known to the author and includes beautiful woodcut illustrations of them. Hardbound. $95 [item no.8126]


Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619. Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt.
Documenta Musicologica, I/14. Kassel, 6/ 1985. 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes the instruments known to the author and includes beautiful woodcut illustrations of them. Hardbound. $87 [item no.1889]


Syntagma musicum: Musicae artis analecta / De Organographia / Termini musici. Reprint der Originalausgaben von 1614-15 und 1619. Herausgeben von Arno Forchert.
Kassel, 2001. 8º, 3 vols, 1153 pp. Line-cut. Wrappers. $95 [item no.7972]


PRANZER, Joseph, 17-19th c.

[Duos, 2 clarinets] Trois duos concertants pour deux clarinettes.
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 32 pp. Line-cut of the Winnen edition, Paris, n.d. Wrappers. $13 [item no.8857]


PRELLEUR, Peter, fl.1728-1755

[Method, recorder] Instructions & Tunes for the Treble Recorder from the Modern Music Master, c.1731. A Lithographic Facsimile.
London, n.d. 15 x 24 cm, 50, ii pp. Line-cut of the second section of an anonymous treatise originally in seven parts. Includes 45 arrangements for recorder, mostly from the operas of Handel. Afterword by Edgar Hunt. Hardbound, with paper coverboards. $30 [item no.2193]


PURCELL, Daniel, c.1660-1717

[Sonatas, violin, bc; Sonatas, recorder, bc] Six Sonata’s or Solos, Three for a Violin, and Three for the Flute, with a Through Bass for the Harpsicord.
Performers’ Facsimiles, 71. New York, [1989]. 25 x 37 cm, 14 pp. Line-cut of the Walsh edition, London, [1698]. Wrappers. $13 [item no.3648]


[Sonatas, violin, bc; Sonatas, recorder, bc] Six Sonata’s or Solos [Three for a Violin, and Three for the Flute, with a Through Bass for the Harpsicord]. [British Library, London].
Faksimile-Edition Rara, 24. Stuttgart, 1997. 20 x 31cm, 14 pp. Line-cut of the Walsh edition, London, [1698]. Wrappers. $14 [item no.8330]


[Sonatas, violin, bc] Six Sonatas or Solos for the Violin with a Through Bass for the Harpsicord or Bass Violin, Compos’d by Mr. G. Finger and Mr. D. Purcell. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 108. New York, [1994]. 23 x 31 cm, 23 pp. Line-cut of the Walsh edition, London, [1690]. Wrappers. $18 [item no.7007]


[Trios sonatas, 2 recorders, bc; Sonatas, recorder, bc] Six Sonatas, Three for Two Flutes & a Bass, and Three Solos for a Flute and a Bass. The Whole Fairly Engraven & Carefully Corrected by ye Author.
Performers’ Facsimiles, 69. New York, [1989]. 24 x 36 cm, 3 parts, 22 pp. Line-cut of the Walsh edition, London, c.1710. Wrappers. $23 [item no.3512]


QUANTZ, Johann Joachim, 1697-1773

[Method, flute] Versuch einer Anweisung, die Flöte transversière zu spielen. Mit einem Vorwort von Hans-Peter Schmitz und einem Nachwort, Bemerkungen, Ergänzungen und Register von Horst Augsbach.
Kassel, 3/ 2000. 12°, 450 pp. Line-cut in reduced format of the Berlin, 1752 edition. Wrappers. $21 [item no.3942]


[Method, flute] Versuch einer Anweisung, die Flöte traversiere zu spielen. Faksimile der Ausgabe Berlin 1752. Mit einer Einführung von Barthold Kuijken.
Wiesbaden, 1988. 17 x 23 cm, xxii, 419 pp. Line-cut of the Berlin, 1752 edition. Introduction in Ger. Linen. $27 [item no.1892]


[Method, flute, French edition] Essai d’une méthode pour apprendre à jouer de la flûte traversière, avec plusieurs remarques pour servir au bon goût dans la musique le tout eclairci par des exemples et par XXIV. tailles douces.
Paris, 2/ 1990. 8º, 50, 382 pp. Line-cut of the French edition, Berlin, 1752. Wrappers. $107 [item no.3835]


[Sonatas, flute, bc, Wq 5584] 4 sonates pour flûte traversière, ave basse continue, Ms. (Wq 5584). Introduction: J. Dewinne.
Facsimile Series, IV/13. Peer, 1996. 4º, 4 vols, 36 pp. Line-cut of a contemporary ms copy. Wrappers. $26 [item no.7155]


[Sonatas, flute, cembalo, op.1, QV 1:152, 153, 16, 48, 77, 49 Sei sonate a flauto traversière solo, e cembalo – Opéra prima.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm,x 32 pp. Line-cut of the Dresden, [1734] edition. Wrappers. $16 [item no.8889]


[Sonatas, 2 flutes, op.2, QV 3:2.9, 12, 13, 1, 4 & 7] Sei duetti a due flauti traversi. Opera seconda.
Performers’ Facsimiles, 58. New York, [1988]. 28 x 39 cm, 32 pp. Line-cut of the G.L. Winter edition, Berlin, 1759. Wrappers. $20 [item no.2825]


[Sonatas, 2 flutes, op.2, QV 3:2.9, 12, 13, 1, 4 & 7] Sei duetti a due flauti traversi. Opera seconda.
Música Facsímil, 11. Madrid, 1983. 23 x 32 cm, vi, 28 pp. Line-cut of the G.L. Winter edition, Berlin, 1759. Introduction by Antonio Arias. Wrappers. $17 [item no.1891]


[Trio sonatas, 2 fl/vln, op.5, QV 3:2.10, 5, 3, 8, 11 & 6] Six Sonatas or Duets for Two German Flutes or Violins Compos’d by Sigr. Quantz. Opera Quinta.
London, 1986. 4º, ii, 22 pp. Line-cut of the Walsh edition, London, c.1750. Introduction by Jennifer Carr. Wrappers. $17 [item no.2237]


QUENTIN, Jean Baptiste, b.?-c.1750

[Trios; quartets, strings/winds, bc, op. 11] Sonates en trio et quatre parties pour violons, flûtes traversières, viole et basse continue, Œuvre XI, c.1742. Présentation par les élèves du Ce. R.E. de M. Île-de-France. [Staatsbibl. zu Berlin].
La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, 3 partbooks, x, 60 pp. Line-cut of the author’s edition, Paris, c.1742. Preface in Fr-Eng-Ger. Wrappers. $33 [item no.8141]


RAMEAU, Jean-Philippe, 1683-1764

Les Indes galantes. Ballet réduit à quatre grands concerts. 1735-1736. Présentation par Pascal Duc. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 166. Courlay, 2005. Oblong, 31 x 23 cm, xxxi, 230 pp. Line-cut of the Paris, 1735-1736 edition (short score). Introduction in Fr-Eng-Ger. Wrappers. $93 [item no.8572]


Les Indes galantes. Paris. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Kammermusik des Barock, 5. Stuttgart, 2015. Oblong, 31 x 23 cm, 226 pp. Line-cut of the Paris, 1735-1736 edition (short score). Hardbound, with boards in decorative paper. $83 [item no.9427]


[Pièces, harpsichord, violin/flute, viol/violin] Pièces de clavecin en concert.
La Musique Française Classique de 1650 à 1800, 48. Courlay, 1989. 24 x 33 cm, 14, 55 pp. Line-cut of the score. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $37 [item no.3529]


[Pièces, harpsichord, violin/flute, viol/violin, parts] Five Concertos for the Harpsicord Accompanied with a Violin or German Flute or Two Violins or Viola, with Some Select Pieces for the Harpsicord Alone. London: I. Walsh, [1750]. [Pièces de clavecin en concert].
Performers’ Facsimiles, 13. New York, 1987. 26 x 34 cm, 3 partbooks, 73 pp. Line-cut of the Walsh edition, London, [1750]. Wrappers. $45 [item no.2238]


RANISH, John Frederick, 1693-1777

[Sonatas, flute, bc, op.1] VIII Sonatas or Solos for the German Flute with Thorough Bass for ye Harpsichord Dedicated to Jacob Astley Esqr. {king’s College, Cambridge].
Alston, 1995. 21 x 29 cm, i, 40 pp. Line-cut of the B. Cooke edition, London, c.1735. Ring binding. $30 [item no.7811]


[Sonatas, flute, bc, op.2] XII Solos for the German Flute with Through Bass for the Harpsichord. [King’s College, Cambridge].
Alston, 1995. 21 x 29 cm, i, 51 pp. Line-cut of the Walsh edition, London, 1744. Ring binding. $22 [item no.7812]


RAULT, Félix, 1736-d.?

[Sonatas, flute, bc, book 1] Trois sonates pour la flûte avec accompagnement de basse.
Archivum Musicum: L’Art de la Flûte Traversière, 32. Florence, 1984. 24 x 34 cm, v, 33 pp. Line-cut of the Paris, 1797 edition. Preface by Marcello Castellani. Wrappers in decorative paper. $31 [item no.800]


RAVENSCROFT, Thomas, c.1590-c.1633

Deuteromelia: or the Second Part of Musicks Melodie, or Melodius Musicke, of Pleasant Roundelaies, K.H. Mirth, or Freemens Songs, and Such Delightfull Catches. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 227. New York, [1998]. 17 x 24 cm, 46 pp. Line-cut of the William Adams edition, London, 1609. Wrappers. $18 [item no.7610]


Melismata. Musicall Phansies, fitting the Court, Citie, and Countrey Humours, to 3.4. and 5. Voyces. [British Library, London].
Performers’ Facsimiles, 228. New York, [1998]. 17 x 24 cm, 45 pp. Line-cut of the William Stanley edition, London, 1611. Wrappers. $18 [item no.7611]


Pammelia. Musicks Miscellanie, or, Mixed Varietie of Pleasant Boundelayes, and delightfull Catches, of 3.4.5.6.7.8.9.10 Parts in one. [British Library, London].
Performers’ Facsimiles, 226. New York, [1998]. 17 x 24 cm, 55 pp. Line-cut of the William Barley edition, London, 1609. Wrappers. $18 [item no.7612]


RAEHS, Martin, 1702-1766

[Sonatas, flute] VI sonate per flauto traversiere e basso. Ms. Schwerin 1748 / XI sonate per flauto traverso e basso. Mss. Copenhagen.
Archivum Musicum: Monumenta Musicae Revocata, 29. Florence, 2001. 24 x 33 cm, ix, 98, i pp. Line-cut of two contemporary ms copies. Preface in It/Dan. Quarter linen. $55 [item no.8092]


REBEL, Jean-Féry, 1666-1747

Les caractères de la dance. Fantaisie (1715). Grand chœur / Petit chœur. Neuausgabe. Faksimile der Pisendel-Abschrift. Faksimile Erstdruck. Neuauflage 1727/1733. Herausgegeben von Stefan Fuchs.
Magdeburger Faksimile Offizin. Magdeburg, 2007. 4º, 41 pp. Facsimile of Pisendel’s manuscript copy, plus the first edition (Le Clerc, 1727/1733), together with a new practical edition of the score. This fantasie, from 1715, is considered one of the great monuments of Baroque dance music (even performed by Handel in London), and can be performed ”petit choeur” (i.e. as a trio sonata) or “grand choeur” with extra inner voices. Wrappers. $46 [item no.8898]


Les caractères de la danse, 1715 / La Terpsichore, 1720. Présentation: Dona Borel, CeFEdeM Île-de-France.
La Musique Française Classique de 1650 à 1800, 206. Courlay, 2012. 22 x 30 cm, x, 16 pp. Line-cut of the Paris, 1715 & 1720 editions. Preface in Fr-Eng-Ger. Wrappers. $35 [item no.9275]


Les éléments. Simphonie nouvelle. Neuausgabe. Faksimile der Pisendel-Abschrift. Herausgegeben von Stefan Fuchs.
Magdeburger Faksimile Offizin. Magdeburg, 2005. 4º. Facsimile of the of Paris, 1737 edition, together with modern edition. Wrappers. $56 [item no.9077]


Fantaisie, 1729; Les plaisirs champêtres, 1734; [Les parodies nouvelles, et les vaudevilles inconnus, 1730]. Présentation par Catherine Cessac. [Nederlands Muziek Instituut, The Hague; Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 191. Courlay, 2006. 24 x 33 cm, vii, 26 pp. Line-cut of the 1729, 1734 & 1730 editions. The Fantaisie is also known as Pas de trois, with string/wind accompaniment. Les plaisirs champêtres is for 2 female and 4 male dancers (pas de six), with string/wind accompaniment. Preface in Fr-Eng-Ger. Wrappers. $23 [item no.9077]


REGNART, Jakob, c.1540-1599

Newe kurtzweilige teutsche Lieder / Deutsche Lieder und Motteten, Ms. [Schermar-Bibliothek, Stadtbibliothek, Ulm, sign. misc. 122].
Faksimile-Edition Schermar-Bibliothek Ulm, 29. Stuttgart, 1997. Oblong, 20 x 15 cm, 5 partbooks, c.390 pp. Line-cut of two editions, one printed by Gerlach (Nuremberg, 1580), and the other a contemporary manuscript, Stadtbibliothek, Ulm, sign. misc. 122. Contains 16 settings a5 from the printed collection, plus 29 settings a4 and 4 a5 from the manuscript source. Hardbound in vellum paper, with matching slipcase. $152 [item no.7514]


REID, John, 1721-1807

[Solos, flute/violin, bc, books 1 & 2] 6 Solos for a German Flute, book 1; 6 Solos for a German Flute, book 2.
Nashua, c.1996. 4º. Line-cut of the London, 1756 & 1762 editions. Wrappers. $23 [item no.7733]


RENOTTE, Hubert, 1694-1745

[Sonatas, keyboard; flute/violin, keyboard, bc] Six sonates de clavecin egalement apropres pour un violon ou pour une flute traversiere avec la bass. Premier œuvre.
Musica Repartita, 181F. Utrecht, 1997. 21 x 30 cm,. 33, ii pp. Line-cut of the Liège, 1740 edition. Afterword in Dut-Eng by J.H. van Krevelen. Wrappers. $16 [item no.8615]


RHAU Georg, 1488-1548 [publisher]

[Officiorum de nativitate, etc.] Cantiones selectissimae quatuor vocum / [Rhau:] Officiorum (ut vocant) de nativitate. Tomus primus / [Rhau:] Postremum vespertini officii opus... Magnificat octo modorum seu tonorum numero XXV.
Faksimile-Edition Schermar-Bibliothek Ulm, 44. Stuttgart, 1997. Oblong, 19 x 15 cm, 4 partbooks, c.580 pp. Line-cut of two Rhau publications (1545 & 1544), together with one by Ulhard (1549). The Ulhard print contains 11 motets by Clemens non papa and the Rhau anthologies include works by Stoltzer, Reneri, Senfl, Gallicus, and Isaac. Hardbound, with slipcase. $162 [item no.7606]


Sacrorum hymnorum liber primus. Wittenberg. G. Rhaw, 1542. RISM 1542(12). [Vienna, Österreichische Nationalbibliothek].
[Yellow Book Series, 9]. Højbjerg, 2009. Oblong, 21 x 15 cm, 4 partbooks, 602 pp. Line-cut of the Wittemberg, 1542 edition. Major collection of polyphonic settings of Latin hymns for 4-6 voices. The preface is dedicated to the mayor and council of Joachimstal, and credits Mathesius as having proposed and encouraged the work. Thomas Stoltzer is represent by 39 works. Wrappers, in slipcase. $148 [item no.9107]


Sacrarum hymnorum liber primus. Wittenberg/ Georg Rhau 1542. RISM 1542(12). [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 6. Stuttgart, 2012. Oblong, 19 x 15 cm, 4 partbooks, 550 pp. Line-cut of the Wittemberg, 1542 edition. Major collection of polyphonic settings of Latin hymns for 4-6 voices. The preface is dedicated to the mayor and council of Joachimstal, and credits Mathesius as having proposed and encouraged the work. Thomas Stoltzer is represent by 39 works. Hardbound in decorative paper, with matching slipcase. $164 [item no.9276]


Selectae harmoniae quatuor vocum de passione domini. [Stadtarchiv, Heilbronn].
Faksimile Heilbronner Musikschatz, 8. Stuttgart, 1996. Oblong, 19 x 15 cm, 4 partbooks, 352 pp. Line-cut of the Wittenberg, 1538. 18 works a4 by Compere, Isaac, Senfel and others. Hardbound, with slipcase. $149 [item no.7281]


Tricinia tum veterum tum recentiorum in arte musica symphonistarum, Latina, Germanica, Brabantica & Gallica, ante hac typis nunct. excusa, observato in disponendo tonorum ordine, quo utentibus sint accommodatiora. RISM 1542(8).
[Yellow Book Series, 4]. Højbjerg, 1991. Oblong, 21 x 15 cm, 3 partbooks, 384 pp. Line-cut of the Wittemberg, 1542 edition. Contains 90 three-part motets and secular pieces by many different composers. Texts are in Latin, French, German and Dutch. Wrappers. $124 [item no.4157]


RIBOCK, Justus Johannes Heinrich, 1743-1785

[Method, flute] Bemerkungen über die Flöte und Versuch einer kurzen Anleitung zur bessern Einrichtung und Behandlung derselben (1782). Eingeleitet von Karl Ventzke in Deutsch und Englisch. [Bayerische Staatsbibliothek, Munich].
Flute Library, 13. Buren, 1980. 18 x 25 cm, xiii, 76 pp. Line-cut of the Stendal, 1782 edition. Cloth. $81 [item no.2243]


RIES, Ferdinand, 1784-1838

[Quartets, fl, vln, vla, vc, op.145] Three Quartets, op.145 for Flute, Violin, Viola, and Cello.
Nashua, 1993. 4º, 4 parts, i, 63 pp. Line-cut. Quartets in the key of C major, E minor and A minor. Wrappers. $28 [item no.4671]


RIGHINI, Vincenzo, 1756-1812

[Concerto, fl, 2 vln, 2 ob, 2 bsn, 2 hns, vla, bc, G maj.] Concerto in sol maggiore a flauto obbligato, violino 1º e 2º, oboe 1º e 2º, fagotto 1º e 2º, corno 1º e 2º, viola e basso. Ms. Copenhagen [e Augsburg].
Archivum Musicum: Flauto Traversiere, 29. Florence, 1995. Oblong & upright, 32 x 24 cm, 2 vols, v, 104 + 21 pp. Line-cut of a contemporary ms copy (both score and parts), copied c.1802. Introduction in It by Marcello Castellani. Wrappers. $45 [item no.7142]


RŒSER, Valentin, c.1735-1782

[Method, clarinet & horn] Essai d’instruction à l’usage de ceux qui composent pour la clarinette et le cor. Avec des remarques sur l’harmonie et des exemples à deux clarinettes, deux cors et deux bassons / [A. Van der Hagen:] Méthode nouvelle et raisonée pour la clarinette divisée en deux parties.
Geneva, 1972. Oblong, 4º, 54 pp. Line-cut of the Paris, 1764 & 1798 editions. Two complementary treatises on wind instruments. Wrappers. $40 [item no.3324]


ROGET, Clair-Nicolas, 18th c.

[Sonatas, 2 viols, flutes/violins, op.1] Sonates pour deux pardessus de viole, flûtes ou violons. Œuvre 1er.
Flûtistes Français du XVIIIe Siècle, VI. Geneva, 1985. 4º, 26 pp. Line-cut of the Paris, 1765 edition. Six sonatas in 2 movements. Wrappers. $30 [item no.3325]


ROGNONI, Francesco, fl.1608-1624

Selva de varii passaggi per cantare, & sonare. [Bibl. del Conservatorio, Milan].
Bibliotheca Musica Bononiensis, II/153. Bologna, 2/ 1983. 22 x 32 cm, xii, 130 pp. Line-cut of the Milan, 1620 edition. Francesco Rognoni came from a prominent musical family and was himself a virtuoso of several instruments. Selva contains important expressive devices of the time: portar la voce, accento, tremolo, grupp, esclamatione and intonatio, absolutely essential for performing the music of Monteverdi and his generation. Introduction in It by Guglielmo Barblan. Wrappers. $63 (more info... ) [item no.1282]


ROMAN, Johan Helmich, 1694-1758

[Sonatas, flute, bc, nos.6-12] Sonate a flauto traverso, violone e cembalo. Facsimiltryck från koppartyrck original Stockholm 1727 i Kungl. Musikaliska Akademiens bibliotek i Stockholm.
Autographus Musicus, 13. Bandhagen, 1977. Oblong, 35 x 26 & upright 21 x 33 cm, 3 partbooks, 70 pp. Line-cut of the printed harpsichord part (Stockholm, 1727) and handwritten flute and violone parts. Wrappers. $32 [item no.4237]


[Trio sonata, 2 oboes/flutes, bc, G minor] Triosonata g-moll, 2 oboes/flaute & basso continuo. [Royal Academy of Music, Stockholm, Ro 50a & Ro 50b].
Autographus Musicus, 19. Bandhagen, 1980. 22 x 31 cm, ii, 24 pp. Line-cut of a contemporary ms copy, spuriously assigned to Roman. Introduction in Eng by Eva Nordenfelt-Åberg. 3 parts and score. Wrappers. $38 [item no.529]


RORE, Cipriano de, 1516-1565

[Madrigals, a4, book 1-2, 1557] Il primo libro de madregali a quatro voci; Il secondo libro de madregali a quatro voci. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 30. Stuttgart, 1997. 15 x 20 cm, 4 partbooks, c.220 pp. Line-cut of the Gardano editions, Venice 1557/1557. Respectively 26 and 23 settings for four voices; this particular exemplar from the Schermar-Bibliothek contains additional ms material entered on the empty pages at the end of each partbook. Hardbound in vegetable vellum, with matching slipcase. $112 [item no.7510]


ROSEINGRAVE, Thomas, 1690-1766

[Solos, flute, bc] XII Solos for a German Flute, with a Through Bass for the Harpsichord. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 91. New York, [1992]. 25 x 32 cm, 50 pp. Line-cut of the London, c.1730 edition. Wrappers. $20 [item no.4420]


ROSENMÜLLER, Johann, c.1619-1684

[Studenten-Music, 3-5 strings/winds, bc] Studenten-Music. Darinnen zu befinden allerhand Sachen mit drey und fünff Violen/ oder auch andern Instrumenten zu speilen.
Huntingdon, n.d. 4˚, 6 partbooks, 284 pp Xerographic reprint of the Leipzig, 1654 edition. 10 suites, systematically arranged in ascending order by key. Wrappers. $90 [item no.8313]


ROSSI, Giovanni Battista, 16-17th c.

Organo de cantori. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, II/57. Bologna, 1984. 22 x 31 cm, 120 pp. Line-cut of the Gardano edition, Venice, 1618. A treatise on counterpoint, complete with music examples. Includes 4 instrumental canzonas for 4 instruments & bc and duos suitable for organ. Laid paper. Cloth. $71 [item no.3741]


ROSTHIUS, Nicolaus, c.1542-1622

Fröliche neuwe teutsche Gesäng, so zum Theil geistlich, zum Theil auch sonst kurtzweilig, mit vier, fünff und sechtz Stimmen. [Stadtarchiv, Heilbronn & Bibliothek der Gesamthochschule, Kassel].
Faksimile Heilbronner Musikschatz, 1. Stuttgart, 1995. Oblong, 20 x 15 cm, 6 partbooks, 286 pp. Line-cut of the Christoff Raben edition, Frankfurt, 1583. Four German songs a6, eighteen a5, and eight a4, in mensural notation. Hardbound, in slipcase. $183 [item no.7182]


[Galliards] XXX newer lieblicher Galliardt [mit schönen lustigen Texten]. [Der ander Theil newer lieblicher Galliardt mit schönen lustigen Texten [Herzog August Bibliothek, Wolfenbüttel].
Faksimile-Edition Rara, 16. Stuttgart, 2000. 17 x 21 cm, 4 partbooks, c.320 pp. Line-cut of the Altenburg, 1593 edition. 58 German galliards for 4 voices, suitable for voices and instrumentals or instruments alone. Hardbound in marbled paper, with matching slipcase. $146 [item no.7820]


ROTH, Christian, c.1585-c.1640

Couranten-Lustgärtlein, RISM 1625(10). [Stadtbibliothek, Bautzen].
Faksimile-Edition Rara, 9. Stuttgart, 1998. Oblong, 20 x 24 cm, 5 partbooks, c.180 pp. Line-cut of Wolff Seiffert edition, Dresden, 1625. 74 pieces for wind or string instruments. Wrappers, with slipcase in marbled paper. $78 [item no.7575]


ROZE, Abbé Nicolas, 18-19th c.

