Susato. 26 chansons musicales et nouvelles a 5 (CEM 1)
Vingt et six chansons musicales et nouvelles à cinq parties. Anvers. T. Susato (1543). _☟

Corpus of Early Music, 1. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.120 pp. Line-cut of the Antwerp, 1543 edition. Superius, contratenor, tenor, & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1376]

Susato. Le 1. livre des chansons à 4 parties (CEM 2)
Premier livre des chansons à quatre parties. Anvers. T. Susato, 1543. _☟

Corpus of Early Music, 2. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.120 pp. Line-cut of the Antwerp, 1543 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1377]

Susato. Le 2. livre des chansons à 4 parties (CEM 3)
Le second livre des chanso(n)s à quatre parties. Anvers. T. Susato, 1544. _☟

Corpus of Early Music, 3. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.120 pp. Line-cut of the Antwerp, 1544 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1378]

Susato. Le 3. livre des chansons à 4 parties (CEM 4)
Le tiers livre des chansons à quatre parties composées par . . . Thomas Crecquillon. Anvers. T. Susato, 1544. _☟

Corpus of Early Music, 4. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.120 fasc pp. Line-cut of the Antwerp, 1544 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1379]

Susato. Le 4. livre des chansons à 4 parties (CEM 5)
Le quatriesme livre des chansons à quatre parties. Anvers. T. Susato, 1544. _☟

Corpus of Early Music, 5. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.120 pp. Line-cut of the Antwerp, 1544 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1380]

Susato. Le 5. livre contenant 32 chansons (CEM 6)
Le cincquiesme livre contena(n)t trente & deux chansons à cinq et à six parties. Anvers. T. Susato, 1544. _☟

Corpus of Early Music, 6. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.120 pp. Line-cut of the Antwerp, 1544 edition. Superius, contratenor, tenor, bassus, quinta & sexta parts in their original format. Binding in vellum paper. Slipcase. [item no.1381]

Susato. Le 6. livre contenant 31 chansons (CEM 7)
Le sixiesme livre contenant trente & une chansons nouvelles à cinq et à six parties. Anvers, T. Susato, 1543. _☟

Corpus of Early Music, 7. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.192 fac pp. Line-cut of the Antwerp, 1543 edition. Superius, contratenor, tenor, quinta & sexta parts in their original format. Binding in vellum paper. Slipcase. [item no.1382]

Susato. Le 7. livre contenant 24 chansons (CEM 8)
Le septiesme livre contenant vingt & quatre chansons à cinq et à six parties. Anvers, T. Susato, 1545. _☟

Corpus of Early Music, 8. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.192 pp. Line-cut of the Antwerp, 1545 edition. Superius, tenor, contratenor, bassus, quinta & sexta parts in their original format. Binding in vellum paper. Slipcase. [item no.1383]

Susato. Le 8. livre des chansons à 4 parties (CEM 9)
Le huitiesme livre des chansons à quatre parties. Anvers, T. Susato, 1545. _☟

Corpus of Early Music, 9. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.128 pp. Line-cut of the Antwerp, 1545 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1384]

Susato. Le 9. livre des chansons à 4 parties (CEM 10)
Le neufiesme livre des cha(n)sons à quatre parties composée par . . . Pier Manchicourt. Anvers, T. Susato, 1545. _☟

Corpus of Early Music, 10. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.128 pp. Line-cut of the Antwerp, 1545 edition. Superius, contratenor, tenor & bassus parts in their original format. Binding in vellum paper. Slipcase. [item no.1385]

Susato. Le 10. livre contenant la bataille (CEM 11)
Le dixiesme livre contenant la bataille à quatre de Clément Jannequin. Anvers, T. Susato, 1545. _☟

Corpus of Early Music, 11. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.96 pp. Line-cut of the Antwerp, 1545 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1386]

Susato. Le 11. livre contenant 29 chansons (CEM 12)
L’unziesme livre contenant vingt & neuf cha(n)sons amoureuses à quatre parties. Anvers, T. Susato, 1549. _☟

Corpus of Early Music, 12. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.128 pp. Line-cut of the Antwerp, 1549 edition. Superius, contratenor, tenor & bassus parts in their original format. Bound in vellum paper. Slipcase. [item no.1387]

Susato. Le 12. livre contenant 30 chansons (CEM 13)
Le douziesme livre contena(n)t trente cha(n)so(n)s amoureuses à cinq parties. Anvers, T. Susato, 1550. _☟

Corpus of Early Music, 13. Brussels, 1970. Oblong, 23 x 18 cm, 5 partbooks, c.160 pp. Line-cut of the Antwerp, 1550 edition. Superius, contratenor, tenor, bassus & quinta parts in their original format. Bound in vellum paper. Slipcase. [item no.1388]

Susato. Le 13. livre contenant 22 chansons (CEM 14)
Le treziesme livre contena(n)t vingt & deux cha(n)sons nouvelles à 6 et à huyt parties. Anvers, T. Susato, 1550. _☟

Corpus of Early Music, 14. Brussels, 1970. 23 x 18 cm, 5 partbooks, c.160 pp. Line-cut of Antwerp, 1545 edition. Superius, contratenor, tenor, bassus & quinta parts in their original format. Bound in vellum paper. Slipcase. [item no.1389]

Susato. Le 14. livre à 4 livre, Anvers, 1555 (CEM 15)
Le quatoirsiesme livre a quatre parties contenant dixhuyct chansons italiennes, six chansons francoises, & six motetz, par Rolando di Lassus. Anvers, T. Susato, 1555. _☟

Corpus of Early Music, 15. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.160 pp. Line-cut of the Antwerp, 1555 edition. Superius, contratenor, tenor & bass parts in their original format. Bound in vellum paper. Slipcase. [item no.1390]

Clemens non. Souterliedekens I (CEM 16)
Souterliedekens I. Het vierde musyck boexken mit dry parthien. Tantwerpen, T. Susato, 1556. _☟

Corpus of Early Music, 16. Brussels, 1970. Oblong, 23 x 18 cm, 3 partbooks, c.144 pp. Line-cut of the Antwerp, 1556 edition. Superius, tenor & bassus parts in their original format. Binding in vellum paper. Slipcase. [item no.1357]

Clemens non. Souterliedekens II (CEM 17)
Souterliedekens II. Het vyfde musyck boexken mit dry parthien. Tantwerpen, T. Susato, 1556. _☟

Corpus of Early Music, 17. Brussels, 1970. Oblong, 23 x 18 cm, 3 partbooks, c.144 pp. Line-cut of the Antwerp, 1556 edition. Superius, tenor & bassus parts in their original format. Binding in vellum paper. Slipcase. [item no.1358]

Clemens non. Souterliedekens III (CEM 18)
Souterliedekens III. Het seste musyck boexken mit dry parthien. Tantwerpen, T. Susato, 1556. _☟

Corpus of Early Music, 18. Brussels, 1970. Oblong, 23 x 18 cm, 3 partbooks, c.132 pp. Line-cut of the Antwerp, 1556 edition. Superius, tenor & bassus parts in their original format. Binding in vellum paper. Slipcase. [item no.1359]

[Phalèse]. Musica divina di XIX autori illustri (CEM 19)
Musica divina di XIX autori illustri. Anverse, P. Phalesio & G. Bellero, 1583. _☟

Corpus of Early Music, 19. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.430 pp. Line-cut of the Antwerp, 1583 edition. Canto, alto, tenore, basso, quinto & sesto parts, in mensural notation, in the original format. Bound in vellum paper, with slipcase. [item no.1368]

[Phalèse]. Harmonia celeste di diversi musici (CEM 20)
Harmonia celeste di diversi eccellentissimi musici. Anverse, P. Phalesio & G. Bellero, 1583. _☟

Corpus of Early Music, 20. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.430 pp. Line-cut of the Antwerp, 1583 edition. Canto, alto, tenore, basso, quinto & sesto parts, in mensural notation, in the original format. Bound with vellum paper. Slipcase. [item no.1369]

[Phalèse]. Symphonia angelica de diversi autori (CEM 21)
Symphonia angelica de diversi eccellentissimi autori. Anverse, P. Phalesio & G. Bellero, 1585. _☟

Corpus of Early Music, 21. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.430 pp. Line-cut of the Antwerp, 1585 edition. Canto, alto, tenore, basso, quinto & sesto parts, in mensural notation, in the original format. Bound in vellum paper, with slipcase. [item no.1373]

[Phalèse]. Melodia olympica de diversi musici (CEM 22)
Melodia olympica de diversi eccellentissimi musici a IV. V. VI. et VIII. voci, raccolta da Pietro Philippi. Anverse, P. Phalesio & G. Bellero, 1591. _☟

Corpus of Early Music, 22. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.430 pp. Line-cut of the Antwerp, 1591 edition. Canto, alto, tenore, basso, quinto & sesto parts, in mensural notation, in the original format. Binding in vellum paper, with slipcase. [item no.1370]

[Phalèse]. Il vago alboreto di madrig. et canz. (CEM 23)
Il vago alboreto di madrigali et canzoni a quattro voci. Anverse, P. Phalesio, 1597. _☟

Corpus of Early Music, 23. Brussels, 1970. Oblong, 23 x 18 cm, 4 partbooks, c.224 pp. Line-cut of the Antwerp, 1597 edition. Canto, tenore alto & basso parts, in mensural notation, in the original format. Bound in vellum paper, with slipcase. [item no.1371]

Van d.Wielen. Cantiones natalitae (CEM 24)
Cantiones natalitae quatuor & quinque tam vocibus quam instrumentis decantane . . . Antverpiae, haeredes P. Phalesii, 1665. _☟

Corpus of Early Music, 24. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, each with c.27 pp. Line-cut of the Antwerp, 1665 edition. Praecentur/canto primus, cantus secondus, altus, tenor, bassus, bassus continuus parts in their original format. Binding in vellum paper. Slipcase. [item no.1372]

