ABEL, Carl Friedrich, 1723-1787

[6 Easy Sonattas, kbd or vdg/vln/fl & bc] Six Easy Sonattas für Viola da Gamba und Basso Continuo oder andere Instrumente, WKO 141-146. Faksimile. Einführung von Leonore und Günter von Zadow. [Sächsische Landesbibl., Dresden]. _☟

Heidelberg, 2005. 4°, 2 partbooks, 4, 48 pp. Line-cut of the Amsterdam, 1771 edition. Preface in Ger-Eng. Wrappers. $46 [item no.8544]

[Sonatas, harpsichord, fl/vln, vc, op.5] Six sonates pour le clavecin. Avec l’accompagnement d’un violon, or flute traverière, et d’un violoncelle. Opera V. _☟

Huntingdon, [1992]. 26 x 33 cm, 3 parts, 40 pp. Line-cut of the London, c.1764 edition. Wrappers. $25 [item no.4846]

[Trio sonatas, 2 vln, bc, or fl, vln, bc, op.3] Six Sonatas for Two Violins, or Flute and Violin and Continuo. Opus 3. _☟

Chamber Music from Georgian England, 1. Huntingdon, c.1984. 4º, 4 partbooks, 45 pp. Line-cut of the London, c.1765 edition. Preface by Clifford Bartlett. Wrappers. $20 [item no.7020]

[Trio sonatas, vln, vla, bc, op.16] Six Trios for a Violin, Tenor, & Violoncello, op.XVI. [Library of Congress, Washington DC]. _☟

Performers’ Facsimiles, 180 New York, [2005]. 4º, 3 partbooks, 39 pp. Line-cut of the London, c.1783 edition. Wrappers. $33 [item no.8562]

ACCADEMICO BIZZARRO CAPRICCIOSO, fl.1620-23

Secondo libro de trastulli estivi concertati à due, tre, & quattro voci con il basso continuo del bizarro Accademico capriccioso. [Österreichische Nationalbibliothek, Vienna]. _☟

Faksimile-Edition Rara, 22. Stuttgart, 1998. 14 x 21 cm, 4 partbooks, 92 pp. Line-cut of the Venice, 1621 edition. Vocal settings with basso continuo, ten a2, six a3 and two a4 plus 2 violins. One piece is by Girolamo Avanzolini and one of the instrumental works is by Massimiliano Fredutii. Wrappers, with portfolio in marbled paper. $59 [item no.7658]

ADSON, John, c.1585-1640

Courtly Masquing Ayres, Composed to 5. and 6. Parts, for Violins, Consorts, and Cornets. [Christ Church Library, Oxford University]. _☟

Performers’ Facsimiles, 293. New York, [2009]. 18 x 23 cm, 6 partbooks, 88 pp. Line-cut of T. Snodham edition, London, 1621. 20 ayres in partbook format, in mensural notation. Wrappers. $33 [item no.9094]

AGLIONE, Alessandro, fl.1599-1621

Giardino di spirituali concenti [à quattro, à due voci, con alcuni motetti à voce sola]. Venezia, G. Visconti 1618. [Universitätsbibl. Krakow]. _☟

Faksimile-Edition Krakau, 3. Stuttgart, 2006. 12 x 26 cm, 5 partbooks, 168 pp. Line-cut of the Venice, 1618 edition. Marvellous collection of sacred concerti: 8 works a4, 3 works a3, 16 works a2 and 12 for solo voice, all with basso continuo. Wrappers, in portfolio with marbled paper boards. $49 [item no.8666]

AGRICOLA, Martin, 1486-1556

Musica figuralis deudsch (1532). Im Anhang: Musica instrumentalis deudsch (1529); Musica choralis deudsch (1533); Rudimenta musices (1539). [Bayerische Staatsbibl., Munich & Bibliothek des Alten Gymnasiums, Flenburg]. _☟

Hildesheim, 1985. 10 x 16 cm, 412 pp. Line-cut of 4 of Agricola’s most famous treatises written in German. Musica instrumentalis was the second of its type (following Virdung’s Musica getuscht, 1511). Rich with woodcut illustrations and examples in Gothic and German lute tablature. Linen. $89 [item no.2531]

AHLE, Johann Rudolf, 1625-1673

Neu-gepflanzten thüringischen Lust-Gartens Ander Theil. [In welschen XXX. neue geistliche musikalische Gewaechse mit 1.2.3.4.5.6.7.8.9.10. und mehr Stimmen...]. Mühlhausen, Johann Hüter 1658. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, [20]. Stuttgart, 2010. 19 x 32 cm, 10 partbooks, c.300 pp. Line-cut of the Mühlhausen, 1658 edition. Wrappers, in slipcase. $132 [item no.9150]

ÅHLSTRÖM, Olof, 1756-1835

[Sonatas, harpsichord/piano, violin, no.1] Sonata No 1 pour le clavecin ou piano forte avec l’accompagnement d’un violin. _☟

Autographus Musicus, 21. Bandhangen, 1981. 23 x 31 cm, i, 12 pp. Line-cut of the composer’s edition, Stockholm, 1784. Wrappers. $20 [item no.1159]

AICH, Arnt von, b.?-c.1528 [publisher]

Liederbuch des Arndt von Aich Köln 1519. [In diessem Buechlein fynt mann LVVV. hübscher Lieder myt Discant, Alt, Bas, und Tenor lustick zu syngen. Auck etlich zu sleiten, schwegelen, und an deren musicalisch Instrumenten artlichen zugebrauchten]. [Universitätsbibliothek, Basel]. _☟

Faksimile-Edition Rara, 4. Stuttgart, 1997. Oblong, 15 x 10 cm, 4 partbooks, 432 pp. Line-cut of the Cologne, 1519 print. Beautiful wood-block printed collection of 80 lieder, a4, appropriate for voices and/or instruments. The tenor partbook contains the complete texts of each lied. Composers include Hofhaimer, Isaac, Rener and Grefinger. Hardbound in decorative paper with matching slipcase. $95 [item no.8331]

ALARD, Jean-Delphin, 1815-1888

[Method, violin] École du violon. Méthode complète et progressive à l’usage du conservatoire. [Bibliothèque Nationale, Paris]. _☟

Méthodes et Traités, II. Courlay, 2001. 4º, 115 pp. Line-cut of the Paris, 1842 edition. Wrappers. $45 [item no.7957]

ALBERT, Heinrich, 1604-1651

[Arias] Erster [2.3.4.5.6.7.8] Theil der Arien. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Heinrich Albert, 1. Stuttgart, 2001. 20 x 32 cm, 226 pp. Line-cut of the Königsberg, 1652, 1651, 1651, 1651, 1651, 1652, 1648, 1650 editions. 170 songs, sacred and secular, written for weddings, funerals, anniversaries, and the visits of important persons as well as for the private enjoyment of the composer’s friends. For voices with instrumental accompaniment. Hardbound with boards in marbled paper. $95 [item no.7917]

[Arias] Arien erster Theil... Leipzig, Cellarius 1657; Arien ander Theil... Brieg, Tschorn 1657. RISM A 641 und 642. [Universitätsbibl. Tubingen]. _☟

Faksimile-Edition Heinrich Albert, 3. Stuttgart, 2002. 20 x 32 cm, 278, 279 pp. Line-cut of the Leipzig, 1657 and Brieg, 1657 editions. For voice with instrumental accompaniment. Hardbound with boards in marbled paper. $81 [item no.8131]

Alle Gelegenheitskompositionen. [Niedersächsische Staats-& Universitätsbibl., Göttingen & Bayerische Staatsbibl., Munich]. _☟

Faksimile-Edition Heinrich Albert, 5. Stuttgart, 2001. 20 x 32 cm, 37 pp. Line-cut of the 1644, 1645, 1645, 1649, 1619, 1650, 1651 editions. Contents: Partitura der Musica; Auf den erfreulichen Namens-Tag Herrn Johann Schmeissen; Freude dem Edlen Koyen; Hirten-Liedchen; Hochzeits-Lied; Rechte Heyrats-Kunst; Braut- & Ehren-Tantz. For voice and instrumental accompaniment. Hardbound, with boards in marbled paper. $30 [item no.7919]

Musicalische Kürbs-Hütte, welche uns erinnert menschlicher Hinfälligkeit, geschrieben und in 3. Stimmen gesetzt. _☟

Faksimile-Edition Heinrich Albert, 4. Stuttgart, 2001. 20 x 29 cm, 10 pp. Line-cut of the Königsberg, 1615 edition. Wrappers. $10 [item no.7900]

Poetisch-Musicalisches Lust Wäldlein. [Niedersächsische Staats-& Universitätsbibl., Göttingen]. _☟

Faksimile-Edition Heinrich Albert, 2. Stuttgart, 2001. 20 x 32 cm, 159 pp. Line-cut of the Königsberg, 1648 edition. 144 songs for various functions, notated in score, for voices with instrumental accompaniment. Hardbound, with boards in marbled paper. $73 [item no.7918]

Verschiedene Gelegenheitskom positionen. 1. Auff den Nahmens-Tag Herrn Michael Adersbachen.. 2. Klag- und Tros-Lied... Herrn Georg von der Gröben 3: Braut-Tantz... Herr Barthel Michell Bräutigam 4: Hochzeit=Lied zu Ehren... Sigismund Scharffen... 5: Der Liebe Lob-Gesang, auff den Hochzeitlichen Ehren-Tag. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 10. Stuttgart, 2008. 22 x 33 cm, 2 vols, 56 pp. Line-cut of the Königsberg, 1642-1647 edition. 2 strophic settings a5 and settings for voices, with strings, trombone and bc support. Portfolio, with decorative paper boards. $45 [item no.8964]

ALBERTI, Giuseppe Matteo, 1685-1751

[Sonatas, violin, bc, op.2] Sonate a violino, e basso. Introduzione di Paolo Da Col. _☟

Bibliotheca Musica Bononiensis, IV/87. Bologna, 2000. Oblong, 29 x 21 cm, 17, 52 pp. Line-cut of the Giuseppe Fabri edition, Bologna, 1721. Set of 12 sonatas written in a highly idiomatic style in which the composer fully exploits the instrument’s technical and expressive resources. Introduction in It-Eng. Wrappers. (more info... ) [item no.7851]

ALBINONI, Tommaso, 1671-1750

[Concerti, vln, strgs, bc, op.5] 12 concerti a 5, op.5. _☟

Huntingdon, [1990]. 4º, partbooks, c.110 pp. Xerographic reprint of the London, 1709 edition. Scored for vln conc, vln I-II, vla I-II, vc, & bc. Wrappers. $68 [item no.7013]

[Concerti, vln, strgs, bc, op.7] 12 concerti a 5, op.7. _☟

Huntingdon, [1990]. 4º, partbooks, c.120 pp. Xerographic reprint of the London, 1715 edition. Scored for vln conc, vln I-II, vla, vc, ob I-II, & bc. Wrappers. $79 [item no.7014]

[Concerti à 5, vln, strgs. 2 ob, bc, op.9] Concerti à cinque con violini, oboe, violetta, violoncello, e basso continuo. Opera nona. _☟

Huntingdon, [1990]. 4º, 11 partbooks, c.225 pp. Line-cut of the Amsterdam, 1722 edition. Scored for vln solo, vln I-II, vla, vc, ob I-II, & bc. Wrappers. $95 [item no.7015]

[Sonata, violin, bc] Sonate B-dur für Violin und Basso Continuo. Faksimile nach dem Autograph der Sächsische Landesbibliothek Dresden. Mit einem Kommentar von Michael Talbot. _☟

Musik der Dresdener Hofkapelle, [7]. Leipzig, 1980. Oblong, 30 x 24 cm, 8, 16 pp. Sharp collotype of the autograph score. Linen. $45 [item no.1715]

[Sonatas, violin, bc, op.4] Sonate da chiesa (sonates d’église pour violon et basse continue). Opus IV. Présentation par N. Fromageot. _☟

Collection Dominantes. Courlay, 1990. Oblong, 4º, 14, 26 pp. Line-cut of the Roger edition, Amsterdam, c.1704. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.3781]

[Sonatas, violin, bc, op.6] Trattenimenti armonici per camera (sonates de chambre pour violon et basse continue). Opus VI. Présentation par N. Fromageot. [Bibl. Nationale, Paris]. _☟

Collection Dominantes. Courlay, 1990. 4º, 13, 67 pp. Line-cut of the Roger edition, Amsterdam, c.1711. Introduction in Fr-Eng-Ger. Wrappers. $36 [item no.3782]

[Sonatas, violin, bc, op.6] Trattenimenti armonici per camera, divisi in dodici sonate a violino, violone e cembalo. Amsterdam, s.d. _☟

Archivum Musicum: Strumentalismo Italiano, 76. Florence, 1993. 23 x 33 cm, ii, 67 pp. Line-cut of the Amsterdam, c.1711 edition. Wrappers, in decorative paper. $59 [item no.4576]

[Sinfonie e concerti, vln, strgs, bc. op.2] Sinfonie e concerti a cinque. due violini, alto, tenore, violoncello e basse. Opera seconda. _☟

Huntingdon, [1990]. 4º, 7 partbooks, c.155 pp. Xerographic reprint of the Amsterdam, 1702 edition. Scored for vln conc, vln I-II, vla I-II, vc, & bc. Wrappers. $69 [item no.7012]

[Trio sonatas, 2 vln, vc, bc, op.1] Sonate a tre. Doi violini, e violoncello col basso per l’organo. Opera prima. _☟

Huntingdon, [1992]. 4º, 4 partbooks, 70 pp. Xerographic reprint of the Amsterdam/Roger edition. Wrappers. $30 [item no.4855]

[Trio sonatas, 2 vln, vc, bc, op.3] Balletti’s in 3 Parts, op.3. _☟

Huntingdon, [1993]. 4º, Xerographic reprint of the Walsh edition. Wrappers. $20 [item no.4857]

[Trio sonatas, 2 vln, vc, bc, op.8] Baletti e sonate a tré à due violini, violoncello, e cembalo con le sue fughe tiratte à canone. Opera ottava. _☟

Huntingdon, [1992]. 4º, 4 partbooks, 104 pp. Xerographic reprint of the Amsterdam, 1722 edition. Wrappers. $30 [item no.4858]

ALCOCK, John, 1715-1806

Six Concerto’s in Seven Parts, 1750. Four Violins, a Tenor, a Violoncello: & a Thorough Bass for the Harpsicord. [Library of Congress, Washington, DC]. _☟

Alston, 2004. 4˚. 7 partbooks, ii. 127 pp. Line-cut of the London, 1750 edition. The 1st, 3rd, 4th and 6th concerto may be played with 2 German flutes and the 2nd and 5th with oboes and bassoons. Preface by Peter Holman. Ring binding. $64 [item no.8453]

AMON, Johannes Andreas, 1763-1825

[Divertissement, guitar, strgs, op.16] Divertissement per chitarra, violino, viola e violoncello. Offenbach s.d. _☟

Archivum Musicum: L’Arte della Chitarra, 22. Florence, 1989. 24 x 34 cm, iii, 19 pp. Line-cut of the Offenbach, n.d. edition. Introduction in It by Andrea Sebastiani. Wrappers in decorative paper. $27 [item no.3189]

ANFOSSI, Pasquale, 1727-1797

[Il Curioso Indiscreto, vln, vc, selections] The Favorite Duett for a Violin and Violoncello in the Overture to Il Curioso Indiscreto. _☟

Early Cello Series, 3. n.p., c.1985. 4º, 4 pp. Line-cut of the c.1777 printed edition. Wrappers. $12 [item no.1654]

ANTONII, Giovanni Battista degli., 1660-aft.1696

[Balletti e correnti, 2 vln, vc, bc, op.4] Balletti e correnti gighe, e sarabande da camera a violino, e clavicembalo; o violoncello. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Bibliotheca Musica Bononiensis, IV/145. Bologna, 1972. 18 x 25 cm, 55 pp. Line-cut of the Bologna, 1688 edition. 12 numbers in score format. Laid paper. Hardbound. Last copy. $36 [item no.1262]

[Ricercate, violoncello/violin, harpsichord, op.1] Ricercate sopra il violoncello o clavicembalo (Bologna, 1687) e ricercate per il violino (Riproduzione del ms. conservato nella Bibl. Estense di Modena). Facsimile della stampa e del manoscritto ed edizione della partitura a cura di Marc Vanscheeuwijck. _☟

Bibliotheca Musica Bononiensis, IV/101. Bologna, 2006. 4°, 3 vols, 108, 50, 39 pp. Line-cut of the 1687 edition (violoncello o clavicembalo) and a contemporary ms copy (violin). Degli Antoni’s Ricercate has been considered the earliest example of music for solo cello. The newly discovered ms of the work (reproduced in facsimile here) includes a further part for the violin, suggesting the the Ricercate were originally intended for violin and bc. Together with practical edition. Preface in It-Eng. Wrappers, in portfolio. $86 [item no.8826]

ARNE, Thomas A., 1710-1778

[Cantatas, voice, strgs/winds, bc] Six Cantatas for a Voice and Instruments Set to Musick. _☟

Huntingdon, 1986. 4º. 70 pp. Xerographic reprint of the c.1755 edition. Contains “The School of Anacreon”, “Lydia from Sappho”, “Folick and Free”, “Bacchus and Ariadne”, “The Morning”, & “Delia”. Various scoring, including oboes, horns, flute, strings & bc. Wrappers. $24 [item no.7038]

[Comus, masque] The Songs, Duet & Trio in the Masque of Comus. Set for the Violin, German Flute and Harpsichord. [private collection John H. Burkhalter III]. _☟

Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 5. Hebden Bridge, 2007. 21 x 30 cm, 23 pp. Line-cut of the London, n.d. edition. Wrappers. $20 [item no.8920]

[Thomas & Sally, selections] Overture with Songs in Thomas and Sally, as Performed at the Theatre Roal in Covent Garden. [private collection John H. Burkhalter III]. _☟

Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 7. Hebden Bridge, 2007. 21 x 30 cm, 18 pp. Line-cut of the London, n.d. edition. Vocal score with flute or violin accompaniment. Wrappers. $17 [item no.8922]

[Trio sonatas, 2 vln, bc, op.3] 7 Trio Sonatas, op.3. _☟

Chamber Music from Georgian England, 2. Huntingdon, [1990]. 4º. Xerographic reprint of the 18th-c. edition. Flute may substitute for vln I in sonatas nos. 2, 5, 6 & 7. Wrappers. $25 [item no.7025]

ATTAINGNANT, Pierre, c.1494-1552 [publisher]

[Motet & magnificat collections, books 1-13] 1) Liber primus quinque et viginti musicales... 2) Liber secundus... 3) Liber tertius... 4) Liber quartus... 5) Liber quintus... 6) Liber sextus... 7) Liber septimus... 8) Liber octavus... 9) Lib. nonus... 10) Lib. decimus... 11) Lib. undecimus... 12) Lib. duodecimus... 13) Lib. decimus tertius... [Universitäts-Bibl., Jena]. _☟