[Method, serpent] Méthode de serpent pour le service du culte et le service militaire.
Méthodes Instrumentales, IX. Geneva, 2/ 2003. 23 x 31 cm, 38 pp. Line-cut of the Paris, 1814 edition. Wrappers. $51 [item no.3304]


RUGE, Filippo, c.1725-c.1767

[Capricci, flute] 17 capricci per flauto traverso. Ms. Genova.
Archivum Musicum: Flauto Traversiere, 36. Florence, 2001. Oblong, 32 x 23 cm, ix, 25 pp. Line-cut of a contemporary ms copy. Introduction in Ger/It by Nikolaus Delius. Wrappers, in decorative paper. $34 [item no.8086]


[Solos, flute/violin, bc] Six Solos for a German Flute with a Thorough Bass. London s.d.
Archivum Musicum: Flauto Traversiere, 20. Florence, 1990. 24 x 32 cm, iv, 29 pp. Line-cut of the Walsh edition, London, [1751]. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.3864]


SAGGIONE, Giuseppe Fedeli, 1680-1733

[Sonatas, 2 violoncelli/viols/bassoon] Six sonates à deux violoncelles, violes, ou bassons. Vm7 6348. Présentation par Paolo Tognon & Evolène Kiener. [Bibliothèque Nationale, Paris].
Collection Dominantes. Courlay, 2009. 23 x 33 cm, x, 36 pp. Line-cut of author’s edition, Paris, 1733. Introduction in Fr-Eng-Ger. Wrappers. $34 [item no.9154]


SALÉ, François, c.1540-1599

Officiorum missalium [Tripertiti operis, quibus introitus, alleluia et comuniones de omnibus omnium sactorum, per totum anni circulum, dicbus & sollenibus quinque & sex vocum continentus]. Prag, Georg Nigrinus 1596. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 20. Stuttgart, 2011. Oblong, 18 x 15 cm, 5 partbooks, 240 pp. Line-cut of the Prague, 1596 edition. 22 settings for 4 to 6 voices in mensural notation. Partbook format (cantus, altus, tenor, bassus, quintus/sextus). Wrappers, with slipcase in decorative paper. $62 [item no.9261]


SALTER, Humphrey, f.1683-1718 [compiler]

The Genteel Companion; Being Exact Directions for the Recorder, with a Collection of the Best and Newest Tunes and Grounds Extant, Carefully Composed and Gathered by Humphrey Salter. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 185. New York, [1996]. Oblong, 23 x 15 cm, 70 pp. Line-cut of the London, 1683 edition. 48 numbers by Reading, Farinel and anonymous composers, preceeded by a short method for the recorder. Wrappers. $18 [item no.7309]


SAMMARTINI, Giuseppe, 1695-1750

[Concerto, soprano recorder, strings, F maj.] Concerto per flauto. [Ms., Academy of Music, Stockholm].
Münster, 2/ 1991. Oblong, 4º, 26, i pp. Line-cut of the score, from a contemporary ms copy. Introduction in Ger by Winfried Michel. Wrappers. $19 [item no.4283]


[Solos, flute/violin/oboe, bc, op.13] Six Solos for a German Flute with a Thorough Bass. London s.d.
Archivum Musicum: Flauto Traversiere, 31. Florence, 1996. 24 x 33 cm, v, 26 pp. Line-cut of the London, [1760] edition. Preface in It by Rossella Rossi. Wrappers, in decorative paper. $33 [item no.7373]


[Sonatas, flute, bc, op.2] XII sonate a flauto traverso solo con il basso. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 28. Florence, 1994. 24 x 34 cm, ii, 59 pp. Line-cut of the Le Cène edition, Amsterdam, 1736-1737. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. $40 [item no.4761]


[Trio sonatas, 2 violins/flutes, bc, op.3] 12 Trio Sonatas, op.3.
Chamber Music from Georgian England, 6. Huntingdon, c.1988. 4º, Line-cut of the London, 1747 edition. Wrappers. $39 [item no.7054]


SANGIORGIO DI MONACO, Pietro, 16-17th c.

[Capricci, 2 voices] Il primo libro de capricci [a due voci]. [British Library, London].
Faksimile-Edition Rara, 31. Stuttgart, 1999. 16 x 22 cm, 2 partbooks, 80 pp. Line-cut of the Venice, 1608 edition. 36 duos for unspecified treble instrument and bass. Wrappers, with portfolio in marbled paper. $39 [item no.7745]


SARTI, Giuseppe, 1729-1802

[Sonatas, flute, bc; Sonatas, harpsichord, violin/flute] VI sonate a flauto traversiero solo e basso continuo. Paris, s.d. / III sonate per il cembalo con violino o flauto traverso concertante. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 17. Florence, 1989. 24 x 32 cm, 3 partbooks, v, 40 pp. Line-cut of the Paris, [1772] and Amsterdam, [1765] editions. Introduction in It by Marcello Castellani. Wrappers, in decorative paper with matching slipcover. $35 [item no.3185]


[Sonatas, flute, bc] VI sonates a flauto traversiero solo e basso continuo.
La Flûte Retrouvée, [15]. Béziers, 2000. 21 x 27 cm, 17 pp. Line-cut of the Paris [1782] edition. Laid paper. Wrappers in marbled paper. $21 [item no.7914]


SCHICKHARDT, Johann Christian, c.1680-c.1762

[Method, recorder] Principes de la flûte contenant la manière d’en joüer & la connoissance de musique pour cela avec quarante deux airs à 2 flûtes. Amsterdam ca.1710-12.
Essercizî di Musica, 3. Rome, 1987. Oblong, 21 x 15 cm, 2 partbooks: xii, 52 pp. Line-cut of the Roger edition, Amsterdam, c.1710-12. Introduction in It-Eng by Marco Di Pasquale. Wrappers. $21 [item no.1906]


[Method, recorder] Principes de la flûte. [Universitetsbibliotheket, Lund].
Münster, 1992. Oblong, 21 x 14 cm, 2 partbooks, ii, 52 pp. Line-cut of the Amsterdam, c.1725 edition. Preface in Ger by Winfried Michel. Wrappers. $20 [item no.4725]


[Sonatas, flute, 2 oboes, vdg, bc, op.5] Six sonates à une flute, deux haubois, une viole de gamba & basse continue. Cinquiéne ouvrage. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 183. New York, [1997]. 24 x 30 cm, 5 parts, c.60 pp. Line-cut of the Roger edition, Amsterdam, n.d. Wrappers. $38 [item no.7390]


[Sonatas, flute/violin/recorder, bc, op.30] L’alphabet de la musique [contenant, XXIV sonates-solos, pour la flûte traversière ou pour le violon avec une basse continue, selon la clef françoise pour la flûte a bec . . . XXX Ouvrage]. Londra s.d.
Archivum Musicum: Monumenta Musicae Revocata, 12. Florence, 1992. Oblong, 32 x 25 cm, viii, 91 pp. Line-cut of the London, c.1735 edition. Collection of 24 sonatas in 24 different keys. Interestingly, Schickhardt employed five different English engravers for the work. Introduction in It-Eng by Marcello Castellani. Quarter linen. $49 [item no.4229]


[Trio sonatas, 2 oboes/violin, bc, op.7] XII sonates à deux haubois ou violons & basse continue. Septiéme ouvrage. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 253. New York, [2006]. 4º, 3 partbooks, 64 pp. Line-cut of the Amsterdam, n.d. edition. Wrappers. $35 [item no.8675]


SCHMIED, Salomon, 17th c.

Dialogus wieder böse Verfolger. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 19. Stuttgart, 2009. 14 x 20 cm, 16 pp. Line-cut of the Daniel Starck edition, Stettin, 1665. Wrappers. $10 [item no.9117]


SCHOENBERG, Arnold, 1874-1951

Three Pieces for Chamber Orchestra (1910). Score, Facsimile and Parts.
Los Angeles, 1962. 4º, 23, 3 pp. Line-cut of the autograph score, together with new practical edition (score & parts). Scored for fl, ob, cl, bsn, hn, org, cel & strings. Wrappers. $18 [item no.557]


SCHÖFFER, Peter [publisher]

Fünnf und sechzig teütscher Lieder [vormals im Truck nie ußgangen]. Straßburg / P. Schöffer und M. Apiarius. [Ratsschulebibliothek, Zwickau].
Faksimile-Edition Zwickau, 1. Stuttgart, 2005. Oblong, 13 x 12 cm, 5 partbooks, c.450 pp. Line-cut of the Schöffer and Apiarius edition, Strasbourg, 1538. SATB + Vagans partbooks. Wonderful 16th-c. German songbook. Composers include: Alderinus (3), Bruck, Arthopius (4), Eckel (3), Grefinger (3), Greitter (5), Hofhaimer, St. Mahu, Senfl (7), Sporer (6), Stoltzer (3), Spengler, Wannenmacher, & Wüst (10). Hardbound in decorative paper. $105 [item no.8722]


SCHRŒTER, Johann Samuel, c.1752-1788

[Sonatas, harpsichord/piano, flute/violin, op.4] Six sonates pour le clavecin ou le piano forte avec accompagnement de flute ou violon ad libitum. Opera IV.
Biblioteca Classica, 143. Rotterdam, 1984. 4º, 2 parts, 26 pp. Line-cut of the Paris, 1772 edition. Wrappers. $16 [item no.4937]


SCHUBERT, Franz, 1797-1828

[Variations, flute, piano, D.802, E minor] Variationen über “Trockne Blumen” E-Moll für Flöte & Klavier op.160 / D 802. Faksimile des Autographs der Wienbibliothek. Mit einem Kommentar von András Adorján.
Meisterwerke der Musik im Faksimile, 17. Laaber, 2010. Oblong, 4°, xii, 24 pp. Full-color facsimile of the autograph. After completing the song cycle Die schöne Müllerin in January of 1824 Schubert set about recasting the 18th song—“Trockne Blumen”—into an introduction and set of seven variations for flute and piano. The work may have been composed for Ferdinand Bogner, a flutist and friend of the composer. Introduction in Ger-Eng. Hardbound. $102 (more info... ) [item no.9141]


SCOTTO, Girolamo, c.1505-1572 [publisher]

[“Cancionero de Uppsala”] Villancicos de diversos autores, a dos, y a tres, y a quatro, y a cinco bozes. RISM 1556(30). [Universitetsbibliotek, Uppsala].
[Yellow Book Series, 1]. Højbjerg, 2/ 1991. 15 x 21 cm, 131 pp. Line-cut of the Venice 1556 edition. Contains 54 villancicos and some instrumental works for 2 to 5 parts notated in choirbook format. Also known as the “Cancionero del Duque de Calabria” or “Cancionero de Uppsala”. Wrappers. $43 (more info... ) [item no.1678]


SELICH, Daniel, 1581-1626

[Concerti, voices/instruments] Opus novum. [Geistlicher Lateinisch und Teutscher Concerten und Psalmen Dauids mit II. III. IV. V. VI. VII. IIX. IX. X. XI. XII. & c. Stimmen Nebenst dem Basso Continuo vor die Orgel Lauten Chitaron etc. Also daß dieselbe nicht allein in Fuerst: Capellen sondern auch in andern wolbestalten Stadtkirchen nach beliebung fueglich koennen gebraucht vnd Musiciret werden]. Hamburg/ Michael Hering 1625. [Universitätsbibliothek, Frankfurt].
Faksimile-Edition Rara, 64. Stuttgart, 2013. 22 x 32 cm, 9 partbooks, c.306 pp. Line-cut of the Hamburg, 1625 edition. 24 sacred concertos. Wrappers, with slipcase in decorative paper. $205 [item no.9319]


SHIELD, William, 1748-1829

Six Duettos, Five for Two Violins and One for Two German Flutes. Opera 1. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 188. New York, [1996]. 26 x 33 cm, 2 part, 28 pp. Line-cut of the William Napier edition, London, [1777]. Wrappers. $20 [item no.7272]


SPADI, Giovanni Battista, 17th c.

Libro de passaggi ascendenti e descendenti.
Bibliotheca Musica Bononiensis, II/55. Bologna, 3/ 2007. 17 x 25 cm, 31 pp. Line-cut of the A. Vincenti edition, Venice, 1624. Wrappers. $38 [item no.1285]


STADEN, Sigmund Theophil, 1607-1655

Musicalischer Friedens-Gesänger. [Stadtbibliothek, Nuremberg].
Faksimile-Edition Stadtbibliothek Nürnberg, 1. Stuttgart, 2000. 17 x 21 cm, 7 partbooks, 84 pp. Line-cut of the Endter edition, Nuremberg, 1651. 12 sacred and secular composition of which 9 are strophic. Scored for 3 voices plus 2 violins & basso continue. Wrappers, in marbled portfolio. $59 [item no.7756]


STADEN, Johann, 1581-1634

Neue teutsche Lieder.
Dokumentation zur Geschichte des Deutschen Liedes. Hildesheim, nyp. 8º, 128 pp. Line-cut of the Nuremberg, 1609 edition. Linen. $45 [item no.3606]


Venus-Kräntzlein [newer musicalischer Gesäng und Lieder]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 5. Stuttgart, 1996. 15 x 19 cm, 4 partbooks, 112 pp. Line-cut of the Jena, 1610 edition. 32 songs a4, 18 with texts and 14 without. Wrappers, with handsome slipcase in marbled paper. $64 [item no.7303]


Venus-Kräntzlein [newer musicalischer Gesäng und Lieder]. [Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 5. Stuttgart, 1996. 15 x 19 cm, 4 partbooks, 112 pp. Line-cut of the Jena, 1610 edition. 32 songs a4, 18 with texts and 14 without. Wrappers. $59 [item no.7304]


STADLMAYR, Johann, c.1575-1648

Cantici mariani [septies variati. liber quartus, vocum duodecim, dum triplici basso ad organum accommodato]. Innsbruck / Daniel Agricola 1618. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 25. Stuttgart, 2013 16 x 21 cm, 13 partbooks, 436 pp. Line-cut of the Vienna, 1618 partbooks. Wrappers, in marbled paper slipcase. $148 [item no.9338]


Missae concertatae a X. et XII, vocibus et instrumentis cum quatuor partibus pro secundo choro. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 12. Stuttgart, 2010. 15 x 20 cm, 17 partbooks, c.500 pp. Line-cut of the Michael Wagner edition, 1642. 4 concerted masses, two a10 and two a12. Wrappers, with marbled paper slipcase. $115 [item no.9180]


Missae concertatae [a VI. adiuncto choro secundo sive ripieni, ut vocant, pro beneplacito itidem 6. vocum] Innsbruck, Johann Gäch 1631. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 15. Stuttgart, 2011. 17 x 22 cm, 13 partbooks, 582 pp. Line-cut of the Innsbruck, 1631 partbooks. Wrappers, in marbled paper slipcase. $99 [item no.9249]


Missae duodenis vocibus, [cum triplici basso ad organum accommodato]. Liber secundus, Wien, Formica 1616. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 16. Stuttgart, 2011. 17 x 22 cm, 13 partbooks, 436 pp. Line-cut of the Vienna, 1616 partbooks. Wrappers, in marbled paper slipcase. $85 [item no.9248]


Musica super cantum gregorianum. Pars prima: Ravensburg J. Schröter 1625; Pars secunda: Ravensburg J. Schröter 1626. RISM S4289. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 13. Stuttgart, 2010. 16 x 21 cm, 6 partbooks, c.360 pp. Line-cut of the Ravensburg, 1625 & 1626 editions. 102 introit and 9 Gloria Patri settings for 5 voices with bc in mensural notation. Hardbound, with marbled paper boards; slipcase. $239 [item no.9152]


STAMITZ, Carl, 1745-1801

[Concerto, viola, orch, no.1, D major] Concerto pour alto en ré majeur (ca. 1844) (Éditions originales de Haueisen et Heina). Présentation par Jean-Philippe Vasseur. [Mecklenburgische Landesbibliothek, Schwerin; British Library, London].
Courlay, 1997. 4º, 17 parts, 15, 57 pp. Line-cut of the partbooks of two contemporary editions, one published in Frankfurt by Haueisen, the other in Paris by Heina. Scored for viola solo, 2 horns, 2 clarinets, & string quartet. Introduction in Fr-Eng-Ger. Wrappers. $36 [item no.7455]


STANLEY, John, 1712-1786

[Cantatas, voice, winds/strings, bc, op.3] Six Cantatas for a Voice and Instruments [op.3]. [British Library, London].
Alston, 2004. Oblong, 4º. ii, 53 pp. Line-cut of the London, 1742 edition. Conventional English cantatas, with a regular alternation of secco recitatives and airs. Preface by Peter Holman. Wrappers. $34 [item no.8423]


[Cantatas, voice, winds/strings, bc, op.8] Six Cantatas for a Voice and Instruments [op.8]. [British Library, London].
Alston, 2004. Oblong, 4º. ii, 45 pp. Line-cut of the London, c.1748 edition. Conventional English cantatas, with a regular alternation of secco recitatives and airs derived from the Italian cantata during the first decades of the 18th c. Preface by Peter Holman. Wrappers. $34 [item no.8424]


[Solos, flute/violin/harpsichord, op.4] Six Solo’s for a German Flute, Violin or Harpsichord, op.4.
Biblioteca Classica, 97. Rotterdam, 1984. Oblong, 4º, 28 pp. Line-cut of the London, 1745 edition. Plastic ring binding. $19 [item no.4966]


STEIBELT, Daniel, 1765-1823

[Sonatas, piano, flute/violin, op.39] Trois sonates pour piano forte avec flute ou violon, œuvre 39.
Biblioteca Classica, 122. Rotterdam, c.1985. 4º, Line-cut of the first edition. Wrappers. $18 [item no.4939]


STEPAN, Josef Antonin, 1726-1797

[Concertos, harpsichord/harp, flute/violins & bc, op.3,4] Six Concertos pour clavecin ou harpe avec accompagnement, op.3, no.4.
Biblioteca Classica, 157. Rotterdam, 1986. 4º, 20 pp. Line-cut of the Paris, 1772 edition. Wrappers. $13 [item no.4962]


STRAUS, Christoph, c.1575-1631

Missae octo, novem, decem, undecim, duodecim, tredecim et viginti, tam vocibus, quam variis instrumentis, et basso generali ad organum accommodato. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 8. Stuttgart, 2011. 19 x 29 cm, 13 partbooks, c.989 pp. Line-cut of the Vienna, 1631 partbooks. Straus, a native Viennese, was Kapellmeister at the Court from 1612-19 and organist at St. Stephen’s Cathedral. Wrappers, in marbled paper slipcase. $295 [item no.9247]


STRAUSS, Richard, 1864-1949

[Concerto, horn & orch, op.11] Concert für das Waldhorn mit Begleitung des Orchesters oder Pianoforte, Op.11. Clavierauszug. Faksimile des Autographs mit einem Nachwort von Alfons Ott. [Ms. Städtische Musikbibl., Munich].
Tutzing, 1971. Oblong, 34 x 25 cm, 20, iv pp. Beautiful line-cut of the autograph score, in piano reduction format. Written when the composer was 18, the concerto was inspired by his horn-playing father, to whom the work is dedicated. Afterword in Ger. Linen. $42 (more info... ) [item no.603]


[Concerto, horn & orch, op.11] Concert für das Waldhorn mit Begleitung des Orchesters oder Pianoforte, Op.11. Clavierauszug. Faksimile des Autographs mit einem Nachwort von Alfons Ott. [Ms. Städtische Musikbibl. Munich].
Tutzing, 1971. Oblong, 4º, 20, iv pp. Beautiful line-cut of the autograph score, in piano reduction format. Written when the composer was 18, the concerto was inspired by his horn-playing father, to whom the work is dedicated. Afterword in Ger. Bibliophile edtion bound in blue leather. $106 (more info... ) [item no.604]


STRAVINSKY, Igor, 1882-1971

Stravinky’s Histoire du Soldat: A Facsimile of the Sketches. Edited by Maureen A. Carr.
Music in Facsimile. Madison, 2005 23 x 31 cm, 355 pp (224 plates). Halftone reproduction of the autograph draft in various stages of development, mostly notated in short score. The facsimile contains all the existing musical sketches, reproduced from the combined holdings of the Paul Sacher Stiftung in Basel and the Rychenberg Stiftung in Wintertur; the editor has provided a careful ordering and description of the highly diverse material which comes down to us in 8 distinct sketchbooks. Contributions by Maureen Carr, Philippe Girard, Alain Rochat, & Noël Cordonier. Wrappers, with colorful artwork. $110 (more info... ) [item no.8589]


[Symphonies for Wind Instruments, 1920 ver.] Symphonies d’instruments à vent. Faksimileausgabe des Particells und der Partitur der Erstfassung (1920) herausgegeben und kommentiert von André Baltensperger und Felix Meyer.
Eine Veröffentlichung der Paul Sacher Stiftung. Basel, 1991. 22 x 26 cm, 48, 36 pp. Superb full-color halftone of the autograph full score and short score (particell). One of the last works from the composer’s “Russian” period, written for 23 wind instruments and dedicated to the memory of Claude Debussy. Reproduces the first version from 1920 in its two surviving versions: a full score fair copy (copied on thin ruled yellow paper) and the autograph particell. Commentary in Ger-Eng. Handsome binding with vellum spine and red paper boards, plus matching slipcase. $211 (more info... ) [item no.4231]


STUCK (BATISTIN), Jean Baptiste, c.1680-1755

[Cantatas, voice, violins/flutes/oboe, bc, book 1] Cantates françoises. Livre I, 1706. Présentation par Bertrand Porot. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 120. Courlay, 1999. Oblong, 33 x 24 cm, xiv, 106 pp. Line-cut of Paris, 1706 edition. Contents: Philomele, L’impatience, L’heureux amant, “Cantate IIII’, La Bergere Philis, Céphale. Wrappers. $53 [item no.7669]


[Cantatas, voice, violins/flutes/oboe, bc, book 2] Cantates françoises. Livre II, 1708. Présentation par Bertrand Porot. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 121. Courlay, 1999. Oblong, 33 x 24 cm, 21, 76 pp. Line-cut of Paris, 1708 edition. Contents: Proserpine, Neptune & Amymone, La Naissance d’Achille, Ariane, Sur la prise de Lerida, Mars Jaloux. Wrappers. $44 [item no.7712]


[Cantatas, voice, violins/flutes/oboe, bc, book 3] Cantates françoises à I, II voix et basse-continue avec symphonie. Livre III. Paris, 1711. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 122. Courlay, 1999. Oblong, 33 x 24 cm, 22, 51 pp. Line-cut of Paris, 1711 edition. Contents: “Les bains de Tomery”, “Heraclite et Democrite”. Introduction in Fr-Eng-Ger by Bertraud Porot. Wrappers. $37 [item no.7695]


[Cantatas, voice, violins/flutes/oboe, bc, book 4] Cantates françoises, [et italienne à I, II voix et basse-continue avec symphonie]. Livre III. 1714. Présentation par Jean Saint-Arroman. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 123. Courlay, 1999. Oblong, 33 x 24 cm, xvii, 75 pp. Line-cut of Paris, 1714 edition. Contents of cantatas: “Flore”, “L’amour vengé”, “Diane”, “Psiché”, “Les fetes dolonnoises”, “Cantata”. In addition this prints contains 15 airs & ariettes detachez, and 4 airs italiens. Introduction in Fr-Eng-Ger. Hardbound. $46 [item no.7772]


SUSATO, Tylman, c.1500-c.1563 [publisher]

Het ierste musyck boexken. Introduction: Eugeen Schreurs. [Bibl. Jagiellońska, Krakow].
Facsimile Series, I/B.20. Peer, 1989. Oblong, 20 x 15 cm, xii, 4 partbooks, c.128 pp. Line-cut of the Antwerp, 1551 edition. Polyphonic collection of happy, melancholic, ironic and narrative love songs in Dutch. To be sung and played on all kinds of instruments. Wrappers, in slipcase. $46 [item no.2805]


TAILLART l’AINÉ, Pierre-Evrard, b.?-1782

[Sonatas, 2 flutes, op.1; sonatas, flute, bc, op.2] Sonates pour deux flûtes traversières sans basse; Sonates pour une flûte traversière et basse. Paris s.d. [Bibl. Nationale, Paris].
Archivum Musicum: L’Art de la Flûte Traversière, 27. Florence, 1983. 23 x 31 cm, iv, 42 pp. Line-cut of the Paris, c.1750 editions. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.803]


[Sonatas, flute, bc, op.2] Sonates pour une flûte traversière et basse. IIe Œuvre.
La Flûte Retrouvée, 13. Béziers, 1997. 21 x 27 cm, 21 pp. Line-cut of the author’s edition, Paris, c.1750. Laid paper. Wrappers in marbled paper. $23 [item no.7396]


TANEYEV, Sergei, 1856-1915

Canzone, clarinette et quintette à cordes. Clarinette, ou violoncelle, et piano. c.1883. Présentation par Valeriy Berezin. [Glinka Museum, Moscow; Moscow Conservatory Library].
Collection Dominantes. Courlay, 2006. 24 x 34 cm, 2 parts, xvii, 10 parts, 80 pp. Line-cut of the autograph and contemporary ms material. Introduction in Fr-Rus-Eng-Ger. Wrappers, in portfolio. $48 [item no.8810]


TARTINI, Giuseppe, 1692-1770

Concerto, violin/flute, strings, G major] Concerto for Violin or Flute in G-Major. [Ms. Universitetsbibliotek Uppsala].
Autographus Musicus, 28. Bandhagen, 1985. Oblong, 29 x 22 cm, iv, 26 pp. Line-cut of a contemporary ms copy. Introduction in Eng by Anders Ljungar-Chapelon. Wrappers. $38 [item no.623]