Lassus. Psalmi Davidis poenitentiales (CEM 25)
Psalmi Davidis poenitentiales. Monachii, A. Berg, 1584. _☟

Corpus of Early Music, 25. Brussels, 1970. Oblong, 23 x 18 cm, 5 partbooks, c.440 pp. Line-cut of the Munich, 1584 edition. Discantus, altus, tenor, bassus & quinta vox parts in their original format. Binding in vellum paper. Slipcase. [item no.1362]

[Gardano]. Le dotte et eccellente compositioni (CEM 26)
[Madrigals] Le dotte et eccellente compositioni dei madrigali a cinque voci, insieme con altri madrigali de varii autori, novamente ristampati & ricorretti . . . Venetia, A. Gardano, c.1538. _☟

Corpus of Early Music, 26. Brussels, 1970. Oblong, 23 x 18 cm, 5 partbooks, c.160 pp. Line-cut of Venice, 1538 edition. Cantus, altus, tenor, bassus & quintus parts in their original format. Works by Arcadelt, Berchem, Corteccia, Festa, Imola, and Verdelot. Bound in vellum paper. Slipcase. [item no.1351]

Monte. Il primo libro de madrigali spirituali (CEM 27)
[Madrigals, a6, book 1] Il primo libro de madrigali spirituali a sei voci. Venetia, Angelo Gardano, 1583. _☟

Corpus of Early Music, 27. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.192 pp. Line-cut of the Venice, 1583 edition. 29 settings for 6 voices. Slipcase. [item no.1320]

Monte. Il secondo libro de madrigali spirit. (CEM 28)
[Madrigals, a6 & 7, book 2] Il secondo libro de madrigali spirituali a sei, & sette voci. Venetia, Angelo Gardano, 1589. _☟

Corpus of Early Music, 28. Brussels, 1970. Oblong, 23 x 18 cm, 6 partbooks, c.144 pp. Line-cut of the Venice, 1589 edition. Altogether 22 settings, 14 a6 and 8 a7. Canto, alto, tenore, basso, quinto & sette parts in their partbook format. Bound in vellum paper. Protective slip case. [item no.1321]

Gardano. Dialoghi mus. di diversi ecc. autori (CEM 29)
Dialoghi musicali di diversi eccelentissimi autori. Venetia, A. Gardano, 1590. _☟

Corpus of Early Music, 29. Brussels, 1970. 18 x 23 cm, 12 partbooks, c.850 pp. Line-cut of the Venice, 1590 edition. Canto, alto, tenore, basso, quinto, sesto, settima . . . & duodecima parts in their original format. Bound in vellum paper. Slipcase. [item no.1324]

Gastoldi. Balletti a 5 voci (1593) (CEM 30)
Balletti a cinque voci. Venetia, R. Amadino, 1593. _☟

Corpus of Early Music, 30. Brussels, 1970. 18 x 23 cm, 5 partbooks, c.120 pp. Line-cut of the Venice, 1593 edition. Canto, alto, tenore, basso & quinto parts in their original format. Bound in vellum paper. Slipcase. [item no.1325]

Album of Marguerite of Austria, Ms 228 (FS I/A.1)
[Brussels, Bibl. Royale Albert I, 228] Album de Marguerite d’Autriche. Brussel, Koninklijke Bibliotheek, Ms. 228. Introduction: Martin Picker. _☟

Facsimile Series, I/A.1. Peer, 2/ 1997. 26 x 37 cm, viii, 135 pp. Halftone of the “large” songbook of Marguerite, compiled between 1516 and 1523. 2 pages in full color. Polyphonic settings for 3 to 6 voices, including 40 chansons, 1 Flemish song, 10 works in Latin, and 7 with French and Latin texts. Cloth. [item no.2345]

Brussels, Bibl. Roy. Albert 19.606 Rotulus (FS I/A.2)
[Brussels, Bibl. Royale Albert I, 19606] Brussels, Koninklijke Bibliotheek Albert I, Ms. 19.606 Rotulus, Early 14th Century. _☟

Facsimile Series, I/A.2. Peer, 1990. 1 scroll, 139 x 18 cm, Full-color halftone of a scroll from the end of the ars antiqua and beginning of the ars nova. Contains 9 motets and 1 conductus, all for 3 voices. 3 works may be by Philippe de Vitry. In protective sleeve. [item no.1578]

Coll. of German Song. Vienna ÖNB 18810 (FS I/A.3)
[Vienna, Österr. Nationalbibl., 18810] Wien, Österreichische Nationalbibliothek, Ms. 18810, c.1524, Collection of German Songs, etc. Introduction: Matthias Schneider. _☟

Facsimile Series, I/A.3. Peer, 1987. Oblong, 21 x 15 cm, 5 partbooks, c.510 pp. Line-cut of the ms of Lucas Wagenrieder, Senfl’s copyist. Contains 6 motets, 49 German secular and 6 German spiritual works, 1 Italian secular work and 16 instrumental pieces. Composers include Hofhaimer, Isaac, Josquin, de la Rue, Senfl and others. Introduction by M.Schneider. Wrappers. [item no.1579]

Chansonnier of Marg. of Austria, Ms 11239 (FS I/A.4)
[Brussels, Bibl. Royale Albert I, 11239] Chansonnier of Marguerite of Austria. Brussel, Koninklijke Bibliotheek, Ms. 11 239. Introduction: Martin Picker. _☟

Facsimile Series, I/A.4. Peer, 1988. 14 x 20 cm, viii, 70 pp. Halftone. From the workshop of Petrus Alamire. Begins with 4 “Regretz”-chansons, obviously highly regarded by Marguerite. Chansons by Brumel, Josquin, Isaac, de la Rue, Agricola, Ockeghem, and others. Hardbound. [item no.2802]

Choirbook.. Burgundian Court Chapel, Ms 5557 (FS I/A.5)
[Brussels, Bibl. Royale Albert I, 5557] Choirbook of the Burgundian Court Chapel. B-Brussels, Bibliothèque Royale, Ms. 5557. Introduction: R.C. Wegman. _☟

Facsimile Series, I/A.5. Peer, 1989. 24 x 32 cm, viii, 272 pp. Halftone of the choirbook written and used by the Burgundian Court Chapel in Bruges. The 12 gatherings date from 1462-66 and 1480. Contains 11 masses, 3 magnificats, 1 hymn and 7 motets by Busnois, Dufay, Frye, Ockeghem and others. Cloth. $112 (more info... ) [item no.2801]

Chansonnier.. H. Lauweryn van Watervliet (FS I/A.6)
[London, British Library, add. 35087] Chansonnier of Hieronymus Lauweyn van Watervliet. London, British Library, Ms. Add. 35 087. Introduction: William McMurtry. _☟

Facsimile Series, I/A.6. Peer, 1989. 20 x 30 cm, xii, 190 pp. Halftone. Commissioned around 1505 by Lauweryn, Lord of Watervliet and Poortviet, and active at the courts of Maximilian, Philip the Good and Margaret of Austria. Copied c.1505, possibly in Bruges. Contains 36 French chansons, 25 songs in Dutch, 1 motet-chanson, 14 Latin and 2 Italianworks. Composers include Agricola, Compère, Mouton, and Josquin. Cloth. [item no.2804]

Florence, B. Conser. 2439, Basevi Codex (FS I/A.7)
Florence, Biblioteca del Conservatorio, Ms. 2439, “Basevi Codex”. Introduction: Honey Meconi. _☟

Facsimile Series, I/A.7. Peer, 1991. 24 x 17 cm, viii, 212 pp. Halftone. Important anthology of 87 secular works in mensural notation and choirbook format. Copied between 1506 and 1514 in the Flemish scriptoria of Brussels and Mechelen. Besides 56 French pieces, there are 8 motet-chansons, 3 mass fragments, 9 motets and 7 Flemish works. 4 pagespresenting the coats of arms of the patron family are reproduced in full color. Hardbound. $67 (more info... ) [item no.3891]

Hildegard. Symphonia harmoniae cael. (FS I/A.8)
Symphonia harmoniae caelestium revelationum. Dendermonde, St.-Pieters & Paulusabdij, Ms. Cod. 9. Introduction: Peter van Poucke. _☟

Facsimile Series: I/A.8. Peer, 1991. 21 x 31 cm, xvi, 36 pp. Full-color halftone of the music portion (f.153-170) of a unique source written at the Rupertsberg scriptorium c.1175 under Hildegard’s supervision and sent to the Cistercian abbey of Villers in the province of Brabant in Belgium approximately that same year. Known as the “Dendermonde”ms, and slightly shorter than the “Riesen” codex—but no less authoritative—it consists of a liturgical cycle with antiphons, responsories, sequences, hymns, a Kyrie and an Alleluia. Interestingly, Hildegard refers to all these pieces as “symphonies of the harmony of celestial revelations”; its overall structure consists of an overarchingcelestial, semi-celestial and earthly hierarchy. Hardbound in linen with embossed titles. $109 (more info... ) [item no.3893]

Cambrai, Bibl. Municipale, Ms.11 (FS I/A.9)
Cambrai, Bibliothèque Municipale, Ms.11. Introduction: Liane Curtis. _☟

Facsimile Series, I/A.9. Peer, 1992. 21 x 31 cm, 120 pp. 2-color halftone. Copied 1442-1445 by Simon Mellet (one of the dominant figures of the scriptorum at the Cambrai cathedral), this important ms contains six compositions by Dufay, one by Benet, Power or Dunstable, five by Binchois, one by Franchois(?) and five anonymous works. Hardbound.$147 (more info... ) [item no.4190]

Songbook of Fr. Sicher. St. Gall, SB 461 (FS I/A.10)
[Saint Gall, Stiftsbibliothek, 461] Songbook of Fridolin Sicher. Sankt Gallen, Stiftsbibliothek, Ms.461. Introduction: David Fallows. _☟