Faksimile-Edition Rara, 35. Stuttgart, 2003. Oblong, 21 x 16 cm, 4 partbooks, c.1700 pp. Line-cut of the Paris, 1534 edition. Fantastic motet & magnificat collection for 3 to 8 voices by a wonderful cross section of European masters including Gombert, Verdelot, Richafort, Mouton, De la Fage, Josquin, Certon, Manchicourt, etc. Over 260 works in choirbook format. Hardbound in decorative paper with matching slipcase. $379 [item no.8332]

ATYS, 1715-1784

[Sonatas, 2 fl/vln/vdg, op.1] Six sonates en duo en forme de conversation pour deux flûtes traversieres [qui se peuvent facilement executer sur le violon et le pardessus de viole]. Paris, s.d. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 65. Florence, 2007. 24 x 34 cm, vi, 31 pp. Line-cut of the Paris, c.1754 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $38 [item no.8872]

AUBERT, Jacques, 1689-1753

[Pièces, 2 flutes/violins, bc] Pièces à deux flûtes traversières ou à deux violons, 1723. 1ère suitte. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 16 pp. Line-cut of the author’s and Boivin edition, Paris, 1723. Wrappers. $10 [item no.8842]

[Sonatas, violin, bc, book 2] Sonates à violon seul et basse continüe. Livre IIe. Paris, 1721; Sonates à violon seul et basse continüe. Livre IIe. Nouvelle édition corrigé et augmentée et les basses ajustées à la portée du violoncelle et du basson. Paris. (s.d. = 1737). [Bibl. Nationale, Paris & British Library, London]. _☟

La Musique Française Classique de 1650 à 1800, 116. Courlay, 1999. 4º, 2 vols, xxii, 113 pp. Line-cut of the Paris, 1721 & [1737] revised edition. 10 sonatas. Preface in Fr-Eng-Ger by Philippe Lescat. Wrappers. $54 [item no.7708]

AVENARIUS, Philipp, c.1553-c.1610

Cantiones sacrae quinque vocum, accommodatae ad omnes usus, tam viva voce, quam omnis generis instrumentis cantatu iucundae, iam recens in lucem editae. [Bayerische Staatsbibliothek, Munich]. _☟

Waiblingen, [1994]. Oblong, 20 x 15 cm, 5 partbooks, c.328 pp. Line-cut of the Neuber edition, Nuremberg, 1572. 30 pieces a5 with latin texts, written in mensural notation, for voices or instruments. Hardbound, with matching slipcase. $109 [item no.7118]

AVISON, Charles, 1709-1770

[Concerti, strgs, bc, op.3] 6 Concertos in Seven Parts for Four Violins, One Alto Viola, a Violoncello, and a Thorough Bass for the Harpsichord with General Rules for Playing Instrumental Compositions in Parts, but More Especially Calculated for the Use of this Work. Opera terza. _☟

Huntingdon, c.1990. 4º, 9 partbooks, c.135 pp. Xerographic reprint of the London, 1751 edition. Arranged for solo vln I, II, vlc, kbd; ripieno vln I, II, vla, vlc, & bass. Wrappers. $79 [item no.8242]

[Concerti, after Scarlatti, arr.] 12 Concerto’s in Seven Parts for Four Violins, One Alto Viola, a Violoncello, & a Thorough Bass, Done from Two Books of Lessons for the Harpsichord Composed by Sigr. Domenico Scarlatti with Additional Slow Movements from Manuscript Solo Pieces. _☟

Huntingdon, c.1990. 4º, 9 partbooks, 175 pp. Xerographic reprint of the London, 1744 edition. Arranged for solo vln I, II, vlc, kbd; ripieno vln I, II, vla, vlc, db. Wrappers. $95 [item no.7112]

[Concerti, after Scarlatti, arr.] 12 Concertos in Seven Parts Arranged from Harpsichord Sonatas by Domenico Scarlatti. _☟

Offenburg 2007. 4º, 9 partbooks, 175 pp. Line-cut of the London, 1744 edition. Arranged for solo vln I, II, vlc, kbd; ripieno vln I, II, vla, vlc, db. Wrappers. $105 [item no.8999]

[Concerti, after Scarlatti, arr.] 12 Concerto’s in Seven Parts for Four Violins, One Alto Viola, a Violoncello, & a Thorough Bass. _☟

Huntingdon, 2000. 4º, c.132 pp. Newly edited score to Concertos 3, 6, 9, 10, 11 & 12. Wrappers. $60 [item no.8243]

[Concerti, strgs, bc, op.9] Twelve Concertos. Opera Nona (Long 1766). With an Introduction by Peter Harrison. [British Library]. _☟

Alston, 2002. 4º, 5 partbooks, v, c.130 pp. Line-cut of the London, 1766 edition. Ring binding. $62 [item no.8184]

[Sonatas, keyboard, 2 vln, vc, op.7] Six Sonatas, for the Harpsichord, with Accompanyments, for Two Violins, & a Violoncello. Opera Settima. _☟

Huntingdon, [1992]. 26 x 33 cm, 4 parts, 55 pp. Line-cut of the London, 1760 edition. Wrappers. $27 [item no.4847]

[Trio sonatas, 2 vln, bc, op.1] Six Sonatas for Two Violins and Continuo, Opus 1. _☟

Chamber Music from Georgian England, 3. Huntingdon, 1985. 4º, 4 partbooks, viiii, 46 pp. Line-cut of the London, c.1758 edition. Wrappers. $22 [item no.7026]

BABELL, William, c.1690-1723

[Concerti, violin & 1-2 flutes, bc, op.3] Concertos in 7 Parts: The First Four for Violins and One Small Flute and the Two Last for Violins and Two Flutes. The Proper Flute Being Nam’d to Each Concerto. Opera Terza. [Statens Musikbibliotek, Stockholm]. _☟

Alston, 2000. 4º, i, 7 partbooks, 86 pp. Line-cut of the London, c.1726 edition. Preface by Peter Holman. Ring binder. $54 [item no.7865]

[Solos, vln/ob, bc, part 1] XII Solos for a Violin or Hoboy: with a Bass, figur’d for the Harpsicord, with Proper Graces Adapted to Each Adagio by the Author. Part the First of his Posthumous Works. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 186. New York, [1997]. 24 x 31 cm, 61 pp. Line-cut of the Walsh edition, London, c.1725. The unaligned ornamental figures in this edition, almost impossible to transcribe, make the facsimile indispensable for performance practice. Wrappers. $20 [item no.7507]

[Solos, vln/ob, bc, part 1] XII Solos, For a Violin or Hautboy with a Bass, figur’d for the Harpsicord with proper Graces adapted to each Adagio by the Author. [British Library, London]. _☟

Alston, 1996/ 2000. 4º, i, 61 pp. Line-cut of the London, c.1725 edition. Preface by Peter Holman. Ring binder. $36 [item no.7834]

[Solos, vln/ob/fl, bc, part 2] XII Solos for a Violin, Hoboy or German Flute with a Bass figur’d for the Harpsicord... Part the Second of his Posthumous Works. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 187. New York, [1996]. 24 x 31 cm, 52 pp. Line-cut of the Walsh edition, London, c.1725. The unaligned ornamental figures in this edition, almost impossible to transcribe, make the facsimile indispensable for performance practice. Wrappers. $20 [item no.7351]

[Solos, vln/ob/fl, bc, part 2] XII Solos, For a Violin or Hautboy with a Bass, figur’d for the Harpsicord with proper Graces adapted to each Adagio by the Author. Part the Second of His Posthumous Works. [British Library, London]. _☟

Alston, 1996/ 2000. 4º, i, 52 pp. Line-cut of the London, c.1725 edition. Preface by Peter Holman. Ring binder. $36 [item no.7864]

BACH, Carl Philipp Emanuel, 1714-1788

[Sonatas, keyboard, vln, vc, H.525-530; Wq.89] Six Sonatas for the Harpsichord or Piano Forte [with accompaniments for a Violin and Violoncello]. _☟

Huntingdon, [1993]. 4º, 3 partbooks, 64 pp. Xerographic reprint of the Bremner edition, London, 1776. Wrappers. $24 [item no.4873]

[Sonatas, keyboard, vln, vc, H.522-524; Wq.90] Clavier-Sonaten mit einer Violine und einem Violoncell zur Begleitung. Erste Sammlung. _☟

Huntingdon, [1993]. 4º, 3 partbooks, 46 pp. Xerographic reprint of the composer’s edition, Leipzig, 1776. Wrappers. $24 [item no.4871]

[Sonatas, keyboard, vln, vc, H.531-534; Wq.91] Clavier-Sonaten mit einer Violine und einem Violoncell zur Begleitung. Zweyte Sammlung. _☟

Huntingdon, [1993]. 4º, 3 partbooks, 42 pp. Xerographic reprint of the composer’s edition, Leipzig, 1777. Wrappers. $24 [item no.4872]

[Sonatas, keyboard, H.567-572; Wq.143-148] Trio Sonatas, Wq 143–148. Introduction by Peter Wollny. _☟

Carl Philipp Emanuel Bach, The Complete Works, II, Supplement. Los Altos, 2022. 25 x 32 cm, 137 pp. Beautiful halftone facsimile of the autograph scores and original parts, including C.P.E. Bach’s early trios for flute, violin, and basso continuo that were mostly written in Leipzig in 1731 and revised in Berlin in 1747. Wrappers. $47 [item no.9697]

[Trio sonatas, 2 vln, bc; fl, vln, bc, H.579-78/Wq.161/1-2] Zwey Trio, das erste für zwo Violinen und Bass, das zweyte für 1. Querflöte, 1. Violine und Bass; bey welchen beyden aber die eine von den Oberstimmen auch auf dem Flügel gespielet werden kan [Wq. 161]. _☟

Performers’ Facsimiles, 9. New York, 1986. 24 x 33 cm, 28 pp. Line-cut of the Nuremberg, 1751 edition, in score format. Contains the piece “Sanguineus et Melancholicus”, a musical “argument” between sanguine and melancholy temperaments personified by the two violin parts. The composer provides about 40 stagedirections throughout the piece. Wrappers. $18 [item no.20]

BACH, Johann Christian, 1735-1782

[Concerti, keyboard, strgs, bc] 6 concerti, op.1. _☟

Huntingdon, n.d. 4º, 4 partbooks. Xerographic reprint of the London, 1763 edition. Scored for 2 vln, vc, kbd. No. 6 has variations on ‘God Save the King”. Wrappers. $27 [item no.8294]

[Concerti, keyboard, strgs, bc] 6 concerti, op.7. _☟

Huntingdon, n.d. 4º, 4 partbooks. Xerographic reprint of the London, 1770 edition. Scored for 2 vln, vc, kbd. Wrappers. $38 [item no.8295]

[Quartets, fl/vln, vla, vc, op.8, W B51-56] Six Quartettos for a German Flute, Violin, Tenor and Violoncello. Opera VIII. [Yale University Library, New Haven]. _☟

Performers’ Facsimiles, 283. New York, [2009]. 26 x 33 cm, 4 parts, 54 pp. Line-cut of the London, c.1775 edition. Wrappers. $35 [item no.9100]

[Quartets, winds/strings, op.19, W B61-64] Four Quartettos, Two for Two Flutes, a Tenor and Violoncello, One for Two Flutes a Violin and Violoncello, and One for a Flute, Hoboy, or Two Flutes, a Tenor, Violoncello. Opera XIX. _☟

Huntingdon, n.d. 4º. 4 partbooks, 45 pp. Xerographic reprint of the London, 1784 edition. Nos. 1-2 for 2 fl, vla, vc; no.3 for 2 fl, vln, vc; no.4 for f/ob, fl, vla, vc. Wrappers. $24 [item no.8309]

[Quartets, fl, vln, vla, vc; 2 vln, vla, vc] Six Quartettos for a German Flute, Violin, Tenor and Bass, or Two Violins, a Tenor and Bass. _☟

Huntingdon, n.d. 4º. 4 partbooks, 54 pp. Xerographic reprint of the London, 1776 edition. Works by J.C. Bach, Abel & Giardini. Wrappers. $24 [item no.8310]

[Sonatas, keyboard, vln/fl, op.10, W B2-6a] Six Sonatas for Harpsichord or Pianoforte & Violin. Op.X. _☟

Biblioteca Classica, 3. Rotterdam, 1984. 4º, 38 pp. Line-cut of the London, 1773 edition. Plastic ring binding. $25 [item no.4896]

[Sonatas, keyboard, vln/fl, op.16, W B10-15a] Six Sonatas for the Harpsichord or Pianoforte with an Accompanyment for the Violin or German Flute. Opera XVI. _☟

Wilhelmshaven, n.d. Oblong, 30 x 21 cm, 39 pp. Line-cut of the London, 1779 edition. Wrappers. $26 [item no.23]

BACH, Johann Christoph Friedrich, 1732-1795

[Sonata, flute/violin, bc] Sonata per il flauto, violino, e basso. _☟

Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 28 pp. Line-cut of the Hamburg, 1770 edition (extracted from Musikalisches Vielerley). Wrappers. $15 [item no.9036]

BACH, Johann Michael, 1745-1820

[Concerti, keyboard, strgs, bc] 6 concerts pour le clavecin. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, 1767 edition. Scored for kbd, 2 vln, vla, vc (lacking ad lib horn parts). Wrappers. $42 [item no.8296]

BACH, Johann Sebastian, 1685-1750

[Sacred aria, soprano, strings, bc, BWV 1127] “Alles mit Gott und nichts ohn’ ihn” BWV 1127. Einleitung von Michael Maul. Geleitwort von Christopf Wolff. [Herzogin Anna Amalia Bibliothek, Weimar]. _☟

Documenta Musicologica, II/33 (= Faksimile-Reihe Bachscher Werke und Schriftstücke, Neue Folge). Kassel, 2005. 4°, 8, 15 pp + audio CD. Color halftone facsimile of the autograph manuscript rediscovered in May 2005 in Weimar. The aria, consisting of 12 verses, was composed in 1713 to celebrate the 53rd birthday of Duke Wilhelm Ernst of Saxe-Weimar. Together with CD containing the world premiere recording with soprano Elin Manahan Thomas and the English Baroque Soloists conducted by Sir John Eliot Gardiner. Afterword in Ger-Eng. Decorative marbled paper coverboards with pasted title etiquette and red linen spine. $70 (more info... ) [item no.8629]

[Sacred aria, soprano, strings, bc, BWV 1127] “Alles mit Gott und nichts ohn’ ihn” BWV 1127. Aria for Soprano, Two Violins, Viola and Continuo, BWV 1127. First Edition Edited by Michael Maul. _☟

Kassel, 2005. 4°, viii, 4, i pp. Halftone facsimile, (B/W) of the autograph manuscript rediscovered in May 2005 in Weimar. The aria, consisting of 12 verses, was composed in 1713 to celebrate the 53rd birthday of Duke Wilhelm Ernst of Saxe-Weimar. Together with new performing edition. Wrappers. $23 [item no.8612]

[Art of Fugue, BWV 1080] Die Kunst der Fuge / L’arte della fuga BWV 1080. Studio introduttivo a cura di Sergio Vartolo. _☟

Archivum Musicum: Monumenta Musicae Revocata, 37. Florence, 2008. 24 x 34 cm, 4 vols, 99, 40, 72, 20 pp. Line-cut of the autograph score and the beautifully engraved first edition issued 1751/1752. Introduction in It by Sergio Vartolo, with abstract in English. Wrappers, with portfolio in cloth and decorative paper. $155 (more info... ) [item no.9030]

[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78. _☟

Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. Handsome binding in brown linen with lettering in gold. $285 (more info... ) [item no.7619]

[Concerti, harpsichord, strgs, BWV 1052, -53, -54, -55, -56, -57, -58, -59] Concerti a Cembalo obligato BWV 1052-1059. Autograph Staatsbibliothek zu Berlin Preußischer Kulturbesitz. Commentary by / Kommentar von Christoph Wolff, Martina Rebmann. _☟

Documenta Musicologica, II/57. Kassel, 2021. 24 x 40 cm, viii, 106, 28 pp. Deluxe 4-color facsimile of the autograph (collective) score mus. ms. aut. Bach P. 234. Johann Sebastian Bach composed not only for the nobility and the church, but also for bourgeois musical culture. Among these works are the harpsichord concertos, “music for a Leipzig ‘coffee house”. They are notated in a 1738 manuscript that is a unique and probably the most important document for the instrumental repertoire of the Leipzig “Collegium Musicum”. The concerto movements are arranged in such a way that the harpsichord is given a solo part that exploits the instrument’s “clavieristic” possibilities to the full. These works thus fix a decisive moment in the early history of the piano concerto genre which received significant impulses from Bach and his circle of students. Hardbound, with leather spine and decorative paper boards. 10% discount for early subscribers. $345 (more info... ) [item no.9665]

[Concerto, 2 violins, strg orch, bc, BWV 1043] Concerto à 6. Concerto in D Minor for Two Violins, Strings and Continuo BWV 1043. Facsimile Edition of the Original Performing Parts with an Introduction by Christoph Wolff. Published in Honor of Isaac Stern on the Occasion of His Seventieth Birthday on July 21, 1990. [Bibl. Jagiellońska, Krakow]. _☟

New York, 1990. 28 x 41 cm, 3 parts: xiv, 15 pp. Beautiful 2-color halftone of the autograph “solo” parts (vln I, vln II & cembalo), Mus. ms. Bach St 148, formerly in the possession of the Preußische Staatsbibliothek in Berlin (the “tutti” non-autograph parts of the concerto are not reproduced in this edition). The continuo part is in the hand of C.P.E. Bach and an unknown Leipzig copyist. Reveals a number of instructive details including clearly marked cues for the solo and tutti sections, and interesting dynamic and articulation markings. Portfolio in heavy textured paper, with pocket for music. Edition of 1100 copies printed by Stinehour Press in Vermont. (special sale price, formerly $85). $30 (more info... ) [item no.3922]

[Musical Offering, BWV 1079] Musikalisches Opfer / Musical Offering (Musical Sacrifice). BWV 1079. Score Based on Bach’s First Edition of 1747 with Inserted Facsimile. Edited by Hans-Eberhard Dentler with a Note by Alberto Basso. _☟

Musica Humana, Faszikel 1. Mainz, 2012. 25 x 33 cm, 53, 113, 38 pp. Modern edition in score format with facsimile supplement reproducing the 1747 edition of the instrumental parts. “Regis iussu cantio et reliqua canonica arte resoluta” is Bach’s famous collection of canons and fugues based on a musical theme given to him by Frederick the Great, to whom they are dedicated. The work has its roots in a meeting on May 7, 1747 at the King’s residence in Potsdam, where Carl Philipp Emanual was employed as a court musician. The work comprises 2 ricercars, one a6 and one a3, 10 canons, and a “sonata sopr’li soggetto Reale”, a trio sonata in 4 movements featuring the flute, one of the instruments Frederick played. Introduction and critical notes in Ger-Eng-Fr. Handsome binding in red linen with gold title. $129 (more info... ) [item no.9321]