[Solo, flute, bc, A major] Solo a flauto traverso et basso, ms. Copenhagen / [Zuccarini:] Sonata a flauto e basso, ms. Karlsruhe.
Archivum Musicum: Flauto Traversiere, 22. Florence, 1991. Oblong, 32 x 24 cm, vi, 12 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $33 [item no.4177]


TELEMANN, Georg Philipp, 1681-1767

[Canons, 2 flutes/viols/bass viols, TWV 40:118-123] XIIX canons mélodieux ou 6 sonates en duo (2 flûtes, 2 violes, 2 basses de vile). Présentation par Arlette Leroy-Biget. [Bibliothèque Nationale, Paris].
Collection Dominantes. Courlay, 1999. 4º, 2 partbooks, xi, 31 pp. Wrappers. $26 [item no.7676]


[Essercizii musici; sonatas/trio sonatas, vln/fl, bc, TWV 42] Essercizii musici overo dodeci soli e dodeci trii à diversi stromenti. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 140. New York, [1996]. 25 x 31 cm, 3 partbooks, 138 pp. Line-cut of the Hamburg, 1739-1740 edition. Telemann’s “pedagogical” sonatas, 2 for keyboard or lute (TWV 32:3 & 4), 2 for violin (TWV 41:F4 & A6), 2 for flute (TWV 41:D9 & G9), 2 for viola da gamba (TWV 41:a6 & e5), 2 for recorder (TWV 41:d4 & C5), 2 for oboe (TWV 41:B6 & e6), and the 12 trios: olo instrument and bc, and 12 trio sonatas (TWV 42..) for rec.+ob. (c2), vdg.+harps.obl. (G6), vln.+ob. (g5), fl.+harps.obl. (A6), rec.+vln. (a4), fl.+vdg. (h4), rec.+vdg. (F3), rec.+harps. obl. (B4), fl.+vln. (E4), vln.+vdg. (D9), fl.+ob. (d4) and ob.+harps.obl. (Eb3). Wrappers. $50 [item no.1765]


[Fantasias, flute, TWV 40:2-13] 12 Fantasias for Solo Flute (with Facsimile). [Conservatoire Royal, Brussels, lit. T 5823 W].
Monteux, 1987. 4º, vi, 12, 24 pp. Line-cut of the sole surviving print from c.1728 (possibly Telemann’s first attempt at engraving), together with a new practical edition. Although someone has added a title page that reads “Fantasie per il violino, senza basso”, Barthold Kuijken believes they were intended for transverse flute on account of their range. Wrappers. $13 [item no.3119]


Der getreue Music-Meister.
Musica Repartita, 250. Utrecht, 1997. 21 x 28 cm, 105 pp. Halftone of the Hamburg, 1728 edition. The first German musical edition published by installments and model for Birnstiel’s Musikalisches Allerley and CPE Bach’s Musikalisches Vielerey. Telemann prepared the pewter plates himself; he first wrote the music down in pencil (in mirror image) and then engraved over the pencil, taking advantage of a ruler and other engraver’s tools which resulted in greater consistency. Printed boards with linen spine. $47 [item no.7663]


Der Getreue Music-Meister (1728-1729). Présentation por Michel Giboureau.
Collections Dominantes. Courlay, 2004. 4º, xvi, 108 pp. Halftone of the Hamburg, 1728 edition. The first German musical edition published by installments and model for Birnstiel’s Musikalisches Allerley and CPE Bach’s Musikalisches Vielerey. Telemann prepared the pewter plates himself; he first wrote the music down in pencil (in mirror image) and then engraved over the pencil, taking advantage of a ruler and other engraver’s tools which resulted in greater consistency. Includes: TWV 40:1, 107-111; TWV 41:C1, C2, d1, D1, D4, D5, D6, E2, E3, f1, F2, g4, g5, G6, a3, A2, B3, B4, h2; TWV 42:C1. Wrappers. $63 (more info... ) [item no.8520]


[Getreuer Musikmeister, Sonata, flute, violin, G maj] Duetto in G-dur für Flöte und Violine aus “Der getreuer Musikmeister”. Herausgegeben von Hermien Teske.
Winterthur, 1979. 4º, i, 2, 5 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $12 [item no.2093]


[Getreuer Musikmeister, Sonata, recorder, bc, Bb maj] Duetto (Sonata) in B-dur für Altblockflöte und Basso continuo aus “Der getreue Musikmeister”, herausgegeben von Winfried Michel.
Winterthur, 1977. 4º, i, 2, 10 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $12 [item no.2092]


[Getreuer Musikmeister, Sonata, recorder, bc, C maj., TWV 41:C2] Sonate in C-dur für Altblockflöte und Basso continuo aus “Der getreue Musikmeister”, herausgegeben von Winfried Michel.
Winterthur, 1977. 4º, i, 2, 11 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $13 [item no.2100]


[Getreuer Musikmeister, Sonata, recorder, bc, F maj] Sonate F-dur für Altblockflöte und Basso continuo aus “Der getreue Musikmeister”. Herausgegeben von Winfried Michel.
Winterthur, 1977. 4º, i, 2, 12 pp. Halftone of the first printed edition, together with new practical edition. Preface in Ger-Eng. Wrappers. $15 [item no.2103]


[Getreuer Musikmeister, Sonata, rec/bsn, bc, F min., TWV 41:f1] Sonate in f-moll für Altblockflöte und Basso continuo aus “Der getreue Musikmeister”, herausgegeben von Winfried Michel.
Winterthur, 1977. 4º, i, 4, 16 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $14 [item no.2104]


[Getreuer Musikmeister, Sonata, viola, bc, Bb maj] Sonata in B-dur für Viola und Basso Continuo; “Der getreue Musikmeister. Herausgegeben von Bernhard Päuler; Continuo-Aussetzung von Willy Hess.
Winterthur, 1991. 4º, 2 partbooks, 9 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $12 [item no.7116]


[Kleine Cammer-Musik, oboe/violin/flute, bc, works w/o TWV] La petite musique de chambre. Die kleine Kammer-Musik (1728). Présentation par Michel Giboureau. [Hessische Landes- & Hochschulbibl., Darmstadt].
Collection Dominantes. Courlay, 1992. Oblong, 31 x 22 cm, 28, 48 pp. Line-cut of the Hamburg, 1728 edition published at the composer’s expense. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.4388]


[Musique de table, strings/winds, sel.TWV 41, 42, 43, 50, 55] Musique de Table. Tafelmusik in 3 Produktionen. Herausgegeben von Reinhard Goebel.
Magdeburg, 2010. 4°, 7 partbooks. Line-cut of the Hamburg, 1733 partbook edition. Contents: TWV 41:g6, 41:A4, 41:h4, 42:D5, 42:Es1, 42:e2, 43:d1, 43:e2, 43:G2, 50:5, 50:9, 50:10, 55:D1, 55:e1, 55:B1. With the publication of his Tafelmusik, Telemann provides a crowning “trio” of German instrumental music of the late Baroque period, alongside Bach’s Brandenburg Concerti and Handel’s Concerti grossi op.6. The composer shows himself at the zenith of his creative powers. Each part consists of a series of movements (Ouverture, Quatuor, Concert, Trio, Solo, and Conclusion) in various instrumentations—flauto dolce, flauto traversiere, oboe, tromb, strings & fondamento. One masterwork follows the other, forming a logically-built structure, yet each work can also stand alone. Wrappers, in slipcase. $136 (more info... ) [item no.9051]


[Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Pariser Quartette für Flöte, Violine, Gambe und B.C. Faksimile des Erstdrucks, Paris 1730. Band I: Quartette 1-6.
Münster, 1996. 4º, partbooks, c.130 pp. Line-cut of the Paris, [1730] edition. Wrappers. $72 [item no.7266]


[Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Six quatuors à violon, flûte, viole ou violoncelle, et basse continuë [“Paris Quartets” Nos. 1-6]. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 223. New York, 1999. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, 1736 edition. Wrappers. $50 [item no.7696]


[Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Six quatuors à violon, flûte, viole ou violoncelle, et basse continue. Nouvell édition (ca.1740). Présentation par les élèves du C.E.F.E. de M. de Rueil-Malmaison. [Bibl. National, Paris].
Collection Dominantes. Courlay, 1999. 4º, 5 partbooks, 15, 97 pp. Line-cut of the ”nouvelle edition”, Paris c.1740. Wrappers. $51 [item no.7709]


[Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] “Nouveaux quatuors”. “Pariser Quartette” 7-12. für Flöte, Violine, Gambe und B.C. Faksimile des Erstdrucks, Paris 1736. Band II: Quartette 7-12.
Münster, 1995. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, [1736] edition. Wrappers. $72 [item no.7199]


[Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] Nouveaux quatuors en six suites a une flûte traversiere, un violon, une basse de viole, où violoncel, et basse continuë [“Parisian Quartets” Nos. 7-12]. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 224. New York, 1998. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, 1736 edition. Wrappers. $55 [item no.7633]


[Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] Noveaux quatuors en six suites à une flûte traversière, un violon, une basse de viole ou violoncelle, et basse continue. Paris, 1738. Présentation par les étudiants du Ce.F.E. de M. Île de France. [British Library, London].
Collection Dominantes. Courlay, 2006. 4º, 5 partbooks, xii, 152 pp. Line-cut of the Paris, [1738] edition. Wrappers. $61 [item no.8684]


[Quartets, flute, violin, viola, bc, book 4] Quatrième livre de quatuors a flute, violon, alto viola et basse. [Library of Congress, Washington, D.C.].
Musica Musica, Q/4. Basel, c.1980. 21 x 30 cm, 4 partbooks, 52 pp. Line-cut of the Paris, [1752] edition. Wrappers. $58 [item no.2099]


[Quartets, vln, fl, viol/vc, bc, “Hamburg”] Quadri à Violino, Flauto traversiere, Viola di Gamba ò Violoncello, e Fondamento; Ripartiti in 2. Concerti, 2. Balletti, 2. Sonate.
Shumilov Facsimile Collection. Magdeburg, [2005]. 4º, 5 partbooks, 61 pp. Line-cut of the Hamburg, 1730 edition. This is the edition engraved by Telemann himself, comprising TWV 43:G1, 43:D1, 43:A1, 43:g1, 43:h1, 43:e1, later published in Paris and known as the “Paris Quartets”, nos. 1-6. Wrappers. $42 [item no.8548]


[Sonata, bassoon/violoncello, bc, F minor] Sonate in f-moll für Fagott oder Violoncello und Basso continuo. Herausgegeben von Winfried Michel.
Winterthur, 1977. 4º, i, 4, 17 pp. Halftone of the 18th-c. printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $14 [item no.2102]


[Sonatas, 2 flutes/recorders/violins, op.2] Sonates pour deux flûtes traversières, deux flûtes douces ou deux violons. Nouvelle édition.
Flûtistes Français du XVIIIe Siècle, IV. Geneva, 1985. 21 x 28 cm, 48 pp. Line-cut of the Paris, c.1738 edition. Contains 6 sonatas in 3 and 4 movts, w/o bass. Wrappers. $51 [item no.636]


[Sonate metodiche, violin/flute, bc, op.13, part 1, works w/o TWV] Sonate metodiche à violino solo ò flauto traverso, opera XIII. Introduction: Jan De Winne. [Conservatoriumbibl., Brussels].
Facsimile Series, IV/1. Peer, 1992. 4º, 42 pp. Line-cut of the composer’s edition, Hamburg, 1728. First six of twelve “methodical” sonatas with slow introductions in two versions, one basic and the other highly ornamented. Indispensable historical document on the art of ornamentation. Wrappers. $16 [item no.4196]


[Sonate metodiche, violin/flute, bc, op.13, part 1, works w/o TWV] Sonate metodiche à violino solo ò flauto traverso. Opera XIII. [Staatsbibliothek, Berlin].
Performers’ Facsimiles, 175. New York, [1996]. 25 x 31 cm, 36 pp. Line-cut of the Hamburg, 1728 edition. published at the composer’s expense. Wrappers. $18 [item no.7255]


[Sonate metodiche, violin/flute, bc, op.13, part 2, works w/o TWV] Continuation des sonates methodiques à flûte traverse ou à violon, avec la basse chiffrée. [Staatsbibliothek, Berlin].
Performers’ Facsimiles, 176. New York, [1996]. 25 x 31 cm, 31 pp. Line-cut of the Hamburg, 1732 edition published at the composer’s expense. Wrappers. $18 [item no.7308]


[Suite, recorder, strings, A minor] Suite en la mineur pour flûte à bec alto. Restitution de Jean-Claude Veilhan. [Hessische Landes- und Hochschulbibl. Darmstadt, mus. ms. 1034/5].
Archives de la Musique Ancienne. Paris, 1975. 4º, 16, with 5 pp. Line-cut of the c.1716 ms (recorder part only), together with a new practical edition. $24 [item no.637]


[Trio sonatas, 2 flutes/violins, bc] III trietti metodici e III scherzi per 2 flauti traversieri o 2 violini col fondamento. Hamburg e Paris, s.d.
Archivum Musicum: Monumenta Musicae Revocata, 27. Florence, 2000. 24 x 33 cm, 3 partbooks, vi, 76 pp. Line-cut of the Hamburg, 1731 and Paris, c.1737 editions, the former engraved by Telemann himself, the later by Denise Vincent. Preface in It-Eng by Marcello Castellani. Wrappers, with quarter linen portfolio. $68 [item no.8091]


[Trio sonatas, flute, viola da gamba, bc] V sonate per flauto traverso, viola da gamba e basso continuo. Mss. Darmstadt. [Hessische Landes- & Hochschulbibl., 599, 631, 634, 665, 675].
Archivum Musicum: Monumenta Musicae Revocata, 30. Florence, 2002. 24 x 33 cm, 3 partbooks, ix, 52 pp. Line-cut of five copyists’ mss, including one in the hand of Christoph Graupner and one of John Samuel Endler. Preface in It-Eng by Francesca Bassi. Wrappers, with quarter linen portfolio. $55 [item no.8232]


[Trio sonatas, various combinations, bc, works w/o TWV] Six trios, 1718. Violon, hautbois et BC – Violon, flûte à bec et BC – Violon, flûte traversière et BC – 2 violons et BC – Violon, basse de viole et BC – Violon, basson ou violoncelle et BC. Présentation par Michel Giboureau. [Musikbibl. der Stadt, Leipzig].
Collection Dominantes. Courlay, 1996. 24 x 33 cm, 3 partbooks, xi, 42 pp. Line-cut of the Frankfurt, 1718 edition published at Telemann’s expense. Introduction in Fr-Eng-Ger by Michel Giboureau. Wrappers. $33 [item no.7261]


TESSARINI, Carlo, 1690-c.1765

[Trio sonatas, 2 flutes/violins, bc, op.12] Sonate à tre per 2 flauti traversi o 2 violini e basso. Paris s.d.
Archivum Musicum: Flauto Traversiere, 30. Florence, 1995. 25 x 33 cm, 3 partbooks, v, 29 pp. Line-cut of the Paris, c.1745 edition. Wrappers. $37 [item no.7143]


TROMLITZ, J.G., 1725-1805

[Method, flute] Ausführlicher und gründlicher Unterricht die Flöte zu spielen. 1791. With Introduction by Frans Vester. [Hague Municipal Museum, The Hague].
Flute Library, 1. Buren, 2/ 1985. 16 x 22 cm, vii, 408 pp. Line-cut of the A.F. Böhme edition, Leipzig, 1791. Hardbound. $120 [item no.2259]


[Method, flute (part 2)] Über die Flöten mit mehreren Klappen; deren Anwendung und Nutzen [nebst noch einigen . . . Aufsätzen. Als zweyter Theil zu meinen ausf. und gründl. Unterricht . . . Leipzig 1800]. With an Introduction by Karl Ventzke. [Gegevens Koninklijke Bibliotheek, The Hague].
Flute Library, 2. Buren, 2/ 1991. 17 x 23 cm, xii, 153 pp. Line-cut of the A.F. Böhme edition, Leipzig, 1800. Hardbound. $95 [item no.2260]


TULOU, Jean-Louis, 1786-1865

[Method, flute] Méthode de flûte progressive et raisonnée adoptée par le Comité d’Enseignment du Conservatoire National de Musique.
Geneva, 1973. 22 x 30 cm, 131 pp. Line-cut of the Paris, 1851 edition. Wrappers. $91 [item no.3344]


TURINI, Francesco, 1589-1656

Cantiones admodum devotae. [Schermar-Bibliothek, Stadtbibl., Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 31. Stuttgart, 1997. 17 x 22 cm, 4 partbooks, c.136 pp. Line-cut of the Raverio edition, Venice, 1606. 27 sacred settings a4, for voices with or without instruments. Wrappers, with portfolio in marbled paper. $68 [item no.7563]


TURNER, Eliza, 18th c.

A Collection of Songs with Symphonies and a Thorough Bass with Six Lessons for the Harpsichord Compos’d by Miss Eliza Turner. [King’s College, Cambridge].
Alston, 1999. 4º, i, 78 pp. Line-cut of the author’s edition, London, c.1750. An unusual collection, with songs and lessons for the harpsichord plus transpositions of several of the songs for unaccompanied flute. Ring binding. $31 [item no.7827]


UCCELLINI, Marco, c.1603-1680

[Sonatas, violin/recorder, bc, op.5] Sonate over canzoni da farsi à violino solo, & basso continuo, opera quinta. [Bodleian Library, Oxford].
Münster, 1993. 21 x 30 cm, 2 partbooks, 106 pp. Line-cut of the Alessandro Vincenti edition, Venice, 1649. 12 sonatas for solo violin/recorder plus bc, one for 2 violins/recorders & bc, and one for tromba sordina & solo violin/recorder. Separate partbooks for canto & partitura. Wrappers. $62 [item no.4354]


[Sonatas, correnti, a1-3, strings, bc, op.4] Sonate, correnti et arie da farsi con diversi stromenti sì da camera, come da chiesa, à uno à due, à trè. Opera quarta.
Archivum Musicum: Strumentalismo Italiano, 59. Florence, 1984. 24 x 34 cm, 4 partbooks, i, c.162 pp. Line-cut of the Venice, 1645 partbooks (canto primo & secondo, terza parte & basso continuo). Contains 41 pieces for 1 to 3 instruments (ideally violins) & continuo. Introduction in It by Marcello Castellani. Wrappers and slip cover in decorative paper. $45 (more info... ) [item no.2263]


ULHARD, Philipp, 16th c. [publisher]

Cantiones selectissimae quatuor vocum / [Rhau:] Officiorum (ut vocant) de nativitate. Tomus primus / [Rhau:] Postremum vespertini officii opus... Magnificat octo modorum seu tonorum numero XXV.
Faksimile-Edition Schermar-Bibliothek Ulm, 44. Stuttgart, 1997. Oblong, 19 x 15 cm, 4 partbooks, c.580 pp. Line-cut of the 1549 edition. 11 motets by Clemens non papa. Bound together with two important sacred anthologies by Georg Rhau with works by Stoltzer, Reneri, Senfl, Gallicus, Dietrich, Finck, and Isaac, Hardbound, with slipcase. $182 [item no.7606]


ULICH, Johann, 1677-1742

[12 Sonatas, recorder, bc] Sechs Sonaten für Blockflöte und Cembalo. Herausgegeben in zwei Bänden als Neuausgabe und Faksimile von Paul Wåhlberg.
Collegium Musicum—Kölner Reihe alter Musik. Magdeburg, 2014. 4º, 2 vols, 146 pp. Halftone of the Zerbst, 1716 edition, together with new performing edition. Preface in Ger/Eng. Wrappers. $59 [item no.9389]


VALENTE, Antonio, c.1520-d.?

Versi spirituali sopra tutte le note con diversi canoni spartiti per sonar negli organi, messe vespere, et altri officii divini.
Bibliotheca Musica Bononiensis, IV/43. Bologna, 1970. 18 x 25 cm, 111 pp. Line-cut of the Naples, 1580 edition. Canons a4 in score format. Laid paper. Hardbound. $47 [item no.944]


VALENTINE, Robert, c.1680-c.1735

[Sonatas, 2 flutes] [8] sonates a deux dessus, accomodées a la flûte traversière par Mr. Hotteterre.
Archivum Musicum: L’Art de la Flûte Traversière, 34. Florence, 1985. Oblong, 29 x 21 cm, vii, 41 pp. Line-cut of the Paris, 1721 edition. Preface by Marcello Castellani. Wrappers in decorative paper. $31 [item no.1798]


[Sonatas, flute, bc; 2 flutes] XII sonate a flauto a basso; VI sonate “La villeggiatura”, a due flauti. Ms. Parma.
Archivum Musicum: Strumentalismo Italiano 90. Florence, 2004. Oblong, 34 x 24 cm, xi, 104 pp. Line-cut of the contemporary manuscript copy. Introduction in It by Nicola Sansoni. Wrappers in decorative paper. $38 [item no.8566]


[Sonatas, recorder, bc, op.2; Sonatas, recorder, bc, op.3] Sonate di flauto a solo col basso per cimbalo ò violone. Opera seconda; Sonate di flauto a solo col basso. Opera terza.
Archivum Musicum: Strumentalismo Italiano 64. Florence, 1985. Oblong, 34 x 24 cm, v, 85 pp. Line-cut of the Rome 1708 & 1710 editions. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $38 [item no.2264]


VALENTINI, Giovanni, c.1582-1649

Missae quatuor partim octonis [partim oconis, partim duodenis vocibus unà cum basso generali ad placitum]. Venedig, Alessandro Vincenti, 1621. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, [33]. Stuttgart, 2016. 16 x 23 cm, 13 partbooks, 352 pp. Line-cut of the Venice, 1621 partbook edition. Contents: Missa Stabat Mater dolorosa; Missa Susanna; Missa Diligam te Domine; Missa Sine Nomine. Wrappers, with portfolio covered in marbled paper. $89 [item no.9531]


Salmi, hinni, magnificat, [antiifone, falsibordoni, et motetti. Concertati a una, due, tre, & quattro voci]. Venedig, Giacomo Vincenti, 1618. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, [34]. Stuttgart, 2015. 17 x 24 cm, 4 partbooks, 144 pp. Line-cut of the Venice, 1618 partbook edition (cantus, alto, tenor, bassus). Contents: sixteen settings a4, three a3, and three a2. Wrappers, with portfolio covered in marbled paper. $58 [item no.9540]


VALETTE DE MONTIGNY, Joseph, 1665-1738

[Motets, 1-3 voices, with & without instruments, book 1] Motets à I, II, III voix, avec et sans instruments et basse continue. Livre premier.
La Musique Française Classique de 1650 à 1800, 24. Courlay, 1988. 22 x 31 cm, xiv, 115 pp. Line-cut of the Paris, 1711 edition. 8 motets notated in score format. Introduction by Jean Saint-Arroman. Wrappers. $54 [item no.2266]


VANDENBRŒCK, Othon, 1758-1832

Traité général de tous les instrumens à vent à l’usage des compositeurs.
Geneva, 1973. 8º, 65 pp. Line-cut of the Paris, c.1794 edition. Examines the range of the horn in every key played in unison with the violin. Also discusses the clarinet, trumpet, trombone, timpani, oboe, flute, bassoon and serpent. Hardbound. $86 [item no.3234]


VANDERHAGEN, Amand, 1753-1822

[Method, clarinet] Méthode nouvelle raisonée pour la clarinette divisée en deux parties / [V. Roeser:] Essai d’instruction à l’usage de ceux qui composent pour la clarinette et le cor. Avec des remarques sur l’harmonie et des exemples à deux clarinettes, deux cors et deux bassons.
Geneva, 1972. Oblong, 4º, 54 pp. Line-cut of the Paris, 1798 & 1764 editions. Two complementary treatises on wind instruments. Wrappers. $40 [item no.3324]


[Method, oboe] Méthode nouvelle et raisonnée pour le hautbois en deux parties / [J.-P. Freillon-Poncein:] La véritable manière d’apprendre à jouer en perfection du hautbois, de la flûte et du flageolet.
Geneva, 1974. Oblong, 4º, 160 pp. Line-cut of the Paris, c.1792 & 1770 edition. Two complementary treatises on wind instruments. Wrappers. $51 [item no.3275]


[Method, flute] Tre metodi per flauto del Neoclassicismo francese: F. Devienne, Nouvelle méthode, Paris c. 1794 / J.M. Cambini, Nouvelle méthode, Paris c.1796 / A. Vanderhagen, Nouvelle méthode, Paris c.1798.
Archivum Musicum: L’Art de la Flûte Traversière, 29. Florence, 1984. 24 x 33 cm, 15, 229 pp. Line-cut. 3 complementary method books. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $51 [item no.804]


VAUCANSON, Jacques de, 1709-1782

Le mécanisme du fluteur automate . . . An Account of the Automation of Image Playing the German Flute . . . Paris 1738, London 1742.
Flute Library, 5. Buren, 1979. 8º, xiv, 24, 24 pp. Line-cut. Introduction in Eng by David Lasocki. Cloth. $69 [item no.2173]


VECCHI, Orazio, 1550-1605

[& Gemignani Capi Lupi] Canzonette mit dreyen Stimmen Horatii Vecchi unnd Gemignani Capi Lupi [zuvor mit Italianischen Texten jetzo aber zu besserm mit Teutschen Texten belegt und inn Truck gegeben durch Valentin Haußmann]. [Schermar-Bibliothek, Stadtsbibl., Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 32. Stuttgart, 1997. 15 x 20 cm, 3 partbooks, c.129 pp. Line-cut of the Paulus Kauffmann edition, Nuremberg, 1606. 34 secular settings a3, with German texts, for voices with or without instruments. Wrappers, with portfolio in marbled paper. $61 [item no.7490]


VICTORINUS, Georg, b.?-1631

Siren coelestis centum harmoniarum [duarum, trium et quatuor vocum] München, Berg Wwe. 1622.
Faksimile-Edition Rara, 48. Stuttgart, 2005. 15 x 20 cm, 4 partbooks, c.550 pp. Line-cut of the Berg (widow) edition, Munich, 1622, edited by the composer Georg Victorinus. 100 setting altogether, 27 a2, 65 a3, and 7 a4. Composers include Victorinus himself (5), and numerous others, among them Finet, Cornazzani, Ursini, Cifra, Agazzari, Tomasi, Banchieri, Viadani, Aichmiller, Mezzogori, & Rudolph de Lasso. It also includes 2 works by Catterina Assandra. Hardbound, in decorative paper with slipcase. $115 [item no.8614]


VILLENEUVE, Alexandre de, 1677-d.?