Facsimile Series, I/A.10. Peer, 1996. 16 x 21 cm, 32, 96 pp. Halftone of a composite source copied c.1500. Contains 4 Flemish, 2 Italian and 37 French secular pieces, plus a number of mass ordinary settings and 1 motet. Composers include Agricola, Brumel, Busnoys, Compere, Isaac, Josquin, de la Rue, Obrect, Ockeghem, and others. $59 (more info... ) [item no.7150]

Schreurs. Anthology of Music Fragments (FS I/A.11)
Schreurs, Eugeen. An Anthology of Music Fragments from the Low Countries (Middle Ages–Renaissance). Polyphony, Monophony and Slate Fragments in Facsimile. _☟

Facsimile Series, I/A.11. Peer, 1995. 23 x 33 cm, xxiv, 132, 4 pp. Full-color reproductions of fragments of medieval and renaissance music and music theory uncovered in the archives and libraries of the Low Countries. The mainly polyphonic music fragments include compositional sketches and didactic drafts as well as simple polyphony, sacred andsecular monophony and slate fragments. Introduction in Flem-Eng. Linen. $123 (more info... ) [item no.7166]

Bologna Q18, Civico Museo Bibl. Mus. [FS I/A.12]
[Bologna, Museo Internazionale e Biblioteca della Musica, Q18] Bologna Q18, early 16th c. Civico Museo Bibliografico Musicale (olim 143). Introduction: Susan Forscher Weiss. _☟

Facsimile Editions of Prints and Manuscripts, [12]. Peer, 1998. Oblong, 24 x 18 cm, 48, 187 pp. Line-cut of an early 16th-c. chansonnier created in Bologna, with works by Isaac, Josquin, Compère, Tromboncino and others. 93 works (with text incipits but no text underlay), suitable for vocal and or various instrumental combinations. Cloth. $72 [item no.7799]

Choirbook for Philip the Fair, Ms 9126 (FS I/A.13)
[Brussels, Bibl. Royale Albert I, 9126] Choirbook for Philip the Fair and Juana of Castile, c.1505-6. Brussel, Koninklijke Bibliotheek, MS.9126. Introduction: Fabrice Fitch. _☟

Facsimile Editions of Prints and Manusripts [=Facsimile Series, I/A.13]. Peer, 2000. 24 x 34 cm, 13, 360 pp. Halftone of an important source of sacred polyphony copied at the Netherlands court and apparently intended for Philip the Fair, archduke of Austria and King of Castile, and his wife Juana the Mad, both of whom are depicted on the firstopening. Contains 18 masses by Josquin, De la Rue, & Agricola as well as Salve regina settings, magnificats, & motets. Cloth. [item no.7876]

Gardano. Musiche fatte n. nozze d. duca (FS I/B.1)
Musiche fatte nelle nozze dello illustrissimo Duca di Firenze il Signor Cosimo de Medici et della illustrissima consorte sua Mad. Leonora da Toledo. [Österr. Nationalbibl., Vienna]. _☟

Facsimile Series: I/B.1. Peer, 1984. Oblong, 22 x 16 cm, 5 partbooks, 122 pp. Line-cut of the Venice edition, 1539. 15 madrigals and 1 motet in 4 to 9 parts by Corteccia, Festa, Moschini, Rampollini and Masaconus. Composed in honor of Cosimo de Medici’s marriage to Leonora of Toledo. Interesting for its instrumental indications (lute, crumhorn,viol, cornetto, traverso, gravecimbalo, etc.). Wrappers. [item no.1278]

Livre septieme, dat is het boeck (FS I/B.2)
Livre septième, dat is het boeck van de zanghkunst . . . met 4 stemmen te zingen: en opnieuw verrykt met verscheyden stukken, a 2. 3. 4. en 5, stemmen, door D.J. Swelingh . . . en andere voorname Autheuren. [Rijksarchief, Haarlem; Archief van de hervormde kerk, classis Alkmaar]. _☟

Facsimile Series, I/B.2. Peer, 1984. Oblong, 22 x 16 cm, 4 partbooks, 224 pp. Line-cut of the Amsterdam, 1644 edition. Popular anthology of chansons, madrigals, and Dutch songs. Works by Sweelinck, Clemens non Papa, Cricquillon, Sandrin, Dirk, etc. Wrappers. [item no.1363]

[Scotto]. Villancicos de diversos autores (FS I/B.3)
[“Cancionero de Uppsala”] Villancicos de diversos autores, a dos, y a tres, y a quatro, y a cinco bozes, agora nuevamente. [Universitetsbibliotek, Uppsala]. _☟

Facsimile Series, I/B.3. Peer, 1984. 15 x 21 cm, 134 pp. Line-cut of the Venice 1556 edition. Wrappers. [item no.1352]

Attaignant. Vingt et six chansons a 4, 1534 (FS I/B.4)
[Chansons, a4, voices/instruments (1534)] Vingt et six chansons musicales a quatre parties. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series, I/B.4. Peer, 1984. Oblong, 17 x 11 cm, 4 partbooks, c.128 pp. Line-cut of the Paris, 1534 edition. Chansons by Jannequin, de Sermisy, Certon, Heurteur, and others, to be sung or played on several instruments. Wrappers. [item no.1291]

Ghibel. Il primo libro de madrigale a 3 (FS I/B.5)
Il primo libro de madrigale a tre voci a note negre. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series: I/B.5. Peer, 1984. Oblong, 21 x 16 cm, 3 partbooks, c.90 pp. Line-cut of the Gardano edition, Venice, 1552. Wrappers. [item no.1326]

Castro. Chansons, sonets, stanses, etc. (FS I/B.6)
Chansons, sonets, stanses et epigrammes a deux parties. Livre second. [Bibl. Royal, Brussels]. _☟

Facsimile Series, I/B.6. Peer, 1984. Oblong, 21 x 16 cm, 2 partbooks, c.60 pp. Line-cut of the Phalèse edition, Antwerp, 1610. Adds to “Sonets, chansons a deux parties” published in the same year. Introduction in Flem-Eng by Liesbet Vereertbrugghen. Wrappers, with slipcover. $1 [item no.1355]

Rore. 1. libro de madrigali cromatici a 5 (FS I/B.7)
[Madrigals, a5, book 1, 1593] Il primo libro de madrigali cromatici a cinque voci, Venetia, Angelo Gardano, 1593. Introduction: Greta Haenen. [Bibl. Royale, Brussels]. _☟

Facsimile Series, I/B.7. Peer, 1986. Oblong, 21 x 16 cm, 5 partbooks, c.200, xii pp. Line-cut of the Gardano, 1593 edition. 14 settings. Introduction in Flem-Eng. Wrappers in slipcover. [item no.1374]

[Gardano]. Fantasie recercari contrap. a3 (FS I/B.8)
Fantasie recercari contrapunti a tre voci di M. Adriano & de altri autori appropriati per cantare & sonare d’ogni sorte di stromenti. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series: I/B.8. Peer, 1986. Oblong, 21 x 16 cm, 18, 3 partbooks, c.94 pp. Line-cut of the Venice, 1559 edition. Includes 2 Regina celi by Willaert and Rore and instrumental trios in strict contrapuntal style. Introduction in Flem-Eng by Ignace Bossuyt. Wrappers. [item no.1264]

Attaignant. Vingt et sept chansons 1533 (FS I/B.9)
[Chansons, a4, voices/instruments (1533)] Vingt et sept chansons musicales a quatre parties a la fleuste dallemant . . . et la fleuste a neuf trous. Paris, Pierre Attaingnant, 1533. Introduction: Dirk Snellings. [Bayerische Staatsibibl., Munich]. _☟

Facsimile Series, I/B.9. Peer, 1986. Oblong, 16 x 11 cm, xxxiv, 4 partbooks, c.128 pp. Line-cut of the Paris, 1533 edition. 28 chansons for German flutes or recorders, or both. Since Attaingnant has left the lyrics in, a vocal performance is also possible. Introduction in Flem-Eng. Wrappers, in slipcover. [item no.746]

Castro. Sonets, chansons a 2, 1. livre (FS I/B.10)
Sonets, chansons a deux parties. Livre premier. [Bibl. Royale, Brussels]. _☟

Facsimile Series, I/B.10. Peer, 1986. Oblong, 21 x 17 cm, x, 2 partbooks, c.60 pp. Line-cut of the Phalèse edition, Antwerp, 1610. Duets to be sung or played (or both) on instruments. Introduction in Flem-Eng by Liesbet Vereertbrugghen. Wrappers, in slipcover. $28 [item no.1354]

Faignient. Chansons, madrigals & motetz (FS I/B.11)
Chansons, madrigales & motetz a quatre, cincq & six parties. Anvers, vefve de Iean Laet, 1568. Introduction: Eugeen Schreurs. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series: I/B.11. Peer, 1986. Oblong, 20 x 15 cm, 5 partbooks, c.209, xvi pp. Line-cut of the Antwerp, 1568 edition. 44 works, including chansons, madrigals and motets. 5 polyphonic songs with Dutch texts and a beautiful parting song, “Adieu Anvers, adieu la noble ville”. Introduction in Fle-Eng. Wrappers. $30 [item no.1360]

[Phalèse]. Bicinia, sive cantiones suav. (FS I/B.13)
Bicinia, sive cantiones suavissimae duarum vocum, tam divinae musices tyronibus, quam eiusdem artis peritioribus magno usui futurae, nec non & quibusuis instrumentis accommodae: ex praeclaris huius aetatis authoribus collectae. Introduction: Piet Stryckers. [Bibl. Royale, Brussels]. _☟