[Sonatas & partitas, violin, BWV 1001-1006] Sei solo a violino senza basso accompagnato. [Staatsbibliothek Preußischer Kulturbesitz, Berlin, mus. ms. Bach P. 967]. _☟

Archivum Musicum: Monumenta Musicae Revocata, 2. Florence, 1985. 25 x 33 cm, ii, 41 pp. Line-cut. Preface in It-Eng by Paolo Paolini. Wrappers. $47 [item no.2015]

[Sonatas & partitas, violin, BWV 1001-1006] Sonaten und Partiten für Violine allein. Wiedergabe der Handschrift. Mit einem Nachwort herausgegeben von Günter Hausswald. Geleitwort von Yehudi Menuhin. _☟

Frankfurt, 1984. 12 x 19 cm, 8, 44 facs, 15 pp. Superb color reproduction in reduced format of the autograph. Wrappers, in decorative paper (used copy) $28 [item no.85]

[Sonatas & partitas, violin, BWV 1001-1006] Sei solo a violino senza basso accompagnato, BWV 1001-1006. Faksimile nach der autographen Handschrift in der Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. Mit einem Geleitwort von Julia Fischer herausgegeben und mit einer Einführung von Sven Hiemke. [Signatur ms. aut. Bach P. 967]. _☟

Meisterwerke der Musik im Faksimile, 8. Laaber, 2/ 2015. 21 x 33 cm, 19, 48 pp. New full-color facsimile, in the original format, of the autograph score prepared in 1720. One of the most beautiful and meticulous of all of Bach's manuscripts, “Sei solo à violino senza basso accompagnato” are a delight for the scholar and perfomer alike. Bach clearly has taken performance from the autograph into consideration—by using comparatively large note heads, detailed articulation and phrasing marks, "custodes" that sit nearly throughout the manuscript at the end of each staff and anticipate the pitch at the beginning of the following staff, and by diligently planning the page layout with only few page turns, which are accompanied with the instruction "volti subito" (turn immediately). Bibliophile edition with commentary in Ger-Eng. Hardbound with blue paper boards and faux title etikett. $116 (more info... ) [item no.8624]

[Sonata, violin, bc, BWV 1021; Prelude, keyb, BWV 848/1] Sonate G-Dur für Violin und Basso continuo (BWV 1021) und Präludium Cis-Dur (BWV 848/1). Mit einer Einführung von Hans-Joachim Schulze. _☟

Faksimile-Reihe Bachscher Werke und Schriftstücke, Neue Folge, 1 Leipzig, [2001]. 22 x 35 cm, xii, 16 pp. Beautiful full-color halftone of two separate autographs, each from 1732, the sonata in the hand of Anna Magdalena Bach, the prelude (C-sharp major, WTC I) in the hand of Carl Philipp Emanuel Bach. More recent research shows that the sonata is actually a collective effort, with Anna Magdalena copying the main music text, and Johann Sebastian Bach adding the movement headings, key signatures and (in an extremely careful way) figures to the basso continuo. The mss were produced on behalf of the Bach student Heinrich Abraham von Boineburg and eventually ended up in the possession of Manfred Gorke; they were opened to the public for the first time in 1935. Introduction in Ger-Eng. Limited edition of 1100 copies. Distinctive portfolio with green paper boards, black linen spine, and hinged flaps. $69 (more info... ) [item no.8069]

[Sonatas & partitas, violin, BWV 1001-1006] Sonatas & Partitas for Solo Violin BWV 1001-1006. A New Bach Series. Transcribed for Guitar by Walter Dešpalj. Fingering by István Römer. _☟

Heidelberg, 2005. 4°, 123, 21 pp. Line-cut in reduced format (2 up per page) of the autograph ms, together with complete transcription for guitar. Wrappers. $40 [item no.9084]

Wollny, Peter. Generalbass- und Satzlehre, Kontrapunktstudien, Skizzen und Entwürfe. Herausgegeben von Peter Wollny. Anhang: Aria “Alles mit Gott und nichts ohn’ ihn” BWV 1127. Herausgegeben von Michael Maul. _☟

Neue Ausgabe Sämtlicher Werke, Supplement. Kassel, 2011. 22 x 30 cm, 250 pp (incl. 77 facsimiles). Comprehensive study of Bach’s basso continue practice, documented with full-color reproductions from autograph manuscripts and sketches. Consists of teaching documents in figured bass and counterpoint, and sketches & fragments found in autograph full scores, all accompanied by modern transcriptions. Linen. $495 (more info... ) [item no.9278]

BAILLOT, Pierre-Marie-François, 1771-1842

[Method, violin, 1834] L’art du violon. Nouvelle méthode. [Bibliothèque Nationale, Paris]. _☟

Méthodes et Traités, II. Courlay, 2001. 4º, iv, 277 pp. Line-cut of the Paris, 1834 edition. Wrappers. $100 [item no.7954]

BANCHIERI, Adriano, 1568-1634

Il zabaione musicale [inventioine boscareccia et primo libro di madrigali a cinque voci]. [Staats- & Stadtbibliothek, Augsburg]. _☟

Faksimile-Edition Augsburg, 1. Stuttgart, 1997. 15 x 20 cm, 3 partbooks, c.128 pp. Line-cut of the Simon Tini & Filippo Lomazzo edition, Milan, 1604. 17 settings a5, for voices with or without instruments, based on the pastoral stories of Greek mythology. Wrappers, with handsome portfolio in marbled paper. $76 [item no.7494]

BARBELLA, Emanuele, 1718-1777

[Duets, violins/mandolines, bc ad lib.] Six Duettos for 2 Violins or 2 Mandolines with an optional Bass. A Facsimile of the Original Printing with Notes by Neil Gladd. [Library of Congress, Washington, D.C.]. _☟

Arlington, 1983. 22 x 29 cm, 3 parts: ii, 34 pp. Line-cut of the Paris, late 18th-c. edition. Wrappers. $20 [item no.4747]

BARBELLA, Emanuelle, 1718-1777

[Duets, violins] Six Duets for Two Violins. Composed in an Easy Stile for the Use of the Duke of Parma. _☟

Performers’ Facsimiles, 79. New York, [1992]. 24 x 32 cm, 2 parts: 26 pp. Line-cut of the Robert Bremner edition, London, c.1770. Wrappers. $23 [item no.4421]

BARSANTI, Francesco, c.1690-1775

[Sonatas, flute/oboe/violin, bc, op.2] VI sonate per la traversiera, o german flute, con basso per violone o cembalo, opera seconda. _☟

Archivum Musicum: Flauto Traversiere, 4. Florence, 1985. 22 x 31 cm, v, 33 pp. Line-cut of the London, 1728 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $39 [item no.2139]

[Sonatas, recorder/violin, bc, op.1] Sonate a flauto, o violino solo, con basso per violone, o cembalo. Londra 1724. _☟

Archivum Musicum: Strumentalismo Italiano, 75. Florence, 1993. 23 x 33 cm, ii, 36 pp. Line-cut of the London, 1724 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.4287]

[Sonatas, recorder/violin, bc, op.1] Sonate a flauto, o violino solo con basso, per violone o cembalo. Introduction: P. Holman. [Royal Conservatory of Music, Brussels, Wq 12116]. _☟

Facsimile Series, IV/10. Peer, 1993. 4º, 36 pp. Line-cut of the London, 1724 edition. Wrappers. $21 [item no.4500]

BARTHELEMON, Mary Young, c.1749-1799

Six Sonatas of the Harpsichord or Piano Forte. With an Accompanyment for the Violin. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 154. New York, [1997]. 25 x 31 cm, 26 pp. Line-cut of the author’s edition, London, c.1785. Wrappers. $18 [item no.7352]

BARTÓK, Béla, 1881-1945

[Concerto, viola, orch, draft] Concerto for Viola and Orchestra. Facsimile of the Autograph Draft, with an Introduction by Laszlo Somfai. Preface by Peter Bartók. New Fair Copy of the Autograph by Nelson Dellamaggiore. _☟

Homosassa, 1995. 28 x 40 cm, 16 facs, 80 pp. Full-color facsimile of the composing (short) score written in 1944 in New York (and Saranac Lake), which, along with the Third Piano Concerto, is the composer’s last work. The concerto, a commission of the violist William Primrose, although “complete”, was not scored by Bartók (the composer referred to its orchestration as “mechanical work”), and surely many details and modifications would have occurred when he transferred the composition onto the final score paper. That task was later completed by Tibor Serly. With this facsimile we can finally answer the question, how much is Bartók, and what details come from Serly. With preface by Peter Bartók and commentary provided in Eng-Hung-Ger-Jap-Sp. Hardbound in black, with gold lettering. Special OMI price (reg. $100). (more info... ) [item no.4417]

[Music for Strings, Percussion & Celeste. Sz.106] Musik für Saiteninstrumente, Schlagzeug und Celesta. Faksimile des Partiturautographs und der Skizzen. Herausgegeben von Felix Meyer. _☟

Eine Publikation der Paul Sacher Stiftung. Basel, 2000. 30 x 40 cm, 176 pp (103 facs). Beautiful color halftone of the autograph score of one of the towering masterpieces of 20th-century music. Originally commissioned by Paul Sacher in 1936 for the tenth-anniversary of the Basel Chamber Orchestra, the work was supposed to be "for strings alone" and "not too difficult technically". Bartók, vacationing at the time in Braunwald, Switzerland eagerly accepted the task. The manuscript is an unusual draft and faircopy in a single document. This stunning bibliophile edition consists of an introduction by Felix Meyer accompanied by numerous reproductions of period documents and photographs, and a full facsimile of the score—including 31 "discarded" pages provided as a supplement. It was published as a tribute to the memory of Paul Sacher and a celebration of sorts for the transfer (on loan) of the original manuscript from Peter Bartók to the Sacher Foundation Library. Introduction in Ger-Eng. Handsome binding in red linen, with matching slipcase. $254 (more info... ) [item no.7854]

[Sonata, violin, Sz.117] Sonate für Violine solo Sz 117 / BB 124). Faksimile nach dem Autograph aus der Paul Sacher Stiftung, Basel. Herausgegeben und kommentiert von Stefen Drees. _☟

Meisterwerke der Musik im Faksimile, 26. Laaber, 2017. 28 x 32 cm, xxi, 18 pp. Full-color facsimile of the autograph fair copy along with 15 pp of sketch material. The sonata was commissioned by Yehudi Menuhin in Nov. 1943 and premiered by him in Carnegie Hall Nov. 26, 1944. A wonderful late Bartók virtuoso piece full of Hungarian qualities, biting rhythms, with subtle reference to Bach’s Sei solo a violino senza basso accompagnato BWV 1001-1006, by his use of of movement titles “Tempo di ciaccona” and “Fuga”. Like Bach's Sei solo autograph, it has a clearly-copied text that allows the performer to play directly from it. Introduction in Ger-Eng. Hardbound with decorative paper boards. $164 (more info... ) [item no.9396]

BARTOLINI, Orindio, 1589-1640

Messe concertate [a 5. 8. & 9. voci, & motteti à 1. 2. 3. & 8. col basso continuo per l’organo]. Venedig, Bartholomeo Magni, 1634. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 35. Stuttgart, 2015. 17 x 25 cm, 10 partbooks, 308 pp. Line-cut of the Venice, 1621 partbook edition. Contents: Missa Stabat Mater dolorosa; Missa Susanna; Missa Diligam te Domine; Missa Sine Nomine. Wrappers, with portfolio covered in marbled paper. $79 [item no.9532]

BASELLI, Constantino, fl.1600-1640

Il primo libro de sacri concerti [a una, a due, a tre & quatro voci con il basso continuo per l’organo], Venetia, Ricciardo Amadino 1614. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 4. Stuttgart, 2006. 12 x 26 cm, 5 partbooks, 160 pp. Line-cut of the Venice, 1614 edition. Rich collection of sacred concerti for all sorts of vocal combinations: 8 works a4, 3 works a3, 9 works a2 and 4 for solo voice, all with basso continuo and many calling for trombone or chittarone accompaniment. Wrappers, in portfolio with marbled paper boards. $59 [item no.8689]

BASSANI, Giovanni Battista, 17th c.

[Trio sonatas, 2 vln, bc, op.5] XII sonate da chiesa à tre, due violini, e basso e basso continuo. Opera quinta. _☟

Huntingdon, [1990]. 4º. 4 partbooks, 96 pp. Xerographic reprint of the Amsterdam, c.1710 edition. Wrappers. $24 [item no.7027]

BASSANO, Giovanni, c.1550-d.?

Ricercate, passaggi et cadentie per potersi essercitar nel diminuir terminatamente con ogni sorte d’istrumento: & anco diverti passaggi per la semplice voce. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Münster, c.1995. 4º, i, 23 pp. Line-cut of the Venice, 1585 edition. Bassano, a cornetto player who was a member of the ensemble at St. Mark’s in Venice, wrote two important treatises. This is the first one, which includes examples of quasi-improvised pieces for solo instrument. Ring binder. $26 [item no.7355]

BASTON, John, fl.1711-1733

[Concerti, recorders/violins] Six Concertos (1729) in Six Parts for Violins and Flutes, viz. a Fifth, Sixth and Consort Flute. The Proper Flute Being Nam’d to Each Concerto. Présentation par Susi Möhlmeier & Frédérique Thouvenot. [British Library, London]. _☟

Collection Dominantes. Courlay, 1997. 4º, 18, 6 partbooks, 61 pp. Line-cut of the Walsh edition, London, 1729. Concertos I & III are for alto recorder in f, concertos II, IV and V for soprano recorder in D, concerto VI for a C recorder. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.7430]

BÂTON, Charles, b.?-1758

[Suites, 2 viols/musettes/flutes/recorder/oboes; Suites, treble inst, bc] Premier œuvre contenant trois suites pour deux viéles, muzettes, flûtes traversieres, flûtes a bec, hautbois, et trois suites avec la basse continüe. [Collection Paul Fustier]. _☟

Béziers, 2003. 20 x 29 cm, ii, 28 pp. Line-cut of the Paris, [1733]. Introduction in Fr by Paul Fustier. Wrappers. $26 [item no.8214]

BATTISHILL, Jonathan, 1738-1801

[Songs, voice, strings/winds, bc] A Collection of Favourite Songs Sung at the Publick Gardens, and Theatres. _☟

Huntingdon, n.d.. 4º, 24 pp. Line-cut of the London, c.1748 edition. Wrappers. $12 [item no.7628]

BEACH, Amy, 1867-1944

[Quartet, strings, op.89] Quartet for Strings (in One Movement). Opus 89. Edited by Adrienne Fried Block. [Fuller Public Library, Hillsborough, on deposit at the Univ. of New Hampshire, Beach Collection, 51A, box 4, folder 25]. _☟

Music of the United States of America, 3. Madison, 1994. 4º, xxxiv, 31, 21 pp. New critical edition, together with halftone of the draft score. Wrappers. $54 [item no.7008]

BECKER, Dietrich, 1623-1679

[Musikalische Frühlings-Früchte, strings/winds] Musikalische Frühlings-Früchte bestehend in drey-, vier- und funff-stimmiger Instrumental-Harmonia, nebenst dem Basso Continuo. _☟

Huntingdon, 1991. 4º, 7 partbooks, c.190 pp. Line-cut of the Hamburg, 1668 edition. Sonatas and dances for 3, 4 & 5 instruments: strings, cornetti, bassoons, & viols. Wrappers. $49 [item no.7028]

[Trio sonatas, strings/winds] Erster Theil zwey-stimmiger Sonaten und Suiten nebest einem gedoppelten Basso Continuo. _☟

Huntingdon, c.1990. 4º, 4 partbooks. c.225 pp. Line-cut of the Hamburg, 1674 edition. Vln I, II, bass, & bc partbooks. Wrappers. $48 [item no.7029]

Sonata à 2. Violino & Violdagamba (aus “Erster Theil zweystimmiger Sonaten und Suiten”, Hamburg 1674). Für Violine, Viola da Gamba und Basso Continuo. Faksimile herausgegeben: Leonore und Günter von Zadow. _☟

Heidelberg, 2005. 4º, 12, 21 pp. Line-cut of the Hamburg, 1674 edition, together with new edition. Preface in Ger-Eng. Wrappers. $28 [item no.8543]

BEETHOVEN, Ludwig van, 1770-1827

[Concerto, violin, orch, op.61, D major] Konzert für Violine und Orchester, D-dur, Opus 61. [Österreichische Nationalbibl., Vienna, Mus. Hs. 17.538]. _☟

Musica Manuscripta, I. Graz, 1979. Oblong, 34 x 24 cm, 55, 260 pp. The Violin Concerto in D Major of Ludwig van Beethoven—probably the most famous of all violin concerti—has a complicated history. Written on rather short notice for his friend Fanz Clement in late 1806, and completed only hours before the concert was to begin (sight read by Clement according to some sources), the work was nearly forgotten until its rediscovery in 1844 by the vituoso Josef Joachim, who performed it with various orchestras conducted by Felix Mendelssohn. No violin cadenzas were written by Beethoven though cadenzas were written by him for the piano version published shortly after the 1808 edition for violin. It is one of the most fascinating Beethoven autographs, since it not only shows the usual corrections during and after the writing process, but also the first stages of the revisions of the violin solo part and the sketches of its transformation into a piano part. The faint colors of the main text in the autograph score—mat brown on ivory paper—and the latter autograph additions with strong ink, red crayon and pencil, reproduced here with utmost fidelity, allow scholar and musician alike to take a fascinating journey into the composer's creative process. Deluxe 5-color halftone of the autograph score, edited and introduced by Franz Grasberger. Limited edition of 1000 copies in half-leather binding that duplicates a former binding of the original. Handsome slipcase in full linen with gold lettering. (special OMI price, regularly $1,075). $599 (more info... ) [item no.151]

[Concerto, violin, orch, op.61, D major] Konzert für Violine und Orchester, D-dur, Opus 61. [Österreichische Nationalbibl., Vienna, Mus. Hs. 17.538]. _☟

Musica Manuscripta, I. Graz, 1979. Oblong, 34 x 24 cm, 55, 260 pp. Same as above but special bibliophile edition of 250 copies on laid paper. Includes printed score from the Neue Beethoven-Gesamtausgabe and phonograph record. Bound in vellum. $1947 [item no.152]

[Duet, viola, violoncello, WoO 32, Eb major] Duett mit zwei obligaten Augenglässern für Viola und Violoncello herausgegeben von Franz Beyer. Vorwort von Willy Hess. _☟

Winterthur, 1986. 4º, iii, 7 facs, 12 pp. Halftone of the autograph score, together with a new practical edition. The jocular title seems to mean that the piece was written for 2 bespectacled players. Preface in Ger-Eng. Wrappers. $19 [item no.2020]

[Quartets, strings, op.18, SV 46, “Grasnick 2” Sketchbook] Ein Skizzenbuch zu Streichquartetten aus Op.18, SV 46. Faksimile / Übertragung von Wilhelm Virneisel. [Staatsbibliothek Preußischer Kulturbesitz, Berlin, mus. ms. aut. Beethoven Grasnick 2]. _☟