[Sonatas, fl/vln, bc, op.1; Trio sonatas, 2 fl/vln/va, op.2] Conversations en manière de sonates pour la flûte ou le violon, avec la basse continue.
Flûtistes Français du XVIIIe Siècle, III. Geneva, 1986. 4º, 60 pp. Line-cut of the 1733 Boivin, Paris edition. 2 unica, containing 2 sets of six suites. Movts with vivid titles: “La danseuse sur la corde”, “La coquette”, etc. Wrappers. $51 [item no.805]


VINCENT, Thomas, c.1720-1783

[Solos, oboe/flute/violin, bc, op.1] Six Solos for a Houtboy, German Flute, Violin, or Harpsichord, with a Thorough Bass.
Performers’ Facsimiles, 51. New York, [1988]. 4º. Line-cut of the London, [1748] edition. Wrappers. $18 [item no.2699]


VIRGILIANO, Aurelio, 17-18th c.

Il Dolcimelo. Variati passaggi e diminutioni cosi per voci. Riproduzione eseguita dall’esemplare del Civico Museo Bibliografico Musicale di Bologna.
Archivum Musicum: Strumentalismo Italiano, 11. Florence, 1979. 24 x 34 cm, v, 113 pp. Halftone of a rare manuscript illustrating ornamentation “tutti modi da sonar qualfiuoglia istrumento”. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $42 [item no.1289]


VISÉE, Robert de, 17th c.

[Suites, melody instrument, bc] Trois suites de pièces pour dessus et basse (violon, flûte à bec ou traversière, hautbois . . . et clavecin, théorbe, viole de gambe . . .). Restitution de Jean-Claude Veilhan.
Archives de la Musique Ancienne. Paris, 1980. Oblong, 4º, 52, with 12 pp. Line-cut of the Paris, 1716 edition, together with a new practical edition. Wrappers. $46 [item no.2268]


VIVALDI, Antonio, 1678-1741

[Concerti, flute, strings, op.10] 6 Flute Concertos, op.10.
Huntingdon, [1990]. 4º, partbooks, c.94 pp. Xerographic reprint of the Le Cène, c.1728 edition. Scored for fl solo, vln I, II, vla, vc, & bc. Concerti correspond to RV 433, 439, 428, 435, 434, & 437. Wrappers. $58 [item no.7018]


[Concerti, flute, strings, op.10] VI concerti a flauto traverso, violino primo, e secondo, alto viola, organo e violoncello. Operas decima. [British Library, London].
Performers’ Facsimiles, 203. New York, [1999]. 23 x 31 cm, 5 partbooks, c.94 pp. Line-cut of the Le Cène edition, Amsterdam, c.1728. Concerti correspond to RV 433, 439 (including “La Notte”), 428, 435, 434, & 437. Wrappers. $60 [item no.7678]


[Concerti, flute, strings, op.10] VI concerti a flauto traverso, opera decima. Versioni manoscritte Torino, Bibl. Naz. Univ., Giordano 31 (RV 98/570, 104, 90, 442, 101).
Archivum Musicum, Vivaldiana, 1. Florence, 2002. 4º, 6 vols, 23, c.94 pp. Halftone of autograph and copyist mss, plus line-cut reproduction of the Amsterdam, c.1728 (partbook) edition. Introduction in It-Eng by Federico Maria Sardelli. Prepared under the auspices of the Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi. Wrappers, in portfolio. $91 [item no.8122]


[Concerti, flute, vln & bc, RV 91, 100] Concerto pour flûte a traversière, violon, basson, et basse continüe (RV 91); Concerto pour flûte a traversière, violon, basson, et basse continüe (RV 100). Présentation par Michel Giboureau. [Bibl. Nazionale, Turin].
Collection Dominantes. Courlay, 2005. Oblong & upright, 4º, 60 pp. Line-cut of two autograph scores. Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.8537]


[Concerti, flute, vln & bc, RV 96, 104, 106] Concerto pour flûte a traversière, violon, basson, et basse continüe (RV 96); Concerto “La notte” pour flûte a traversière (ou violon), 2 violons, basson, et basse continüe (RV 104); Concerto pour flûte a traversière, violon, basson, et basse continüe, ou 2 violons, violoncelle et basse continüe (RV 106). Présentation par Michel Giboureau.
Collection Dominantes. Courlay, 2005. Oblong & upright, 4º, 64 pp. Line-cut of a contemporary ms copy parts (RV 96) and two autograph scores (RV 104 & 106). Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.8538]


[Concerti, piccolo, strings, RV 443, 444, 445, C major] 3 concerti per flautino / 3 Konzerte für Blockflöte, Streicher und B.C. (“Piccolo-Konzerte”). R op.44 No.11/RV 443; R op.44 No.26/RV 445; R op.44 No.9/RV444. Faksimile des Autographs erstmals herausgegeben von Winfried Michel. [Bibl. Nazionale, Turin].
Münster, 2000. Oblong, 4º, viii, 61 pp. Line-cut of the autograph score. Introduction in Ger. Wrappers. $40 [item no.7869]


[Concerto, recorder, strings, RV 441, C minor] Concerto c-moll per flauto. [Bibl. Nazionale, Turin].
Münster, 1990. Oblong, 4º, iii, 21 pp. Line-cut of the autograph score. Introduction in Ger by Winfried Michel. Wrappers. $17 [item no.4285]


[Concerto, rec, vln, bsn, bc; rec, vlns, bc] Sonate pour flûte à bec, basson et basse continue; Concerto pour flûte à bec, violon et basson ou violoncelle et b.c.; Concerto pour flûte à bec, 2 violons et basse continue. Présentation par Susi Möhlmeier et Frédérique Thouvenot.
Collection Dominantes. Courlay, 1996. 23 x 32 cm, 28, 42 pp. Line-cut of one sonata (RV 86) and 2 concerti (RV 92 & 108) from the Biblioteca Nazionale, Turin. Introduction in Fr-Eng-Ger. Wrappers. $36 [item no.7474]


[Concerti, flute, oboe, violin, bassoon] Concerto pour flûte traversière... (RV 88); Concerto “Il Gardellino” pour flûte traversière ou violon... (RV 90); Concerto “Tempesta di mare” pour flûte traversière... (RV 98); Concerto pour flûte traversière... (RV 99); Concerto pour flûte traversière... (RV 107). Présentation par Michel Giboureau.
Collection Dominantes. Courlay, 1999. 4º, oblong & upright, xxiii, c.98 pp. Line-cut reproduction of five flute concerti in ms from the Biblioteca Nazionale, Turin, with additional ms parts from the Sächsische Landesbibliothek, Dresden. Wrappers. $54 [item no.7677]


[Concerti, rec, ob/vln, bsn/vc, bc, etc., RV 87, 97, 103] Concerto pour flûte a bec, hautbois, deux violons et basse; Concerto pour viole d’amour, deux cors, deux hautbois, basson et basse; Concerto pour flûte a bec, hautbois et basson. Présentation par Michel Giboureau. [Bibl. Nazionale, Turin].
Collection Dominantes. Courlay, 1996. Oblong, 4º, 4 vols, 21, 62 pp. Line-cut of three autograph scores. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.7598]


[Concerti, rec, ob/vln, bsn/vc, bc, RV 94, 95, 101, 105] Concerto pour flûte a bec...; Concerto “La Pastorella” pour flûte a bec...; Concerto pour flûte a bec...; Concerto pour flûte a bec. Présentation par Michel Giboureau. [Bibl. Nazionale, Turin].
Collection Dominantes. Courlay, 1996. Oblong, 4º, 4 vols, 19, 56 pp. Line-cut of three autograph scores and one contemporary ms score (RV 101). Introduction in Fr-Eng-Ger. Wrappers. $36 [item no.7587]


[Concerti, viole d’amour, 2 hn, 2 ob, bsn, bc, etc., RV 97] Concerto pour flûte a bec, hautbois, deux violons et basse; Concerto pour viole d’amour, deux cors, deux hautbois, basson et basse; Concerto pour flûte a bec, hautbois et basson. Présentation par Michel Giboureau. [Bibl. Nazionale, Turin].
Collection Dominantes. Courlay, 1996. Oblong, 4º, 4 vols, 21, 62 pp. Line-cut of three autograph scores. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.7598]


[Concerti, violin, strings, op.7] 12 concerti a 5, op.7.
Huntingdon, n.d. 4º. Xerographic reprint of the Roger edition, Amsterdam, [1716/1717]. Scored for vln/oboe solo, vln I, II, vla, vc, & bc (Ob solo in nos. 1 & 7). Ryom numbers: 465, 188, 326, 354, 285a, 374, 464, 299, 373, 294a, 208a & 214. Wrappers. $79 [item no.8315]


[Concerti, vln (ob for no.6), strings, op.11] 6 Concertos, op.11.
Huntingdon, c.1988. 4º. Xerographic reprint of the Le Cène edition, Amsterdam, [1729]. Scored for vln solo/[ob], vln I, II, vla, vc, & bc. Ryom numbers: 207, 277, 336, 308, 202, & 460. Wrappers. $58 [item no.7064]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc, op.13, RV 54-59] Il pastor fido, sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe, Opera XIII. Réimpression de l’édition de Paris, Boivin, 1737. Source: München, Bayerische Staatsbibliothek, cote 4729/4. RISM: [V. 2233. Catalogue: P. Ryom RV 54-59].
Collection Facsimiles, B1. Gland, 1991. 4º, 40, 8 pp. Line-cut of the Paris, 1737 edition. Together with an introduction in Fr-Eng by Peter Ryom entitled “An Authentic Case of Falsification” which reproduces a document from the Archives Nationales de France clearly identifying N. Chédeville as the composer/arranger of the six sonatas. Limited edition of 500 numbered copies. Linen slipcase. $40 [item no.4302]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc, op.13, RV 54-59] Il pastor fido, sonates, pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Opera XIII. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 111. New York, [1992]. 24 x 31 cm, 41 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4481]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc, op.13, RV 54-59] Il pastor fido (œuvre attribuée à Antonio Vivaldi), 1737. Présentation par Philippe Lescat. [Munich, Bayerische Staatsbibliothek].
La Musique Française Classique de 1650 à 1800, 78. Courlay, 1994. 24 x 33 cm, 21, 38 pp. Line-cut of the Paris, 1737 edition. Preface in Fr-Eng-Ger. Wrappers. $31 [item no.4804]


[Sonata, oboe, bc, RV 53; Sonata, 2 obs, bc, RV 81], in Sonata pour hautbois et basse; Sonata pour deux hautbois et basse; Sonate pour violon, hautbois, orgue et basse. Présentation par Michel Giboureau. [Sächsische Landesbibliothek & Universitetsbiblioteket, Lund.
Collection Dominantes. Courlay, 1995. 24 x 33 cm, xvi, 32 pp. Line-cut of two contemporary ms copies and one autograph. Corresponds to RV 53, 81, & 779. Wrappers. $26 [item no.7224]


[Trio sonata, violin, oboe, organ/vln, bc, RV 779] in Sonata pour hautbois et basse; Sonata pour deux hautbois et basse; Sonate pour violon, hautbois, orgue et basse. Présentation par Michel Giboureau. [Sächsische Landesbibliothek & Universitetsbiblioteket, Lund.
Collection Dominantes. Courlay, 1995. 24 x 33 cm, xvi, 32 pp. Line-cut of two contemporary ms copies and one autograph. Corresponds to RV 53, 81, & 779. The trio sonata is in the hand of Vivaldi and is scored for “Signora Prudenza/viol.; Signora Pellegrina/oboe; Signora Lucietta/organo; Signora Candida/Salmoè se piace”, evidentally young girls from the Pietà. Wrappers. $26 [item no.7224]


[Works, selections, viola da gamba & other instruments] Opere per viola all’inglese (viola da gamba). Recitativo e aria con “Concerto de’ Viole all’Inglese” da Juditha Triumphans, RV 644; Cantata in Scena con Viola all’Inglese de L’Incoronazione di Dario, RV 719; Concerto Funebre in Si bemolle maggiore, RV 579; Concerto con molti Istromenti in Do maggiore, RV 555. A Cura di Bettina Hoffmann.
Archivum Musicum: Vivaldiana, 4. Florence, 2006. Oblong, 30 x 24 cm, 43, 83 pp. Halftone of 4 autograph scores that include music for viola da gamba. Introduction in It-Eng. Wrappers, in decorative paper. $86 (more info... ) [item no.8993]


WANNENMACHER (Vannius), Johannes, c.1485-1551

Bicinia sive duo germanica [ad aequales. Tütsche Psalmen unnd andre Lieder durch Joannum Vannium mit zweyen Stimmen zusammen gsetzt]. Bern: Apiarius, 1533. RISM 1553(11).
Faksimile-Edition Rara, 21. Stuttgart, 1998. Oblong, 18 x 15 cm, 2 partbooks, 80 pp. Line-cut of the Bern, 1533 edition. 16 settings of psalms for two equal voices/instruments. Wrappers in handsome portfolio in marbled paper. $43 [item no.7703]


WEBER, Carl Maria von, 1786-1826

[Concertino, horn & orch, op.45, J.188] Concertino für Horn und Orchester e-moll, op. 45. Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek. [Mus. ms. autogr. C.M. v. Weber WFN 9].
Leipzig, 1986. Oblong, 18 x 13 cm, iv, 36 pp. Halftone of the autograph score in reduced format issued on the occasion of the bicentennial of the composer’s birth. Based on the 1815 autograph score prepared for the hornist Rauch (the original 1806 score is now lost). Introduction in Ger by Friedhilde Krause, Wolfgang Goldhan, and Hans-Jürgen Freiherr von Weber. Wrappers. $28 (more info... ) [item no.2333]


[Quintet, cl, 2 vln, vla, vc, op.34] Quintetto pour clarinette, deux violons, alto & violoncelle, op.34. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 273. New York, [2007]. 26 x 34 cm, 5 parts, 42 pp. Line-cut of the Berlin, [1816] edition. Wrappers. $25 [item no.8813]


WEBERN, Anton, 1883-1945

Sketches (1926-1945). Facsimile Reproductions from the Composer’s Autograph Sketchbooks in the Moldenhauer Archive. Commentary by Ernst Krenek with a Foreword by Hans Moldenhauer.
New York, 1968. Oblong, 37 x 30 cm, 16, 47 pp. Fine line-cut reproduction of the autograph. Webern made preliminary drafts for his compositions which show stages of evolution and the unending thought and care that he bestowed upon them. While Stravinsky called the finished products “those dazzling diamonds”, this volume allows us a glimspe into the composer’s workshop. These fascinating sketches, extracted from five sketchbooks from the Webern Archive, illustrate the meticulous step-by-step process of the composer’s 12-tone technique. Compositions include op.19, 20, 21, 22, 24, 31 and several unidentified works. Handsome binding in beige and brown linen, with slipcase. $50 (more info... ) [item no.671]


WECKER, Georg Caspar, 1632-1695

XVIII. geistliche Concerten [mit 2. bis 4. Vocal-Stimmen und 5. Instrumentis ad libitum, zu musicieren...]. Nürnberg, Moritz Endter 1695. [Bibl. Jagiellońska, Krakow].
Faksimile-Edition Krakau, 8. Stuttgart, 2007. 20 x 26 cm, 19 partbooks, c.500 pp. Line-cut of the Nuremberg, 1695 edition. Wrappers, in marbled paper slipcase. $128 [item no.8829]


WEIGEL, Johann Christopf, 1661-1726

Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige Instrummenta in anmuthigen Posituren lebhafft gezeiget. Faksimile-Nachdruck herausgegeben von Alfred Berner.
Documenta Musicologica, I/22. Kassel, 1/ 1961. 22 x 36 cm, 36, xii pp. Line-cut of the original copper engravings of musicians with their instruments. This facsimile brings together for the first time four separate groups of surviving single sheets from this publisher. Mattheson’s Das neu-eröffnete Orchestre (specifically the chapter “Von den musicalischen Instrumenten”) evidently served as a guide for its planning. The engravings date from c.1715-1725. Afterword in Ger-Eng-Fr. Coverboards and slipcase in decorative paper. $95 [item no.4622]


Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige Instrummenta in anmuthigen Posituren lebhafft gezeiget. Faksimile-Nachdruck herausgegeben von Alfred Berner.
Documenta Musicologica, I/22. Kassel, 2/ 1964. 22 x 36 cm, 36, xii pp. Line-cut of the original copper engravings of musicians with their instruments. This facsimile brings together for the first time four separate groups of surviving single sheets from this publisher. $77 [item no.2861]


WERRECORE, Mathias (M. Fiamengo), 15-16th c.

La bataglia taliana con alcune villotte piacevole nouvamente con ogni diligentia sftampate et corrette. Introduction: Ignace Bossuyt. [Herog August Bibl., Wolfenbüttel].
Facsimile Series, I/B.12. Peer, 1987. Oblong, 21 x 14 cm, 4 partbooks, 13, 108 pp. Line-cut of the Gardano, 1549 edition. Pieces for four voices by the Flemish composer Werrecore, including “La bataglia taliana”, celebrating the defeat of the French in the battle of Pavia in 1525. Introduction in Eng. Wrappers with slipcover. $38 [item no.1583]


WIDMANN, Erasmus, 1572-1634

Musicalischer Tugendspiegel [gantz newer Gesäng mit schönen historischen und poetischen Texten sehr nutzlich zu lesen und lieblich zu singen]. [[Schermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 6. Stuttgart, 1996. 15 x 19 cm, 5 partbooks, 170 pp. Line-cut of the Nuremberg, 1613 edition. 40 secular settings a4 & 5 suitable for voices and instruments. Wrappers, with handsome slipcase in marbled paper. $69 [item no.7305]


WILLIAMS, William, b.?-1701

Trio sonatas, 2 vln/fl, bc] Six Sonata’s in Three Parts. Three for Two Violins and Three for Two Flutes. With a Part for the Base Violin or Viol, and a Figur’d Base for the Organ, Harpsicord or Arch-lute. [Library of Congress, Washington, DC].
Alston, 1999. 4º, 4 partbooks, ii, 52 pp. Line-cut of the London, 1700 edition. The composer points out that ”those for the flutes being writ three notes lower, will go on the violins, and those for the violins being rais’d will go on the flutes”. Preface by Peter Holman. Ring binder. $29 [item no.7831]


WOODCOCK, Robert, 1690-1728

[Concerti, violins/flute/recorders, bc] XII Concertos in Eight Parts [The First Three for Violins and One Small Flute, The Second Three for Violins and Two Small Flutes, The Third Three for Violins & One German Flute and the Three Last for Violins & One Hoboy]. [British Library].
Alston, 2002. 4º, 8 partbooks, v, c.160 pp. Line-cut of the Walsh and Hare edition, London, 1727. Introduction by Peter Holman. Ring binding. $74 [item no.8183]


WRANITZKY (VRANICKY), Paul, 1756-1808

[Duets, 2 flutes, op.2] Six Duets for Two Flutes, Op. II.
Wiener Querflöten-Edition. Vienna, 1984. 4º, ii, 35 pp. Line-cut of the J.J. Hummel edition, Berlin. Preface by Gerhard Brauon. Wrappers. $15 [item no.806]


ZACCONI, Lodovico, 1555-1627

Prattica di musica utile et necessaria si al compositore si anco al cantore.
Bibliotheca Musica Bonon3iensis, II/1-2. Bologna, 1983. 17 x 25 cm, 2 vols: 477 pp. Line-cut of the Venice, 1596-1622 edition. An amazing treatment of practical concerns in music, with sections on emotional effect, music as science, the art and responsibility of the singer, director, and composer, mood, time, prolation, techniques of counterpoint, improvisation, and imitation. Includes whole sections of musical examples taken from the works of Tigrini, Cerreti, Zarlino, Banchieri, and Diruti. Wrappers. $120 [item no.2512]


ZANGIUS, Nikolaus, c.1570-c.1618

[Schöne newe außerlesene] weltliche Lieder [mit drey Stimmen auff ein newe Art und Manier lustig zu singen unnd auff allerley Instrumenten zugebrauchen, zuvor nie in Druck außgangen]. [Schermar-Bibliothek, Stadtbibl., Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 33. Stuttgart, 1997. 15 x 20 cm, 3 partbooks, c.324 pp. Line-cut of the Martin Guthen edition, Berlin, 1617. 56 secular settings a3, for voices with or without instruments. Wrappers, with portfolio in marbled paper. $122 [item no.7492]


ZANETTI, Francesco, c.1737-?

[Sonatas, flute/violin, bc] VI Solos for a German-Flute or Violin with a Thorough Bass for the Harpsichord. London 1763.
Archivum Musicum: Flauto Traversiere, 41. Florence, 2007. 22 x 31 cm, vi, 20 pp. Line-cut of the London, 1763 edition. Introduction in It by Mario Folena. Wrappers, in decorative paper. $34 [item no.8992]


ZELENKA, Jan Dismas, 1679-1745

Hipochondrie à 7 concertanti. Faksimiledruck nach der Musikhandschrift 2358-N-II der Sächsischen Landesbibliothek Dresden. Mit einer Nachwort von Jaroslav Buzga.
Leipzig, 1979. 21 x 32 cm, v, 16 pp. Halftone of the autograph score, copied 1723 in Prague. Wrappers. $28 [item no.1764]


ZUCCARINI, Carlo, 18th c.