Facsimile Series, I/B.13. Peer, 1987. Oblong, 22 x 17 cm, 2 partbooks, x, 160 pp. Line-cut of the Antwerp, 1609 edition. Contains 46 duos in mensural notation by a wide range of Italian and Flemish masters including Lasso, Lupacchino, Tasso, Josquin, Pevernage, and Verdonck. Introduction in English. Wrappers, with slipcover. [item no.1580]

Moy. Le petit boucquet de frise orientale (FS I/B.14)
Le petit boucquet, de frise orientale, contenant quelques chansonnettes musicales pour toucher du luth join deux violes de gambas parmy les vois: et autres padvanes pour le luth et violons communs. Introduction: M. Jape [Universitätsbibl., Rostock]. _☟

Facsimile Series, I/B.14. Peer, 1987. 14 x 21 cm, 142 pp. Line-cut of the 1631 edition. Contains French chansons for soprano, bass and lute (French tablature), 1 Dutch polyphonic song and pavanes for descant and bass viol with lute accompaniment. Hardbound. $41 [item no.1581]

Matthysz. Kon. Fantasien Op 3 Fioolen (FS I/B.15)
[Fantasies, 3 viols] XX Konincklycke Fantasien, om op 3 Fioolen de Gamba en ander Speel-tuigh te gebruycken gestelt door de Konstige engelse Speel-meesters, T. Lupo, I. Coprario, W. Daman, en noch IX Fantasien, om met 3 Fioolen de Gamba en ander Speel-tuyghte gebruycken. Introduction: Rudolf Rasch. [Universitetsbibl., Uppsala]. _☟

Facsimile Series, I/B.15. Peer, 1987. 17 x 22 cm, 3 partbooks, 11, 152 pp. Line-cut of the Amsterdam, 1648 edition. Contains 29 fantasias for viola da gamba by Lupo, Gibbons, Coprario and Daman. Introduction in Eng. Wrappers with slipcover. $42 [item no.1582]

Werrecore. Bataglia taliana con alcune (FS I/B.16)
La bataglia taliana con alcune villotte piacevole nouvamente con ogni diligentia sftampate et corrette. Introduction: Ignace Bossuyt. [Herog August Bibl., Wolfenbüttel]. _☟

Facsimile Series, I/B.12. Peer, 1987. Oblong, 21 x 14 cm, 4 partbooks, 13, 108 pp. Line-cut of the Gardano, 1549 edition. Pieces for four voices by the Flemish composer Werrecore, including “La bataglia taliana”, celebrating the defeat of the French in the battle of Pavia in 1525. Introduction in Eng. Wrappers with slipcover. $38 [item no.1583]

Susato. Het tvueetste musyck boexken (FS I/B.17)
Het tvueetste musyck boexken. Introduction: Eugeen Schreurs. [Bibl. Jagiellońska, Krakow]. _☟

Facsimile Series, I/B.17. Peer, 1987. Oblong, 20 x 15 cm, 4 partbooks, 9, c.128 pp. Halftone of the Antwerp, 1551 edition. Recently rediscovered collection of 27 Dutch songs, intended to be sung or played on various instruments. Composers include Appenzeller, Baston, Clemens non papa, Ghiselin, Hellinck, Souliaert, & Susato. Wrappers, withslipcase. [item no.1584]

Susato. Het derde musyck boexken (FS I/B.18)
Het derde musyck boexken (Alderhande danserye). Introduction: Herman Baeten. [Bibl. Jagiellońska, Krakow]. _☟

Facsimile Series: I/B.18. Peer, 1987. Oblong, 20 x 15 cm, 4 partbooks, 9, 128 pp. Line-cut of the Antwerp, 1551 edition. Includes dances, rondes, almaines, pavans and galliards by Susato himself. Many pieces have subtitles: “Les grands douleurs”, “Mille ducas en vostre bource”, etc. The oldest known printed source of dance music in theNetherlands. Wrappers, with slipcase. [item no.1585]

Clemens non. Souterliedekens IIII (FS I/B.19)
Souterliedekens, IIII. Het sevenste musyck boexken mit dry partien, waer inne begrepen syn XXIX psalmen van David (met meer ander geestelycke lofsangen wt der beiligher Schrift) . . . seer lustich om singen ter eeren Gods. Introduction: Ignace Bossuyt. [Bibl. Jagiellońska, Krakow]. _☟

Facsimile Series, I/B.19. Peer, 1987. Oblong, 20 x 15 cm, xiv, 3 partbooks, 134 pp. Line-cut of the fourth and last volume of the Souterliedekens, based on the recently discovered partbooks (superius, tenor, bassus) found in the Biblioteka Jagiellońska, Kracow. 29 psalm settings. Introduction in Eng. Wrappers, in slipcase. $43 [item no.1586]

Susato. Het ierste musyck boexken (FS I/B.20)
Het ierste musyck boexken. Introduction: Eugeen Schreurs. [Bibl. Jagiellońska, Krakow]. _☟

Facsimile Series, I/B.20. Peer, 1989. Oblong, 20 x 15 cm, xii, 4 partbooks, c.128 pp. Line-cut of the Antwerp, 1551 edition. Polyphonic collection of happy, melancholic, ironic and narrative love songs in Dutch. To be sung and played on all kinds of instruments. Wrappers, in slipcase. $46 [item no.2805]

Moderne. Musicque de joye (FS I/B.21)
Musicque de joye. Lyon. Introduction: Samuel F. Pogue. [Universitätsbibl., München]. _☟

Facsimile Series, I/B.21. Peer, 1991. Oblong, 22 x 16 cm, 4 partbooks: xiii, 160 pp. Line-cut of the Lyon, 1550 edition. A reworked and enlarged edition of Musica nova, 1540 (to the 21 four-part ricercars, 29 French dances were added). For “violons a fleutes” and “espinets”. Includes 13 keyboard works of Da Modena, as well as works by Parabosco,Cavazzoni, Willaert, Coste, Benoist and others. Wrappers. $36 [item no.3894]

Phalèse. Chorearum molliorum (FS I/B.22)
Chorearum molliorum. Introduction: Henri Vanhulst. [Universitäts- & Stadtbibl., Cologne]. _☟

Facsimile Series, I/B.22. Peer, 1991. Oblong, 21 x 15 cm, 4 partbooks: xx, 280 pp. Line-cut of the 1583 edition. Chorearum molliorum collectanea—”collection of pleasant dances”—is a dance anthology of 104 pieces a4 notated in mensural notation. All popular dance forms are represented: pavans, passamezzi, allemandes, galliards, branles, etc. Alsoknown as the “Antwerp Dance Book”. Wrappers. [item no.3895]

Lasso. Il primo libro de motetti a 5 & 6 (FS I/B.23)
[Motets a5-6, book 1] Il primo libro de motetti [a cinque et a sei voci]. Einführung: Horst Leuchtmann. [Staatsbibl. zu Berlin, Musikabteilung]. _☟

Facsimile Series, I/B.23. Peer, 1993. Oblong, 8º, 5 partbooks, 16, 154 pp. Line-cut of the Johannes Laet edition, Antwerp, 1556. Lasso dedicated this work–also known as the “Antwerp Motet Book”–to Antoine Perrenot de Granville, Bishop of Arras and Secretary of State of Charles V. Contains 18 motets, some of which were undoubtedly written inItaly, but clearly rewritten in Antwerp. Wrappers, with slipcover. $40 [item no.4191]

Vivaldi. Il cimento dell’armonia (FS II/1)
[Concerti, vln, strgs, “Cimento dell’armonia”, op.8] Il cimento dell’armonia e dell’inventione. Concerts a 4 e 5. Opera ottava, libro primo/Libro secondo. Introduction: Greta Haenen. [Conservatoire Royal, Brussels & Bibl. Nationale, Paris]. _☟

Facsimile Series, II/1. Peer, 1991. 22 x 28 cm, 5 partbooks: c.160; vi pp. Halftone of the Le Cène edition, Amsterdam, 1725. Wrappers. $48 [item no.3900]

Monteverdi. Sanctissimae virgini missa (FS II/2)
[Mass a6, Magnificat, & Vespers] Sanctissimae virgini missa senis vocibus ad ecclesiarum choros ac vesperae pluribus decantandae. Introduction: Greta Haenen. [Civico Museo Bibliogra Musicale, Bologna]. _☟

Facsimile Series, II/2. Peer, 1992. 8 partbooks, 460 pp. Line-cut of the R. Amadino edition, Venice, 1610. Magnificent collection of choral music, including the Mass for 6 voices–“in illo tempore”–2 versions of the Magnificat, and the Vespro della beata vergine. Wrappers, in 8 vols. $114 (more info... ) [item no.4195]

Corelli. Sonatas for Viol & bc, ms (FS III/1)
[Sonatas, violin, bc, op.5; arr.] Sonatas for Viol and basso continuo. F-Paris, Bibliothèque Nationale, Ms. Vm7 6308. _☟

Facsimile Series, III/1. Peer, 1989. Oblong, 32 x 23 cm, x, 86 pp. Line-cut of a contemporary ms copy of op.5, carefully transcribed for viola da gamba. Contains altogether 11 sonatas, rounded off by the variations La follia. Wrappers. [item no.3202]

Hummel. Potpourri pour le clavecin & guit. (FS III/2)
[Potpourri, harpsichord, guitar, op.53] Potpourri pour le clavecin avec accomp. de guitarre Op: 53. Introduction: Peter Pieters. [Österr. Nationalbibl., Vienna]. _☟

Facsimile Series, III/2. Peer, 1989. Oblong & upright, 33 x 24 cm, ii, 13 pp. Line-cut of the Vienna, c.1815 edition. Contains fragments from Jean de Paris, La Vestale, Don Juan, etc. Wrappers with folder. $8 [item no.2808]

Molino. 1.2.& 3. nocturne p. piano & guit.(FS III/3)
[Nocturnes, guitar, piano, op.36, 44 & 57] Premier, second et troisième nocturne pour piano et guitarre, Opus 36, 44 & 57. Introduction: Peter Pieters. [Bibl. Nationale, Paris]. _☟