Veröffentlichungen des Beethoven-Hauses, I/6. Bonn, 1972-1974. Oblong, 34 x 27 cm, 2 vols, 90 facs, 122 pp. Halftone. Separate commentary-edition vol. Limited issue of 500 copies. Wrappers. $36 [item no.144]

[Quartet, strings, op.59, 1st ed.] Trois quatuors pour deux violons, alto et violoncello. Œeuvre 59me [The “Rasumovsky” Quartets]. [private collection]. _☟

Performers’ Facsimiles, 280. New York, [2011]. 27 x 35 cm, 4 partbooks, c.136 pp. Line-cut of Vienna [1808] edition (Au Bureau des arts et d'industrie A.' Pesth chez Schreyvogel & Comp. plate nos. 580.584.585). Wrappers. $50 [item no.9215]

[Quartet, strings, op.130, no.13, B-flat major; Great Fugue, op.133] Streichquartett B-dur op.130 / Grande Fugue B-dur Op.133. Autograph: Staatsbibliothek zu Berlin—Preussischer Kulturbesitz; Moravské Zemské Muzeum, Brno; Badische Landesbibliothek, Karlsruhe; Biblioteka Jagiellońska, Kraków; Bibliothèque Nationale de France, Paris; Library of Congress, Washington, D.C. Commentary - Kommentar Ulrich Konrad. _☟

Documenta Musicologica, II/55. Kassel, 2019. Oblong, 4°. viii, 252, 26 pp. Full-color facsimile of the autograph, dispersed now among six libraries around the world (movt I - Bibl. Jagiellońska Kraków; II - Library of Congress Washington; III - Bibliothèque Nationale Paris & Badische Landesbibl. Karlsruhe; IV - Maravské zemské muzeum Brno; V & VI - Staatsbibliothek zu Berlin. The autograph ranges from fair copy to composing copy and includes 7 paste-over corrections (2 of them full page), meticulously reproduced in this exceptional facsimile. A truly remarkable contribution to Beethoven research and gift to Beethoven lovers, this facsimile reunites the various movements after 190 years. Commentary in Eng-Ger. Quarter leather with boards in decorative paper. $425 (more info... ) [item no.9596]

[Quartet, strings, op.132, no.15, A minor] Streichquartett a-moll op.132. Vollständige Faksimileausgabe der Handschrift Mus. ms. autogr. Beethoven Mend.-Stift. 11 der Staatsbibliothek zu Berlin—Preußischer Kulturbesitz. Vorwort von András Schiff, Einleitung von Ernst Herttrich. _☟

[Henle Music Facsimiles, 22]. Munich, 2011. Oblong, 35 x 29 cm, 168, xxiv pp. Beautiful 4-color halftone. The heart of Beethoven’s Quartet op. 132 is the “Holy song of thanksgiving”, in which Beethoven takes up old counterpoint techniques and Gregorian simplicity. In this unusually beautiful and well preserved manuscript, Beethoven generously makes the most of the space on its pages. The lavish 4-color printing allows the composer’s occasionally unconventional manner of notation to come to life. It permits a unique insight into the creative process, which continued after it had been written down in the form of multiple additions and changes. The edition is rounded off with a preface by the pianist András Schiff, with his generous support this valuable facsimile was made possible. Hardbound. $190 (more info... ) [item no.9189]

[Romances, violin, orch, op.40 & 50] Zwei Romanzen für Violine und Orchester Op.40 und 50. Faksimile-Ausgabe der autographen Partituren mit Klavierauszug herausgegeben von Willy Hess. [Beethoven Archiv, Bonn, Schmidt Nr.533 & Library of Congress, Washington, D.C. _☟

Winterthur, 1990. 4º, iv, 19 facs, 13 pp. Halftone of the autograph score (reproduced 2 originals per page), together with new practical edition for violin and piano. Preface in Ger-Eng. Wrappers. $38 [item no.4067]

[Romance, violin, orch, op.50, F major] Romanze für Violine & Orchester F-Dur op.50. Faksimile nach dem Autograph der Library of Congress in Washington. Mit einer Einleitung von Stefan Drees. _☟

Meisterwerke der Musik im Faksimile, 20. Laaber, 2011. Oblong, 32 x 24 cm, xvi, 32 pp. Facsimile, in full-color, of the autograph fair copy, dated by different authorities as either 1798 of 1802. Introduction in Ger-Eng. Hardbound with decorative paper boards. $104 (more info... ) [item no.9264]

Serenade Op.8, Arranged for Violin, Viola and Guitar by Wenceslaus Matiegka. Revised and Edited by Matanya Ophee. _☟

Boston, 1981. 4º, iii, 48, 6 pp. Line-cut of the Artaria, 1807 edition in reduced format, together with a new practical edition (score & parts). Historical introduction. Wrappers. $26 [item no.3203]

[Sonata, violin, piano, op.30,3, G major] Violin Sonata in G major, Op.30, no.3. Facsimile of the Autograph Manuscript in the British Library, Add. MS 37767. With an Introduction by Alan Tyson. _☟

British Library Music Facsimiles, III. London, 1980. Oblong, 37 x 28 cm, viii, 40 pp. Beautifully printed duotone of the autograph score, completed in the first half of 1802. Although the manuscript could be considered a faircopy, it appears not to be the source for the first edition issued by the Bureau des Arts et d’Industrie, Vienna, June, 1803, with a dedication to Alexander I, the Russian Czar. That edition contains additional expression marks and trill indications. As in the case of almost every Beethoven autograph there is evidence in the score reproduced here of compositional changes and improvements carried out after he had already begun to write out the final version. Handsomely bound in blue buckram with gold lettering. $125 (more info... ) [item no.148]

[Sonata, violin, piano, op.96, G major] Sonate für Klavier und Violine G-dur Op.96. Faksimile nach dem im Eigentum der Pierpont Morgan Library New York befindlichen Autograph. _☟

[Henle Music Facsimiles, 6]. Munich, 1977. 26 x 37 cm, 46, x pp. 4-color halftone issued on the occasion of the 150th anniversary of the composer’s death. Notes by Martin Staehelin. Includes 2 Beta-radiograms of watermarks. Coverboards in decorative paper. $265 (more info... ) [item no.149]

[Trio, piano, vln & vc, op.97, Bb minor, “Archduke”] Klaviertrio B-dur Opus 97 “Erzherog”-Trio. 1. und 2. Satz. / 3. und 4. Satz. Faksimile nach dem Partiturautograph Biblioteka Jagiellonska, Krakau. Geleitwort von Mitsuko Uchida. Einleitung von Julia Ronge. _☟

[Henle Music Facsimiles, 28]. Munich, 2019. Oblong & upright, 34 x 26, 26.5 x 39 cm, 2 vols, xx, 34; 32 pp. Beautiful 4-color halftone of the “Archduke” Trio, a work dedicated to Archduke Rudolph of Austria, and regarded as the greatest of all works for this combination of instruments. The Trio in B-flat was probably performed at the Archduke's palace soon after it was written, but its public premiere did not take place until April 11, 1814, on which occasion the violinist was Ignaz Schuppanzigh (leader of the famous string quartet that introduced many of Beethoven's quartets and later some of Schubert's), the cellist was Joseph Linke (for whom Beethoven composed sonatas), and the pianist was Beethoven himself, in his last public appearance at the keyboard (Richard Freed). It’s unclear whether this autograph, with inscription “Trio am 3ten März 1811”, is actually from 1811 or whether the inscription was added later. Despite the presence of editorial/publisher’s markings this copy does not seems to to have served as the faircopy. Hardbound with decorative paper boards and pasted title etikette, produced on the occasion of the 250th anniversary of Beethoven birth. $196 (more info... ) [item no.9604]

[sketchbook, “Kafka”] Autograph Miscellany from circa 1786 to 1799. British Museum Additional Manuscript 29801, ff. 39-162 (The “Kafka” Sketchbook). Edited by Joseph Kerman. _☟

London, 1970. Oblong, 36 x 27 cm, I: xxxix, 324; II: xxi, 296 pp. Halftone. Greatest single repository of sketches and drafts of early Beethoven compositions, Op. 14 and earlier. Includes 7 fold-out pages. Separate introduction, inventory and transcription vol. Beige buckram cover, title embossed in gold. Slipcase. $160 (more info... ) [item no.157]

[sketchbook, “Kessler”] Kesslersches Skizzenbuch. Vollständiges Faksimile des Autographs. [Ms. Gesellschaft der Musikfreunde, Wien]. _☟

Publikationen der Sammlungen der Gesellschaft der Musikfreunde in Wien, 2. Bonn, 1976. Oblong, 31 x 23 cm, 196, x pp. Beautiful halftone of the autograph. Includes parts of Symphony No. 2, violin sonatas Op. 30, No. 1, 2 & 3, piano sonatas Op. 31, No. 1 & 2, the “Eroica Variations” Op. 35, etc. Bibliophile edition of 750 copies printed on laid paper and bound with Ingres marbled paper boards. $212 (more info... ) [item no.159]

[sketchbook, “Kessler”] Kesslersches Skizzenbuch. Vollständiges Faksimile des Autographs mit einem Nachwort und einem Register von Sieghard Brandenburg. [Ms. Gesellschaft der Musikfreunde, Wien]. _☟

Veröffentlichungen des Beethoven-Hauses in Bonn, I/5 (= Publikationen der Sammlungen der Gesellschaft der Musikfreunde in Wien, 2). Bonn, 1976. Oblong, 31 x 23 cm, 2 vols, 122; 196, x pp. Halftone on beautiful laid paper. Includes parts of Symphony No.2, Violin Sonatas op.30, nos.1-3, Piano Sonatas op.31, nos.1-2, “Eroica” Variations op.35, etc. Separate commentary-edition vol. Edition of 750 copies. Wrappers. $157 (more info... ) [item no.158]

[sketchbook, “Summer of 1800”] A Sketchbook from the Summer of 1800. Sketches for the String Quartets Op.18, Nos.1, 2 and 6, the Piano Sonata Op.22, and for Various Other Works. Edited by Richard Kramer. I: Facsimile; II: Transcription and Commentary. _☟

Veröffentlichungen des Beethoven-Hauses in Bonn, I/4. Bonn, 1996. Oblong, 4º, 2 vols, 70, 88 pp. Halftone. The sketchbook has been reconstructed from manuscripts currently housed in 11 separate collections. Since the original photographs were taken three leaves have been bought by private collectors and are now inaccessible. Hardbound. $116 (more info... ) [item no.7541]

[Küthen, Hans-Werner] Beethovens und die Rezeption der Alten Musik. Die hohe Schule der Überlieferung, Symposion Bonn 2000, Congressional Report Edited by Hans-Werner Küthen, 2002. _☟

Veröffentlichungen des Beethoven-Hauses, IV/16. Bonn, 2002. 8˚, viii, 312 pp. Contents: Martin Zenck, “Geschichtsreflexion und Historismus im Musikdenken Beethovens”; Hans-Josef Irmen, “Beethoven, Bach und die Illuminaten”; Tomislav Volek, “Mozartsche Fragmente und Beethovensche Rente. Zwei historische Tatsachen von großer Aussagekraft”; William Drabkin,” Die langsame Einleitung zur Kreutzersonate. Form und Vorbilder”; Richard Kramer, “Beethovens Opus 90 und die Fenster zur Vergangenheit”; William Kinderman, “Rückblick nach vorn: Beethovens ‘Kunstvereinigung’ und das Erbe Bachs”; Annette Monheim, “Händel auf dem Weg nach Wien. Die Händel-Rezeption in Florenz, Berlin und Wien von 1760 bis 1800”; Ulrich Bartels, “Zwischen Assimilation und Provokation. Bemerkungen zur ‘barocken’ Beethoven-Interpretation”; Christopher Reynolds, “Beethovens ‘Arioso dolente’ und die Frage seiner motivischen Erbschaft”; Hans-Werner Küthen, “’Szene am Bach’ oder der Einfluss durch die Hintertür. Die Bach-Rezeption der anderen als Impuls für Beethoven”; Norbert Gertsch, “Wer verfasste die Orgelstimmen in Beethovens Messen?”. Wrappers. $55 [item no.6704]

[Archduke Rudolph of Austria, 40 Var., ms emendations] Forty Variations on a Theme by Beethoven for Piano; Sonata in F Minor for Violin and Piano. Edited by Susan Kagan. [Kromeíz, Czech, Ms. A 4373, and Vienna, Gesellschaft der Musikfreunde, Ms. Q 15075]. _☟

Music of the Nineteenth and Early Twentieth Centuries, 21. Madison, 1992. 4º, iv, 136, with 45 pp. New critical edition of works by one of Beethoven’s students and patrons. Includes B/W facsimiles (in reduced format) of Beethoven’s emendations to the Archduke’s autograph of Forty Variations, as well as the complete autograph of the F Minor Sonata. Wrappers. $68 [item no.4794]

BERARDI, Angelo, c.1635-1695

[Canzoni, violin/recorder, bc, book 1, op.7] Sinfonie a violino solo. Libro primo, opera settima. [Civio Museo Bibliografico Musicale, Bologna]. _☟

Münster, 1993. Oblong, 30 x 21 cm, 98 pp. Line-cut of the Giacomo Monti edition, Bologna, 1670. Six canzoni notated in score (treble plus basso continuo). Wrappers. $62 [item no.4355]

BERG, Alban, 1885-1935

[Concerto, violin, orchestra] Violinkonzert. Faksimile nach dem Autograph der Library of Congress, Washington. Mit einem Kommentar von Douglas Jarman. _☟

Meisterwerke der Musik im Faksimile, 22. Laaber, 2011. 4°, xv, 96 pp. Full-color facsimile of the autograph dated August 11, 1935. The work was written on commission from the violinist Louis Krasner, but is was the death of Manon Gropius (daugther of Alma Mahler and Walter Gropius) that was the main impetus for Berg, setting aside work on Lulu, to complete the concerto. It was dedicated “To the memory of an angel”. Introduction in Ger-Eng. Hardbound. $249 (more info... ) [item no.9228]

Hier ist Friede, Op.4, No.5. Eigenhändiges Arrangement des Orchesterliedes für Klavier, Harmonium, Violine und Violoncello. Faksimile des Autographs in der Bayerischen Staatsbibliothek. _☟

Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. Jahrhundert, 2. Vienna, 1989. 26 x 36 cm, iv, 6 pp. Beautiful 2 color line-cut of the autograph fair copy arranged for chamber ensemble. Introduction in Ger-Eng by Reinhold Brinkmann and Siegfried Mauser. Folder. $39 [item no.3521]

Hier ist Friede, Op.4, No.5. Eigenhändiges Arrangement des Orchesterliedes für Klavier, Harmonium, Violine und Violoncello. Faksimile des Autographs in der Bayerischen Staatsbibliothek. _☟

Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. Jahrhundert, 2. Vienna, 1989. 26 x 36 cm, iv, 6 facs, 12 (trans.) pp. Beautiful 2 color line-cut of the autograph fair copy arranged for chamber ensemble, together with modern edition. Introduction in Ger-Eng by Reinhold Brinkmann and Siegfried Mauser. Folder. $54 [item no.4428]

BÉRIOT, Charles-Auguste de, 1802-1870

Méthode de violon. _☟

Méthodes et Traités, II. Courlay, 2001. 4º, 254 pp. Line-cut of the Paris, 1857 edition. Wrappers. $90 [item no.8057]

BERNHARDT, Christoph, 1628-1692

Geistliche Harmonien [erster Theil, begreifende zwanzig deutsche Concerten von 2.3.4. und 5. Stimmen. Opus primum]. Dresden/Wolfgang Seyffert 1665. [Bibl. Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 9. Stuttgart, 2007. 21 x 33 cm, 7 partbooks, 138 pp. Line-cut of the Dresden, 1665 edition. Collection of 12 sacred settings (3 a2, 1 a3, 5 a4, 2 a5, & 1 a6), with violin and viola da gamba accompaniment. Printed in partbook format: 1. Sing-Stimme, 2. Sing-Stimme, 3. Sing-Stimme, 4. Sing-Stimme, 1. Instrument, Anderes Instrument, Basso Continuo. Wrappers, in marbled paper slipcase. $65 [item no.8830]

BERNIER, Nicolas, 1664-1734

[Cantatas, voice, bc, with & without instruments, book 3] Cantates françaises, ou musique de chambre a voix seulle et a deux avec symphonie et sans symphonie avec la basse continue, troisième livre, partition in folio. _☟

La Musique Française Classique de 1650 à 1800, 43. Courlay, 1989. 22 x 31 cm, 12, 119 pp. Line-cut of the Paris, [1703] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $54 [item no.3526]

[Cantatas, voice, bc, book 3, selection] Le caffé (cantate extraite du IIIe livre) - 1703. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, [1703] edition. Wrappers. $14 [item no.8935]

[Cantatas, voice, bc, with & without instruments, book 6] Cantates françoises, ou musique de chambre a voix seulle avec symphonie et sans symphonie avec la basse-continue, sixième livre, partition in folio. _☟

La Musique Française Classique de 1650 à 1800, 49. Courlay, 1990. 22 x 31 cm, xii, 98 pp. Line-cut of the Paris, 1718 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $48 [item no.3824]

[Cantatas, voice, bc, with & without instruments, book 7] Cantates françaises, ou musique de chambre a voix seulle avec symphonie et sans symphonie avec la basse continue, septième livre, partition in folio. _☟

La Musique Française Classique de 1650 à 1800, 44. Courlay, 1989. 22 x 31 cm, 9, 106 pp. Line-cut of the Paris, 1723 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $51 [item no.3527]

[Cantata, selection] Diane et Endimion. _☟

La Cantate Française au XVIIIe Siècle, I. Geneva, 1984. 4º, 36 pp. Line-cut of the Foucault edition, Paris, c.1703. Cantata for soprano, bass and continuo. Text by Louis Fusellier. Wrappers. $30 [item no.184]

[Cantata, selection] Médée, Cantate pour soprano avec violon et Bachus, cantate pour basse avec violon. _☟

La Cantate Française au XVIIIe Siècle, II. Geneva, 1984. 22 x 30 cm, 50 pp. Line-cut of the Foucault edition, Paris, c.1703. Two cantatas, one for soprano and violin, the other for bass and violin. Wrappers. $40 [item no.185]

[Motets, 1-3 voices, bc, with & without instruments, op.1] Motets à une, deux et trois voix, avec symphonie et sans symphonie, au nombre de vingt six. Première œuvre. _☟

La Musique Française Classique de 1650 à 1800, 17. Courlay, 1987. 22 x 31 cm, ix, 259 pp. Line-cut of the Paris, 1703 edition. Introduction by Jean Saint-Arroman. Wrappers. $88 [item no.2142]

[Motets, 1-3 voices, bc, with & without instruments, op.2] Motets à une, deux et trois voix, avec symphonie et sans symphonie. Second œuvre, 1713. [Bibliothèque Municipale, Lyon]. _☟