[Sonata, flute, bc, G major] Sonata a flauto e basso, ms. Karlsruhe / [Tartini:] Solo a flauto traverso et basso, ms. Copenhagen.
Archivum Musicum: Flauto Traversiere, 22. Florence, 1991. Oblong, 32 x 24 cm, vi, 12 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $33 [item no.4177]


ZUCHINI, Gregorio, c.1540-1615

Promptuarium harmonicum. Venidig, Iacob Vincenti 1616. [Bischöfliche Bibliothek, Regensburg].
Faksimile-Edition Rara, 72. Stuttgart, 2016. 19 x 25 cm, 5 partbooks, 288 pp. Line-cut of the Venice, 1616 edition partbook edition (after the sole surviving copy). 5-voice settings consisting of 2 masses, 12 vespers, 6 motets, & 7 canzoni per sonare with titles “La Barbissona”, “La Massa”, La Montignana”, La Restella”, “La Terhaga”, “La Giordana”, “La Grilla” (apparently nicknames), suitable for strings/winds. Wrappers, with portfolio in decorative paper. $69 [item no.9524]


COMPOSITE & MISCELLANEOUS SOURCES

Airs a deux chalumeaux, deux trompettes, deux haubois, deux violons, deux flutes, deux clarinettes ou cors de chasse. Introduction: Paul Raspé. [Wq 5606, Bibl. Conservatoire Royal de Musique, Brussels].
Facsimile Series, IV/4. Peer, 1992. Oblong, 22 x 13 cm, 2 partbooks, 94 pp. Line-cut of a unique collection of 78 duos for different instruments. Wrappers. $18 [item no.4199]


[Airs anglois, book 1] 50 airs anglois dont les 20 premiers sont à dessus seul les 10 suivants à 2 dessus & les 20 derniers à un dessus & une basse. Choisis & mis en ordre par George Bingham. Introduction: Paul Raspé. [Wq 5526, Bibl. Conservatoire de Musique, Brussels].
Facsimile Series, IV/5. Peer, 1992. Oblong, 22 x 13 cm, 2 partbooks, 54 pp. Line-cut of a rare print published in two volumes, one with 20 airs for solo recorder and the other for two recorders. Wrappers. $15 [item no.4200]


[Airs anglois, book 2] 40 airs anglois & trois sonates. Livre second. Introduction: Paul Raspé. [Wq 5527, Bibl. Conservatoire de Musique, Brussels].
Facsimile Series, IV/6. Peer, 1993. Oblong, 22 x 13 cm, 2 partbooks, 70 pp. Line-cut of the Roger & Le Cène edition, Amsterdam, n.d. Wrappers. $15 [item no.4496]


[Ambras Castle (Innsbruck), Archiv] Imperial Music at Ambras Castle Written under the Emperors Charles V. and Ferdinand I. Edited by Walter Salmen.
Innsbruck, 1992. Oblong, 35 x 25 cm, 96 pp. Superb halftone of the anonymous motet “Martia terque quater” (composed for the coronation of Emperor Charles V around 1530) and the Senfl 4-part song “Aus guetem Grund”. The notation of these works is a unique example of Renaissance art: their mensural notation is actually stitched onto linen partbooks, preserved now at the castle of Ambras near Innsbruck. Includes 8 full-color plates of the embroidered title “page”. Commentary in Ger-Eng-Sp, together with new transcription. Linen. $156 [item no.4346]


Art du faiseur d’instruments de musique et lutherie extrait de l’Encyclopédie méthodique, Arts et métiers mécaniques.
Geneva, 1972. 8º, 240 pp. Line-cut of the Paris, 1785 edition. Historical and technical articles on musical instruments with 38 original plates. Wrappers. $61 [item no.3236]


[Augsburg, Staats- & Stadtbibliothek, CIM 43 (= MS 18)] Das Augsburger Liederbuch. [Augsburg, Staats- & Stadtsbibliothek, CIM 43 (2º Cod 142a) (= MS 18)].
Faksimile-Edition Augsburg, 3. Stuttgart, 1997. 23 x 33 cm, 158 pp. Line-cut of an early 16th c. German ms in choirbook format containing motets and secular works. The ms contains only six composer attributions, four by Josquin and two by Agricola, however among the anonymous works are another two by Josquin and works by Senfl, Grefinger, Finck, and Hofhaimer. In general only text incipits are given. Hardbound in vellum paper. $126 [item no.7529]


[Bologna, Museo Internazionale e Biblioteca della Musica, Q18] Bologna Q18, early 16th c. Civico Museo Bibliografico Musicale (olim 143). Introduction: Susan Forscher Weiss.
Facsimile Editions of Prints and Manuscripts, [12]. Peer, 1998. Oblong, 24 x 18 cm, 48, 187 pp. Line-cut of an early 16th-c. chansonnier created in Bologna, with works by Isaac, Josquin, Compère, Tromboncino and others. 93 works (with text incipits but no text underlay), suitable for vocal and or various instrumental combinations. Cloth. $72 [item no.7799]


[Bologna, Museo Internazionale e Biblioteca della Musica, Q19] Bologna, Civico Museo Bibliografico Musicale, MS. Q19 (“The Rusconi Codex”). Introduction by Jessie Ann Owens.
Renaissance Music in Facsimile, 1. New York, 1988. 4º, xvi, 410 pp. Halftone. Anthology of works by Festa, Mouton, and other Franco-Flemish and Italian composers of the early 16th c. Italian provenance. Cloth. $130 [item no.2295]


[Bologna, Bibl. Univ., 2216] Il codice musicale 2216 della Biblioteca Universitaria di Bologna a cura di F. Alberto Gallo. Seconda parte.
Monumenta Lyrica Medii Aevi Italica, III/3.2. Bologna, 1970. 22 x 27 cm, 109 pp. Commentary volume to the now out-of-print facsimile edition. Wrappers. $35 [item no.1432]


[Brussels, Bibl. Royale Albert I, 5557] Choirbook of the Burgundian Court Chapel. B-Brussels, Bibliothèque Royale, Ms. 5557. Introduction: R.C. Wegman.
Facsimile Series, I/A.5. Peer, 1989. 24 x 32 cm, viii, 272 pp. Halftone of the choirbook written and used by the Burgundian Court Chapel in Bruges. The 12 gatherings date from 1462-66 and 1480. Contains 11 masses, 3 magnificats, 1 hymn and 7 motets by Busnois, Dufay, Frye, Ockeghem and others. Cloth. $112 (more info... ) [item no.2801]


[Brussels, Bibl. Royale Albert I, 9126] Choirbook for Philip the Fair and Juana of Castile, c.1505-6. Brussel, Koninklijke Bibliotheek, MS.9126. Introduction: Fabrice Fitch.
Facsimile Editions of Prints and Manusripts [=Facsimile Series, I/A.13]. Peer, 2000. 24 x 34 cm, 13, 360 pp. Halftone of an important source of sacred polyphony copied at the Netherlands court and apparently intended for Philip the Fair, archduke of Austria and King of Castile, and his wife Juana the Mad, both of whom are depicted on the first opening. Contains 18 masses by Josquin, De la Rue, & Agricola as well as Salve regina settings, magnificats, & motets. Cloth. $152 [item no.7876]


[Brussels, Bibl. Royale Albert I, iv 90] Cancionero de Juana I de Castilla. Bibliothèque Royale de Belgique, Bruselas. Siglo XVI. [commentary title:] Cancionero de Juana la Loca. La música en la corte de Felipe el Hermoso y Juana i de Castilla / Song Book of Joan the Mad / Das Liederbuch Johannas der Wahnsinnigen.
Valencia, 2006. Oblong, 11 x 9 cm, 56, 359 pp, 1 audio CD. This lovely Burgundian chansonnier, one of the smallest complete collections of the time, created around 1511, consists of 56 pages of polyphonic music with Latin, French and Flemish texts by leading Netherlandish composers. Its 54 miniatures, made up of delightful little dramatic scenes, botanical designs, or emblema in the style of the Ghent-Bruges school of book illumination, have been linked to the atelier of the prestigious artist Alexander Bening (father of Simon Bening). Although the songbook was originally comprised of 4 separate partbooks—superius, alto, tenor, bassus—the bassus partbook is now lost, and the altus (=Bibl. Royal Albert I, ms. iv 1274 ) and tenor (=Bibl. Tournai, ms. 94) are incomplete and less well preserved. The surviving superius part, reproduced for this deluxe facsimile edition, still has its early 16th-c. leather binding decorated with animal figures and vines; it is the work of Lodovicus Bloc, a master bookbinder active in Bruges 1484-1529, credited with binding numerous books for Philip the Good, Duke of Burgundy. Contents: 22 songs without attributions; concordances allow us positive identification of most of the composers—Compère (4), Josquin (4), Obrecht, Ockeghem, de la Rue, Agricola, Barbireau, Busnois, Japart, Pipelare, Hayne van Ghizighem (2), Ninot le Petit, and Isaac. Musicological commentary by Honey Meconi, modern transcriptions by Miguel Ángel Picó, and an essay on the making of a codex by José Aspas Romano (texts in Sp-Eng-Ger). Limited edition of 999 copies, bound in full leather with gold, tooling, and leather ties, after the original. Please call for special OMI price. (more info... ) [item no.8523]


[Brussels, Bibl. Royale Albert I, iv 922] Occo Codex (Brussels, Royal Library Albert I, MS. iv. 922). Facsimile Edition.
Facsimilia Musica Neerlandica, I. Buren, 1979. 25 x 36 cm, xxix, 304 pp. Halftone of an early 16th-c. Dutch choirbook (in ms), discovered in 1972. One of the calligraphic masterpieces of the workshop of Petrus Alamire, the most important music copyist of the Netherlands around 1500. Historical introduction by Bernard Huys. Buckram. $246 [item no.1365]


Cambrai, Bibliothèque Municipale, Ms.11. Introduction: Liane Curtis.
Facsimile Series, I/A.9. Peer, 1992. 21 x 31 cm, 120 pp. 2-color halftone. Copied 1442-1445 by Simon Mellet (one of the dominant figures of the scriptorum at the Cambrai cathedral), this important ms contains six compositions by Dufay, one by Benet, Power or Dunstable, five by Binchois, one by Franchois(?) and five anonymous works. Hardbound. $147 (more info... ) [item no.4190]


Cambridge, Magdalen College, Pepys 1760.
Renaissance Music in Facsimile, 2. New York, 1987. 200 pp. Halftone. Repertoire of motets and French secular music by Fevin, Mouton, Prioris and others intended for the French Royal Court. Cloth. $95 [item no.2279]


[Canzoni, a4, 5 & 8, winds, strings, bc, book 1] Canzoni per sonare con ogni sorte di stromenti, a quattro, cinque, & otto, con il suo basso generale per l’organo, novamente raccolte da diversi eccellentissimi musici. . . libro primo.
Archivum Musicum: Strumentalismo Italiano, 74. Florence, 1992. 17 x 24 cm, 9 partbooks, ix, 300 pp. Line-cut of the Raverij edition, Venice, 1608. 36 instrumental canzoni a4, 5 & 8 in mensural notation by Gabrieli, Merulo, Guami, Maschera, Antegnati, Luzaschi, Frescobaldi, Grillo, Chilese, Lappi, Bartolini & Massaino. Preface in It by Dario Lo Cicero.Wrappers, in decorative paper. $51 [item no.4230]


[Canzoni, a4, 5 & 8, winds, strings, bc, book 1] Canzoni per sonare con ogni sorte di stromenti a quattro, cinque, & otto con il suo basso generale per l’organo novamente raccolta da diversi eccellentissimi musici, & date in luce. Libro primo. [Stadtbibliothek, Augsburg].
Faksimile-Edition Augsburg, 2. Stuttgart, 1998. 14 x 18 cm, 9 partbooks, c.300 pp. Line-cut of the Alessandro Raverij edition, Venice, 1608. Wrappers, with portfolio in marbled paper. $114 [item no.7577]


A Collection of the Most Celebrated Irish Tunes Proper for the Violin, German Flute or Hautboy. John & William Neal, Dublin, 1724. Second Facsimile Edition Edited by Nicholas Carolan.
Dublin, 2010. 8°, xiv, 118 pp. Illustrated introduction, music (49 melodies), notes on the tunes, appendixes, bibliography, indexes. Hardbound. $79 [item no.9191]


Compleat Instructions for the Fife, containing the Best and Easiest Directions to Learn that Instrument, with a Collection of the Most Celebrated Marches, Airs &c. Perform’d in the Guards & Other Regiments. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 158. New York, [1998]. Oblong, 27 x 18 cm, 38 pp. Line-cut of the London, n.d. edition. Anonymous anthology of tunes (some by C.F. Weideman), preceded by “new instructions for the fife”. Wrappers. $18 [item no.7556]


The Compleat Flute-Master or The Whole Art of Playing on ye Rechorder. A Facsimile of the 1695 First Edition with an Introduction and critical Commentary by Gerald Gifford, and Contributions by Jeanne Dolmetsch and Marianne Mezger. [Dolmetsch Library of Early Music, Haslemere].
Hebden Bridge, 2004. Oblong, 30 x 21 cm, xxix, 30 pp. Line-cut of the first edition, London, 1695, based on the exemplar owned by Arnold Dolmetsch, upon which he taught himself to play recorder. Detailed preface with explanation of all the ornaments. Spiral binding. $32 [item no.8438]


Corona di dodici fiori armonici, tessiuta da altretanti ingegni sonori a trè strumenti. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, IV/143. Bologna, 1974. 22 x 31 cm, 3 partbooks: viii, 80 pp. Line-cut of the Bologna, 1706 edition. 12 sonatas by Alberti, Prandi, Bettinozzi, Laurenti, Manfredini, Sandoni, Farnè, Vitali, Mazzolini and Torelli. Introduction in It by Alberto Colzani. Laid paper. Loose bifolios, with handsome cloth portfolio. $51 [item no.2429]


Dijon Bibliothèque Publique, Manuscrit 517. With an Introduction by Dragan Plamenac.
Publications of Mediaeval Musical Manuscripts, 12. New York, 1971. 13 x 18 cm, 12, 398 pp. Halftone of a c.1460 Burgundian chansonnier. Rich repository of the chansons of Busnois, Ockeghem, and their contemporaries. Introduction in Ger-Eng. $141 (more info... ) [item no.1399]


[Divisions, flute] The First Part of the Division Flute Containing a Collection of Divisions Upon Several Excellent Grounds.
Performers’ Facsimiles, 15. New York, [1987]. 22 x 32 cm, 18 pp. Line-cut of the London, 1706 edition. Works by J. Banister, Eccles, Faronell, Finger, Reading, Tollet, Lord Byron, Clark, Eccles, Finger, Gorton, Hills, King, Lully, Morgan, Mr. O., Pepusch, D. & H. Purcell, & others. Wrappers. $15 [item no.2176]


[Divisions, flute] The Second Part of the Division Flute Containing the Newest Divisions Upon the Choisest Grounds.
Performers’ Facsimiles, 16. New York, [1987]. 22 x 32 cm, 17 pp. Line-cut of the London, 1708 edition. Works by J. Banister, Eccles, Faronell, Finger, Reading, Tollet, Lord Byron, Clark, Eccles, Finger, Gorton, Hills, King, Lully, Morgan, Mr. O., Pepusch, D. & H. Purcell, & others. Wrappers. $15 [item no.2177]


[Divisions, flute/recorder/violin, Greensleeves] Greensleeves to a Ground. Divisions for Flute (Recorder/Violin), with a Ground for Lute (Guitar/Keyboard), with the Violl da Gamba.
Munich, 1983. 4º, iv pp. Line-cut of the 17th-c. edition. Divisions for recorder, flute or violin, with a simple ground for lute, guitar or harpsichord. Wrappers. $9 [item no.3934]


Duos f. 2 Flöten. 3 Drucke von Auguste Vern. G.A. Schneider und F.A. Böhm. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 17. Stuttgart, 2001. 23 x 31 cm, 2 partbooks, 66 pp. Wrappers. $23 [item no.7902]


Kuhn: 4 duettines op.13, Gombart Augsburg / Krieth: VI allemandes op.112, Gombart Ausgabe / Fladt: Petites airs, Gombart Augsburg. [Stadtbibl. Ulm].
Faksimile-Edition Ulm, 35. Stuttgart, 2004. Oblong, 25 x 16 cm, 2 partbooks, 32 pp. 3 compositions for flageolet duo. Wrappers. $13 [item no.8411]


Florence, Biblioteca del Conservatorio, Ms. 2439, “Basevi Codex”. Introduction: Honey Meconi.
Facsimile Series, I/A.7. Peer, 1991. 24 x 17 cm, viii, 212 pp. Halftone. Important anthology of 87 secular works in mensural notation and choirbook format. Copied between 1506 and 1514 in the Flemish scriptoria of Brussels and Mechelen. Besides 56 French pieces, there are 8 motet-chansons, 3 mass fragments, 9 motets and 7 Flemish works. 4 pages presenting the coats of arms of the patron family are reproduced in full color. Hardbound. $67 (more info... ) [item no.3891]


Florence, Archivio Musicale dell’Opera di Santa Maria del Fiore, MS 11.
Renaissance Music in Facsimile, 3. New York, 1987. 330 pp. Halftone. Anthology of motets copied in 1557 for use at Santa Maria del Fiore. Cloth. $112 [item no.2297]


Flute & Guitar Facsimiles from the Romantic Salon (Facsimile Edition). Music by Hummel, Meyerbeer & Auber. Introduction by Janice Dockendorff Boland and John Dowdall.
Nashua, 2000. 4º, iii, 44 pp. Line-cut of selections from Hummel, Neue Walzer mit Trios, op.91 (182?), Arnold (arr.), Potpourris sur des motifs des opéras modernes (184?), and Forest (arr.), Choix d’airs pur une flûte avec accompagnement de guitare de l’opera Zanetta (184?). Arranged for flute/violin & guitar. Wrappers. $19 [item no.7934]


Harmonia Anglicana. The Musick of the English Stage Containing Six Sets of Ayers and Tunes in 4 Parts made for the Operas, Tragedys and Comedyes of the Theater Royal. Sets 1 and 2. [Durham Cathedral Libary, Durham].
Alston, 2000. Oblong, 29 x 21 cm, 8 volumes, i, c.104 pp. Line-cut of the Walsh edition, London, 1700-01. Incidental music (overture followed by 7 or 8 dances) from the London theater, suitable for English violin consort (two violins, viola and large bass violin tuned in B flat, or alternatively, oboe band, recorder consort). Music by Paisible, Croft, Finger, Lenton, D. Purcell, Eccles, and Orme. Introduction by Peter Holman. Ring binding. $48 [item no.7814]


Instrumental Music for London Theatres, 1690-1699, Royal College of Music, London, MS 1172. Introduction by Curtis Price.
Music for London Entertainment, 1660-1800, A/3. Tunbridge Wells, 1987. Oblong, 4º, xvi, 101 pp. Halftone. Carefully selected anthology of virtually every type of instrumental music required by the London theaters in the 1690s–overtures, act-tunes, dances and music for special effects–usually written in full score. Compiled c.1700, possibly at the behest of the manangers of the Theatre Royal, Drury Lane. Buckram. $116 [item no.708]


Livre septième, dat is het boeck van de zanghkunst . . . met 4 stemmen te zingen: en opnieuw verrykt met verscheyden stukken, a 2. 3. 4. en 5, stemmen, door D.J. Swelingh . . . en andere voorname Autheuren. [Rijksarchief, Haarlem; Archief van de hervormde kerk, classis Alkmaar].
Facsimile Series, I/B.2. Peer, 1984. Oblong, 22 x 16 cm, 4 partbooks, 224 pp. Line-cut of the Amsterdam, 1644 edition. Popular anthology of chansons, madrigals, and Dutch songs. Works by Sweelinck, Clemens non Papa, Cricquillon, Sandrin, Dirk, etc. Wrappers. $32 [item no.1363]


[London, British Library, add. 35087] Chansonnier of Hieronymus Lauweyn van Watervliet. London, British Library, Ms. Add. 35 087. Introduction: William McMurtry.
Facsimile Series, I/A.6. Peer, 1989. 20 x 30 cm, xii, 190 pp. Halftone. Commissioned around 1505 by Lauweryn, Lord of Watervliet and Poortviet, and active at the courts of Maximilian, Philip the Good and Margaret of Austria. Copied c.1505, possibly in Bruges. Contains 36 French chansons, 25 songs in Dutch, 1 motet-chanson, 14 Latin and 2 Italian works. Composers include Agricola, Compère, Mouton, and Josquin. Cloth. [item no.2804]


London, British Library, Royal 20.A.XVI.
Renaissance Music in Facsimile, 10. New York, 1987. 120 pp. Halftone. Late 15th-c. source of Netherlandish secular music by Agricola, Hayne van Ghiseghem and others. Cloth. $85 [item no.2313]


[Lucca, Archivio di Stato, ms 238; Lucca, Archivio Arcivescovile, ms 97] The Lucca Choirbook. Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivio Arcivescovile, Bibliotheca Maffi, Cartella 1 1/III. With and Introduction and Inventory by Reinhard Strohm.
Late Medieval and Early Renaissance Music in Facsimile, 2. Chicago, 2008. 26 x 36 cm, 208 pp. More than forty years ago in the state archives of Lucca, Italy, Reinhard Strohm noticed that bindings on some of the books consisted of the pages of a centuries-old music manuscript. In the following years, Strohm worked with the archivists to remove these leaves and reassemble as much as possible of the original manuscript, a major cultural recovery now known as The Lucca Choirbook. The recovered volume comprises what remains of a gigantic cathedral codex commissioned in Bruges around 1463 and containing English, Franco-Flemish, and Italian sacred music of the 15th century—including works by Dufay and Isaac. This facsimile of the choirbook includes all the known leaves, ordered according to their proper placement in the original codex. In the introduction, Strohm tells the fascinating story of this choirbook, identifying its early users and reconstructing its travel from Bruges to Lucca. Linen. $214 (more info... ) [item no.7081]


Lutherie. Encyclopédie sciences et arts liberaux.
Bibliotheca Musica Bononiensis, II/101. Bologna, 1981. 25 x 35 cm, 46, with 34 illus pp. Line-cut of the Livorno, 1774 edition. Beautiful full-page illustrations of instruments. Cloth. $48 [item no.4008]


Mandat. Wieder das unbefugte Trompeten=Blasen und Heer=Paucken=Schlagen (Dresden 1736). Kommentiert von Klaus Thomayer.
Michaelsteiner Forschungsbeiträge, 20 Michaelstein, 2000. 8˚, 12, 11 pp. Line-cut of the Dresden, 1736 edition. An early document dictating the rules of the trompeter. Introduction in Ger. Wrappers. $34 [item no.8195]


[Methods, bassoon, France, 1600-1800] Basson – Méthodes et traités – Dictionnaires.
Méthodes et Traités, I. Courlay, 1999. 4º, 136 pp. Line-cut of original articles or treatises on the bassoon from these sources: Mersenne: Harmonie universelle - 1636; Trichet: Traité des instruments - c.a. 1640; Richelet: Dictionnaire de la langue française - 1680; Furetière: Dictionnaire universel - 1690; Brossard: Dictionnaire de musique - 1703; Encyclopédie ou dictionnaire raisonné des sciences (coyez Encyclopédie méthodique - 1788) - 1751; Béthisy: Exposition de la théorie - 1754; Garsault: Notionnaire, ou mémorial raisonné - 1761; Francoeur le Neveu: Diapason général de tous les instruments à vent - 1772; Hotteterre: Méthode pour apprendre à jouer en très peu de temps de la flûte traversière... augmentée... des tablatures de la clarinette et du basson (édition de Bailleux) - c.a. 1775; Laborde: Essai sur la musique (méthode de Pierre Cugnier) - 1780; Framery & Ginguené: Encyclopédie méthodique (reprend le texte de l'Encyclopédie) - 1788; Anonymous: Méthode de basson (manuscrit) - s.d.; Vanderbrock: Traité général de tous les instruments à vent - c.a. 1793; Ozy: Méthode nouvelle et raisonnée pour le basson - 1797. Wrappers. $48 [item no.7692]


[Methods, bassoon, France, 1800-1860, integrale edition, parts 1-4] Basson – Méthodes – Traités d’instrumentation – Dictionnaires – Cours de compositions – Périodiques. Quatre volumes réalisés par Michel Giboureau.
Méthodes et Traités, I. Courlay, 2005. 4º, 4 vols, 912 pp. Complete theoretical writings on the bassoon, arranged chronologically. Includes essays or treatises by Ozy, Reicha, Castil-Blaze, Fétis, Kuffner, Berr, Choron, Kastner, Blumer, Berlioz, Willent, Corrette, Dupart, Héral, and Jancourt (see individual volumes for precise contents). Wrappers. $255 [item no.8631]


[Methods, bassoon, France, 1800-1860, integrale edition, part 1] Basson – Méthodes – Traités d’instrumentation – Dictionnaires – Cours de compositions – Périodiques. Quatre volumes réalisés par Michel Giboureau. Volume 1.
Méthodes et Traités, I. Courlay, 2005. 4º, 200 pp. Line-cut of original articles or treatises on the bassoon from these sources: Ozy: Nouvelle méthode de basson - 1803; Reicha: Cours de composition musicale - 1816; Castil-Blaze: Dictionnaire de la musique moderne - 1821; Fétis: Revue musicale - 1828; Kuffner: Principes élémentaires - 1828. Wrappers. $71 [item no.8632]


[Methods, bassoon, France, 1800-1860, integrale edition, part 2] Basson – Méthodes – Traités d’instrumentation – Dictionnaires – Cours de compositions – Périodiques. Quatre volumes réalisés par Michel Giboureau. Volume 2.
Méthodes et Traités, I. Courlay, 2005. 4º, 224 pp. Line-cut of original articles or treatises on the bassoon from these sources: Berr: Méthode complète de basson - 1836; Choron: Manuel complet de musique - 1836; Choron & Lafage: Nouveau manuel de musique - s.d.; Kastner: Traité général d’instrumentation - 1836; Fétis: Manuel des compositeurs - 1837; Kastner: Cours d’instrumentation -c.1837; Kastner: Supplément au cours d’instrumentation - c.1837; Kastner: Supplément au traité d’instrumentation - after 1837; Blumer: Nouvelle méthode facile et progressive - 1840. Wrappers. $79 [item no.8633]


[Methods, bassoon, France, 1800-1860, integrale edition, part 3] Basson – Méthodes – Traités d’instrumentation – Dictionnaires – Cours de compositions – Périodiques. Quatre volumes réalisés par Michel Giboureau. Volume 3.
Méthodes et Traités, I. Courlay, 2005. 4º, 232 pp. Line-cut of original articles or treatises on the bassoon from these sources: Ozy: Méthode de basson - 1843; Berlioz: Grand traité d’instrumentation - 1844; Willent, J. & J.B. Bordogni: Méthode complète pour le basson - 1844; Cornette: Méthode de basson - c.1854; Dupart: Méthode polyphonique - 1859; Héral et Ozy: Petite méthode de basson - s.d. Wrappers. $80 [item no.8634]


[Methods, bassoon, France, 1800-1860, integrale edition, part 4] Basson – Méthodes – Traités d’instrumentation – Dictionnaires – Cours de compositions – Périodiques. Quatre volumes réalisés par Michel Giboureau. Volume 4.
Méthodes et Traités, I. Courlay, 2005. 4º, 256 pp. Line-cut of original articles or treatises on the bassoon from these sources: Eugène Jancourt: Méthode théorique et pratique - 1847. Wrappers. $88 [item no.8635]