Facsimile Series, III/3. Peer, 1989. 4º, 3 books, i, 46 pp. Line-cut of the Paris, c.1825-29 editions. Wrappers, in folder. $11 [item no.2777]

Loeillet. Lessons.. Harpsichord/Spinnet (FS III/4)
[Lessons, harpsichord, c.1712] Lessons for the Harpsichord or Spinnet. Almands, Corants, Sarabands, Airs, Minuets, Jiggs. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/4. Peer, 1989. Oblong, 35 x 23 cm, 16 pp. Line-cut of the D. Wright edition, London, c.1712. Wrappers. $18 [item no.2809]

Loeillet. 6 Suits of Lessons for the Harps. (FS III/5)
[Lessons (suites), harpsichord, c.1723] Six Suits of Lessons for the Harpsicord or Spinnet in Most of the Key’s with Variety of Passages and Variations Throughout the Work. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/5. Peer, 1989. 22 x 31 cm, 56 pp. Line-cut of the Walsh edition, London, c.1723. Wrappers. $18 [item no.2817]

Loeillet. Sonatas or Solos for Flute, op.1 (FS III/6)
[Sonatas, recorder, bc, op.1] Sonatas or Solos for a Flute with a Thorough Bass for the Harpsicord or Bass Violin. Parte Prima. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/6. Peer, 1989. 24 x 35 cm, 54 pp. Line-cut of the Walsh upright edition, London, c.1710. Wrappers. [item no.3165]

Loeillet. 12 Sonatas or Solos for Flute, op.2 (FS III/7)
[Sonatas, recorder, bc, op.2] XII Sonatas or Solos for a Flute with a Thorough Bass for the Harpsicord or Bass Violin. Opera Secunda. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/7. Peer, 1989. 25 x 35 cm, 47 pp. Line-cut of the Walsh upright edition, London, 1714. Wrappers. $16 [item no.2810]

Loeillet. 12 Sonatas or Solos for Flute, op.4 (FS III/8)
[Sonatas, recorder, bc, op.4] XII Sonatas or Solos for a Flute with a Thorough Bass for the Harpsicord or Bass Violin. Opera Quarta. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/8. Peer, 1989. 25 x 35 cm, 46 pp. Line-cut of the Walsh edition, London, 1716. Wrappers. [item no.2816]

Dumont. Motets a II. III. & IV. parties (FS III/9)
Motets a II. III. et IV. parties pour voix et instruments avec la basse-continue. Introduction: José Quitin. [Conservatoire Royal, Brussels & Bibl. Nationale, Paris]. _☟

Facsimile Series, III/9. Peer, 1989. 18 x 24 cm, 5 partbooks, viii, 410 pp. Line-cut of the Christophe Ballard edition, Paris 1681. Contains 37 motets (often with violin accompaniment & basso continuo), and 3 instrumental “symphonies”. Three of the motets can be performed by double choir. Wrappers. $62 [item no.2793]

Maldere. 6 Sonatas for 2 Violins & bc (FS III/10)
[Sonatas, 2 violins, bc, no.30] VI Sonatas for Two Violins with a Bass for the Harpsicord or Violoncello, No XXX. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/10. Peer, 1989. 4º, 3 partbooks, 34 pp. Line-cut of the London, 1756 edition. Music by an important virtuoso in the service of Duke Charles of Lorraine. Wrappers in folder. $16 [item no.2711]

Chamber Music for Lute, Viol, etc.(FS III/11)
Chamber Music for Lute, Viol and Wind Instruments. Brussels, Bibliothèque Royale, Ms. II 4089. Introduction: Greta Haenen. _☟

Facsimile Series, III/11. Peer, 1991. 4º, 208 pp. Line-cut. Contains lute solos and chamber music for a variety of instruments (transverse flute, viola da gamba, oboe, violin, cello). Composers include Blohm, Lauffensteiner, Pichler, Bleditsch, Johann Michael, Kühnel, and others. Wrappers. [item no.3892]

Bach,CPE. 2 sonate a vdg, cote 5634 (FS III/12)
[Sonatas, viol, bc, Wq.136-137/H.558-559] Due sonate a viola di gamba e basso. Introduction: Greta Haenen. [Ms. Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/12. Peer, 1991. 4º, 18 pp. Line-cut. Wrappers. $15 [item no.3890]

Beethoven. Grande sonate.. piano op.22 (FS III/13)
[Sonata, piano, no.11, op.22, Bb major] Grande sonate pour le piano forte, œuvre XXII. Vienne/Leipsic, Hoffmeister/Bureau de Musique, 1802. Introduction: Greta Haenen. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/13. Peer, 1991. 4º, 24 pp. Line-cut of the Hoffmeister, 1802 edition. Wrappers. $16 [item no.3896]

Isaac. Coralis constantini, primus tomus (FS III/14)
Coralis constantini, primus tomus. Introduction: Edward R. Lerner. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series, III/14. Peer, 1991. 8º, 4 partbooks: xii, 540 pp. Line-cut of the H. Formschneider edition, Nuremberg, 1550. The first collection of polyphonic settings of the proprium for the whole liturgical year. Composed for the Hapsburg Royal Chapel. Senfl, Isaac’s pupil, is credited with completing some of the unfinished compositions.Wrappers, & slipcase. $75 (more info... ) [item no.3897]

Isaac. Coralis constantini, tomus secondus (FS III/15)
Coralis constantini, tomus secundus. Introduction: Edward R. Lerner. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series, III/15. Peer, 1993. Oblong, 19 x 16 cm, 4 partbooks, xii, 536 pp. Line-cut of the Formschneider edition, Nuremberg, 1555. Wrappers, & slipcase. $75 (more info... ) [item no.4192]

Isaac. Choralis constantini, tertius tomus (FS III/16)
Choralis constantini, tertius tomus. Introduction: Edward R. Lerner. [Bayerische Staatsbibl., Munich]. _☟

Facsimile Series, III/16. Peer, 1995. Oblong, 19 x 16 cm, 4 partbooks, xii, 724 pp. Line-cut of the Formschneider edition, Nuremberg, 1555. Wrappers, & slipcase. $95 (more info... ) [item no.4193]

Mertz. Complete Duets for Guitar & Piano (FS III/17)
[Duets, guitar, piano] Duetten für Guitarre und Pianoforte. Unterhaltende Tonstücke verschiedenen Characters. Mazurka, Barcarole, Divertissement, Einsiedlers Waldglocklein, Wasserfahrt am Traunsee. Introduction: Peter Pieters. [Det Kongelige Bibl., Copenhagen]. _☟

Facsimile Series, III/17. Peer, 1991. 4º, 2 parts, 52, i pp. Line-cut of the Jos. Aibl edition, Munich, 1852-53 & 1864. Not written for standard guitar with E pitch, but a terz-guitar, a smaller instrument, tuned a minor third higher. Wrappers, in portfolio. $18 [item no.3898]

Molino. Grande ouverture, grande sonate (FS III/18)
Grande ouverture, grande sonate, Robin & Adair, God Save the King. Pour guitare. Op.17, 51, 58 & 59. Introduction: Peter Pieters. [Bibl. Nationale, Paris]. _☟

Facsimile Series, III/18. Peer, 1991. 4º, 40, i pp. Line-cut of the Paris, c.1825 & c.1826-29 editions. One of the most celebrated guitarists of the 19th c., along with Carulli and Carcassi. Wrappers. $18 [item no.3899]

Baron. Music for the Lute (FS III/19)
Music for the Lute. Ernst Gottlieb Baron & Sylvius Weiss. Introduction: Andreas Schlegel. [Koninklijke Bibl., Brussels, ms. II 4087, formerly private library of F.J. Fétis, 2912]. _☟

Facsimile Series, III/19. Peer, 1992. 23 x 33 cm, 10, 97 pp. Halftone of a c.1770 ms transmitting music in French lute tablature, for 12- to 13-course lute of the music of Ernst Gottlieb Baron and Sylvius Leopold Weiss. 10 fascicles with folder. $34 [item no.4194]

Jenkins. Divisions for Two Bass Viols (FS III/20)
Divisions for Two Bass Viols. Introduction: Piet Stryckers. [Bodleian Library, Oxford]. _☟

Facsimile Series, III/20. Peer, 1993. 4º, 2 partbooks, 28 pp. The main ms source for Simpsons’s duo-divisions, together with three similar pieces by his fellow violist-composer, John Jenkins. Wrappers. [item no.4501]

Abel. Music for Viola da Gamba Solo (FS III/21)
[Pieces, viol] 27 Pieces for the Viola da Gamba. New York Public Library, Ms Drexel 5871. Introduction: Walter Knape. _☟

Facsimile Series, III/21. Peer, 1993. Oblong, 30 x 24 cm, 25 facs, i pp. Line-cut of a contemporary ms copy signed by the former player or scribe: “Joseph Coggins, 8. April 1801”. Wrappers. [item no.4502]

Kühnel. Sonate/partite ad 1-2 vdg (FS III/22)
[Sonatas, viols, bc] Sonate o partite ad una o due viole da gamba, con il basso continuo. [Landesbibl. & Murhard’sche Bibl. der Stadt Kassel]. _☟

Facsimile Series, III/22. Peer, 2/ 1996. 21 x 31 cm, 3 partbooks, 56 pp. Line-cut of the Kassel, 1698 edition. Contains 6 sonatas for 2 viols & bc and 8 sonatas for 1 viol & bc, a dance, and sonata and variation forms. Wrappers. $36 [item no.1209]

Schenck. Tyd en Konst-Oeffeningen, op.2 (FS III/23)
[Sonatas, bass viol, bc, op.2] Tyd en Konst-Oeffeningen . . . Opera seconda. [Bodleian Library, Oxford]. _☟