La Musique Française Classique de 1650 à 1800, 127. Courlay, 1999. 22 x 31 cm, 17, 196 pp. Line-cut of the Paris, 1713 edition. Introduction by Jean Saint-Arroman. Wrappers. $78 [item no.7711]

BERTALI, Antonio, 1605-1699

Prothimia suavissima ovvero XII sonate a tre o quattro strumenti e basso, parte seconda. S.l. 1672. _☟

Archivum Musicum: Strumentalismo Italiano, 82. Florence, 2000. Oblong, 34 x 24 cm, 4 partbooks, c.112 pp. Line-cut of the 1672 edition. Scored for vln I, vln II, viola da gamba & basso continuo. Introduction in It by Hugh Ward-Perkins. Wrappers in decorative paper with matching slipcase. $49 [item no.7842]

BERTHEAUME, Isidore, c.1752-1802

Deux symphonies concertantes opus VI. La première pour deux violons, La seconde pour deux violons et alto ou cor. 1787. Présentation par les étudiants de la formation supérieure aux métiers de l’orchestre de musiques classiques et romantiques. Abbaye aux Dames - Saintes. _☟

La Musique Française Classique de 1650 à 1800, 141. Courlay, 2001. 4º, 14 vols, xiii, c.120 pp. Line-cut of the Paris, 1787 edition. Scored for solo vlnI/vlnII/vla/hn and vlnI/vlnII/vla/bass/obI/obII,hnI/hnII. Preface in Fr-Eng-Ger by Helen Shillito, Anneke Scott & Anna Starr. Wrappers. $63 [item no.7940]

BIBER, Heinrich Ignaz Franz von, 1644-1704

Battalia à 10. Faksimile der autographen Stimmenhandschrift und deren Neuedition vorgelegt von Bernhard Moosbauer. _☟

Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 8. Salzburg, 1999. 24 x 34 cm, x, 9, 24 pp. Halftone of the autograph parts, plus new edition in score format. Eric Chafe describes this as “one of Biber’s most famous pieces... a virtual compendiium of rustic, military, and purely rhetorical elements, all combined brillantly and with the greatest technical finesse.” Loose bifiolio format, with portfolio in decorative paper. $86 [item no.7691]

Chi la dura la vince (Wer ausharrt, siegt). Dramma musicale in drei Akten. Text von Francesco Maria Raffaelini(?). Faksimile der Partitur Hs 560 aus dem Besitz des Salzburger Museums Carolino Augusteum. Einführung von Sibylle Dahms. _☟

Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 10. Salzburg, 2004. 22 x 32 cm, 156, 107 pp. Halftone of the manuscript score. Historical commentary in Ger. Hardbound, with slipcase in decorative paper. $139 [item no.8470]

[Partitas, 2 violins, bc] Harmonia artificioso-ariosa. Diversimodè accordata. VII Partien à tre. Faksimile, Erstdruck 1696 (Wiesentheid). Herausgegeben von Reinhard Goebel. [Stadtbibliothek, Wiesentheid]. _☟

Magdeburg, 2007. Oblong, 4º, 3 partbooks, xv, 100 pp. Line-cut of the first edition, Wiesentheid, 1696. The recently rediscovered first edition—now available for the first time in facsimile—does not have some of the errors made by the editors of the Denkmäler edition. The piece, in 7 movements or partitas and principally scored for 2 violins and bc (1 partita is for 2 viole d’amore & bass) employs scordatura tunings (”harmonia artificioso”) in the upper parts. Only partita VI is written for violins in normal tuning. Wrappers. $75 (more info... ) [item no.8873]

[Pastorella, violin, bc] Ausgewählte Werke IV: Pastorella für Violine und Basso continuo. Vorgelegt von Bernhard Moosbauer. [Vienna, Minoriten-Kodex 726]. _☟

Denkmäler der Musik in Salzburg (Hauptreihe), 13. Munich, 2002. 24 x 32 cm, 2 vols, xvi, 8 pp. Halftone of a contemporary ms copy, together with a new practical edition. This “pastorella”, published for the first time from MS 726, falls into the category of "Hirtenmusik" (Pastorale) with its typical 12/8 meter and its Siciliano rhythm. Wrappers. $36 [item no.9062]

[Sonatas, violin, bc, “Mystery Sonatas”] Rosenkranz-Sonaten. Bayerische Staatsbibliothek München, Mus. Mss 4123. Vorgelegt von Manfred Hermann Schmid. [Im Anhang:] Faksimile der “Türken-Sonate” aus dem Kodex Ms XIV 726 (Nummer 80, Bll. 162r bis 163v) des Wiener Minoritenkonvents]. _☟

Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 14. Munich, 2008. Oblong, 30 x 22 cm, 86, xxx, 4 pp + 1 foldout. New color reproduction of the magnificent presentation copy (non autograph, sole surviving source), dedicated to the Archbishop Maximilian Gandolph von Khuenberg. These fifteen wonderful sonatas, abstract commentaries on biblical incidents traditionally grouped into three groups of five—Joyful (his early life), Sorrowful (his passion), Glorious (his ressurection)—are noteworthy for their use of scordatura and their powerful preludes. They originally were performed in the lecture hall “Aula Academica” of Salzburg University, which still contains fifteen paintings depicting the mysteries. In same manner biblical illustrations—small engraved medallions—were glued in the manuscript at the beginning of each piece. The work ends with the passacaglia for solo violin, one of the most beautiful and soaring pieces of the German baroque. This new facsimile edition importantly includes a facsimile of a concordance of the tenth sonata (from MS XIV 726, Wiener Minoritenkonvents) — ”Türken-Sonate”—where the same music has programmatic titles: “Der Türcken Anmarch”, “Der Türcken Belägerung der Stadt Wien”, “Der Türcken stürmen”, “Anmarsch der Christen”, “Treffen der Christen”, “Durchgang der Türcken”, “Victori der Christen”. In Ms XIV 726, a composite source of violin music by Biber, Schmelzer and others, the scribe attributes the Türken-Sonate to “Schmelzer”. Introduction in Ger. Cloth. $179 (more info... ) [item no.9028]

[Sonatas, violin, bc, “Mystery Sonatas”] Sonatas for Violin & Continuo. The Mystery Sonatas. [Bayerische Staatsbibl., Munich, Hs. 4123]. _☟

Huntingdon, [1985]. 4º, 84 pp. Xerographic reprint of the presentation ms. Wrappers. $20 [item no.3982]

[Sonatas, violin, bc, 1681 ed.] Sonatae Violino solo 1681. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 11. Stuttgart, 2009. Oblong, 33 x 25 cm, 63 pp. Line-cut of the Salzburg, 1681 edition. Wrappers. Hardbound, with marbled paper boards. $58 [item no.9112]

[Sonata, violin, bc, “representativa”] Sonata violino solo representativa. Vorgelegt von Michael Lutz. [Musiksammlung, Olmützer Erzbischof, Kremsier]. _☟

Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 5. Salzburg, 1994. 24 x 32 cm, 10, 13 pp. Halftone of a contemporary ms copy. Biber composed this unusual work–featuring imitations of animal calls (nightigall, cuckoo, hen, rooster, cat, etc.)–on the occasion of the carnival-ball organized by Bischof Karl Liechtenstein-Castelcorn in Schloß Wischau, 1669. Contemporaneous examples of such writing can be found in the music of Schmelzer and in Kircher’s Musurgia universalis. Wrappers. $39 (more info... ) [item no.7190]

[Sonata, violin, bc, E major, Chafe 108] Ausgewählte Werke III: Sonata für Violine und Basso continuo. Vorgelegt von Bernhard Moosbauer. [Vienna, Minoriten-Kodex 726]. _☟

Denkmäler der Musik in Salzburg (Hauptreihe), 12. Salzburg, 2002. 24 x 32 cm, xviii, 14 pp. Halftone of a contemporary ms copy, together with a new practical edition. Wrappers. $42 [item no.9061]

BITTI, M. 17-18th c.

[Sonatas, flute/oboe/violin, bc] VI sonate da camera a flauto traversa, haubois o violino solo. Amsterdam s.d. _☟

Archivum Musicum: Flauto Traversiere, 1. Florence, 1984. 22 x 31 cm, iv, 21 pp. Line-cut of the Amsterdam, c.1708-1712 edition. 4 sonatas by Haym and 2 by Bitti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.774]

BLAVET, Michel, 1700-1768

[Pièces, 2 flutes/violins/viols, collections 1-3] Premier recueil de pièces accomodé pour les flûtes traversières; Deuxième recueil de pièces accomodé pour les flûtes traversières; Troisième recueil de pièces accomodé pour les flûtes traversières. Paris s.d. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 48. Florence, 1995. Oblong, 24 x 17 cm, viii, 245 pp. Line-cut of the Paris, c.1750-1755 editions. Introduction in It by Marcello Castellani. Wrappers. $64 (more info... ) [item no.7141]

[Pièces, 2 flutes/violins/viols, 1st collection] Ie recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c. _☟

Paris, n.d. Oblong, 25 x 16 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.1589]

[Pièces, 2 flutes/violins/viols, 1st collection] 1er recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Olbong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8679]

[Pièces, 2 flutes/violins/viols, 1st collection] Ier. recueil de pieces... Paris. [Bibliothèque d’étude et de conservation Besançon]. _☟

Faksimile-Edition Kammermusik des Barock, 1. Stuttgart, 2014. Oblong, 25 x 17 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Hardbound in marbled paper. $49 [item no.9375]

[Pièces, 2 flutes/violins/viols, 2nd collection] IIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c. _☟

Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Wrappers. $28 [item no.3830]

[Pièces, 2 flutes/violins/viols, 2nd collection] 2ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8680]

[Pièces, 2 flutes/violins/viols, 2nd collection] IIe. recueil de pieces... Paris. [Bibliothèque d’étude et de conservation Besançon]. _☟

Faksimile-Edition Kammermusik des Barock, 2. Stuttgart, 2014. Oblong, 25 x 17 cm, 81 pp. Line-cut of the Paris printed edition. Hardbound in marbled paper. $49 [item no.9376]

[Pièces, 2 flutes/violins/viols, 3rd collection] IIIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c. _☟

Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.3831]

[Pièces, 2 flutes/violins/viols, 3rd collection] 3ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1757. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 182. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8681]

BLOCHWITZ, Johann Martin, fl.1711-1740

[Arias, flute/violin/oboe, bc] Sechtzig Arien eingetheilet in funffzehn Suitten per flauto traverso, violino o oboe e basso continuo. Freiberg s.d. _☟

Archivum Musicum: Monumenta Musicae Revocata, 23. Florence, 1998. 4º, 2 vols, 65 pp. Line-cut of the Freiberg, c.1720-1725 edition. Introduction in It-Eng by Giuliano Furlanetto. Wrapper with portfolio. $62 [item no.7686]

BOCCHERINI, Luigi, 1743-1805

[Quartets, string, op.58, G.252-257] Six quartetti a deux violons, alto, et violoncelle. Op.58. _☟

Huntingdon, [1992]. 4º, 4 partbooks, 50 pp. Xerographic reprint of the original edition published by Sieber, Paris, c.1803. Wrappers. $32 [item no.4880]

[Quintet, string, book 1, op.12, nos.1-6] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 1 (nos.1-6), op.12. (G.265-270). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the original edition. Wrappers. $54 [item no.7959]

[Quintet, string, book 2, op.13, nos.7-12] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 2 (nos.7-12), op.13. (G.271-276). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.4881]

[Quintet, string, book 3, op.20, nos.13-18] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 3 (nos.13-18), op.20. (G.277-282). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.7960]

[Quintet, string, book 4, nos.19-24] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 4 (nos.19-24) (G.289-294). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.7961]

[Quintet, string, book 5, op.23, nos.25-30] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 5 (nos.25-30), op.23. (G.289-294). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.7962]

[Quintet, string, book 6, op.33, nos.31-36 String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 6 (nos.31-36), op.33. (G.301-306). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.7963]

[Quintet, string, book 7, nos.37-39] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 7 (nos.37-39) (G.295-297). _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $30 [item no.7964]

[Quintet, string, book 8, op.37, nos.40-45] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 8 (nos.40-45), op.37. [G.358, 362, 364, 356, 369, 368]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.4882]

[Quintet, string, book 9, nos.46-51] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 9 (nos.46-51). [G.310, 308, 366, 359, 365, 346]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.4883]

[Quintet, string, book 10, nos.52-57] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 10 (nos.52-57). [G.351, 307, 312, 361, 299, 355]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.4884]

[Quintet, string, book 11, nos.58-63] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 11 (nos.58-63). [G.348, 337, 363, 347, 339, 377]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Line-cut of the c.1812-1822 edition. Wrappers. $54 [item no.7360]

[Quintet, string, book 12, nos.64-69] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 12 (nos.64-69). [G.357, 360, 354, 338, 300, 376]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Line-cut of the c.1812-1822 edition. Wrappers. $54 [item no.4885]

[Quintet, string, book 13, nos.70-75] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 13 (nos.70-75). [G.367, 349, 298, 328, 317, 313]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.4886]

[Quintet, string, book 14, op.48, nos.76-81] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 14 (nos.76-81), op.48. [G.314, 315, 318, 330, 325, 316]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.4887]

[Quintet, string, book 15, op.50, nos.82-87] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 15 (nos.82-87), op.50. [343, 341, 342, 340, 344, 345]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Quintet op.50, no.4 in D, contained in this set, is the popular “Fandango”. Wrappers. $54 [item no.4888]

[Quintet, string, book 16, nos.88-93] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Book 16 (nos.88-93). [G.309, 311, 374, 370, 371, 373]. _☟

Huntingdon, [1993]. 4º, 5 partbooks, c.110 pp. Xerographic reprint of the c.1820 edition. Wrappers. $54 [item no.7965]

[Quintet, string, complete, books 1-16, nos.1-93] String Quintets Reprinted from the Janet et Cotelle Edition. Paris, 1812-1822. Books 1-16 (nos.1-93). _☟

Huntingdon, [1993]. 80 partbooks, c.1760 pp. Xerographic reprint. $695 [item no.7952]

[Sonatas, harpsichord, violin, op.5, G.25-30] Sei Sonate di cembalo e violino obbligato dedicate, a Madama Brillon de Jouy. Opera V. _☟

Huntingdon, [1992]. 26 x 33 cm, 2 vols, 55 pp. Line-cut of the Paris, n.d. edition. Wrappers. $27 [item no.4874]

[Sonatas, harpsichord, violin, op.5, G.25-30] 6 sonates pour le clavecin, avec l’accompagnement d’un violon. Œuvre cinquième. _☟

Biblioteca Classica, 11. Rotterdam, 1984. 4º, 2 parts, 56 pp. Line-cut of the J.J. Hummel edition, Amsterdam, 1772. Wrappers. $29 [item no.4900]

[Sonatas, harpsichord, vln, vc, op.12, G.143-148] Six sonates pour le clavecin avec l’accompagnement d’un violon & violoncelle. Œuvre XII. _☟

Huntingdon, [1992]. 4º, 3 parts, 64 pp. Line-cut of the Hummel, n.d., edition. Wrappers. $25 [item no.4875]

BÖDDECKER, Phillip Friedrich, 1607-1683

Jairi Todten-Post/Seuffzer/Trauerklang. [Staatsbibliothek zu Berlin, Preußischer Kulterbesitz, Berlin]. _☟

Faksimile-Edition Rara, 15. Stuttgart, 1998. 15 x 21 cm, 76 pp. Line-cut of the Stuttgart, 1661 edition. Contains two musical settings by Böddecker, one a4 & bc, the other a3 & bc. Bound together with Jairi Todten-Post und Christ Hertzen-Trost (Stuttgart, 1661) and Seuffzer und Thränen und klägliches Sehnen, for the funeral of Maria Agnes Müller. Hardbound in marbled paper. $20 [item no.7576]

BÖDDECKER, Phillip Jacob, 1607-1683

Höchst-schätzbares Seelen-Kleinod hangend an dem stets hell-leuchtenden geistlichen Morgenstern order Zwey schöne geistriche Lieder in einem doppelten (einfachen und fugirten) Contrapunkt. [Württembergischen Landesbibliothek, Stuttgart]. _☟

Faksimile-Edition Rara, 10. Stuttgart, 1997. 24 x 29 cm, 14 pp. Line-cut of the Stuttgart, n.d. edition. Written for soprano, alto, tenor, bass and continuo, only the continuo part for organ (reproduced here) survive. Hardbound in marbled paper. $17 [item no.7542]

Sacra Partitura. [Württembergischen Landesbibliothek, Stuttgart]. _☟

Faksimile-Edition Rara, 2. Stuttgart, 1997. 20 x 30 cm, 72 pp. Line-cut of the rare Strasbourg, 1651 print. 12 pieces for solo voice and bc in the style of Italian monody, including “O mira, ò magna” by Casati and “Ecce sacrum paratum” by Monteverdi; the collection ends with two very interesting instrumental sonatas by Böddecker: “Sonata. Violino solo” & “Sonate. sopra la Monica. Fagotto solo”, among the earliest known German examples of the genre. Hardbound. $44 [item no.7441]

BOISMORTIER, J.B. Bodin de, 1691-1755

[Ballets, trios, 2 musettes/viols/rec/vln/ob/fl, bc, op.52] IV balets de village en trio pour les musettes, vieles, flutes à bec, violons, haubois, ou flutes traversières. Œuvres 54, 1734. _☟

Les Plaisirs Champêtres. Paris, 1991. 4˚, 3 partbooks, ii, 36 pp. Line-cut of the Paris, 1752 edition. Preface in Fr-Eng by Jean-Christophe Maillard. Wrappers. $28 [item no.8726]

[Cantatas, voice, w/ various accomp., op.5] Les quatre saisons. Cantates françaises à voix seule, mêlées de symphonies. Œuvre cinquième. 1724. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 144. Courlay, 2002. 4º, xi, 104 pp. Line-cut of the author’s edition, Paris, 1724. Preface in Fr-Eng-Ger by Jean Saint-Arroman & Philippe Lescat. Wrappers. $60 [item no.8143]

Motets à voix seule mêlés de simphonies. Œuvre 23. 1728 [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, x, 27 pp. Line-cut of the author’s edition, Paris, 1728. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $24 [item no.8142]

[Sonatas, 2 flutes, op.1] Sonates a deux flûtes-traversières sans basse. Œuvre premier. _☟

Performers’ Facsimiles, 75. New York, [1991]. 23 x 30 cm, 27 pp. Line-cut of the Paris, 1724 edition. Wrappers. $15 [item no.4059]

[Sonatas, 2 flutes, op.1] Sonates a deux flûtes traversieres sans basse. Œuvre premier, 1724. [Bibliothèque Nationale, Paris]. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1724 edition. Wrappers. $12 [item no.8799]

[Sonatas, 2 flutes, op.2] Sonates a deux flûtes-traversières sans baße. Œuvre IIe. _☟