[Methods, clarinet, France, 1600-1800] Clarinette – Méthodes et traités – Dictionnaires.
Méthodes et Traités, I. Courlay, 2000. 4º, iv, 299 pp. Line-cut of original articles or treatises on the clarinet from these sources: Roeser: Principes de clarinette - 1760; Garsault: Notionnaire ou Mémorial raisonné - 1761; Roeser: Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor - 1764; Francoeur Le Neveu: Diapason général de tous les instruments à vent - 1772; Corrette: Méthode raisonnée pour apprendre aisément à jouer de la flûte traversière [...] Nouvelle édition, revue corrigée et augmentée de la gamme de hautbois et de la clarinette - 1773; Hotteterre: Méthode pour apprendre à jouer en très peu de temps de la flûte traversière [...] augmentée [...] des tablatures de la clarinette et du basson - 1775; Laborde: Essai sur la musique 1780; Abraham: Principes de clarinette - 1780; Vanderhagen: Méthode nouvelle et raisonnée pour la clarinette - 1785; Framery & Ginguené: Encyclopédie méthodique (reprend le texte de l'Encyclopédie) - 1788; Anonymous: Gamme de la clarinette - 1790; Vanderbrock: Traité général de tous les instruments à vent - 1793; Blasius: Nouvelle méthode de clarinette - 1796; Vanderhagen: Nouvelle méthode de clarinette (1. partie) - 1798; Yost: Méthode de clarinette - 1800. Hardbound. $95 [item no.7818]


[Methods, flute, France, 1600-1800, part 1] Flûte traversière. Méthodes et traités. Dictionnaires.
Méthodes et Traités, I. Courlay, 2001. 4º, 296 pp. Line-cut. Contents: Mersenne: Harmonie Universelle - 1636; Trichet: Traité des instruments - c.1640; Furetière: Dictionnaire universel - 1690; Brossard: Dictionnaire de musique - 1703; Hotteterre: Principes de la flûte traversière - 1707; Hotteterre: L'art de préluder - 1719; Béthisy: Exposition de la théorie - 1754; Bordet: Méthode raisonnée pour apprendre - 1755; Anon.: Découverte de l'embouchure - 1756; Ancelet: Observations sur la musique - 1757; Mahaut: Nouvelle méthode pour apprendre en peu de temps à jouer de la flûte traversière - 1759; Garsault: Notionnaire ou Mémorial raisonné - 1761; Lusse: L'art de la flûte traversière - 1761; Francoeur Le Neveu: Diapason général de tous les instruments à vent - 1772; Corrette: Méthode raisonnée (2e édition) - 1773; Roeser: Gamme pour la flûte traversière - 1777. Wrappers. $99 [item no.8058]


[Methods, flute, France, 1600-1800, part 2] Flûte traversière. Méthodes et traités. Dictionnaires.
Méthodes et Traités, I. Courlay, 2001. 4º, 304 pp. Line-cut. Contents: Mussard: Nouveaux principes pour apprendre à jouer de la flûte traversière - 1778; Laborde: Essai sur la musique - 1780; Encyclopédie méthodique: Edition Panckoucke et Plomteux (reprend le texte de l'Encyclopédie) - 1788; Anon.: Principe de flûte pour apprendre à jouer sans maître - c.1790; Vandenbrock: Traité général de tous les instruments à vent - c.1793; Devienne: Nouvelle méthode théorique et pratique pour la flûte - 1794; Cambini: Méthode pour la flûte traversière - c.1795; Van der Hagen: Nouvelle méthode de flûte - 1798. Wrappers. $101 [item no.8059]


[Methods, flute, France, 1800-1860, parts 1-7] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. 7 volumes.
Méthodes et Traités, II. Courlay, 2005. 4º, 7 vols, 2,264 pp. Line-cut. Treatises on the transverse flute, arranged chronologically, by Holtzappfel, Hugot/Wunderlich, Michel, Perault, Trézy, Berbiguier, Miroir, Reicha, Wunderlich, Bigot, Coche, Drouët, Farrenc, Fétis, Kastner, Vaillant, Walckiers, Camus, Coche, Berlioz, Bretonnière, Kastner, Nadaud, Dorus, Soussman, Tulou, Bousquet, Cornette, and Gattermann. Wrappers. $578 [item no.8649]


[Methods, flute, France, 1800-1860, part 1] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 1.
Méthodes et Traités, II. Courlay, 2005. 4º, 328 pp. Line-cut. Contents: Perault: Méthode pour la flûte - c.1800; Michel: Nouvelle méthode de flûte - 1802; Trezy: Doigter de la flûte - c.1802; Hugot et Wunderlich: Méthode de flûte du conservatoire - 1804; Holtzappfel: Par brevet d’invention - c.1810. Wrappers. $104 [item no.8650]


[Methods, flute, France, 1800-1860, part 2] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 2.
Méthodes et Traités, II. Courlay, 2005. 4º, 400 pp. Line-cut. Contents: Wunderlich: Principes élémentaires - c.1812; Reicha: Cours de composition - 1816; Miroir: La clef de l’orchestre - 1818; Berbiguier: Nouvelle méthode pour la flûte - c.1818. Wrappers. $124 [item no.8651]


[Methods, flute, France, 1800-1860, part 3] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 3.
Méthodes et Traités, II. Courlay, 2005. 4º, 336 pp. Line-cut. Contents: Vaillant: Nouvelle méthode de flûte - c.1826; Douët: Méthode pour la flûte - c.1827; Walckiers: Méthode de flûte - c.1829; Bigot: Solfège pour la flûte - after 1832; Fetis: Exposition des produits de l’industrie - 1834; Kastner: Traité Général - 1836; Kastner: Supplément Traité Général - c.1837; Coche: Examen critique - 1838; Farreng: Flûte Boehm - 1838. Wrappers. $104 [item no.8652]


[Methods, flute, France, 1800-1860, part 4] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 4.
Méthodes et Traités, II. Courlay, 2005. 4º, 320 pp. Line-cut. Contents: Camus: Méthode pour la nouvelle flûte - 1839; Coche: Méthode pour servir - 1839. Wrappers. $101 [item no.8653]


[Methods, flute, France, 1800-1860, part 5] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 5.
Méthodes et Traités, II. Courlay, 2005. 4º, 312 pp. Line-cut. Contents: Bretonnière: Méthode complète théorique et pratique - 1840; Nadaud: Méthode de flûte - 1841; Kastner: Méthode élémentaire - 1844; Berlioz: Grand traité d’instrumentation - 1844. Wrappers. $99 [item no.8654]


[Methods, flute, France, 1800-1860, part 6] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 6.
Méthodes et Traités, II. Courlay, 2005. 4º, 328 pp. Line-cut. Contents: Dorus: L’étude de la nouvelle flûte - 1845; Soussmani: Ecole pratique de la flûte - 1850; Tulou: Méthode de flûte - 1851. Wrappers. $104 [item no.8655]


[Methods, flute, France, 1800-1860, part 7] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 7.
Méthodes et Traités, II. Courlay, 2005. 4º, 240 pp. Line-cut. Contents: Gattermann: Méthode de flûte - c.1851; Cornette: Méthode de flûte - 1855; Bousquet: Méthode de flûte - 1858; Gattermann: Méthode précédée des principes - c.1861. Wrappers. $81 [item no.8656]


[Methods, horn, France, 1600-1800] Cor – Méthodes – Dictionnaires et Encyclopédies – Ouvrages généraux. Ancelet - Encyclopédie - Encyclopédie méthodique - Francoeur le neveau - Garsault - Hampel et Stich - Ladorde - Mersenne - Roeser - Serre de Rieux - Trichet - Vandenbrock (1-2-3).
Méthodes et Traités, I. Courlay, 2003. 4º, 312 pp. Integrale collection of facsimiles of theoretical-technical writings on the horn. Contents: Mersenne: Harmonie Universelle - 1636; Trichet: Traité des instruments - c.1640; Serre de Rieux: Les dons des enfans de Latone - 1734; Encyclopédie: Article sur le cor - 1751/177; Ancelet: Observations sur la musique - 1757; Garsault: Notionnaire, ou mémorial raisonné - 1761; Roeser: Essai d’instruction - 1764; Francoeur: Diapason général - 1772; Laborde: Essai sur la musique ancienne et moderne - 1780; Encyclopédie Méthodique: Article sur le cor - 1788; Venderbrock: Traité général de tous les instruments à vent - c.1793; Vanderbrock: Méthode nouvelle et raisonnée - c.1797; Hampel/Stich: Seule et vraie méthode c.1798; Vanderbrock: Suite de la méthode ou manière d’enseigner à donner du cor - c.1800. Wrappers. $100 [item no.8380]


[Methods, oboe, France, 1600-1800] Le hautbois – Méthodes et Traités – Dictionnaires – Préfaces des Œuvres – Correspondances. Réalisée par Philippe de Jean Saint-Arroman.
Méthodes et Traités, I. Courlay, 1999. 4º, 250 pp. The complete theoretical writings on the oboe. Includes essays or treatises by Mersenne, Trichet, Richelet, Furetière, Freillon-Poncein, Brossard, Hotteterre, Béthisy, Garsault, Francoeur, Corrette, Labord, Framery, Van der Hagen, Vanderbrock, & Garnier. Wrappers. $79 [item no.7673]


[Methods, oboe, France, 1800-1860, part 1] Hautbois – Méthodes -Traités – Dictionnaires & Encyclopédies. Ouvrages généraux. Volume I: Brod, Castil-Blaze, Chalon, Choron (1), Reichi, Vogt. Volume réalisé par Michel Giboureau.
Méthodes et Traités, II. Courlay, 2003. 4º, 321 pp. 6 treatises or contributions pertaining to the oboe published between 1802 and 1826/35. Wrappers. $103 [item no.8337]


[Methods, oboe, France, 1800-1860, part 2] Hautbois – Méthodes -Traités – Dictionnaires & Encyclopédies. Ouvrages généraux. Volume II: Berlioz, Choron (2), Kastner (1-2), Miller, Raoulx, Sellner, Veny. Volume réalisé par Michel Giboureau.
Méthodes et Traités, II. Courlay, 2003. 4º, 269 pp. 8 treatises or contributions pertaining to the oboe published between 1828 and 1844. Wrappers. $94 [item no.8338]


[Methods, oboe, France, 1800-1860, part 3] Hautbois – Méthodes -Traités – Dictionnaires & Encyclopédies. Ouvrages généraux. Volume III: Barret, Corret, Dupart, Verroust. Volume réalisé par Michel Giboureau.
Méthodes et Traités, II. Courlay, 2003. 4º, 318 pp. 4 treatises or contributions pertaining to the oboe published between 1850 and 1859. Wrappers. $101 [item no.8339]


[Methods, oboe, Great Britain, 1600-1860, parts 1-2] Oboe-Great Britain 1600-1860. Méthodes, études, ouvrages généraux. Deux volumes réalisés par Geoffrey Burgess.
Méthodes et Traités, VI. Courlay, 2006. 4º, 2 vols, 544 pp. Line-cut, arranged chronologically, of 16 treatises on the oboe by an anonymous writer, Banister, Braun, Busby, Chambers, Danneley, Gehot, Hawkins, Hogarth, Mandel, Prelleur, Sadler, Tans’ur, Wragg, Wilson, and Barret. Wrappers. $181 [item no.8735]


[Methods, oboe, Great Britain, 1600-1860, part 1] Oboe-Great Britain 1600-1860. Méthodes, études, ouvrages généraux. Volume I: anonymous, Banister, Braun, Busby, Chambers, Danneley, Gehot, Hawkins, Hogarth, Mandel, Prelleur, Sadler, Tans’ur, Wragg, Wilson.
Méthodes et Traités, VI. Courlay, 2006. 4º, 315 pp. Line-cut. Wrappers. $111 [item no.8736]


[Methods, oboe, Great Britain, 1600-1860, part 2] Oboe-Great Britain 1600-1860. Méthodes, études, ouvrages généraux. Volume II: Barret.
Méthodes et Traités, VI. Courlay, 2006. 4º, 229 pp. Line-cut. Wrappers. $91 [item no.8737]


[Methods, recorder] Les 3 méthodes de flute a bec en France à l’époque baroque recueillies et présentées par Laurence Pottier. Loulié, Freillon Poncein, Hotteterre.
Bourg-la-Reine, 1996. 4˚, vi, 50 pp. New edition of “Méthode pour apprendre à jouer de la flûte douce” (Loulié), and line-cut reproductions of “La veritable manière d’apprendre a jouer” (Freillon Poncein, recorder section only) and “Principes de la flûte traversière” (Hotteterre). Introduction in Fr. Cloth. $48 [item no.8392]


[Methods, recorder, Europe, part 1] Flûte à bec. Quatre volumes réalisés par Susi Möblmeier et Frédérique Thouvenot.
Méthodes et Traités, III. Courlay, 2001. 4º, 202 pp. Line-cut. Treatises by Agricola, anonymous, Ganassi, Jambe de Fer, Mersenne, Praetorius, Trichet, Virdung and Virgiliano. Wrappers. $70 [item no.8060]


[Methods, recorder, Europe, part 2] Flûte à bec. Quatre volumes réalisés par Susi Möblmeier et Frédérique Thouvenot.
Méthodes et Traités, III. Courlay, 2001. 4º, 306 pp. Line-cut. Treatises by anonymous, Bismantova, Carr, Hudgebut, Loulié, Salter, & Eyck. Wrappers. $101 [item no.8061]


[Methods, recorder, Europe, part 3] Flûte à bec. Quatre volumes réalisés par Susi Möblmeier et Frédérique Thouvenot.
Méthodes et Traités, III. Courlay, 2001. 4º, 227 pp. Line-cut. Treatises by 4 anonymous writers, Brossard, Eisel, Encyclopédie méthodique, Louis-Joseph Francoeur, Freillon-Poncein, Garsault, Hotteterre-le-Romain, Laborde, Majer, Prelleur, Schickhardt, Tans’ur & Weigel. Wrappers. $75 [item no.8062]


[Methods, recorder, Europe, part 4] Flûte à bec. Quatre volumes réalisés par Susi Möblmeier et Frédérique Thouvenot.
Méthodes et Traités, III. Courlay, 2006. 4º, 227 pp. Line-cut. Treatises by 6 anonymous writers, Bonanni, Douwes, Freillon-Poncein, Hawkins, Hotteterre-le-Romain, Minguet y Yrol, Sadler, Stanesby, Tans’ur, Verschuere Reijnvaen, Wather, & Wright. Wrappers. $104 [item no.8717]


[Milan, Bibl. Alida Varzi] The Medici Codex of 1518. A Choirbook of Motets Dedicated to Lorenzo de’ Medici, Duke of Urbino. Facsimile Edition with a Prefatory Note by Edward E. Lowinsky.
Monuments of Renaissance Music, V. Chicago, 1968. 27 x 37 cm, ix, 309 pp. Halftone. Anthology of motets by Josquin, Mouton, Brumel, Willaert, etc. One of the most precious parchment mss from the 16th-c. Presented by Francis I to Lorenzo de’ Medici on the occasion of his wedding to a French princess. Cloth. $185 [item no.1336]


[Milan, Bibl. Alida Varzi] The Medici Codex of 1518 . . . Historical Introduction and Commentary by Edward E. Lowinsky.
Monuments of Renaissance Music, III. Chicago, 1968. 27 x 37 cm, xiv, 245 pp. Cloth. $175 [item no.1337]


[Milan, Bibl. Alida Varzi] The Medici Codex of 1518 . . . Transcriptions by Edward Lowinsky.
Monuments of Renaissance Music, IV. Chicago, 1968. 27 x 37 cm, ix, 405 pp. Cloth. $203 [item no.1338]


Milan, Biblioteca del Conservatorio di Musica Giuseppe Verdi, The Tarasconi Codex. Introduction by Jessie Ann Owens.
Renaissance Music in Facsimile, 11. New York, 1986. 4º, xxiii, 475 pp. Halftone. Anthology of madrigals in score format copied in Parma during the last part of the 16th c. Cloth. $150 [item no.2300]


[Möhlmeier, Susi & Frédérique Thouvenot] Flûte à bec. Volume 1. CFEM (Certificat de fin d’études musicales). Réalisé par Susi Möhlmeier et Frédérique Thouvenot.
Fac-Similés Enseignement. Courlay, 2003. 4˚, iii, 15 pp. Line-cut of a selection of pieces by Mancini, Telemann, Chedeville & Handel, selected for teaching-didactic purposes. Wrappers. $16 [item no.8210]


[Möhlmeier, Susi & Frédérique Thouvenot] Flûte à bec. Volume 1, fin de 2e cycle. Réalisé par Susi Möhlmeier et Frédérique Thouvenot.
Fac-Similés Enseignement. Courlay, 2003. 4˚, iii, 15 pp. Line-cut of a selection of pieces by Loeillet, Fischer, Handel and Croft, selected for teaching-didactic purposes. Wrappers. $16 [item no.8211]


[Möhlmeier, Susi & Frédérique Thouvenot] Flûte à bec. Volume 2. CFEM (Certificat de fin d’études musicales). Proposé par Susi Möhlmeier et Frédérique Thouvenot.
Fac-Similés Enseignement. Courlay, 2006. Oblong, 4˚, 24 pp. Line-cut of a selection of pieces by Bellinzani, Loeillet & A.D. Philidor, selected for teaching-didactic purposes. Wrappers. $17 [item no.8686]


[Möhlmeier, Susi & Frédérique Thouvenot] Flûte à bec. Volume 2, fin de 2e cycle. Réalisé par Susi Möhlmeier et Frédérique Thouvenot.
Fac-Similés Enseignement. Courlay, 2006. Oblong, 4˚, 24 pp. Line-cut of a selection of pieces by Loeillet, Telemann & Bellinzani, selected for teaching-didactic purposes. Wrappers. $17 [item no.8685]


[Möhlmeier, Susi & Frédérique Thouvenot] Flûte à bec. DEM (Diplôme d’Études Musicales). Volume 1. Réalisé par Susi Möhlmeier et Frédérique Thouvenot.
Fac-Similés Enseignement. Courlay, 2005. 4˚, iii, 16 pp. Line-cut of a selection of pieces by Telemann, Dieupart, Mancini and Virgiliano, selected for technical-didactic purposes. Wrappers. $16 [item no.8579]


[Möhlmeier, Susi & Frédérique Thouvenot] Flûte à bec. DEM (Diplôme d’Études Musicales). Volume 2. Réalisé par Susi Möhlmeier et Frédérique Thouvenot.
Fac-Similés Enseignement. Courlay, 2005. 4˚, iii, 16 pp. Line-cut of a selection of pieces by Telemann, Dieupart, Mancini and Virgiliano, selected for technical-didactic purposes. Wrappers. $16 [item no.8580]


[Munich, Bayerische Staatsbibl., clm 351] Das Liederbuch des Dr. Hartmann Schedel: Faksimile.
Das Erbe Deutscher Musik, 84. Kassel, 1978. Oblong, 33 x 25 cm, vi, 174, 4 pp. Halftone of an important German songbook copied during the 1460s by the Nuremberg doctor and historian, Hartmann Schedel. 128 pieces with music, 68 of which are polyphonic lieder. The collection includes works by Dufay, Ockeghem, Busnois, and other Franco-Flemish composers. 26 concordances with the Buxheimer Orgelbuch. Linen. $198 [item no.1413]


Musikalisches Vielerley, herausgegeben von Herrn Carl Philip Emanuel Bach. Introduction: Greta Haenen. [Royal Conservatory of Music, Brussels, Wq 6314].
Facsimile Series, IV/9. Peer, 1993. 4º, i, 207 facs, iv pp. Line-cut of the Michael Christian Bock edition, Hamburg, 1770. Edited by Emmanuel Bach, this volume contains music by the composer’s Berlin friends such as Fasch, Kirnberger, Graun, and some relatives, J.C. Friedrich and J.E. Baron. Works for keyboard and various combinations for strings, flute, and voice. With new work and composer indices. Wrappers. $38 [item no.4499]


[New Haven, Yale, Univ. Library, 91] The Mellon Chansonnier. Edited by Leeman L. Perkins and Howard Garey.
New Haven, 1979. Oblong, 33 x 24 cm, xv, 204 with 90 pp. Halftone reproduction and modern transcription of a c.1470 chansonnier which takes its name from its last private owner Paul Mellon who presented the ms to Yale University in 1940. This exquisite manuscript was copied in Naples for the princely library, possibly for the wedding of Beatrice of Aragon, daughter of the king of Naples, and Mathias Corvinus. It includes songs by two of the greatest composers associated with the Burgundian Court, Johannes Okeghem and Guillaume Dufay. Other composers represented: Busnoys, Caron, G. Joye, Binchoys Vincenet, Bedingham, Morton, Petit Jan, A. Basin, J. Tinctoris, Regis, G. le Rouge & W. Fry. This edition with facsimiles and modern edition on facing pages has tremendous teaching value for students interested in learning 15th-c. mensural notation. Cloth. (few copies remaining) $125 (more info... ) [item no.1435]


Notenbuch Julius von Ponikau 1820. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 16. Stuttgart, 2001. Oblong, 33 x 24 cm, 82 pp. Line-cut of a manuscript that contains a selection of movements (andantinos, menuets, adagios, waltzes, marches, contredanses), arranged for various instrumental duets, including flageolet, guitar, & posthorn. Hardbound. $62 [item no.7901]


[Opus artis novae, polyphonies] Le codex de Chypre (Torino, Biblioteca Universitaria.J.II.9). Vol.I: Rondeaux et virelais I. Edition par Cécile Beaupain et Germana Schiassi sous la direction de Raphaël Picazos.
Opus Artis Novae, Polyphonies et Transcription Diplomatique 1300-1500, 1. Bologna, 2011. 4º, 127 pp. New critical edition using diplomatic transcription principles (original clefs, mensural notation). Wrappers. (In process of continuation, standing orders invited). $73 [item no.9225]


[Opus artis novae, polyphonies] Le codex de Chypre (Torino, Biblioteca Universitaria.J.II.9). Vol. II: Ballades I Introductory Texts, Poetic Texts and Critical Notes in French and English.
Opus Artis Novae, Polyphonies et Transcription Diplomatique 1300-1500, 2. Bologna, 2013. 24 x 32 cm, 232 pp. New critical edition using diplomatic transcription principles (original clefs, mensural notation). Wrappers. (In process of continuation, standing orders invited). $92 [item no.9322]


[Opus artis novae, polyphonies] Le codex de Chypre (Torino, Biblioteca Universitaria.J.II.9). Vol. III: Ballades II Introductory Texts, Poetic Texts and Critical Notes in French and English.
Opus Artis Novae, Polyphonies et Transcription Diplomatique 1300-1500, 3. Bologna, 2014. 24 x 32 cm, 236 pp. New critical edition using diplomatic transcription principles (original clefs, mensural notation). Wrappers. (In process of continuation, standing orders invited). $97 [item no.9368]


[Opus artis novae, polyphonies] Le codex de Chypre (Torino, Biblioteca Universitaria.J.II.9). Vol. IV: Ballades III Introductory Texts, Poetic Texts and Critical Notes in French and English.
Opus Artis Novae, Polyphonies et Transcription Diplomatique 1300-1500, 3. Bologna, 2016. 24 x 32 cm, 224 pp. New critical edition using diplomatic transcription principles (original clefs, mensural notation). Wrappers. (In process of continuation, standing orders invited). $85 [item no.9528]


Oxford, Bodleian Library, MS Canon. Misc. 213. With an Introduction and Inventory by David Fallows.
Late Medieval and Early Renaissance Music in Facsimile, 1. Chicago, 1995. 26 x 36 cm, 376 pp. Beautiful halftone reproduction based on newly commissioned photography. Copied probably in Venice around 1430, the Oxford manuscript contains the most comprehensive surviving collection of secular songs of the late 14th and early 15th centuries. Of the 326 pieces, 216 are unica. Including works by Guillaume Dufay, Binchois, and nearly all other leading composers of their generation, it is central to an understanding of 15th-c. song traditions. Because of the copyist's clear and distinctive hand, it is also significant for studies of late medieval musical notation. David Fallows' introduction includes a history of the manuscript, analysis of its preparation, and survey of its choice of repertory, as well as a full inventory of the music and alphabetical indexes by title and composer. The original-size facsimile includes beta-radiographs of all watermarks, as well as ultraviolet photos that show the copyist's changes and revisions. Cloth. $280 (more info... ) [item no.7079]


Oxford, Bodleian Library, MSS Mus. Sch. e. 376-381. Introduction by John Milsom.
Renaissance Music in Facsimile, 15. New York, 1986. Oblong, 8º, 6 partbooks: xviii, c.1200 pp. Halftone of the “Forrest-Heather Part Books”. Collection of masses copied around 1530 for use at Cardinal College, Oxford. Cloth. $325 [item no.2294]


[Paris, Bibl. Nationale, fr. 1597] Chansonnier de la Lorraine. Paris, Bibliothèque Nationale, fonds français 1597.
Waiblingen, c.1991. 15 x 21 cm, 158, iii pp. Line-cut reproduction of a central French chansonnier (Agricola circle) documenting the change from 3 to 4-voice texture. In choirbook format with mensural notation. Coverboards in parchment paper with handsome cloth spine. $96 [item no.4635]


Paris, Bibliothèque Nationale, MS fonds italien 568. With an Introduction and Inventory by John Nádas.
Late Medieval and Early Renaissance Music in Facsimile, 3. Chicago, nyp. 18 x 26 cm, 300, c.30 pp. Halftone of a c.1400 ms copied in the environs of Florence or Lucca. 199 compositions, predominately first-rate Italian trecento works, along with occasional French pieces that have been inserted. For some unknown reason many of the composer attributions provided in the ms have been erased. Cloth. $150 [item no.7080]