Facsimile Series, III/23. Peer, 2/ 1995. 21 x 27 cm, 2 partbooks: xii, 60 pp. Line-cut of the Amsterdam, 1688 edition. 15 sonatas for solo bass viol and bc which stand midway between the French suite and the Italian sonata. Introduction in Dut-Eng by Piet Stryckers. Wrappers in a slip folder. [item no.1232]

Ives. Duets for 2 Bass Viols, BL add.31424 (FS III/25)
Duets for Two Bass Viols. London, British Library, Ms. Add. 31424. _☟

Facsimile Series, III/25. Peer, 1997. Oblong, 8º, 3 partbooks, 80, ii pp. Line-cut of a contemporary ms copy. Contains 9 duets, 2 fantasias and 6 ayres. In addition, there are two anonymous fantasias and works of John Ward (1571-1638). Introduction by Piet Stryckers. Wrappers. [item no.7152]

Krähmer. 100 Übungsstücke für Csakan (FS III/26)
[100 Übungsstücke, recorder, op.31] 100 Übungsstücke für den Csakan (Recorder). 31tes Werk. _☟

Facsimile Series, III/26. Peer, 1997. 4º, 30, i pp. Line-cut of the Diabelli edition, Vienna, 1837. Introduction by Patrick Denecker. Wrappers. $20 [item no.7560]

Telemann. Sonate metodiche à vln solo, 1 (FS IV/1)
[Sonate metodiche, violin/flute, bc, op.13, part 1, works w/o TWV] Sonate metodiche à violino solo ò flauto traverso, opera XIII. Introduction: Jan De Winne. [Conservatoriumbibl., Brussels]. _☟

Facsimile Series, IV/1. Peer, 1992. 4º, 42 pp. Line-cut of the composer’s edition, Hamburg, 1728. First six of twelve “methodical” sonatas with slow introductions in two versions, one basic and the other highly ornamented. Indispensable historical document on the art of ornamentation. Wrappers. $16 [item no.4196]

Birnstiel. Musikalisches Allerley (FS IV/2)
Musikalisches Allerley von verschiedenen Tonkünstlern. 1ste, 2te, 3te, 4te, 5te, 6te, 7te, 8te, 9te Sammlung. Introduction: Greta Haenen. [Conservatoriumbibl., Brussels]. _☟

Facsimile Series, IV/2. Peer, 1992. 4º, 302 pp. Line-cut of the Berlin, 1761-63 edition. In 1728 Telemann began, with Geteuer Music-Meister, a trend in musical editions published by installments that catered to both professional and amateur musicians. Musikalisches Allerley is the leadingserial and one of the first of such from Berlin, offeringthe newest works for keyboard instruments and songs with keyboard accompaniment. Among the 30+ composers featured are CPE Bach, Kirnberger, Marpurg & Schale. Wrappers. $43 [item no.4197]

Sonates (3) pour le clavecin (FS IV/3)
[Sonatas, keyboard] Trois sonates pour le clavecin ou piano-forte composés par Mademoiselle Edelman, Monsieur Darondeau & Monsieur Pin. Introduction: Paul Raspé. [Conservatoriumbibl., Brussels]. _☟

Facsimile Series, IV/3. Peer, 1992. 4º, i, 17 pp. Line-cut of the C.G. Hilscher edition, Leipzig, 1787. Wrappers. $14 [item no.4198]

Airs a 2 chalumeaux, 2 trompettes, etc. (FS IV/4)
Airs a deux chalumeaux, deux trompettes, deux haubois, deux violons, deux flutes, deux clarinettes ou cors de chasse. Introduction: Paul Raspé. [Wq 5606, Bibl. Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, IV/4. Peer, 1992. Oblong, 22 x 13 cm, 2 partbooks, 94 pp. Line-cut of a unique collection of 78 duos for different instruments. Wrappers. $18 [item no.4199]

50 airs anglois dont les 20 premiers (FS IV/5)
[Airs anglois, book 1] 50 airs anglois dont les 20 premiers sont à dessus seul les 10 suivants à 2 dessus & les 20 derniers à un dessus & une basse. Choisis & mis en ordre par George Bingham. Introduction: Paul Raspé. [Wq 5526, Bibl. Conservatoire de Musique, Brussels]. _☟

Facsimile Series, IV/5. Peer, 1992. Oblong, 22 x 13 cm, 2 partbooks, 54 pp. Line-cut of a rare print published in two volumes, one with 20 airs for solo recorder and the other for two recorders. Wrappers. $15 [item no.4200]

40 airs anglois & trois sonates, 2. livre (FS IV/6)
[Airs anglois, book 2] 40 airs anglois & trois sonates. Livre second. Introduction: Paul Raspé. [Wq 5527, Bibl. Conservatoire de Musique, Brussels]. _☟

Facsimile Series, IV/6. Peer, 1993. Oblong, 22 x 13 cm, 2 partbooks, 70 pp. Line-cut of the Roger & Le Cène edition, Amsterdam, n.d. Wrappers. $15 [item no.4496]

40 airs anglois, 3. livre (FS IV/7)
[Airs anglois, book 3] 40 airs anglois pour la flute à un dessus & une basse, livre troisième. Introduction: Paul Raspé. [Wq 5528, Bibl. Conservatoire de Musique, Brussels]. _☟

Facsimile Series, IV/7. Peer, 1995. Oblong, 22 x 13 cm, 2 partbooks, 52 pp. Line-cut of the Roger & Le Cène edition, Amsterdam, n.d. Wrappers. [item no.4497]

40 airs anglois, 4. livre (FS IV/8)
[Airs anglois, book 4] 40 airs anglois, livre quatrième. Introduction: Paul Raspé. [Wq 5529, Bibl. Conservatoire de Musique, Brussels]. _☟

Facsimile Series, IV/8. Peer, 1997. Oblong, 22 x 13 cm, 2 partbooks, c.70 pp. Line-cut of the Roger & Le Cène edition, Amsterdam, n.d. Wrappers. [item no.4498]

Bach,CPE. Musikalisches Vielerley (FS IV/9)
Musikalisches Vielerley, herausgegeben von Herrn Carl Philip Emanuel Bach. Introduction: Greta Haenen. [Royal Conservatory of Music, Brussels, Wq 6314]. _☟

Facsimile Series, IV/9. Peer, 1993. 4º, i, 207 facs, iv pp. Line-cut of the Michael Christian Bock edition, Hamburg, 1770. Edited by Emmanuel Bach, this volume contains music by the composer’s Berlin friends such as Fasch, Kirnberger, Graun, and some relatives, J.C. Friedrich and J.E. Baron. Works for keyboard and various combinations forstrings, flute, and voice. With new work and composer indices. Wrappers. [item no.4499]

Barsanti. Sonate a fl/vln con bc, op.1 (FS IV/10)
[Sonatas, recorder/violin, bc, op.1] Sonate a flauto, o violino solo con basso, per violone o cembalo. Introduction: P. Holman. [Royal Conservatory of Music, Brussels, Wq 12116]. _☟

Facsimile Series, IV/10. Peer, 1993. 4º, 36 pp. Line-cut of the London, 1724 edition. Wrappers. $21 [item no.4500]

Lotti. Sonata a flauto trav./viol/cemb (FS IV/11)
[Sonata, flute, viol, harpsichord, F maj.]] Sonata a flauto traversier, viola da gamba & cembalo, Ms (Wq 6829). Introduction: Piet Stryckers. _☟

Facsimile Series, IV/11. Peer, 1995. 4º, i, 10 pp. Line-cut of a contemporary ms copy, a unique source for this sonata. Wrappers. $14 [item no.7153]

Telemann. Essercizii musici.. vero dodeci (FS IV/12)
[Essercizii musici; sonatas/trio sonatas, vln/fl, bc, TWV 42] Essercizii musici overo dodeci soli e dodeci trii a diversi stromenti. Hamburg, 1739-1740 (Wq 7115). Introduction: Greta Haenen. _☟

Facsimile Series, IV/12. Peer, 1996. 4º, 3 partbooks, 138 pp. Line-cut of the Hamburg, 1739-1740 edition. Telemann’s “pedagogical” sonatas, 2 for keyboard or lute (TWV 32:3 & 4), 2 for violin (TWV 41:F4 & A6), 2 for flute (TWV 41:D9 & G9), 2 for viola da gamba (TWV 41:a6 & e5), 2 for recorder (TWV 41:d4 & C5), 2 for oboe (TWV 41:B6 & e6), and the12 trios: olo instrument and bc, and 12 trio sonatas (TWV 42..) for rec.+ob. (c2), vdg.+harps.obl. (G6), vln.+ob. (g5), fl.+harps.obl. (A6), rec.+vln. (a4), fl.+vdg. (h4), rec.+vdg. (F3), rec.+harps. obl. (B4), fl.+vln. (E4), vln.+vdg. (D9), fl.+ob. (d4) andob.+harps.obl. (Eb3). Wrappers. [item no.7154]

Quantz. 4 sonates pour flûte trav. & bc (FS IV/13)
[Sonatas, flute, bc, Wq 5584] 4 sonates pour flûte traversière, ave basse continue, Ms. (Wq 5584). Introduction: J. Dewinne. _☟

Facsimile Series, IV/13. Peer, 1996. 4º, 4 vols, 36 pp. Line-cut of a contemporary ms copy. Wrappers. $26 [item no.7155]

Wieck. Clavier & Gesang. Didaktisches.. (FS V/1)
Clavier und Gesang. Didaktisches und Polemisches. _☟

Facsimile Series, V/1. Peer, 1995. 15 x 22 cm, 152 pp. Line-cut of the Leipzig, 1853 edition. Popular manual consisting of critical, polemical, satirical and novel-like texts. Afterword by Greta Haenen. Wrappers. $28 [item no.7156]