Performers’ Facsimiles, 76. New York, [1989]. 23 x 30 cm, 27 pp. Line-cut of the Paris, 1724 edition. Wrappers. $15 [item no.3678]

[Sonatas, 2 flutes, op.6] Sonates a deux flûtes-traversières sans baße. Œuvre sixième. _☟

Performers’ Facsimiles, 77. New York, [1989]. 23 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $15 [item no.3679]

[Sonatas, 2 flutes, op.6] Sonates à deux flûtes traversières sans basse. Opus 6, 1725. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the author’s, Boivin & Leclerc edition, Paris, 1725. Wrappers. $12 [item no.8843]

[Sonatas, 2 flutes, op.8] Sonates a deux flûtes-traversières sans basse. Œuvre huitième. _☟

Performers’ Facsimiles, 78. New York, [1989]. 23 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $15 [item no.3649]

[Sonatas, 2 flutes, op.8] Sonates a deux flûtes traversières sans opus 8. _☟

La Musique Française Classique de 1650 à 1800, 200. Courlay, 2007. 4º, 40 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.8947]

[Sonatas, flute, bc, op.9] Sonates pour la flûte-traversiere avec la basse. Œuvre neuvième, 1725. [Bibliothèque Nationale, Paris]. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $12 [item no.8800]

[Sonatas, flute, violin, op.51] VI sonates pour une flûte traversière et un violon par accords, op.51. Paris 1734. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 61. Florence, 2001. 24 x 33 cm, iv, 26 pp. Line-cut of the Paris, 1734 edition. Preface in It by Marcello Castellani. Wrappers. $34 [item no.8088]

[Sonatas, flute, violin, op.51] VI sonates pour une flûte traversière, et un violon par accords, sans basse. 1734. Présentation par Marion Delorme et Pauline van Agt (etudiantes au CeFEdeM Île-de-France). _☟

La Musique Française Classique de 1650 à 1800. Courlay, 2007. 21 x 30 cm, ix, 24 pp. Line-cut of the Paris, 1734 edition. Preface in Fr-Eng-Ger. Wrappers. $27 [item no.8894]

[Sonatas, 2 violoncelli/viols/bassoons, bc, op.26 & op.50] Cinq sonates, un concerto. Opus 26 (violoncelle, viole ou basson); Six sonates, un trio. Opus 50 (violoncelle, viole ou basson). Présentation par Stéphan Perreau. _☟

La Musique Française Classique de 1650 à 1800, 132. Courlay, 2000. 4º, vii, 52 pp. Line-cut of the Paris, 1729 and 1734 editions. Introduction in Fr-Eng-Ger. Hardbound. $42 [item no.7823]

[Trio sonatas, 2 ob/fl/vln, bc; bass/bassoon, bc, op.28/37] Six sonates en trio, opus 28 / Cinq sonates en trio, suivies d’un concerto, opus 37. Présentation par les élèves du Ce. F.E. de M. de Rueil-Malmaison. _☟

La Musique Française Classique de 1650 à 1800, 134. Courlay, 2000. 4º, xv, 78 pp. Line-cut of the Paris, 1730 and 1722 editions. Preface in Fr-Eng-Ger by Nathalie Lechat, Karen Daniau, Céline Morandeau & Marie-Hélène Landreau. Wrappers, in slipcase. $57 [item no.8120]

[Trio sonatas, flute/violin, bass/bassoon, bc, op.37] XXXVIIe Œuvre contenans V sonates en trio pour un deßus & deux baßes; suivica d’un concerto à cinq parties pour une flûte, un violon, un haubois, un baßon, & la baße. _☟

Huntingdon, [1994]. 4º, 3 parts, 32 pp. Line-cut of the Paris, [1732] edition. Wrappers. $20 [item no.4859]

BOMTEMPO, João Domingos, 1775-1842

[Sonatas, piano, violin ad lib., op.18, nos.1-3] 3 sonatas de piano: op.18, no.1, com violino ad libitum; op.18, no.2, com violino ad libitum; op.18, no.3, com violino ad libitum. _☟

Lusitana musica, I/1. Lisbon, 1979. 21 x 30 cm, iv, 44 pp. Line-cut of the London, 1816 edition. Preface in Port-Ger-Fr-Eng by Gerhard Doderer. Wrappers. $15 [item no.3987]

BOND, Capel, 1730-1790

[Concerti, strings, bc; trumpet, bassoon, strings, bc] Six Concertos in 7 Parts for Four Violins, a Tenor Violin, a Violoncello, with a Thorough Bass for the Harpsicord... The First is for a Trumpet, the Sixth a Bassoon Concerto. [Library of Congress, Washington, DC]. _☟

Alston, 2005. 4º. 9 partbooks, ii, 113 pp. Line-cut of the London, 1766 edition. Nos. 2-5 are concerti grossi for strings & bc, while Nos. 1 & 6 are solo concertos for trumpet and bassoon. Preface by Peter Holman. Ring binder. $63 [item no.8622]

BONI, Pietro Giuseppe Gaetano, 18th c.

[Divertimenti, violin/violone/cembalo/recorder/mandola] Divertimenti per camera à violino, violone, cimbalo, flauto e mandola. Roma s.d. _☟

Archivum Musicum: Flauto Traversiere, 2. Florence, 1985. Oblong, 32 x 23 cm, v, 43 pp. Line-cut of the Rome, c.1717-27 editions. 12 divertimenti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $34 [item no.1251]

BONIZZI, Vincenzo, b.?-1630

[Alcune opera, viola bastarda, strings] Alcune opere di diversi autori. Passaggiate principalmente per la viola bastarda, ma anco per ogni sorte di stromenti e di voci, Venezia 1626. [Printed source & Ms, Civico Museo Bibl. musicale, Bologna]. _☟

Archivum Musicum: Strumentalismo Italiano, 54. Florence, 1983. Oblong, 24 x 17 cm, xvii, 94 pp. Line-cut. Includes facsimile of contemporary ms copy transmitting passaggiate. Introduction in It by Elio Durante & Anna Martellotti. Wrappers in decorative paper. $31 [item no.1169]

BONONCINI, Giovanni, 1670-1747

[Cantatas & duets, voice, violin, bc] Cantate e duetti (Londra 1721). Introduzione di / Introduction by Paolo Da Col. _☟

Bibliotheca Musica Bononiensis, IV/73. Bologna, 2008. Oblong, 4°, xvii, 107 pp. Line-cut of the London, 1721 edition. The collection features 7 cantatas for soprano, 6 for alto and 2 duets, with violin or bc. Wrappers. $59 (more info... ) [item no.9006]

BONONCINI, Giovanni Maria, 1642-1678

[Sonatas, 2 violins, da chiesa, op.6] Sonate da chiesa a due violini. _☟

Bibliotheca Musica Bononiensis, IV/146. Bologna, 1970. 21 x 31 cm, 84 pp. Line-cut of the Venice, 1672 edition. 12 sonatas. 3 partbooks (violino primo, secondo and basso continuo) bound together. Hardbound. (more info... ) [item no.1171]

Varii fiori del giardino musicale. Opera terza. _☟

Bibliotheca Musica Bononiensis, IV/74. Bologna, [1978]. 16 x 21 cm, 5 partbooks, vii, 125 pp. Line-cut of the Bologna, 1669 edition. 30 compositions for 2-4 instruments with basso continuo. Introduction in It by Marta Lucchi. Wrappers, in cloth folder. $39 [item no.1252]

BONPORTI, Francesco Antonio, 1672-1749

[Sonatas, violin, bc, op.7 & 10] Sonate da camera a violin solo e basso, op.VII; Invenzioni a violino solo e basso, op.X. Amsterdam s.d. _☟

Archivum Musicum: Strumentalismo Italiano, 78. Florence, 1995. Oblong & upright, 4º, 2 vols, ix, 52 pp. Line-cut of the Amsterdam, n.d. edition. Preface in It by Daniele Valersi. Wrappers. $45 [item no.7140]

[Trio sonatas, 2 violin, bc, op.4] Sonate da camera. Opera IV. A due violini, violone, cembalo o arcileuto. Venezia 1703. _☟

Archivum Musicum: Strumentalismo Italiano, 87. Florence, 2002. 4º, 3 partbooks, viii, 108 pp. Line-cut of the Venice, 1704 edition. Preface in It by Daniele Valersi. Wrappers. $35 [item no.8233]

BORGHI, Luigi, b.?-c.1806

Six Violin Concertos and Sixty Four Cadenzas. With an Introduction by Frederick Neumann. With Performance Notes by Gabriel Banat. _☟

Masters of the Violin, 1. New York, 1981. 27 x 37 cm, xii, 162 pp. Line-cut. For solo violin, string orchestra, 2 ob & 2 hn. Wrappers, with protective box. $85 [item no.1173]

BOULEZ, Pierre, 1925

Le marteau sans maître. Fac-similé de l’épure et de la première mise au net de la partition / Facsimile of the Draft Score and the First Fair Copy of the Full Score. Édité par / Edited by Pascal Decroupet. _☟

Eine Publikation der Paul Sacher Stiftung. Mainz, 2005. Oblong, 38 x 30 cm. 215 pp. Beautiful full-color facsimile edition of the autograph draft score and fair copy, produced on the occasion of the 80th birthday of the composer. Since its premiere 50 years ago at the 1955 Baden-Baden Festival, “Le marteau sans maître”, with its novel scoring (contralto, alto flute, viola, guitar, vibraphone, xylorimba and unpitched percussion) and poetry by René Char in four of the nine interlocked movements, has been considered one of the most outstanding serial works of the postwar avantgarde. Commentators have pointed out its wonderful hypnotic soundworld, complex rhythmic structure, and sudden bursts of instrumental crossfire, creating such a demand on the performers that some fifty rehearsals were required before its premiere. This excellent facsimile offers an exciting entry into Boulez’ “workshop”—allowing us to examine, side by side, the pencil draft score, final ink version, as well as a selection of sketch pages. Handsome binding in red linen with slipcase. $254 (more info... ) [item no.8588]

BOYCE, William, 1711-1779

[Symphonies, op.2] 8 Symphonies, op.2 (1760). _☟

Huntingdon, [1990]. 4º, partbooks, c.100 pp. Xerographic reprint of the 1760 edition. Scored for vln I-II, vla, vc, db, ob/fl I-II, bsn I-II, hrn I-II, tpt I, II, & timp. Wrappers. $70 [item no.7016]

[Symphonies, op.2] Eight Symphonys in Eight Parts. Six for Violins, Hoboys, or German Flutes, and Two for Violins, French Horns and Trumpets. With a Bass for the Violoncello and Harpsicord. Opera seconda. [British Library, London]. _☟

Performers’ Facsimiles, 230. New York, [2001]. 4º, 12 partbooks, c.100 pp. Line-cut of the London, 1760 edition. Wrappers. $55 [item no.7912]

[Trio sonatas, 2 vln/fl, bc] Twelve Sonatas for Two Violins with a Bass, 1747. _☟

Chamber Music from Georgian England, 4. Huntingdon, [1990]. 4º, 4 partbooks, 132 facs, [12] pp. Line-cut of the Walsh edition, London, 1747. Wrappers. $39 [item no.7468]

BRAHMS, Johannes, 1833-1897

[Concerto, violin, orchestra, op.77, D major] Violinkonzert D-Dur Opus 77: With a Selection from the Engraver’s Copy of the Violin Part. Facsimile of the Autograph from the Collections of the Music Division, Library of Congress, Washington, D.C. with a Preface by Julia Fischer and an Introduction by Stefan Drees / Mit einer Auswahl aus der Stichvorlage der Violinstimme. Faksimile nach dem Autograph aus den Sammlungen der Musikabteilung der Library of Congress, Washington mit einem Kommentar von Stefan Drees. _☟

Meisterwerke der Musik im Faksimile, 19. Laaber, 2014 Oblong, 38 x 30 cm, xviii, 106 pp. Beautiful full-color halftone of the autograph and annotated solo violin part. Contains numerous corrections and adjustments (involving phrasing, dynamics and minor note changes) by Brahms’ revered friend Joseph Joachim. Hardbound in decorative paper. $249 (more info... ) [item no.9268]

[Quintet, strings, op.88, F major] Streichquintett Nr.1 F-Dur op.88. Faksimilé-Ausgabe. [Brahmsgesellschaft, Baden-Baden]. _☟

Baden-Baden, 1994. Oblong, 33 x 26 cm, 46 pp. Fine color reproduction of Brahms’ elegant autograph fair copy, dated and signed May 1882. Limited bibliophile edition of 200 copies. Handsomely bound in dark burgundy leatherette with the composer’s signature embossed in silver. $185 (more info... ) [item no.7077]

[Sonata, violin, piano, no.1, op.78, G major] Sonate für Klavier und Violine Nr. 1 G-Dur Opus 78. Faksimile nach dem Autograph der Wienbibliothek im Rathaus, Musiksammlung, Wien. Mit einem Geleitwort von Julia Fischer und einer Einführung von Eberhard Hüppe. _☟

Meisterwerke der Musik im Faksimile, 27. Laaber, 2013. Oblong, 38 x 30 cm, xxii, 36 pp. 3-color halftone of the autograph score signed “June 1879”. It's the composer's first sonata for violin & piano, sometimes referred to as the “Regenlied Sonata” because of the self borrowing of the first two bars from the song Regenlied (op.59 no.3) for the main theme of the third movement. Its melancholic mood has been recently connected with Brahms' sadness over the deteriorating health and eventual death of his godson, Felix Schumann—son of Clara and Robert—who intermittently strove to become a violinist. The autograph is teeming with corrections and alterations, most likely made shortly after the first performance of the piece in August 1879 given by Brahms and Joachim in a private setting. The sonata received its first public performance by Robert Heckmann & Marie Heckmann-Hertig in Bonn, 8 Nov. 1879. Hardbound. $159 (more info... ) [item no.9332]

BRANCHE, Charles-Antoine, 1722-c.1779

[Sonatas, violin, bc, book 1] 1er livre de sonates à violon seul et basse. _☟

Biblioteca Classica, 170. Rotterdam, 1985. 4º, 28 pp. Line-cut of the Paris, [1748] edition. Wrappers. $18 [item no.4965]

[Sonatas, violin, bc, book 1] Premier livre de sonates à violon seul et basse. _☟

La Musique Française Classique de 1650 à 1800, 45. Courlay, 1989. 22 x 31 cm, 14, 52 pp. Line-cut of the Paris, [1748] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $33 [item no.2815]

BRÉVAL, Jean-Baptiste Sébastien, 1753-1823

Les nocturnes, ou six airs variés pour un violon et violoncelle. Œuvre IX. _☟

Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 16 pp. Line-cut of the Paris, 1782 edition. Wrappers. $13 [item no.9037]

BROSSARD, Sébastien de, 1655-1730

Dictionaire de musique, contenant une explication des termes grecs, latins, italiens & françois, les plus usitez dans la musique, seconde édition, 1705. Eingeleitet von Harald Heckmann. _☟

Dictionarium Musicum, 1. Hilversum, 1965. 17 x 24 cm, xviii, 390 pp. Halftone of the second edition, Paris, 1705. Cloth (also available in wrappers). $116 [item no.2112]

BRÜCKNER, Wolfgang, b.?-1646

Zweyfaches Zehen [ordentlicher Sonn- und Fest-Täglicher Evangelien Gott dem Allerhöchsten zu gebührenden Ehren dann Music liebenen Herzen zuschuldigem Gefallen mit 4.5.6.7. und 8. Stimmen neben dem Basso Continuo beydes Vocaliter und Instrumentaliter zu gebrauchen aufgeseztet. Erfurt / Johann Birckner, Friedrich Melchio Dedekind 1656. [Pfarachiv Mügeln]. _☟

Faksimile-Edition Rara, 94. Suttgart, 2021. 16 x 20 cm, 8 partbooks, 48 pp. Line-cut of the Erfurt 1656 partbook edition. 20 (2x Zehen) religious settings for 8 voices with bc and strings. Wrappers with slipcase in decorative paper. $112 [item no.9693]

BRUMEL, Antoine, c.1460-c.1515

Missae. Petrucci, Venedig 1503. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Faksimile-Edition Rara, 47. Stuttgart, 2004. Oblong, 23 x 17 cm, 4 partbooks, 132 pp. Line-cut of the Petrucci edition, Venice, 1503. Five Antoine Brumel masses a4: “Je nay dueul”; “Berzerette savoyenne”; “Ut re mi fa sol la”; “Lomme arme”; “Victime paschali”. Hardbound, in decorative paper with slipcase. $74 [item no.8498]

BRUNI, Antonio Bartolomeo, 1757-1821

[Caprices, violin, op.1] Caprices et airs variés en forme d’étude pour un violon seul — Œuvre 1er. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, 1787 edition. 23 caprices & 6 airs variés. Wrappers. $13 [item no.8880]

BRUNNENMÜLLER, Elias, b.?-1762

Fasciculus musicus (1711). Introduction by Rudolf Rasch. _☟

Dutch Music Facsimiles, 8. Utrecht, 1991. 4º, iv, 44 pp. Line-cut of the Leeuwarden, c.1711 edition. Contains 3 keyboard suites, 3 solos with figured bass (resp. for oboe, recorder and violin) and 4 songs with figured bass and oboe ad libitum (3 with Italian texts and 1 with German text). Introduction in Eng.Wrappers. $32 [item no.4345]

BUONAMENTE, Giovanni Battista, b.?-1642

[Sonatas, 2 violins, bc, book 4] Il quarto libro de varie sonate, Venezia 1626. _☟

Archivum Musicum: Strumentalismo Italiano, 47. Florence, 1982. 24 x 34 cm, 3 parts, iii, 138 pp. Line-cut. Contains 50 compositions, sinfonie, gagliarde, corrente, & brandi for 2 violins and violone. Wrappers and slipcover in decorative paper. $72 [item no.1254]

BUONANNI, Filippo, 1638-1725

Descrizione degl’istromenti armonici d’ogni genere. _☟

Leipzig, 1975. 20 x 28 cm, 256 pp. Line-cut of the Rome, 1726 edition. Extremely informative treatise on organology with altogether 140 extended descriptions provided in Italian and French. Bilingual indices. Accompanied by 142 superb woodcuts of scenes of musicians with their instruments. Linen. $125 [item no.2703]

Trattato sopra la vernice detta communemente cinese. _☟

Collana di Liuteria e Cultura Musicale, 5. Cremona, 1994. 8º, 142 pp. Line-cut of the Rome, 1720 edition. Fascinating treatise on varnishes (cenese) as used on string instruments. Wrappers. $55 [item no.7204]

BUTERNE, Charles, 17-18th c.