[Paris, Bibl. Nationale, rés. vmc., 57] Chansonnier Nivelle de la Chaussée (Bibliothèque nationale, Paris. Rés. Vmc. ms. 57, ca 1460). Introduction de Paula Higgins.
Manuscrits, 2. Geneva, 1984. 13 x 20 cm, 26, 178 pp. Halftone. 70 pieces including works by Dufay, Binchois, Busnois, Ockeghem and 7 unica by Jean Delahaye. Acquired from the private library of Geneviève Thibault. 8 folios that are now faint are produced twice, the second time with the aid of ultraviolet exposure. Wrappers. $152 [item no.1397]


Pavia, Biblioteca Universitaria, Aldini, MS 362. Introduction by Frank A. D’Accone.
Renaissance Music in Facsimile, 16. New York, 1986. 23 x 31 cm, xii, 186 pp. Halftone. Anthology of 44 French and Italian songs compiled probably in Savoy during the 1460s. Opens with brief set of theoretical manuals dealing with solfège and musical notation. Cloth. $90 [item no.2308]


Philidor, André (ed.) Partition de plusieurs marches et batteries de tambour tant françoises qu’étrangères avec les airs de fifre et de hautbois a 3 et 4 parties. Fac-similé du manuscrits musical 168 de la Bibliothèque Municipale de Versailles. Introduction de François Lesure.
Manuscrits, XXXI. Geneva, 1994. 23 x 34 cm, 10, 170 pp. Line-cut of autograph. André Philidor, music librarian to the French King from 1684, compiled this collection of “marches and batteries for drums, with airs for fife and oboes” in 1705. The elegantly copied source, showing the keen interest of Louis XIVin military music, includes music by Lully, the Philidors (André & Jacques), Hotteterre, Lalande, and Descroziers (the “fifre des mousquetaires”). Wrappers. $87 [item no.4893]


[Porto, Biblioteca Pública Municipal, ms. 714] Porto 714: Um manuscrito precioso. Manuel Pedro Ferreira.
Porto, 2001. 15.5 x 23 cm, 240 pp. Color halftone of a lovely renaissance manuscript probably written in Ferrara around 1465. This source actually consists of two parts, a theoretical section, fols.1-50 (a tract on solmization, tones and modes and the “Libellus cantus mensurabilis” by the celebrated theorist Johannes de Muris), and a collection of polyphonic songs with Italian or French texts, fols.51-79, copied in choirbook format. The music notation for the song section—executed in solid black and red ink—figures—is unusual for this time period. The composers include Robert de Anglia (2), Galfridus de Anglia (2), John Bedyngham (3), Guillaume Dufay (8) and Gilles Joye (1). The ms features 30 decorated initials executed in gold, blue, red and green ink. Commentary and codicological remarks in Portuguese and English. Bound in dark brown cloth with embossed title. (more info... ) [item no.8594]


[Swiss songs; arr.] Recueil des principaux ranz des vaches et autres chants nationaux suisses, arrangés pour la flute.
Basel, 1979. 15 x 21 cm, 11 pp. Line-cut of the Basel, c.1850 edition. Collection of Swiss songs arranged for flute. Wrappers. $4 [item no.3643]


Recueil de pièces de viole en musique et en tablature, 1666. Fac-similé du ms M2.1.T2.17C. Case, Washington, Library of Congress. Introduction, index par Stuart Cheney.
Manuscrits, 28. Geneva, 1998. 16º, 36, 91 pp. Line-cut. The earliest dated French ms containing unaccompanied solo viol music. Contains four suites for 6-string bass viol by Dubuisson, a selection of dance pieces for treble instrument, and 25 signals for hunting horn. Concludes with a page of instructions on bowing and basic fingering technique for the viol. Preface in Eng-Fr. Wrappers. $66 [item no.1241]


[Regensburg, Bischöflichen Zentralbibliothek, Ms. A.R. 775-777] Ms. A.R. 775-777 Proske-Bibliothek Regensburg. Vorwort von Raymond Dittrich.
Faksimile-Edition Rara, 66. Stuttgart, 2015. 21 x 30 cm, 6 partbooks, vi, 718 pp, audio CD. Line-cut of one the three most precious music manuscripts in the possession of the Proske-Bibliothek of the BZB. Of a total of 120 settings Lasso is represented by 34 pieces, Alessandro Striggio by 18, along with works by Cambio, Merulo, Vaet, Clemens non Papa, Meiland, Truthaer, Verdelot, Wert, Crécquillon, Deprez, Hollander, Prenner Corteccia, Gosswinus, Faignient, Bischoff, Monte, Padovano, Utendal, Claudius, Palestrina, Langius, A. Gabrieli, Fabricius, Ruffo, & Lange. The partbook MS—Discantus, Altus, Tenor, Bassus, Vagant, Sexta Vox— carries the title “1579 - Orlandi Lassi Sexta Vocum”, a reference to the Angelo Gardano print from which the first 11 Lasso works derive. The manuscript has received the attention of a number of musicologists, Armin Brinzing for localization, dating and repertorial makeup, and Eric Fiedler for important evidence regarding wind band performing practice. Includes CD recording “In Principio - Musik der Grazer Hofkapelle” which includes a number of works from A.R.775-777. Hardbound in decorative paper, with matching slipcase. $375 (more info... ) [item no.9431]


[Rome, Biblioteca Casanatense, 2856] A Ferrarese Chansonnier: Roma, Biblioteca Casanatense 2856. “Canzoniere di Isabella d’Este”. Edited by Lewis Lockwood.
Lucca, 2002. 24.5 x 34 cm, xxxii, 1, 331 pp. Line-cut of a central Italian chansonnier once belonging to Isabella d’Este of Ferrara, Marquise of Mantua. Contains 113 works a3 and 10 a4 in choirbook format executed in a beautiful calligraphic hand. The ms provides text incipits but no text underlay. Includes works by Busnois, Agricola, Caron, Martini, Ockeghem, plus many others. Cloth. Special OMI price (regularly $430). $295 (more info... ) [item no.8124]


[Rostock, Universitätsbibl. Phil. 100/2] Rostock Liederbuch: Niederdeutsche Handschrift des 15. Jahrhunderts aus dem Bestand der Universitätsbibliothek Rostock; Das Rostocker Liederbuch nach den Fragmenten der Handschrift neu herausgegeben von F. Ranke & J.M. Müller (1927).
[=Schriften der Königsberger gelehrten Gesellschaft, 4]. Leipzig, 1987. 17 x 24, Oblong, 23 x 15 cm, 113, 5; 44 pp. 2-color halftone of the c.1475 songbook. Includes 27 monophonic pieces and 2 a2. Forms 6 concordances with the “Lochaimer Liederbuch”. Together with a reprint of the important study by Ranke and Müller-Blattau (Halle, 1927). Cloth. $64 (more info... ) [item no.1757]


[Rostock, Universitätsbibl. Phil. 100/2] Rostock Liederbuch: Niederdeutsche Handschrift des 15. Jahrhunderts aus dem Bestand der Universitätsbibliothek Rostock; Das Rostocker Liederbuch nach den Fragmenten der Handschrift neu herausgegeben von F. Ranke & J.M. Müller.
Documenta Musicologica, II/18. Kassel, 1987. 17 x 24, Oblong, 23 x 15 cm, 113, 5; 44 pp. 2-color halftone of the c.1475 songbook. Includes 27 monophonic pieces and 2 a 2. Forms 6 concordances with the “Lochaimer Liederbuch”. Together with a reprint of the important study by Ranke and Müller-Blattau (Halle, 1927). Cloth. [item no.3975]


Ryan’s Mammoth Collection: 1050 Reels and Jigs, Hornpipes, Clogs, Walk-arounds, Essences, Strathspeys, Highland Flings and Contra Dances, with Fugues, and How to Play Them by Patrick Sky. Bowing and Fingering Marked together with Forty Introductory Studies for the Violin, with Explanations of Bowing, etc.
Pacific, 1995. 4°, 176 pp. This comprehensive book is a line-cut facsimile edition of the original collection published by William Bradbury Ryan in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th c. instrumental collections as well as a resource for students of American vernacular music. Examining the cultural exchange between minstrel show, ethnic music and even classical music influenced some of the genres of what we now call American music. A special section containing historical notes and comments is included. Wrappers. $23 [item no.9089]


[Saint Gall, Stiftsbibliothek, 461] Songbook of Fridolin Sicher. Sankt Gallen, Stiftsbibliothek, Ms.461. Introduction: David Fallows.
Facsimile Series, I/A.10. Peer, 1996. 16 x 21 cm, 32, 96 pp. Halftone of a composite source copied c.1500. Contains 4 Flemish, 2 Italian and 37 French secular pieces, plus a number of mass ordinary settings and 1 motet. Composers include Agricola, Brumel, Busnoys, Compere, Isaac, Josquin, de la Rue, Obrect, Ockeghem, and others. $49 (more info... ) [item no.7150]


[Saint Gall, Stiftsbibliothek, 462] Das Liederbuch des Johannes Herr von Glarus.
Faksimile-Edition Rara, 7. Stuttgart, 1999. Oblong, 26 x 20 cm, 172, i pp. St. Gall 462 appears to be the copybook of Johannes Heer, a musician and citizen of Glarus, and student in Paris. Contains many famous chansons from the 15th and 16th centuries, lacking attributions; included among them is Josquin’s royal piece with a complete French text and marginal note at the end of the bass part “Parisius 1510 pro festo corpore”, Harbound, with vellum paper boards. $144 [item no.7735]


[Seville, Bibl. Colombina, 5-I-43] Sevilla 5-I-43 & Paris n.a. fr. 4379 (Pt. I). Facsimile Reproduction of the Manuscripts with an Introduction by Dragan Plamenac.
Publications of Mediaeval Musical Manuscripts, 8. New York, 1962. 21 x 32 cm, 6, 91 pp. Halftone on glossy paper of two late 15th-c. sources that originally formed one chansonnier. Reproduced in reduced format with 4 plates per page. Cloth. $51 [item no.1403]


[Seville, Bibl. Colombina, 7-I-28] Cancionero musical de La Colombina (Cantinelas vulgares puestas en música por varios españoles) (s. XV). Edición facsímil [por José Sierra y José Carlos Gosálvez].
Madrid, 2006. 16 x 22 cm, 220 pp. Spanish songbook copied c.1460-1480 during the reign of the Catholic kings. The MS, the work of a single scribe, is an important precursor to the Cancionero de Palacio. Once consisting of 107 folios (17 are now lost), the collection contains 95 works, primarily for 3 to 4 voices. Composers include Juan de Triana (20), Juan Comago (6), Johannes Wreede (3), Ockeghem (2), Hurtado de Xerés (2), Enrique (2), Francisco de la Torre (1), Juan de León (1), Juán Fernández de Madrid (1), Pedro de Lagarto (1), Juan Pérez de Gijón (1), Juanes (1), Belmonte (1), Móxica (1) & Rodríguez (1). Wrappers. $60 (more info... ) [item no.8832]


Siena, Biblioteca Comunale degli Intronati, MS K.I.2. Introduction by Frank A. D’Accone.
Renaissance Music in Facsimile, 17. New York, 1986. 23 x 31 cm, xiv, 442 pp. Tuscan cathedral choirbook, c.1500, containing psalms, hymns, magnificats, motets and masses by Josquin, Isaac, Obrecht and others. Cloth. $128 [item no.2301]


[Sonatas, rec, bc; Divisions, rec, bc; Duet, rec] Sonates pour une et deux fluttes. [Library of Congress, Washington, D.C.].
Musica Musica, S/22. Basel, 1983. Oblong, 4º, 80, i pp. Line-cut of the “Detroit Recorder Manuscript”. Includes 17 sonatas for recorder & bc by Gottfried Finger, James Paisible, William Williams, & Edward Finch; 2 sets of divisions on a ground bass for recorder & bc by Finger; and a recorder duet by Williams. Wrappers. $40 [item no.2278]


[Sonatas, 2 recorders] Quatorse sonates a 2 flustes dont les 6 premier sont composés par Mr. Fingher, les 6 suivants par Mr. Courtivill et les 2 derniers par Mr. Paisible.
Performers’ Facsimiles, 29. New York, [1987]. Oblong, 24 x 18 cm, 2 partbooks, 58 pp. Line-cut of the Amsterdam, c.1698 edition. Wrappers in folder. $20 [item no.1691]


[Sonatas, violin/flute, bc] Sonates a violon ou flûte traversière avec a basse. Paris 1710 . . . 1737. Pour la flûte traversière.
Archivum Musicum: L’Art de la Flûte Traversière, 24. Florence, 1983. 24 x 34 cm, iv, 108 pp. Line-cut of seven separate printed editions with works by Senaille, Leclair, Guillemain, Guignon. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $38 [item no.801]


[Strasbourg, Bibl. munic., M.222 C.22] Le manuscrit musical M.222 C.22 de la Bibliothèque de Strasbourg.
Thesaurus musicus II. Brussels, 1979. 22 x 31 cm, 8, 161 pp. 2-color line-cut of Coussemaker’s handwritten (partial) copy of a now lost 15th-c. source of Franco-Flemish polyphony. Includes a handful of German lieder. Wrappers. $95 [item no.1402]


Synopsis musicae [or The Musical Inventory. Being a Collection of the choicest and newest Ayres, Jiggs, Borrees, Alemands, Gavots, Entries, Round O’s Horn-pipes, Trumpet Tunes and Scotch Tunes, for the Recorder or Flute. To which are added several new Songs and Catches Compos’d by the most able Masters]. London/Thomas Cross 1693. [Library of Congress, Washington, DC].
Faksimile-Edition Rara, [75]. Stuttgart, 2016. Oblong, 25 x 12.5 cm, 64 pp. Line-cut of the London, 1693 edition. 24 instrumental works and 5 with texts. Attributions to James Hart and Anne Morcott. Hardbound with decorative paper boards. $27 [item no.9529]


Textes sur les instruments de musique au XVIIIe siècle.
Geneva, 1972. 8º, 242 pp. Line-cut of the Paris, 1756-1782 editions. Large number of little-known documents concerning musical instruments. Authors of booklets include P.-J. Roussier, M. de Laborde, Trouflaut, C. Moucherel, G. de Cryseul, & J.-B. Domenjoud. Hardbound. $71 [item no.3338]


[Thesaurus Musicus, book 1] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Aires, Composed for Two Flutes by Several Masters. The First Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 145. New York, [1995]. 23 x 37 cm, ii, 41 pp. Line-cut of the London, 1693 edition. Pieces by Akeroyde, Barrett, Bannister, Courteville, Finger, Keen, King, Purcell, Staggins & Tollet. Wrappers. $20 [item no.7128]


[Thesaurus Musicus, book 2] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Second Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 146. New York, [1995]. 23 x 37 cm, 43 pp. Line-cut of the London, 1694 edition. Pieces by Bannister, Bowman, Courteville, J. & S. Eccles, Finger, Hall, King, Pack, Paisible, Purcell, and others. Wrappers. $20 [item no.7193]


[Thesaurus Musicus, book 3] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Third Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 147. New York, [1995]. 23 x 37 cm, 44 pp. Line-cut of the London, 1694 edition. Pieces by Courteville, D’Urfrey, Eccles, Finger, King, Pack, Pigott, Purcell, Turner, & anonymous composers. Wrappers. $20 [item no.7194]


[Thesaurus Musicus, book 4] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Fourth Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 148. New York, [1995]. 23 x 37 cm, 36 pp. Line-cut of the London, [1695] edition. Songs by Courteville, Eccles, Finger, R. King, Pack, Pigott, Purcell, Turner and others. Wrappers. $20 [item no.7195]


[Thesaurus Musicus, book 5] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Fifth Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 149. New York, [1995]. 23 x 37 cm, 38 pp. Line-cut of the London, [1695] edition. Songs by Bannister, Eccles, Finger, Franck, King, Paisible, D. & H. Purcell, R.W., & Williams. Wrappers. $20 [item no.7196]


[Turin, Biblioteca Nazionale, J.II.9] Il codice J.II.9 /The Codex J.II.9. Torino, Biblioteca Nazionale Universitaria. Edizione in facsimile / Facsimile Edition. Studio introduttivo / Introduction Study, Isabella Data, Karl Kügle.
Ars Nova, 4. Lucca, 1999. 27 x 38 cm, 117, 320 pp. Full color facsimile in the original size of a beautiful ars subtilior source believed to be composed for the Royal Court of Cyprus. In all likelihood J.II.9 was part of the dowry brought over by Anne of Lusignon, the bride of Louis of Savoy. The MS, arranged in 5 fascicles, contains no less than 334 polyphonic and monophonic entries in this order: plainchant, polyphonic mass movements, Latin & French motets, French ballads, and virelais & rondeaux. Linen. (reg. $790) (more info... ) [item no.7202]


[Ulm, Stadtbibliothek, Schermar-Bibl. Sign. 236] 2 Ms: Brieg 1565-70/Süddeutschland 1570-75.
Faksimile-Edition Schermar-Bibliothek, Ulm, 36. Stuttgart, 1998. Oblong, 18 x 12 cm, 4 partbooks, c.550 pp. Line-cut of the two contemporary mss containing 140 southern German lieder and dance pieces. The second ms is copied on the empty folios of the first, proceeding back to front. Hardbound with slipcase. $152 [item no.7637]


[Ulm, Stadtbibliothek, Schermar-Bibl. Sign. 236] 2 Ms: Brieg 1565-70/Süddeutschland 1570-75.
Faksimile-Edition Schermar-Bibliothek Ulm, 36. Stuttgart, 1998. Oblong, 18 x 12 cm, 4 partbooks, c.550 pp. Line-cut of the two contemporary mss containing 140 southern German lieder and dance pieces. The second ms is copied on the empty folios of the first, proceeding back to front. Wrappers. $89 [item no.7638]


[Ulm, Stadtbibliothek, Schermar-Bibl. Sign. 237] Ms. Motetten, Lieder, Chanson. Brügge(?) um 1515-1538.
Faksimile-Edition Schermar-Bibliothek Ulm, 37. Stuttgart, 1998. Oblong, 15 x 10 cm, 4 partbooks, c.675 pp. Line-cut of an early 16th-c. manuscript in partbook format (discantus, altus, tenor, bassus) believed to be of Flemish provenance. Hardbound in vellum paper, with matching slipcase. $124 [item no.7664]


Uppsala, Universitetsbiblioteket, MS Vokalmusik i Handskrift 76a.
Renaissance Music in Facsimile, 19. New York, 1987. 175 pp. Halftone. Provincial songbook compiled in Southwestern France transmitting courtly chansons from the end of the 15th-c. and polyphonic arrangements of popular songs from the early 16th. Cloth. $87 [item no.2280]


Uppsala, Universitetsbibliotheket, MS Vokalmusik i Handskrift 76b. Introduction by Thomas G. MacCracken.
Renaissance Music in Facsimile, 20. New York, 1986. 23 x 31 cm, xiii, 334 pp. Halftone. One of the few survivors from early 16th-c. France. Anthology of chansons, masses and motets. Includes compositions for solo lute in a later hand. Cloth. $115 [item no.2281]


[Vienna, Österr. Nationalbibl., 18810] Wien, Österreichische Nationalbibliothek, Ms. 18810, c.1524, Collection of German Songs, etc. Introduction: Matthias Schneider.
Facsimile Series, I/A.3. Peer, 1987. Oblong, 21 x 15 cm, 5 partbooks, c.510 pp. Line-cut of the ms of Lucas Wagenrieder, Senfl’s copyist. Contains 6 motets, 49 German secular and 6 German spiritual works, 1 Italian secular work and 16 instrumental pieces. Composers include Hofhaimer, Isaac, Josquin, de la Rue, Senfl and others. Introduction by M. Schneider. Wrappers. $99 [item no.1579]


[Vienna, Österr. Nationalbibl., pal. 4809] Codex Vindobonensis Palatinus 4809.
Waiblingen, c.1997. 21 x 30 cm, 282 pp. Line-cut of a choirbook, copied c.1521-34, belonging to the Netherlands court complex. An orthographic gem, the MS contains 6 Josquin masses: De venerabili sacramento, De domina, Hercules ducis ferrarie, Malhuer me bat, Faysant regretz, In dyatessaron, Ave maris stella. Hardbound, with linen spine and paper coverboards. (Few copies remaining). $216 [item no.7357]


[Wienhausen, Klosterbibl., 9] Das Wienhäuser Liederbuch herausgegeben von Heinrich Sievers.
Wolfenbüttel, 1954. 17 x 25 cm, 2 vols: 64, 82 pp. Two-color halftone of an important 15th-c. German ms discovered by Heinrich Sievers in the early 1950s. Contains 59 songs and one rhymed prose, of which 17 have Latin texts, 6 Latin-German and 36 German. 15 songs are provided with melodies (in “Hufnagel” script), giving this ms special significance among late medieval German songbooks. These melodies are considered the oldest testimony of non-liturgical music from Lower Saxony. Handsome bibliophile binding in quarter leather. Very rare. $200 [item no.1424]


MODERN EDITIONS

Bernardi, Stefano. Motetti in cantilena a quattro voci con alcune canzoni per sonare con ogni sorte di stromenti, con il basso per l’organo. 1613. Edizione a cura di Marco Materassi, trascrizioni: Flavio Cinquetti.
Lucca, 2012. 4º, xxiv, 105 pp. Critical edition. Wrappers. $45 [item no.6972]


Bonelli, Aurelio. La Cleopatra, canzona a 8 strumenti (due cori), a cura di P. Beraldo.
Monumenta Bononiensia Excerpta, C/3. Bologna, 1967. 4º, 12 pp. Wrappers. $13 [item no.5194]


Bononcini, Giovanni. Cantate a Clori. A cura di Sara Diecii.
Musiche Italiane del Settecentro, [6]. Lucca, 2010. 4º, li, 51 pp. Critical edition. Wrappers. $37 [item no.6943]


Bononcini, Giovanni. Cantate con strumenti. vol.1 - (Biblioteca del Monumento Nazionale di Montecassino, ms. 1-C-9/2). A cura di Michele Vannelli.
Musiche Italiane del Settecentro, [5]. Lucca, 2010. 4º, xlv, 79 pp. Critical edition. Wrappers. $37 [item no.6942]


Bononcini, Giovanni. La conversione di Maddalena. Oratorio a quattro con instromenti. A cura di Raffaele Mellace.
Musiche Italiane del Settecentro, [4]. Lucca, 2010. 4º, cxiv, 110 pp. Critical edition. Wrappers. $37 [item no.6941]


Brahms, Johannes (new critical edition) Sonaten für Klavier und Violoncello, Nr.1 E-Moll Opus 38; Nr.2 F-Dur Opus 99. Sonaten für Klarinette (oder Viola) und Klavier, Nr.1 F-Moll Opus 120 Nr.1, Nr.2 Es-Dur Opus 120 Nr.2. Herausgegeben von Egon Voss und Johannes Behr.
Neue Ausgabe sämtlicher Werke, II/9. Munich, 2010. 4º, xxxvi, 185 pp. New critical edition of opus 38, 99, & 120. Cloth. $268 [item no.6907]


Caldara, Antonio. Due antifone mariane: “Salve regina”, “Te decus virgineum”. A cura di Warren Kirkendale.
Musiche Italiane del Settecentro, [9]. Lucca, 2011. 4º, xxx, 25 pp. Critical edition. Wrappers. $37 [item no.6940]


Cima, Giovan Paolo. Canzoni alla francese (1606). A cura di Elita Maule.
Monumenta Organica, B/5. Bologna, 1985. 4º, x, 38 pp. Modern edition of 16 instrumental canzoni. Preface in It. Wrappers. $18 [item no.4314]


Coferati, Matteo. “Danceries” per 2 flauti diritti contralti in fa soprano e tenore in do dalle raccolte di laudi di Matteo Coferati a cura di Federico Ghisi.
Studi e Testi di Antica Musica Toscana, B (serie didattica). Bologna, 1972. 4º, 22 pp. Practical edition of 8 selections (for F- or C-recorders). Wrappers. $13 [item no.5016]


Couperin, François (collected works edition) Musique de chambre – 1. Concerts royaux. Publiés par André Schaeffner et revues d’après les sources par Kenneth Gilbert.
François Couperin: Œuvres Complètes, IV/1. Monaco, 1980. 4º, 72 pp. Wrappers. $51 [item no.5546]


Couperin, François (collected works edition) Musique de chambre – 2. Les goûts-réünis. Publiés par André Schaeffner et revus d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/2. Monaco, 1988. 4º, 148 pp. Wrappers. $105 [item no.5547]


Couperin, François (collected works edition) Musique de chambre – 3. Les Nations. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/3. Monaco, 1987. 4º, 224, 4 partbooks: 128 pp. Wrappers. $138 [item no.5548]


Couperin, François (collected works edition) Musique de chambre – 4. Apothéose de Corelli; Apothéose de Lully; Pièces de violes; Sonades inédites. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/4. Monaco, 1992. 4º, 214, with 48 pp. Wrappers. $124 [item no.5549]