Speelmansboek uit Maastricht, Tongeren (FS VI/1)
[Fiddler’s books] Speelmansboek uit Maastricht. Tongeren, O.-L.-Vrouwebasiliek, Bibliotheek Hs. 81, Inleiding: Gilbert Huybens, Eugeen Schreurs. _☟

Facsimile Series, VI/1. Peer, 1996. Oblong, 23 x 17 cm, xli, 297 pp. Facsimile of a fiddlers book created between 1786 and 1824. Contains monophonic vocal and instrumental dances, songs and political pieces, mixed with two-part pieces for two violins. Most of the works are anonymous with the exception of a few pieces by Pleyel and Mozart.Wrappers. $62 [item no.7157]

T’Haegelant. Fiddler’s Book from Louvain (FS VI/2)
[Fiddler’s books] T’Haegelant. Vier 18de-eeuwse muziekboekjes uit Diest. Quatre recueils de musique du XVIIIe siècle de Diest. Familiearchief Di Martinelli (P 206) KU Leuven. Inleiding/Introduction: Gilbert Huybens - Eugeen Schreurs. _☟

Facsimile Series, VI/2. Peer, 1995. Oblong, 21 x 16 cm, xxxiv, 138 pp. Interesting collection of fiddle music that stems from the city of Diest. Contains “Het Diester Bier” (brown beer from Diest), “Tdansken van Hogaerden” (dance of Hoegaerden), and “Den Antwerpschen omganck” (procession of Antwerp), etc. Wrappers. $36 [item no.7159]

De Triomfeerende Min. Love Triumphant (MFM 1)
Hacquart, Carel & Dirck Buysero. De Triomfeerende Min / Love Triumphant. A Play of Peace, Incorporating Songs and Music for Strings, Flyers and Ballets, 1680. Dirck Buysero & Carel Hacquart. Edidit: Pieter Andriessen & Tom Strengers. _☟

Monumenta Flandriae Musica, 1. Peer, 1996. 4º, c.130 pp. New critical edition of a play with music written on the occasion of the signing of the Treaty of Nijmegen, bringing an end to a war beginning in 1672, pitting the Republic of the United Netherlands and its allies against France and its allies. Hardbound. $42 [item no.5965]

Vanden Gheyn. Preludes for Carillon (MFM 2)
Vanden Gheyn, Matthias. Preludia voor Beiaard / Preludes for Carillon. Ediderunt Gilbert Huybens & Luc Rombouts. _☟

Monumenta Flandriae Musica, 2. Peer, 1997. 4º, 2 vols, xlv, 49, 30 pp. Critical edition of eleven preludes for carillon plus line-cut reproduction of the manuscript acquired by the Louvain University Archives in 1995. Introduction in Flem-Eng. Hardbound. $65 [item no.6109]

Music from the Colleg. Church in Tongeren (MFM 3)
Muziek uit de Collegiale Kerk van Tongeren, ca.1300-1600. / Music from the Collegiate Church in Tongeren. Ediderit: Eugeen Schreurs. _☟

Monumenta Flandriae Musica, 3. Peer, 2000. 4º, l, 98 pp. Modern edition of a selection of ten works from composer’s associated with the Tongeren Collegiate Church of Our Lady. Includes five anonymous works from the 14-16th centuries and works by Johannes Rondelli, Nicolaus Geszin, D. Curingen, & Hubertus Naich. Hardbound. $74 [item no.6334]

Harpsichord Music of the S. Low Countries (MFM 4)
Harpsichord Music of the Southern Low Countries. Three Manuscripts from the National Archives in Antwerp: Arendonk, Dimpna Isabella and Maria Therese Reijnders. 17th Century. Ediderunt Godelieve Spiessens & Irène Cornelis. _☟

Monumenta Flandriae Musica, 4. Peer, 1998. 4º, lvi, 111 pp. $56 [item no.6195]

Utendal. Motets (MFM 5)
Utendal, Alexander. Motetten / Motets. Ediderit Ignace Bossuyt. _☟

Monumenta Flandriae Musica, 5. Peer, 1999. 4º, lvi, 137 pp. New critical edition. Hardbound. $48 [item no.6274]

Bréhy. Motets, selectie (MFM 6)
Bréhy, Petrus Hercules. Motetten (Selectie) / Motets (Selection). Ediderit Lewis R. Baratz. _☟

Monumenta Flandriae Musica, 6. Peer, 2002. 4º, xl, 72 pp. New critical edition. Selection of 5 motets setting for SATB, strings, bc. (Te deum laudamus, De profundis, Libera me domine, Isti sunt triumphatores, O salutaris hostia). Hardbound. $70 [item no.6428]

Brussel, Kon. Bibliotheek. MS II 270 (MFM 7)
Brussel, Koninklijke Bibliotheek, MS II 270. Collectie Middelnederlandse en Latijnse Geestelijke Liedern / Collection of Middle Dutch and Latin Sacred Songs, ca.1500. Ediderunt Brundo Bouckaert, Eugeen Schreurs, Jeske van Dongen, Andries Welkenhuysen, Jeanne de Landtsheer. _☟

Monumenta Flandriae Musica, 7. Peer, 2005. 4º, xlv, 132, 40 pp. New critical edition, with full-color facsimile. 29 Middle Dutch and Latin songs, for 2, 3 and 4 voices. Hardbound (facsimile vol. in wrappers). $95 [item no.6557]

The Di Martinelli Music Collection [12 works for strings] (MFM 9)
[Di Martinelli Music Collection, 12 works for strings] The Di Martinelli Music Collection. Sonatas and Concertos for String Ensemble (Late 17th Century). Ediderunt Eugeen Schreurs, Katrien Stellandt. _☟

Monumenta Flandriae Musica, 9. Peer, 2005. 4º, xxx, 137 pp. New critical edition in score format of 11 sonatas and 1 concerto for various string ensembles (ranging from 4 to 9 parts). Composers include Rubini, G.D. Di Martinelli and “Sigr. M. di M.”; 8 works are anonymous, Hardbound. [item no.6560]

Flori. Motets & dutch Polyphonic Songs (MFM 11)
Flori, Jacobus. Motetten en Nederlandse Polyfone Liederen / Motets and Dutch Polyphonic Songs. Leuven, 1573. Ediderunt Nele Gabriëls, Eugeen Schreurs, Maartie de Wilde, Hubert Meeus, Piet Stryckers, Demmy Verbeke. _☟

Monumenta Flandriae Musica, 11. Peer, 2006. 4º, 139 pp. New critical edition. Collection of 24 songs for 3 voices. Hardbound. $98 [item no.6640]

[Le Cocq]. Recueil de pièces de guit. composée (TM A/1)
Recueil de pièces de guitarre composées par Mr François Le Cocq musicien jubilaire de la Chapelle Royale à Bruxelles & présentées par l’Auteur en 1729 à Monsieur de Castillion Prévot de Ste Pharaïlde à Gand. _☟

Thesaurus musicus, nova series, A/1. Brussels, 1979. 23 x 31 cm, 146 pp. Line-cut. Introduction on the fundamentals of the guitar, and explanation of its tuning and notation. Allemandes, minuets, gigues, passacailles, etc. Cloth. [item no.1120]

Mandora. Recueil de pièces (TM A/2)
Mandora. Recueil de pièces pour la mandore, en tablature française XVIIIe siècle. [Brussels, Bibl. Conservatoire Royal, mus. ms. 5619]. _☟

Thesaurus musicus, nova series, A/2. Brussels, 1979. 23 x 31 cm, 204 pp. Line-cut of ms collection, c.1700-50. 7 preludes and “harpeggio”, followed by 198 numbered pieces, predominately dances. Elegantly notated in French tablature with letters on 5 lines. Cloth. $66 [item no.1074]

Musiche di vari autori, XVIIe siècle (TM A/3)
[Brussels, Bibl. Conservatoire Royal, mus. ms. 704] Musiche di vari autori. XVIIe siècle. _☟

Thesaurus musicus, nova series, A/3. Brussels, 1979. 23 x 31 cm, 31 & 244 fac pp. Line-cut of a Florentine ms containing 140 monodies from c.1600. Some come from the Nuove musiche of Caccini, others can be attributed to Peri, Striggio and Corsi. A number of works have realized basso continuos and/or lute tablature. Preface and tables by A.Wotquenne. Cloth. $74 [item no.1277]

[Bist]. Traicté de musique (TM A/4)
Traicté de musique faict par Martin vander Bist d’Anvers. Anno M.D.C.XXII. _☟

Thesaurus musicus, nova series, A/4. Brussels, 1979. 23 x 31 cm, 113 pp. Line-cut. 65 pages of text and 48 pages of musical examples; remarkable calligraphy. Cloth. [item no.1286]

Annibale. Libro primo de ricercare a 4, 1556 (TM A/5)
[Ricercars, a4, keyboard/voices] Libro primo de ricercare a 4 voci, 1556. [Conserv. Royal de Musique Bruxelles, Ms. 26661]. _☟

Thesaurus musicus, nova series, A/5. Brussels, 1979. 23 x 31 cm, 78 pp. Line-cut of a rare ms presenting these 4-part ricercare in score format, otherwise published as 4 partbooks. Cloth. $58 [item no.809]

Maschera. Libro primo di canzoni a 4 voci (TM A/6)
[Canzoni] Libro primo di canzoni a 4 voci (1584). _☟

Thesaurus musicus, nova series, A/6. Brussels, 1979. Oblong, 31 x 23 cm, 52 pp. Line-cut of the only known printed copy. 44 compositions in score format. Cloth. $44 [item no.885]

Manuscrit allemand du XVIIe siècle (TM A/7)
Manuscrit allemand du XVIIe siècle. [Bibl. Conservatoire Royal de Musique, Brussels, mus. ms. 15115]. _☟