[Sonatas, winds/strings, bc, op.2] Six sonates pour la vielle, musette, violon, flutes, hautbois et pardessus de violles; quatre avec la basse continue, et deux en duo. Œuvre IIe. [Bibl. Municipale, Nimes]. _☟

Béziers, 1985. 29 x 21 cm, 29 pp. Line-cut of the 1745 edition. Sonatas for viel/mus/vln/fl/rec/ob/viol, bc, and 2 viel/mus/vln/fl/rec/ob/viol, without bc. Laid paper, with wrappers. $20 [item no.2149]

BUXTEHUDE, Dietrich, 1637-1707

[Sonata, 2 violins, viol, bc, G major, K.271] Sonata i G-dur. Besättning: 2 Violiner, Viola da gamba och basso continuo. Faksimiltryck från handskrift i Uppsala Universitetsbibliotek. _☟

Autographus Musicus, 4. Bandhagen, 1973. 21 x 34 cm, ii, 9 pp. Line-cut of a contemporary ms copy. Loose sheets in folder. $15 [item no.223]

[Sonatas, violin, viol, harpsichord, op.1, K.252-258] VII. sonates à doi, 1 violino e viola da gamba, con cembalo. Opera prima, 1696. Présentation par Marie-Françoise Bloch. [Universitetsbibl., Uppsala]. _☟

Collection Dominantes. Courlay, 1995. 24 x 33 cm, 3 partbooks, 8, 56 pp. Line-cut of the Lübeck, 1696 edition. Introduction in Fr-Eng-Ger. Wrappers. $41 [item no.4403]

[Sonatas, violin, viol, harpsichord, op.2, K.259-265] VII. suonate à due, violono et viola de gamba con cembalo. Opera seconda. Présentation par Marie-Françoise Bloch. [Universitätsbibl., Uppsala ]. _☟

Collection Dominantes. Courlay, 2003. 4º, 3 partbooks, 124 pp. Line-cut of the Lübeck, 1696 edition. Introduction in Fr-Eng-Ger. Wrappers. $53 [item no.7208]

[Sonatas, violin, viol, harpsichord, op.2, K.259-265] VII. suonate à due, violino et violadagamba con cembalo. Opera secunda. Edited by Eva Linfield. _☟

Critical Facsimiles, 3. New York, 2003. 21 x 38 cm, 3 partbooks, 19, 104 pp. Line-cut of the Lübeck, 1696 edition. Includes apparatus listing all editorial emendations. Wrappers. $40 [item no.2150]

BYRD, William, 1543-1623

Songs of Sundry Natures, Some of Gravitie, and Others of Myrth, Fit for All Companies and Voyces. Lately Made and Composed into Musicke of 3.4.5. and 6. Parts. [British Library, London]. _☟

Performers’ Facsimiles, 163. New York, [2000]. 18 x 25 cm, 5 partbooks, c.292 pp. Line-cut of the London, 1589 edition. 14 compositions a3, 11 a4, 12 a5, and 10 a6, suitable for voices and or instruments. Wrappers. $75 [item no.7840]

CALDARA, Antonio, c.1670-1736

[Sonatas, 2 violins, bc, op.2] Suonate da camera a due violini con il basso continuo. Opera seconda. Présentation par Brian W. Pritchard. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Collection Dominantes. Courlay, 1994. 22 x 31 cm, 4 partbooks, 26, 156 pp. Line-cut of the Venice, 1699 edition. Introduction in Fr-Eng-Ger. Wrappers. $73 [item no.4799]

CAMERLOHR, Placidus von, 1718-1782

Solo per la gallichone; Partia ex f (Gallichon, 2 violinen, Baß); Trio ex C (2 Gallichon, Violoncello). [Mss, Abtei Metten]. _☟

Faksimile-Edition Laute, 12. Stuttgart, 2015. 26 x 33 cm, 96 pp. Full-color reproduction of three works of Camerlohr, one for solo gallichone a type of bass lute, and two chamber works. Handstitched folios in portfolio with decorative paper boards and ties. $55 [item no.9429]

CAMPRA, André, 1660-1744

[Cantatas, voice, winds/strings, bc, book 2] Cantates françaises mêlées de symphonies et pour différents voix, avec un duo. Livre second, 1714. Présentation par Bertrand Porot. [Bibliothèque Municipale, Lyon]. _☟

La Musique Française Classique de 1650 à 1800, 174. Courlay, 2006. Oblong, 4º, vvi, 156 pp. Line-cut of the Paris, 1714 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $67 [item no.8661]

[Cantatas, book 2, selections] Cantate Enee & Didon (extraite du Second livre de cantates), 1714. Œuvre au programme du Capes et de l’Agrégation. [Bibliothèque Municipale, Lyon]. _☟

La Musique Française Classique de 1650 à 1800, 177. Courlay, 2004. Oblong, 4º, ix, 36 pp. Line-cut of the Paris, 1714 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.8419]

[Motets, a1-3, flutes/violins, bc, book 1] Motets à I, II et III voix, avec la basse continue. Livre premier. _☟

La Musique Française Classique de 1650 à 1800, 1. Courlay, 1986. 22 x 31 cm, x, 116 pp. Line-cut of the Ballard edition, Paris, 1699. Introduction by Jean Saint-Arroman. Wrappers. $54 [item no.2033]

Motets a I, II, III voix. . . Livre premier. Paris / Christophe Ballard 1700. [Bibliothèque d’étude et de conservation Besançon]. _☟

Faksimile-Edition Canto e Continuo, 7. Stuttgart, 2014. 22 x 35 cm, 116 pp. Line-cut of the Paris, 1700 edition. Hardbound, with boards in decorative paper. $65 [item no.9410]

[Motets, a1-3, flutes/violins, bc, book 2] Motets à I, II et III voix, et instruments avec la basse continue. Livre second. _☟

La Musique Française Classique de 1650 à 1800, 2. Courlay, 1986. 22 x 31 cm, xi, 139 fasc pp. Line-cut of the Ballard edition, Paris, 1700. Introduction by Jean Saint-Arroman. Wrappers. $63 [item no.2034]

Motets a I, II, III voix. . . Livre second. Paris / Christophe Ballard 1700. [Bibliothèque d’étude et de conservation Besançon]. _☟

Faksimile-Edition Canto e Continuo, 7. Stuttgart, 2014. 22 x 35 cm, 140 pp. Line-cut of the Paris, 1700 edition. Hardbound, with boards in decorative paper. $62 [item no.9428]

CANTONE, Serafino, fl.1580-1627

Sacrae cantiones, [sive motecta, tum ad instrumenta omnia, tum ad vocis modulationem aptissima]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 22. Stuttgart, 1997. 16 x 23 cm, 5 partbooks, c.120 pp. Line-cut Gardano edition, Venice, 1596. 20 sacred settings a5, for voices with or without instruments. Wrappers, with slipcase. $79 [item no.7438]

Sacrae cantiones, [sive motecta, tum ad instrumenta omnia, tum ad vocis modulationem aptissima]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 22. Stuttgart, 1997. 16 x 23 cm, 5 partbooks, c.120 pp. Line-cut Gardano edition, Venice, 1596. 20 sacred settings a5, for voices with or without instruments. Wrappers. $47 [item no.7439]

CAPRICORNUS, Samuel Friedrich, 1628-1665

Geistliche Concerten mit 2. und 3. Stimmen. [Universitätsbibl., Uppsala]. _☟

Faksimile-Edition Capricornus, 11. Stuttgart, 2000. 14 x 19 cm, 4 partbooks, c.120 pp. Line-cut of the Gerjard edition, Nuremberg, 1658. Partbook format: vox prima, vox secunda, vox tertia, bassus pro organo. Wrappers, with slipcase in marbled paper. $84 [item no.7899]

Geistliche Concerten ander Theil. Stuttgart 1665. RISM C 936. [Landesbibl. Dresden; Universitätsbibl., Tübigen]. _☟

Faksimile-Edition Capricornus, 3. Stuttgart, 2002. 14 x 19 cm, 3 partbooks, 102 pp. Line-cut of the Stuttgart, 1665 edition. 12 settings a 3 plus basso continuo (”vox prima” partbook of original print has been lost and is not included in this facsimile). Wrappers, in portfolio covered with decorative paper. $56 [item no.8658]

[Geistliche Harmonie, 3 voices, winds, strings, bc] Erster [-Ander, -Dritter] Theil geistlicher Harmonien mit zwei und drey Stimmen und 2. Violinen. _☟

Faksimile-Edition Capricornus, 9. Stuttgart, 2000. 16 x 23 cm, 7 partbooks, 740 pp. Line-cut of the Stuttgart, 1659, 1660 & 1664 editions. 42 pieces for two and three sopranos, two violins, in various combinations with flute, cornetto, bassoon, trombone, & viola da gamba. Hardbound in marbled paper. $158 [item no.7815]

Jubilus Bernhardi [in 24. partes distributus, & quinque vocibus concertantibus, quibus adjunctae quatuor violae]. [Bibliothèque Nationale, Paris, Ms. VM1 988]. _☟

Faksimile-Edition Capricornus, 8. Stuttgart, 2000. 15 x 21 cm, 15 partbooks, c.590 pp. Line-cut of the Endter edition, Stuttgart, 1660. 24 sacred numbers in concerted form in partbook format: cantus 1, cantus 1 ripieno, cantus 2, cantus 2 ripieno, alto, alto ripieno, 4 violas, tenor, tenor ripieno, bassus, bassus ripieno, & basso continuo (organ). Wrappers, with slipcase. $160 [item no.7821]

Opus aureum missarum [ad sex, decem & duodecim tonos redactae, cum basso ad organum. [Bibliothèque Nationale, Paris, Ms. VM1 982]. _☟

Faksimile-Edition Capricornus, 7. Stuttgart, 2000. Oblong, 30 x 20 cm, 11 partbooks, c. 110 pp. Line-cut of the Bencard edition, Frankfurt, 1670. Partbook format: 2 cantus, 2 alto, 2 tenor, 2 violins & bass continuo (organ). Wrappers, with slipcase in marbled paper. $137 [item no.7755]

Opus Musicum. [Zentralbibliothek, Zürich]. _☟

Faksimile-Edition Capricornus, 15. Stuttgart, 2001. 20 x 33 cm, 18 partbooks, c.190 pp. Line-cut of the Nuremberg, 1655 edition. Concerted pieces for voice and instruments, from 1 to 8 parts & bc. Wrappers, with portfolio in marbled paper. $134 [item no.7947]

Raptus Proserpinae. In einem singenden Schaw-Spiel vorgestellet. [Landesbibliothek Stuttgart]. _☟

Faksimile-Edition Capricornus, 4. Stuttgart, 1999. 14 x 19 cm, 46 pp. Line-cut of the Nuremberg, 1662 edition. Libretto only. Hardbound, with marbled paper boards. $20 [item no.7747]

Scelta musicale ò la prima opera d’eccellenti motteti, voce sola è uno, overò duos instrumenti. [Zentralbibliothek, Zürich]. _☟

Faksimile-Edition Capricornus, 5. Stuttgart, 2000. Oblong, 28 x 20 cm, 4 partbooks, c.80 pp. Line-cut of Ammon edition, Frankfurt, 1669. 8 settings for voice (canto, alto, basso) and various instruments (viola da gamba, violins, cornetti, trombone, bassoon, organo). Hardbound, with slipcase in marbled paper. $115 [item no.7987]

[Sonatas, 2 violins, trombone/viola da gamba] Sonaten und Canzonen [mit 3. Instrumenten gesezt. Instrumentum primum]. Nürnberg, Christoff Gerhard 1660. [Bischöflichen Zentralbibliothek Regensburg]. _☟

Faksimile-Edition Capricornus, 16. Stuttgart, 2014. 16 x 22 cm, 24 pp. Line-cut of the Nuremburg, 1660 edition. Rare collection of of 6 sonatas for violins & trombone/viola da gamba. Only the Violino I part survives. Hardbound, with marbled paper boards. $23 [item no.9377]

[Tafelmusik, voice, strings/winds, bc, part 1] Neu-Angestimte und erfreuliche Tafelmusik. [Österreichische Nationalbibliothek, Vienna]. _☟

Faksimile-Edition Capricornus, 12. Stuttgart, 2001. Oblong, 28 x 19 cm, 3 partbooks, 28 pp. Line-cut of the Frankfurt, 1670 edition. Wrappers, with portfolio in marbled paper. $46 [item no.7945]

[Tafelmusik, strings/winds, bc, part 2] Continuation der neuen wohl angestimmten Taffel-Lustmusik. [Österreichische Nationalbibliothek, Vienna]. _☟

Faksimile-Edition Capricornus, 13. Stuttgart, 2001. Oblong, 28 x 19 cm, 3 partbooks, 34 pp. Line-cut of the Frankfurt, 1671 edition. Wrappers, in marbled portfolio. $48 [item no.7946]

Theatrum musicum [quod per duodecim secenas sue sacras cantiones]. Würzburg, Bencard 1669. RISM C 937. _☟

Faksimile-Edition Capricornus, 2. Stuttgart, 2003. Oblong, 29 x 20 cm, 8 partbooks, 131 pp. Line-cut of the Würzburg, 1669 edition. 12 settings with sacred Latin texts scored for altus, tenor, bass, four viols & organ. Hardbound, with marbled paper boards & matching slipcase. $87 [item no.8346]

Continuatio theatri musici [seu Sacrarum cantionum. Pars secunda]. Würzburg, Bencard 1669. [Bibl. Nationale de France, Paris]. _☟

Faksimile-Edition Capricornus, 6. Stuttgart, 2003. Oblong, 28 x 20 cm, 10 partbooks, c.114 pp. Line-cut of J. Bencard edition, Würzburg, 1669. 8 sacred settings for various voice and instrumental combinations (partbooks: SSTAB, vdg I-II-III-IV, trb, org). Portfolio in marbled paper. $92 [item no.8375]

Zwey Lieder von dem Leyden und Tode Jesu, in 6. Stücke getheilet und mit 2. Stimmen wie auch 4. Violen (welche doch nach belieben können aussgelassen werden) auf besondere Concerten Art gesetzt. [Landesbibliothek Stuttgart]. _☟

Faksimile-Edition Capricornus, 1. Stuttgart, 1997. 15 x 19 cm, 7 partbooks, 80 pp. Line-cut of the Nuremberg, [1660] edition. For two sopranos, four viols (ad libitum) & bc. Wrappers, in portfolio. $36 [item no.7544]

CARBONELLI, Giovanni Stefano, d.1772

[Sonatas, violin, bc] 12 sonate da camera a violino, e violone, o cembalo. _☟

Huntingdon, c.1988. 4º, Xerographic reprint of the 1729 edition. Wrappers. $17 [item no.7030]

CARTIER, Jean-Baptiste, 1765-1841

[Airs, viola] Trois airs variés pour l’alto. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 12 pp. Line-cut of the Sieber edition, Paris, c.1822. Wrappers. $9 [item no.8845]

L’art du violon. _☟

Monuments of Music and Music Literature in Facsimile, I/14. New York, [1997]/1973. 27 x 35 cm, 335 pp. Line-cut of the 3rd edition, Paris, c.1803. Contains a comprehensive selection of sonatas and single movements composed by Italian, French, and German masters of the 17th and 18th centuries. Laid paper, handsomely bound in white linen. [item no.1177]

[L’art du violon, selections] L’art du violon. Works from the Famous Anthology of Jean-Baptiste Cartier Selected and Introduced by David L. Sills. 1) The Italian School. Music by Corelli, Geminiani, Locatelli, Tartini, Nardini, Spadina, Chabran, San Rafaele, & Manfredi. _☟

Performers’ Editions. New York, 1989. 27 x 35 cm, v, 46 pp. Line-cut of the Paris, c.1803 edition. Wrappers. $15 [item no.4374]

[L’art du violon, selections] L’art du violon. Works from the Famous Anthology of Jean-Baptiste Cartier. Selected and Introduced by David L. Sills. 2) The French School. Music by Leclair, Guillemain, Gaviniès, Navoigille & Leblanc. _☟

Performers’ Editions. New York, 1989. 27 x 35 cm, iii, 39 pp. Line-cut of the Paris, c.1803 edition. Wrappers. $15 [item no.4375]

CASTELLO, Dario, 16-17th c.

[Sonate concertate, winds, strings, bc] Sonate concertate in stil moderno, per sonar nel organo overo spineta, con diversi instrumenti a 2. e 3. voci. Venezia 1658. _☟

Archivum Musicum: Strumentalismo Italiano, 15. Florence, 1979. 24 x 34 cm, 4 partbooks: 96 pp. Line-cut of the Venice, 1658 partbooks (canto I, canto II, basso), as well as the full score. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. $63 (more info... ) [item no.821]

[Sonate concertate, a1-4, winds/strings, bc, book 2] Sonate concertate in stil moderno per sonar nel organo overo clavicembalo con diversi instrumenti a 1.2.3. & 4 voci. Libro secondo, Venezia 1644. _☟

Archivum Musicum: Strumentalismo Italiano, 44. Florence, 1981. 24 x 34 cm, 5 partbooks, ii, 96 pp. Line-cut in the original partbook format. Consists of 17 sonatas for various instrumental combinations. Preface in It by Marcello Castellani. Wrappers and slipcover in decorative paper. $63 (more info... ) [item no.1256]

CASTRUCCI, Pietro, 1679-1752

[Sonatas, violin, bc. op.1] Sonate a violino e violone ò cembalo. Opera prima. [British Library, London]. _☟

Alston, 2003 4˚, iv, 51 pp. Line-cut of the Amsterdam, c.1717 edition. Introduction by Peter Holman. $20 [item no.8370]

CAZZATI, Maurizio, c.1620-1677

[Correnti & balletti, strings, bc, op.4] Correnti, balletti, galiarde a 3. è 4. _☟

Monumenta Bononiensia, Fototypice Expressa, 12. Bologna, 1971. 16 x 22 cm, 4 partbooks, 118 pp. Line-cut of the Francesco Magni edition, Venice 1659. 31 pieces in partbooks (vln I-II, violone, & spinetta/chitarone) in one vol. Laid paper. Cloth. $46 [item no.1257]

[Masses a8, op.28] Messe brevi a otto voce [con una concertata a 4. e suoi ripieni à beneplacito, & una à otto da capella]. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 14. Stuttgart, 2011. 16 x 21 cm, 11 partbooks, c.390 pp. Line-cut of the Antonio Pifarri edition, Bologna, 1662. Wrappers, with slipcase with marbled paper. $74 [item no.9253]

[Trattenimenti per camera, strings, bc, op.22] Trattenimenti per camera [d’arie, correnti, e balletti, a due violini, se piace, con passacaglio, ciaccona, & un capriccio sopra 12 note, Opera XXII]. _☟

Monumenta Bononiensia, Fototypice Expressa, 13. Bologna, 1971. 16 x 22 cm, 4 partbooks, 74 pp. Line-cut of the Antonio Pifarri edition, Bologna, 1660. 26 pieces in partbook (vln I-II, spinetta, violine/tiorba), in one vol. Hardbound. $43 [item no.1179]

CECERE, Carlo, 1706-1761

[Concerti, flute, strings, bc] Concerto per flauto traversiero con violini obbligati e basso, ms. Uppsala; Concerto a 5 stromenti, flauto traverso, violino primo, violino secondo, viola e basso, ms. Karlsruhe. _☟