Couperin, François (collected works edition) Musique de chambre – 1-4.
François Couperin: Œuvres Complètes, IV/1-4. Monaco, 1992. 4º, 214, with 48 pp. Wrappers. $370 [item no.5564]


Croft, William. Complete Chamber Music. Edited by H. Diack Johnstone.
Musica Britannica, LXXXVIII. London, 2009. 4°. xxxvii, 104 pp. Modern edition. Hitherto unpublished, the 4 trio sonatas and 2 five-part sonatas by William Croft, which came to light in 1977, are among the most interesting and rewarding of English chamber works to have been written in the period between the trio sonatas of Purcell and those of Boyce and Arne. Possibly first heard at the concerts of the musical smallcoals man, Thomas Britton, they are complemented by 6 sonatas for 2 solo recorders, and 3 violin sonatas that are amongst the earliest printed works in this genre by an English composer. Buckram. $136 [item no.6841]


Dieupart, Charles. Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert.
Monaco, 1990. 4º, 64, 2 partbooks: 32 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542]


50 Renaissance & Baroque Standards – English Version. With Variants, Examples & Advice for Playing & Improvising on Any Instrument.
Courlay, 2007. 21 x 30 cm, 144 pp. Here, brought together for the first time, are 50 renaissance and baroque ostinato basses, songs and dances upon which composers wrote variations over the course of decades or even centuries. These pieces circulated from country to country, from one publication or manuscript to another, and also served as a basis for improvisation by performing musicians of the time. Wrappers. $28 [item no.8893]


50 Standards, Renaissance & Baroque. Avec variantes examples & conseils pour jouer & improviser sur tout instruments.
Courlay, 2007. 21 x 30 cm, 144 pp. Same as above, but French version. $30 [item no.8899]


Flori, Jacobus. Motetten en Nederlandse Polyfone Liederen / Motets and Dutch Polyphonic Songs. Leuven, 1573. Ediderunt Nele Gabriëls, Eugeen Schreurs, Maartie de Wilde, Hubert Meeus, Piet Stryckers, Demmy Verbeke.
Monumenta Flandriae Musica, 11. Peer, 2006. 4º, 139 pp. New critical edition. Collection of 24 songs for 3 voices. Hardbound. $98 [item no.6640]


Freylinghausen, Johann Anastasius. Geistreiches Gesangbuch. Edition und Kommentar. Im Auftrag der Franckeschen Stiftung zu Halle herausgegeben von Dianne Marie McMullen und Wolfgang Miersemann. Band I: Geist=reiches Gesang=Buch (Halle, vierte Ausgabe 1708). Teil 1. Text [Lied 1-395].
Tübingen, 2004. Oblong, 24 x 18 cm, 551 pp. New critical edition. Linen. $143 [item no.6641]


Freylinghausen, Johann Anastasius. Geistreiches Gesangbuch. Edition und Kommentar. Im Auftrag der Franckeschen Stiftung zu Halle herausgegeben von Dianne Marie McMullen und Wolfgang Miersemann. Band I: Geist=reiches Gesang=Buch (Halle, vierte Ausgabe 1708). Teil 2. Text [Lied 396-758].
Tübingen, 2006. Oblong, 24 x 18 cm, 641 pp. New critical edition. Linen. (in process of continuation) $188 [item no.6642]


Gabrieli, Andrea (collected works edition) Concerti di Andrea, et di Gio: Gabrieli organisti della Sereniss. Sig. di Venetia. Continenti musica di chiesa, madrigali, et altro, per voci, et stromenti musicali; à 6. 7. 8. 10. 12. et 16. . . Libro 1. et 2. . . Venezia, Angelo Gardano 1587. A cura d David Bryant. Tomo I.
Edizione Nazionale delle Opere di Andrea Gabrieli; Edizione Critica, 11/1. Milan, 1989. 4º, 319 pp. Linen. $158 [item no.5800]


Gabrieli, Andrea (collected works edition) Concerti di Andrea, et di Gio: Gabrieli organisti della Sereniss. Sig. di Venetia. Continenti musica di chiesa, madrigali, et altro, per voci, et stromenti musicali; à 6. 7. 8. 10. 12. et 16. . . Libro 1. et 2. . . Venezia,, Angelo Gardano 1587. A cura d David Bryant. Tomo II.
Edizione Nazionale delle Opere di Andrea Gabrieli; Edizione Critica, 11/2. Milan, 1989. 4º, 320 pp. Linen. $158 [item no.5801]


Gastoldi, Giovanni Giacomo. Canzonette a tre voci. Libro secondo (1595), a cura di Giuseppe Vecchi.
Biblioteca Musicale della Rinascenza: [Corpus Mensurabilis, 4]. Bologna, 1959. 8º, 34 pp. Modern edition. Collection of 10 canzonettas. Wrappers. $20 [item no.5020]


Gastoldi, Giovanni Giacomo. Canzonette a tre voci, libro primo, libro secondo. A cura di Isabella Grisanti Grassi.
Didattica della Filologia Musicale, III / “I Testi” I-2002. Lucca, 2002. 4º, xxxviii, 57 pp. Critical edition. Wrappers. $48 [item no.6378]


Goruppi, Giuliano. Christmas Carols. Elaborazioni per coro e strumenti di Giuliano Goruppi.
Milan, 2010. 4º, vii, 129 pp. Traditional Christmas carols for chorus and instruments. Contents: “Conventry Carol”, “Duck in the Hall”, “King Herod and the Cock”, “The Twelve Day of Christas:, “I Saw Three Ships”. Wrappers. $37 [item no.6937]


Locatelli, Pietro (critical edition) Dodici concerti grossi, opera I. A cura di/Edited by Agnese Pavanello.
Opera Omnia Pietro Locatelli, I. Mainz, 1998. 4º, cvii, 264 pp. New critical edition. Cloth. (price for subsription orders). $329 [item no.6018]


Locatelli, Pietro (critical edition) Dodici sonate per flauto traverso e basso, opera II. A cura di/Edited by Fulvia Morabito.
Opera Omnia Pietro Locatelli, II. Mainz, 2000. 4º, cxlvii, 143 pp. New critical edition. Cloth. (price for subsription orders). $219 [item no.6270]


Locatelli, Pietro (critical edition) Sei introduzioni teatrali e sei concerti, opera IV. A cura di/Edited by Anna Cattoretti & Livia Pancino.
Opera Omnia Pietro Locatelli, IV. Mainz, 1997. 4º, cliii, 291 pp. New critical edition. Cloth. (price for subscription orders). $392 [item no.6019]


Locatelli, Pietro (critical edition) Sei sonate a tre per due violini o due flauti e basso, opera V. A cura di/Edited by Piera Federici.
Opera Omnia Pietro Locatelli, V. Mainz, 1994. 4º, xlix, 67 pp. New critical edition. Cloth. (price for subscription orders). $103 [item no.6020]


Locatelli, Pietro (critical edition) Composizioni senza numero d’opera. A cura/Edited by Albert Dunning.
Opera Omnia Pietro Locatelli, IX. Mainz, 1999. 4º, lxxxv, 63 pp. New critical edition. Contents: Sonata in sol minore (CsNO 1), Sinfonia in fa minore (CsNO 2), Concerto in la maggiore (CsNO 3), Concerto in mi maggiore (CsNO 4). Cloth. (price for subscription orders). $125 [item no.6220]


Locatelli, Pietro (critical edition) Catalogo tematico, lettere, documenti & Iconografia. A cura di/Edited by Albert Dunning.
Opera Omnia Pietro Locatelli, X. Mainz, 2001. 4º, xxxvi, 257 pp. New critical edition. Cloth. (price for subscription orders). $215 [item no.6312]


Marais, Marin (new edition of instr. works) Pièces en trio pour les flûtes, violon & dessus de viole (1692). Edited by John Hsu.
Marin Marais, The Instrumental Works, 6. New York, 2001. 4º, xvii, 153 pp. Cloth. $150 [item no.6319]


Ortiz, Diego. Tratado de glosas. Edited by Annette Otterstedt. Translated by Hans Reiners.
Kassel, 2003. Oblong, 25 x 16 cm, 126 pp. Complete edition in modern notation with a selection of line-cut reproductions. Introduction and translation in Ger-Sp-It-Eng. Hardbound. $58 [item no.8362]


[Petrucci] Ottaviano Petrucci. Canti B numero cinquanta. Venice, 1502. Edited by Helen Hewitt with an Introduction by Edward E. Lowinsky. Texts Edited and Annotated by Morton W. Briggs. Translated by Norman B. Spector.
Monuments of Renaissance Music, II. Chicago, 1967. 27 x 37 cm, xvii, 242 pp. Critical edition. Cloth. Mint condition. $225 [item no.6860]


Quantz, Johann Joachim. Trattato sul flauto traverso a cura di Sergio Balestracci.
Musica Ragionata, 4. Lucca, 1992. 12º, xxiii, 456, 24 pp. Quantz’s “Versuch einer Einleitung, die Flöte” zu spielen translated for the first time in Italian from a manuscript in G.B. Martini’s library. Wrappers. $34 [item no.5611]


Rameau, Jean-Philippe (opera omnia) Pièces de clavecin en concerts. Édition de Denis Herlin et Davitt Moroney.
Rameau Opera Omnia, ser.1, v.2, Musica Gallica. Paris, 1996. 4º, li, 137, 3 parts pp. New critical edition. Cloth, plus 3 partbooks in wrappers. $259 [item no.5974]


Schubert, Franz (complete chamber works) Sämtliche Kammermusik-Werk im Taschenbuch.
Kassel, 1996. 8º, 3 vols, ca.1724 pp. Reprint of the complete chamber works of Schubert as published in the NSA. Wrappers. $114 [item no.5875]


Telemann, Georg Philipp (urtext edition) Partita I, C Major [after TWV 41:B1]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 61. Hereford, 1999. 4º, Wrappers. $10 [item no.6202]


Telemann, Georg Philipp (urtext edition) Partita II, B-Flat Major [after TWV 41:G2]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 62. Hereford, 1999. 4º, Wrappers. $10 [item no.6203]


Telemann, Georg Philipp (urtext edition) Partita II, E Minor [after TWV 41:c1]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 63. Hereford, 1999. 4º, Wrappers. $10 [item no.6204]


Telemann, Georg Philipp (urtext edition) Partita IV, C Minor [after TWV 41:g1]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 64. Hereford, 1999. 4º, Wrappers. $10 [item no.6205]


Telemann, Georg Philipp (urtext edition) Partita V, A Minor [after TWV 41:e1]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 65. Hereford, 1999. 4º, Wrappers. $10 [item no.6206]


Telemann, Georg Philipp (urtext edition) Partita VI, G Major [after TWV 41:Es1]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 66. Hereford, 1999. 4º, Wrappers. $10 [item no.6207]


Telemann, Georg Philipp (urtext edition) Overture, G Major [TWV 55:G11]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 68. Hereford, 1999. 4º, Wrappers. $14 [item no.6210]


Telemann, Georg Philipp (urtext edition) Overture, E Minor [TWV 55:e6]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 71. Hereford, 1999. 4º, Wrappers. $14 [item no.6216]


Telemann, Georg Philipp (urtext edition) Overture, E-flat Major [TWV 55:Es5]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 72. Hereford, 1999. 4º, Wrappers. $15 [item no.6218]


Telemann, Georg Philipp (urtext edition) Overture, E-flat Major [TWV 55:Es5]. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 72b. Hereford, 1999. 4º, Wrappers. $38 [item no.6219]


Telemann, Georg Philipp (urtext edition) Sonata in B-Flat Major [TWV 41:B8] for Violin and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 91. Hereford, 2001. 4º. Wrappers. $21 [item no.6767]


Telemann, Georg Philipp (urtext edition) Concerto in D Major [TWV 55:D16] for Violin, Three Violas (or Two Violins, Two Violas) and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 93. Hereford, 2004. 4º. Wrappers. $31 [item no.6768]


Telemann, Georg Philipp (urtext edition) Concerto in G Major [TWV 51:G2] for Oboe (or Flute) Two Violins, Viola, Viola and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 95. Hereford, 1998. 4º. Wrappers. $28 [item no.6769]


Telemann, Georg Philipp (urtext edition) Suite in F Major [TWV 55:F16]. for Two Horns, Bassoon, Two Violins, Viola and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 97. Hereford, 2002. 4º. Wrappers. $47 [item no.6770]


Telemann, Georg Philipp (urtext edition) Overture in G Minor [TWV 55:g9]. for Two Oboes, Bassoon, Two Violins, Viola and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 98. Hereford, 2003. 4º. Wrappers. $53 [item no.6771]


Telemann, Georg Philipp (urtext edition) Overture in D Major [TWV 55:D23] for Two Flutes, Bassoon, Two Violin, Viola and Basso Continuo (Fanfare, TWV50:44 with Horn in D, ad lib.). Edited by Ian Payne.
Severinus Urtext Telemann Edition, 99. Hereford, 2004. 4º. Wrappers. $66 [item no.6772]


Telemann, Georg Philipp (urtext edition) Divertimento in A Major [TWV 50:22] for Two Violins, Viola and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 100. Hereford, 2004. 4º. Wrappers. $27 [item no.6773]


Telemann, Georg Philipp (urtext edition) Divertimento in B-Flat Major [TWV 50:23] for Two Violins, Viola and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 101. Hereford, 2004. 4º. Wrappers. $27 [item no.6774]


Telemann, Georg Philipp (urtext edition) Overture L’Omphale. E Minor [TWV 55:e8] for Two Violins, Viola and Basso Continuo (Two Oboess and Bassoon ad lib.). Edited by Ian Payne.
Severinus Urtext Telemann Edition, 124. Hereford, 1999. 4º. Wrappers. $39 [item no.6775]


Telemann, Georg Philipp (urtext edition) 2 Sonatinas in E Minor and E Major [TWV 41:e3+E4].. Nos I and VI from Neue Sonatinen [1730/1] for Violin (or Flute) and Basso Continiuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 135. Hereford, 2005. 4º. Wrappers. $16 [item no.6776]


Telemann, Georg Philipp (urtext edition) 2 Sonatinas in C Minor and A Minor [TWV 41:c2+a4]. Nos II and V from Neue Sonatinen [1730/1] for Treble Recorder, Bassoon or Violoncello and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 136. Hereford, 2006. 4º. Wrappers. $23 [item no.6777]


Telemann, Georg Philipp (urtext edition) 2 Sonatina in D Major and G Major [TWV 41:D7+G7].. Nos III and IV from Neue Sonatinen [1730/1] for Violin (or Flute) and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 137. Hereford, 2005. 4º. Wrappers. $18 [item no.6778]


Telemann, Georg Philipp (urtext edition) Overture Burlesque de Quixotte G Major [TWV 55:G10] for Two Violins, Viola and Basso Continuo. Edited by Ian Payne.
Severinus Urtext Telemann Edition, 140. Hereford, 2006. 4º. Wrappers. $35 [item no.6779]


[Trecento] Instrumental Music of the Trecento. A Critical Edition of the Instrumental Repertoire of the Manuscript London, British Library, Add. 29987. Edited by Martin van Schaik and Christiane Schima.
Utrecht, 1997. 8º, 54 pp. Transcription of 15 trecento instrumental/dance pieces, which forms a unique corpus included in the manuscript Lo. Introduction & bibliography. Wrappers. $24 [item no.5972]


[Trios, wind] D. Milhaud: Suite d’après Corrette, op.161 (1937); H. Sauguet: Trio (1946); J. Canteloube: Rustiques (1946).
Monaco. 4º, 3 parts, 80 pp. Scored for oboe, clarinet & bassoon. Portfolio. $55 [item no.5551]


[Trios, wind] J. Ibert: Cinq pièces en trio (1935); G. Auric: Trio (1938); H. Barraud: Trio (1935); Daniel-Lesur: Suite (1939).
Monaco. 4º, 3 parts, 100 pp. Scored for oboe, clarinet & bassoon. Portfolio. $55 [item no.5552]


[Trios, wind] Mozart: Cinq divertissements K.439. Transcription par Fernand Oubradous.
Monaco. 4º, 3 parts, 96 pp. Scored for oboe, clarinet & bassoon. Portfolio. $55 [item no.5553]


Vivaldi, Antonio (new edition) Vivaldi. Opera omnia instrumental. [Edited by] Olivier Fourés.
Madrid, 2010 - . New acclaimed critical edition of the complete instrument works of Antonio Vivaldi, score and parts. 174 volumes published to date. Scores only also available. Please inquire. (more info... ) [item no.6809]


Vivaldi, Antonio (new edition) Concerti per traversiere RV 431 e RV 432. Edizione critica a cura di Federico Maria Sardelli.
Antonio Vivaldi, Opere Incomplete, Edizione Critica, 1. Florence, 2001. 8º, xiv, 37 pp. New critical edition of the score prepared under the auspices of the Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi. Preface in It-Eng. Wrappers. $27 [item no.6368]


Vivaldi, Antonio (new edition) Concerti per fagotto. Concerti per fagotto. RV 468 e RV 482. Edizione critica a cura di Federico Maria Sardelli.
Antonio Vivaldi, Opere Incomplete, Edizione Critica, 2. Florence, 2002. 8º, New critical edition of the score prepared under the auspices of the Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi. Preface in It-Eng. Wrappers. $28 [item no.6421]


Weill, Kurt (collected edition) Chamber Music. Edited by Wolfgang Rathert and Jürgen Selk.
The Kurt Weill Edition, II/1. New York, 2004. 30 x 39 cm, 2 vols, 192, 107 pp. The first volume of Weill’s chamber works edited in critical edition. Contents: String Quartet in B Minor, String Quartet op.8, Sonata for Violin and Piano, Frauentanz: Sieben Gedichte des Mittelalter, op.10 (voice, fl, vla, cl, hn, bsn), Ick sitze da_un esse Klops (voice, 2 pic, bsn). Cloth. (Subscribers to the series receive a substantial savings). $335 (more info... ) [item no.6527]


MONOGRAPHS

Alker, Hugo. Blockflöten Bibliographie. I - Systematischer Teil; II - Alphabetischer Teil.
Wilhelmshaven, 1985. 8º, 2 vols, 611 pp. Comprehensive bibliography of editions that include the recorder. Cloth. $75 [item no.6140]


Allain-Dupre, Philippe. Les flûtes de Claude Rafi, fleustier lyonnais au XVIe siècle. Historique, description, tailles, esthéthique.
Instruments Historiques: Monographies d’Instruments, Facteurs et Luthiers. Courlay, 2000. 8º, 55 pp. Wrappers. $16 [item no.6316]


Beroaldo, F. Nuptiae bentivolorum (1480).
Biblioteca Storico Giuridica e Artistico Letteraria: Letteratura Musica Teatro, 101 (= Studi e Testi Bolognesi, 1). Bologna, 1977. 8º, 32 pp. Wrappers. $11 [item no.5134]


Bruni, Antonio Bartolomeo. Un inventaire sous la Terreur. Etat des instruments de musique relevé chez les émigrés et condamnés. Introduction, notices biographiques et notes par J. Gallay.
Geneva, 1984. 8º, 280 pp. Line-cut of the Paris, 1890 edition. Inventories harpsichords, fortepianos, violins, violas, flutes, guitars, harps, etc. seized from the homes of emigrants in an official report in 1794. Includes names of makers and sometimes the date of the instruments. Wrappers. $76 [item no.4247]


Caporaletti, Vincenzo. I processi improvvisativi nella musica. Un approccio globale.
Quaderni di Musica/Realtà, 54. Lucca, 2005. 8˚, xii, 508 pp. Wrappers. $48 [item no.6585]


Cattin, Giulio. Il manoscritto Veneto Marciano Ital. IX 145.
Biblioteca di “Quadrivium”, Serie Musicologica, 3. Bologna, 1962. 8º, 68, with 7 illus pp. Study and inventory of a 14-15th c. composite ms. Contains 97 works all, including mass movements by Dufay & Binchois and numerous anonymous sequences, introits and laudi. Wrappers. $15 [item no.5046]


Chouquet, Gustave. Le Musée du Conservatoire avec les Ier, IIe et IIIe suppléments par Léon Pillaut. Introduction et index par Florence Gétreau. [Par] Gustave Chouquet.
Geneva, 1993. 8º, 20, 475, 36 pp. Line-cut of the Paris, 1884, 1894, 1899, & 1903 editions. The only surviving descriptive catalog of this magnificent instrument collection. Wrappers. New index. $136 [item no.5607]


Esses, Maurice. Dance and Instrumental Diferencias in Spain during the 17th and Early 18th Centuries. Volume I: History and Background, Music and Dance; II: Musical Transcriptions; III: The Notes in Spanish and Other Languages from the Sources.
Stuyvesant, 1992. 4º, 3 vols, 881, 678, 161 pp. Volumes 1 & 2 hardbound, volume 3 in wrappers. $202 [item no.6004]


Fabbri, Rossella. Cesare Ciardi. Un flautista toscano alla corte dello zar.
Akademos. Lucca, 1999. 8º, xii, 138 pp. Wrappers. $24 [item no.6266]


Guizzi, Febo. Gli strumenti della musica popolare in Italia.
Alia Musica, 8. Lucca, 2002. 8º, lviii, 502 pp. Invaluable survey of popular instruments in use in Italy, ranging from percussion, wind and plucked instruments to various noise makers. Numerous drawings and plates. Wrappers. $72 [item no.6431]


Jeltsch, Jean. La clarinette à six clés. Un jeu de clarinettes du facteur parisien Jean-Jacques Baumann par Jean Jeltsch.
Instruments Historiques: Monographies d’Instruments, Facteurs et Luthiers. Courlay, 1997. 8º, 57 pp. Wrappers. $16 [item no.5981]


Lasocki, David. A Time of Questioning. Proceedings of the Early Double Reed Symposium, Utrecht 1994. Edited by David Lasocki.
Utrecht, 1997. 8º, 291 pp. Contributions by Michel Piguet, Keith Polk, Beryl Kenyon de Pascual, Rob van Acht, Bruce Haynes, Geoffrey Burgess, Douglas Kirk, Wolfgang Reich, Marc Ecochard, Paul J. White and Paul Hailperin. Wrappers. $44 [item no.6517]


Pucciarelli, Franco. Flauto e musica, volume I.
Bologna, 1984. 8º, 76 pp. Wrappers. $19 [item no.5001]


Runge, Paul. Die Sangesweisen der Colmarer Handschrift und die Liederhandschrift Donaueschingen herausgegeben von Paul Runge.
Leipzig. 1896 4˚, xx, 200 pp. Unbound in loose signatures. Rare. $95 [item no.6419]


Salvetti, Guido. Musica strumentale dell’Ottocento italiano a cura di Guido Salvetti.
Quaderni del Corso di Musicologia del Conservatorio “G. Verdi” di Milano, 3 – 1995. Lucca, 1997. 8º, 193 pp. Articles by Marino Pessina, Raffaella Valsecchi, & Marina Vaccarini Gallarani. Wrappers. $26 [item no.6107]


Santucci, Pellegrino. L’improvvisazione nella musica.
Bologna, 1982. 4º, ix, 851 pp. Exhaustive study on the doctrine of improvisation with special emphasis on Italian musical practice from the Renaissance and Baroque periods. Hundreds of line-cut facsimiles from various treatises arranged by subject and discussed in detail. Wrappers, in 2 vols. $168 [item no.5012]


Savart, Félix. Mémoire sur la construction des instruments à cordes et à archet. Lu à l’Académie des Sciences, le 31 mai 1819. Suivi du rapport qui en a été fait aux deux Académies des Sciences et des Beaux-Arts, par MM Haüy, Charles, de Prony, Cherubini, Catel, Berton, Le Sueur, Biot rapporteur.
Geneva, 1972. 8º, 128 pp. Line-cut of the Paris, 1819 edition. Wrappers. $40 [item no.3327]


Schreurs, Eugeen. An Anthology of Music Fragments from the Low Countries (Middle Ages–Renaissance). Polyphony, Monophony and Slate Fragments in Facsimile.
Facsimile Series, I/A.11. Peer, 1995. 23 x 33 cm, xxiv, 132, 4 pp. Full-color reproductions of fragments of medieval and renaissance music and music theory uncovered in the archives and libraries of the Low Countries. The mainly polyphonic music fragments include compositional sketches and didactic drafts as well as simple polyphony, sacred and secular monophony and slate fragments. Introduction in Flem-Eng. Linen. $123 (more info... ) [item no.7166]


Sibire, Sébastien-André. La chélonomie, ou le parfait luthier.
Geneva, 1984. 16º, 164 pp. Line-cut of the Paris, 1823 edition. Wrappers. $40 [item no.3329]


Spanhove, Bart. The Finishing Touch of Ensemble Playing. With a Historical Chapter by David Lasocki. A Flanders Recorder Quartet Guide for Recorder Players and Teachers.
Peer, 2000. 4º, 85 pp. Wrappers. $28 [item no.6304]


Toscani, Claudio. Sull’improvvisazione, a cura di Claudio Toscani.
Quaderni del Corso di Musicologia del Conservatorio “G. Verdi” di Milano, 4. Lucca, 1998. 8º, 150 pp. Articles by Claudio Toscani, Mariateresa Muttoni, Maria Grazia Sità, Andrea Estero and Alberto Mauriello. Wrappers. $26 [item no.6233]