Thesaurus musicus, nova series, A/7. Brussels, 1979. Oblong, 31 x 23 cm, 243 pp. Line-cut of a c.1725 German ms. Includes sonatas for flute and bc (Böhme, Freytag, Graupner, Handel, Heinichen, Loeillet, Quantz, Telemann, & Weiss); sonatas for oboe & bc (Förster, Freytag, Handel, Heinichen, & Weiss); sonatas for violin & bc (Besseghi, Blockwitz,Geminiani, & Vivaldi); and a sonata for 2 flutes by J.B. Loeillet. Cloth. [item no.1270]

Recueil de pièces de luth.. français (TM A/8)
Recueil de pièces de luth en tablature française, XVIIe siècle. [Brussels, Bibl. Conservatoire Royal, mus.ms. FA VI 10=5616]. _☟

Thesaurus musicus, nova series, A/8. Brussels, 1980. 23 x 31 cm, 74 pp. Line-cut of a c.1650 ms. Some of the works have been identified as pieces by Gaulthier le Vieux and D. Gaulthier. Printed with 2 original pages per page. Cloth. [item no.1121]

Edgeworth. Livre de clavecin, XVIIe siècle (TM A/9)
Edgeworth, Elisabeth (compiler). Livre de clavecin, XVIIe siècle. [Bibl. Conservatoire Royal de musique, Brussels, mus. ms. 15418]. _☟

Thesaurus musicus, nova series, A/9. Brussels, 1980. Oblong, 31 x 23 cm, 146 pp. Line-cut. Ms of English origin from the late 17th c. Curiously written from head to tail for 53 pages, then the other direction for 144 pages. Some works attributed to Froberger, Kaspar, Fischer and Frescobaldi. Cloth. $58 [item no.847]

Recueil de pièces de luth.. ital. (TM A/10)
Recueil de pièces de luth en tablature italianne, XVIIe siècle. [Brussels, Bibl. Conservatoire Royal, mus. ms. 16662-16663]. _☟

Thesaurus musicus, nova series, A/10. Brussels, 1980. Oblong, 31 x 23 cm, 50 pp. Line-cut of 2 mss (c.1725) containing a large collection of galliards and passamezzi, as well as several pieces with text. Cloth. [item no.1122]

Orlandus and His Time (YAF 1)
[Alamire Foundation] Orlandus Lassus and His Time: Colloquium Proceedings, Antwerpen 24-26.08.1994. General Editors, Ignace Bossuyt, Eugeen Schreurs. _☟

Yearbook of the Alamire Foundation, 1. Peer, 1996. 8˚, 432 pp. Congress report. Contributions by Ballman, Cardamone, de Groote, Dobbins, Egan-Buffet, Freedman, Haar, Haenen, Haggh, Harrán, His, Just, Lindell, Luisi, Moens, Rasch, Schreurs, Schmid, Weller, & Zager. Wrappers. [item no.5892]

Music Fragments/Alta Capella/Music Printing (YAF 2)
[Alamire Foundation] Music Fragments and Manuscripts in the Low Countries / Alta Capella / Music Printing in Antwerp and Europe in the 16th Century. Colloquium Proceedings, Alden Biezen 23.06.1995, Alden Biezen 24.06.1995, Antwerpen 23-25.08.1995. _☟

Yearbook of the Alamire Foundation, 2. Peer, 1997. 8º, 432 pp. Congress reports for three separate events the topics ranging from the discovery of late medieval fragments to the examination of the 16th c. printing houses. Wrappers. $62 [item no.6059]

Giaches de Wert and His Times (YAF 3)
[Alamire Foundation] Giaches de Wert (1535-1596) and His Time. Migration of Musicians to and from the Low Countries (c.1400-1600) Colloquium Proceedings, Antwerpen 26-27 August 1996. Editor: Eugeen Schreurs, Bruno Bouckaert. _☟

Yearbook of the Alamire Foundation, 3. Peer, 1999. 8º, 432 pp. Congress report. Contributions by Newcomb, Fenlon, Nutter, Hoekstra, Haar, Monteyne, Crawford, Macey, Borghetti, and Smith. Introduction by Eugeen Schreurs. Wrappers. [item no.6229]

Di Martinelli Music Coll./Musical Life (YAF 4)
[Alamire Foundation] The Di Martinelli Music Collection (KULeuven, University Archives) / Musical Life in Collegiate Churches in the Low Countries and Europe / Chant and Polyphony. Colloquium Proceedings Leuven 02.02.1998, 25.10.1998, 21-122.11.1999. _☟

Yearbook of the Alamire Foundation, 4. Peer, 2000. 8º, 432 pp. Congress report. Articles by Steelandt, Schreurs, Nelissen, Huybens, Verspeurt, Boorman, Rawson; Loos, Spiessens, Reynaud, Taylor, Vanscheeuwijck; Goudesenne, Puca, Schier, Rasch, Rizarev, Magro, Colin, Olson, O’Connor, Wagstaff, & Hardie. Wrappers. $68 [item no.6367]

Burgundian-Habsburg Court.. Music MSS (YAF 5)
[Alamire Foundation] The Burgundian-Habsburg Court Complex of Music Manuscripts (1500-1535) and the Workshop of Petrus Alamire. Colloquium Proceedings, Leuven, 25-28 November 1999. General Editors: Bruno Bouckaert, Eugeen Schreurs. _☟

Yearbook of the Alamire Foundation, 5. Leuven-Neerpelt, 2003. 8º, 432 pp. Congress report. Articles by Kellman, Staehelin, Schmidt-Beste, Friebel, Kiel, Boorman, Meconi, Dekeyzer, Thoss, Blackburn, Haggh, Roelvink, Duffy, Heidrich, Urquhart, Fallows, Schreurs, Bouckaert, Picker, Fitch, Borghetti, Elders, Just, & MacCracken. Wrappers. [item no.6477]

Yearbook of the Alamire Foundation 6 (YAF 6)
[Alamire Foundation] Yearbook of the Alamire Foundation 6. [Proceedings of “Bruges-Venice: Music in Two Urban Mosaics”, Bruges, 14-16 December 2001; and part I of the 17th International Congress of the International Musicological Society, Leuven, 1-7 August 2002]. _☟

Leuven-Neerpelt, 2008. 8º, 432 pp. Contents - Mary E. Wolinski: Drinking Motets in Medieval Artois and Flanders; Julie E. Cumming: From Variety to Repetition: The Birth of Imitative Polyphony; Eric Rice: The Role of Acoustics in the Performance of Renaissance Polyphony at the Collegiate Church of Saint Mary in Aachen; Katelijne Schiltz:Polyphony and Word-Sound in Adrian Willaert’s Laus Tibi Sacra Rubens; Luminita Florea: Virtus Scriptoris: Steps towards a Typology of Illustration Borrowing in Music Theory Treatises of the Late Middle Ages and the Renaissance; C. Matthew Balensuela: Ut hec te figura docet: The Transformation of Music Theory Illustrations from Manuscripts toPrint; Thomas Holme Hansen: Change and Continuity in Twentieth-Century Textbooks on Sixteenth-Century Counterpoint; Donna G. Cardamone Jackson: Orlando di Lasso et al.: A New Reading of the Roman Villanella Book (1555); Peter Bergquist: The Two Editions of Lasso’s Selectissimae Cantiones, 1568 and 1579; Richard Freedman: Who Owned Lasso’sChansons?; Bernhold Schmid: ... Nec non tyronibus quàm eius artis peritioribus summopere inservientes. Zur gedruckten Überlieferung von Lassos Bicinien; Philippe Canguilhem: Musique et politique à Florence dans la première moitié du XVIe siècle; Le statut du madrigal à la lumière de nouvelles sources; Susan Lewis Hammond: Selling the Madrigal:Pierre Phalèse II and the Four ‘Antwerp Anthologies’. Wrappers. $69 [item no.6686]

Yearbook of the Alamire Foundation 7 (YAF 7)
[Alamire Foundation] Yearbook of the Alamire Foundation 7. [Proceedings of part II of the 17th International Congress of the International Musicological Society, Leuven, 1-7 August 2002]. _☟

Leuven-Neerpelt, 2008. 8º, 432 pp. Contents - Jean-François Goudesenne: Contexte historique, politique et composition des Historiae en belgica secunda avant l’an mil; Theodore Karp: Two Belgian Traditions for the Post–Tridentine Mass Proper; Siegwart Reichwald: Brumel’s Missa et ecce terrae motus: An Oddity? Andrew Kirkman: Personal Endowments:The Economic Engine of the ‘Cyclic’ Mass? Paul A. Merkley: Music in the Demand-Based Economy in Nothern Italy in the Late Fifteenth Century; Emilio Ros-Fábregas: Flemish Polyphony in Sixteenth-Century Iberian Manuscripts; Antonio Ezquerro-Esteban: Sources for Works by Orlando di Lasso in Spain; Jeske Van Dongen: Songs of the Devoot endeprofitelijck boecxken (Antwerp, 1539) Found in Different Sources: Deviation in Melody and Lyrics in Hoe luyde sanc die leeraer op der tinnen; Pieter Andriessen: Carel and Philips Hacquart Updating the Biography; Keith Polk: Patronage of Instrumental Music in Bruges in the Late Middle Ages; Eugeen Schreurs: Music for Canons, Emperors, Dukes andPrince Bishops in the Collegiate Church of Maastricht (c.1450–1520). An Updated Overview and Some Samples; Susan Parisi : The Brussels–Mantua Connection. Vincenzo Gonzaga’s State Voyages to the Low Countries in 1599 and 1608; Hendrik Schulze: Love and Politics in Seventeenth-Century Venetian Opera: On the Differences between the Images ofRepublican and Monarchist Rulers; Olivia Wahnon De Oliveira: La circulation de la musique à Liège au XVIIIe siècle. Wrappers. $69 [item no.6687]