Archivum Musicum: Flauto Traversiere, 21. Florence, 1991. Oblong, 32 x 22 cm, 5 partbooks, vii, 73 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper with matching slipcase. $40 [item no.4176]

CERONE, Pietro, c.1560-1625

El melopeo y maestro : (Napoles, J.B. Gargano y L. Nucci, 1613) / Pedro Cerone ; Antonio Ezquerro Esteban, ed. _☟

Monumentos de la Música Española, 74. Madrid, 2007 23 x 32 cm, 2 vols: 1392 pp. Line-cut of the Naples, 1613 edition based on exemplars preserved in the Biblioteca “Jose Maria Lafragua” de la Benmerita Universidad Autonoma de Puebla (Puebla de los Angeles, Mexico), and in the Biblioteca Publica del Estadoo “Fray Francisco de Burgoa” de la Universidad Autonoma “Benito Juarez” de Oaxaca (Oaxaca, Mexico). Huge synthesis of musical-theoretical topics divided into 22 books. Deals with plainsong, mensural theory, vocal and instrumental variation, counterpoint, canon & fugue, problems of composition, mensuration and “tonality”. The last book deals with musical enigmas and puzzle canons. Contains numerous references to composers and detailed musical examples, including a careful analysis of Palestrina’s Missa L’homme armé. Hardbound. $295 [item no.9151]

CHARPENTIER, Marc-Antoine, 1643-1704

[Complete works, from autographs] Mélanges autographes. Volume 1. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/1. Geneva, 1990. 23 x 35 cm, 159 pp. Halftone of the autograph score. Cloth. $111 (more info... ) [item no.3052]

[Complete works, from autographs] Mélanges autographes. Volume 3. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/3. Geneva, 1995. 23 x 35 cm, 273 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3054]

[Complete works, from autographs] Mélanges autographes. Volume 10. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/10. Geneva, 1997. 23 x 35 cm, 177 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3061]

[Complete works, from autographs] Mélanges autographes. Volume 22. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/22. Geneva, 2002. 23 x 35 cm, 200 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3073]

[Complete works, from autographs] Mélanges autographes. Volume 23. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/23. Geneva, 2002. 23 x 35 cm, 123 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3074]

[Complete works, from autographs] Mélanges autographes. Volume 24. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/24. Geneva, 2003. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3075]

[Complete works, from autographs] Mélanges autographes. Volume 25. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. _☟

Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/25. Geneva, 2003. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3076]

CHAUVON, François, fl.1712-1736

[Tibiades, flute/oboe, bc; Sonatas, violin, bc] Tibiades, nouveau genre de pièces pour la flûte, et le hautbois, avec quelques sonates pour le violon. Paris, 1717. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 92. Courlay, 1995. Oblong, 31 x 22 cm, 10, 72 pp. Line-cut of the Paris, 1717 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $47 [item no.7225]

CHÉDEVILLE, Nicolas, 1705-1782

[Sonatas, flute/oboe/violin, bc, op.7] Six sonates pour la flûte traversière, hautbois ou violon, avec la basse. Œuvre VIIe. Paris s.d. [c.1739]. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 67. Florence, 2008. 24 x 34 cm, iv, 26 pp. Line-cut of the author’s edition, Paris, 1739. Discusses transposition for the musette. Wrappers. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $42 [item no.8991]

[Sonatas, musette/flute/oboe, bc] VIII sonate per musette, flûte traversière o hautbois e basso continuo. Paris s.d. _☟

Archivum Musicum: Flauto traversiere, 33. Florence, 1998. 24 x 34 cm, vii, 48 pp. Line-cut of the Paris, c.1740 edition. Set of 8 sonatas with 35 movements arranged by Chédeville, 27 of which are from E.F. Dall’Abaco’s “Opera Quarta”. Introduction in It by Marcello Castellani. Wrappers. $31 [item no.7688]

CHÉRON, André, 1695-1766

[Sonatas, fl/vln, bc; Trio sonatas, fl, vln, bc, op.2] Sonates en duo et en trio pour la flûte traversière et le violon avec la basse, second œuvre. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 18. Florence, 1982. 20 x 28 cm, 3 partbooks, vii, 64 pp. Line-cut of the Paris, 1729 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $35 [item no.759]

[Trio sonatas, 2 fl/ob/vln, bc, op.1] Sonates en trio p. deux flûtes traversières avec la basse continue. Premier œuvre. _☟

Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 3 parts, 84 pp. Line-cut of the Paris, 1727 edition. Wrappers. $43 [item no.9038]

CHIOCCHIA, Prospero, 17th c.

Del metallo ricercari a due voci per sonare, e cantare. [British Library, London]. _☟

Faksimile-Edition Rara, 33. Stuttgart, 2002. 16 x 23 cm, 2 partbooks, 104 pp. Line-cut of the Rome, 1674 edition. 39 duos for various vocal or instrumental ranges. Wrappers, with portfolio in marbled paper. $34 [item no.8097]

CHOPIN, Frédéric, 1810-1849

[Trio, piano, vln, vc, op.8, G major, selections] Trio in G-Minor, for Pianoforte, Violin, and Cello, op.8 . The Facsimile Edition of the Autographs of Fredric Chopin’s Works from the Collection of the Frederic Chopin Society in Warsaw. _☟

Tokyo, 1990-1991. 35 x 44 cm, 16 pp. Deluxe 3-color halftone of the first two movements (Allegro, Scherzo) of the autograph fair copy/composing score from the Frederic Chopin Society in Warsaw. A single portfolio (containing 8 loose leaves) from the deluxe co-production of Green Peace Publishers and the Chopin Society in Warsaw. Handsome portfolio in Japanese art paper with reproduction of Chopin’s signature in silver. $95 [item no.9634]

Works by Chopin—Facsimile Edition, [39] A XIII/8. Warsaw, 2021. Oblong, 28 x 22 cm, 2 vols, 32, 57 pp. Fine monochrome facsimile of the untitled unfinished autograph score in the possession of the Frederic Chopin Society in Warsaw. Composed between fall 1828 and spring 1829 the Trio op.8 was part of Chopin’s curriculum with Elsner and is dedicated to Prince Antoni Radziwiłł. Described as genial and graceful the Trio is the composer’s only composition that includes the violin. Although the manuscript here—part fair copy, part composing copy—is the sole surviving source, it was not the basis for the work’s first publication in 1833. The autograph includes some unidentified sketches and a sketch of the Concerto in F Minor. Commentary (Pol-Eng-Ger-Sp-Fr-Jp) by Irena Poniatowska. Bound in blue linen, with matching slipcase. $93 (more info... ) [item no.9688]

CHRISOPONUS, Gevicenus Andreas [publisher], 16th c.

Bicinia nova. Prag, Typis nigricianis 1579. RISM 1579(7). [Ratsschulebibliothek, Zwickau]. _☟

Faksimile-Edition Zwickau, 4. Stuttgart, 2006. Oblong, 20 x 14 cm, 2 partbooks, 380 pp. Line-cut of the Prague, 1579 edition. 102 compositions for two voices with Latin/Czech texts. Suitable for different voice ranges, with or without instrumental accompaniment. Hardbound in decorative paper, matching slipcase. $86 [item no.8775]

CIRRI, Giambattista, c.1740-d.?

[Duets, violin, violoncello, op.12] Six Duetts for a Violin and a Violoncello. Opera XII. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Bibliotheca Musica Bononiensis, IV/149. Bologna, 1983. 25 x 35 cm, 2 partbooks: 26 pp. Line-cut of the London, 1600 edition. Partbooks in handsome cloth portfolio. [item no.2445]

[Solos, violoncello; duets, violon, violoncello, op.7] Six Easy Solos for a Violoncello and Three Duets for a Violin. Opus VII. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Bibliotheca Musica Bononiensis, IV/131. Bologna, 1977. 21 x 31 cm, 43 pp. Line-cut of the London, n.d. edition. Laid paper. Cloth. [item no.2446]

CLEMENTI, Muzio, 1752-1832

[Duets, piano 4-hands; sonatas, piano, vln/fl accomp, op.3] Three Duets for Two Performers on One Piano Forte or Harpsichord and Three Sonatas with an Accompanyment for a Flute or Violin. Opera terza. [Yale University, Music Library, New Haven]. _☟

Performers’ Facsimiles, 269. New York, [2008]. Oblong, 35 x 24 cm, 49 pp. Line-cut of the London [after.1786] edition. Wrappers. $23 [item no.8996]

[Sonatas, piano, vln/fl accomp., op.2] Six Sonatas for the Piano Forte or Harpsichord with an Accompanyment for a German Flute or Violin. Opera II. [Yale University, Music Library, New Haven]. _☟

Performers’ Facsimiles, 268. New York, [2008]. Oblong, 35 x 24 cm, 45 pp. Line-cut of the London, n.d. edition. Wrappers. $23 [item no.8995]

CLÉRAMBAULT, Louis Nicolas, 1676-1749

[Cantatas, voice, winds/strings, bc, book 1, selections] Médée. _☟

La Cantate Française au XVIIIe Siècle, VI. Geneva, 1984. 4º, 36 pp. Line-cut of the author’s edition, Paris, 1710. Wrappers. $30 [item no.252]

[Cantatas, voice, winds/strings, bc, book 2, selections] Pirame et Tisbé. _☟

La Cantate Française au XVIIIe Siècle, VII. Geneva, 1984. 4º, 32 pp. Line-cut of the author’s edition, Paris, 1713. Wrappers. $30 [item no.253]

[Cantatas, voice, winds/strings, bc, book 3] Cantates françaises mêlées de symphonies, livre troisième. Paris, 1716. _☟

La Musique Française Classique de 1650 à 1800, 46. Courlay, 1989. 22 x 31 cm, 10, 79 pp. Line-cut of the Paris, 1716 edition. Contents: Apollon, Zephire et Flore, L’Isle de Délos, & La mort d’Hercule. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $43 [item no.3528]

[Cantatas, books 3 & 4; La muse & Abraham] Cantates françoises, livre IIIe; Cantates françoises, livre IVe; La muse de l’opéra, cantate à voix seule et simphonie; Le Bouclier de Minerve, cantate; Abraham, cantate à voix seule. _☟

Basel, 1980. 24 x 34 cm, 201, i pp. Line-cut of the Paris, 1716, 1720, 1716, 1714 & 1715 editions. Wrappers. $33 [item no.3641]

[Cantatas, book 4, selection] Apollon et Doris. _☟

Basel, 1980. 24 x 34 cm, 32 pp. Line-cut of the Paris, 1720 editions. For haute-contre, violin, bc. Ring binder. $20 [item no.9306]

[Cantatas, voice, winds/strings, bc, selection, 1715] Abraham. Cantate à voix seule, dessus et basse continue. [Bibliothèque Nationale, Paris]. _☟

Collection Facsimiles, D1. Gland, 1992. 21 x 31 cm, ii, 13 pp. Line-cut of the author’s & Foucault edition, Paris, 1715. Wrappers. $12 [item no.4642]

CONFORTI, Giovanni Luca, c.1560-d.?

Breve et facile maniera d’essercitarsi . . . a far passaggi. A Facsimile of the Rome, 1593[?] Edition. _☟

Monuments of Music and Music Literature in Facsimile, II/115. New York, 1978. Oblong, 20 x 14 cm, 40 pp. Line-cut of the Rome, c.1593 edition. Laid paper, cloth. [item no.1635]

Breve et facile maniera d’essercitarsi a far passaggi. Roma, 1593. _☟

Prattica di Musica, A/1. Rome, 1986. 24 x 30 cm, iv, 10 pp. Halftone, reproduced 2 original pages per page. Introduction in It by Giancarlo Rostirolla. Bibliography. Wrappers. $18 [item no.3520]

The Joy of Ornamentation by Giovanni Luca Conforto, Being Conforto’s Treatise on Ornamentation (Rome, 1593) with a Preface by Sir Yehudi Menuhin and an Introduction by Denis Stevens. _☟

White Plains, 1989. 16 x 23 cm, 40, with 21 pp. Line-cut, reproducing 2 original pages per page. Historical commentary, with bibliography. Wrappers. $12 [item no.4030]

Passaggi sopra tutti li salmi [che ordinariamente canta santa chiesa, ne i vesperi della dominica, & ne i giorni festiui di tutto l’anno. Con il basso sotto per sonare, & cantare con organo, ò con altri stromenti]. Venedig, Angelo Gardano & Fratelli 1607. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 30. Stuttgart, 2014. 16 x 22 cm, 56 pp. Line-cut of the Venice, 1607 edition. This fascinating ornamentation treatise—unlike the autor’s Rome c.1593 edition—is printed entirely in movable type and addresses the sacred repertoire. Hardbound, in marbled paper. $32 [item no.9363]

CORBETT, William, c.1675-1748

[Concerti, strings, bc, op.8] XXXV Concertos, or the Three Compleat Setts of Universal Bizzaries in Seven Parts for Four Violins, a Tenor Violin, a Violoncello with a Thorough Bass for the Harpsicord. Opera VIII. _☟

Huntingdon, n.d. 4º. 10 parts, c.250 pp. Line-cut of the London, 1728 edition. Each concerto is named after a European city or region. Scored for solo vln I/II, vc, kbd; ripieno vln I/II, vla, vc, db, kbd. Wrappers. $118 [item no.8280]

[Trios, 2 flutes/violins, bc, op.1] XII Sonatae à tre. Due Violins & Violoncello col basso per l’organo. Opera I. [King’s College, Cambridge] _☟

Alston, [2003]. 4º. 4 partbooks, iii, 80 pp. Line-cut of the London, c.1700 edition. Introduction by Peter Holman. No. 1 is scored for vln, bass viola da gamba obbligato & bc and no.12 is for tpt/vln, ob/vln, vc & bc. Ring binder. $32 [item no.8367]

CORELLI, Arcangelo, 1653-1713

[Concerti grossi, op.6] Concerti grossi, con 2 violini e violoncello di concertino obligato e 2 altri violini, viola e basso di concerto grosso ad arbitrio che si potranno radoppiare. [Library of Congress & private collection]. _☟

Performers’ Facsimiles, 130. New York, [1993]. 22 x 28 cm, 7 partbooks, 209 pp. Line-cut of the Estienne Roger edition, Amsterdam, [1714]. Wrappers. $75 [item no.4683]

[Sonatas, violin, bc, op.5] Sonate a violino e violone o cimbalo, Roma 1700. _☟

Archivum Musicum: Strumentalismo Italiano, 21. Florence, 1979. Oblong, 34 x 24 cm, viii, 70, 32 2-up (=61) pp. Line-cut of the G.P. Santa edition, Rome 1700, together with reprint of the Roger third edition (Amsterdam, 1710) with ornamented adagios. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $45 (more info... ) [item no.1183]

[Sonatas, violin, bc, op.5] Sonate a violino e violone o cimbalo. Opera quinta. Facsimile Edition. _☟

London, 1987. Oblong, 32 x 22 cm, iii, 69 pp. Line-cut of the Rome, 1700 edition. Introduction in Eng-Ger by Edgar Hunt. 11 sonatas. Linen. $59 [item no.1789]

[Sonatas, violin, bc, op.5] Sonate a violino e violone o cimbalo. Opera quinta. Nouvelle edition où l’on a joint les agréemens des Adagio de cet ouvrage, composez par Mr. A. Corelli, comme il les joue. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 231. New York, [1999]. 24 x 31 cm, 93 pp. Line-cut of the Roger edition, Amsterdam, 1710. Wrappers. $28 [item no.7690]

[Sonatas, violin, bc, op.5; arr.] VI sonate per flauto traversiere e basso trascritte dall’opera V, parte 1. Paris s.d. _☟

Archivum Musicum: Flauto Traversiere, 32. Florence, 1996. 24 x 33 cm, v, 39 pp. Line-cut of the Paris, c.1745-1754 edition. The first part of op.5, arranged for flute by an anonymous Frenchman. Preface in It by Marcello Castelliani. Wrappers, in decorative paper. $31 [item no.7374]

[Sonatas, violin, bc, op.5, arr.] Six Solos for a Flute and a Bass. Walsh and Hare, London, 1702. Présentation par Susi Möhlmeier & Frédérique Thouvenot. [British Library]. _☟

Collection Dominates. Courlay, 1998. Oblong, 32 x 24 cm, 3 vols, 35, 28 pp. Line-cut of the London, 1702 edition. The second part of op.5, arranged for recorder and bc. Introduction in Fr-Eng-Ger. Wrappers. $44 [item no.7585]

[Sonatas, violin, bc, Anhang 38-49] Le sonate da camera di Assisi dal Ms. 177 della Biblioteca del Sacro Convento. Edizione critica a cura di Enrico Gatti. Saggio introduttivo di Guido Olivieri. _☟

Lucca, 2015. Oblong, 30 x 22 cm, 82 pp. Facsimile of a fascinating manuscript collection known as the “Assisi Sonatas”, Anhang 38-49 in the Corelli catalog. With new critical performing edition edited by Enrico Gatti. Introduction in It-Eng. Wrappers in decorative paper. $40 (more info... ) [item no.9482]

[Trio sonatas, 2 violins, bc, op.1-4] Sonate a tre. London, Richard Meares. Op.1 RISM C3682; Op.2 RISM C3719; Op.3 RISM C3749; Op.4 RISM C3782. [private collection]. _☟

Faksimile-Edition Rara, 58. Stuttgart, 2008. 24 x 29 cm, 4 vols, 328 pp. Line-cut of the Richard Meares edition, London, c.1720. The Meares firm became one of Walsh’s chief rivals and its publications rank among the finest of the period. Four partbooks (vln I, vln II, vc, org), with slipcase. $130 [item no.9005]

[Trio sonatas, 2 violins, bc, op.1] XII Sonatas of Three Parts for Two Violins and a Bass with a Through Bass for ye Organ, Harpsicord or Arch Lute. Opera Prima. _☟

Huntingdon, [1990]. 4º, 4 partbooks, 96 pp. Xerographic reprint of the Walsh edition. Wrappers. $31 [item no.7021]

[Trio sonatas, 2 violins, bc, op.1] XII Sonatas of Three Parts for Two Violins and a Bass with a Through Bass for ye Organ, Harpsicord or Arch Lute. Opera Prima. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 240. New York, [2002]. 4º, 4 partbooks, 96 pp. Line-cut of the Roger edition, Amsterdam, 1713. Wrappers. $50 [item no.8072]

[Trio sonatas, 2 violins, bc, op.2] XII Sonatas of Three Parts for Two Violins and a Bass with a Through Bass of ye Organ, Harpsicord or Arch Lute. Opera Secunda. _☟

Huntingdon, [1990]. 4º, 4 partbooks, c.72 pp. Xerographic reprint of the Walsh edition. Wrappers. $24 [item no.7022]

[Trio sonatas, 2 violins, bc, op.2] Sonate da camera à tre. Due violini e violone col basso per l’organo. Opera seconda. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 260. New York, [2007]. 4º, 4 partbooks, 58 pp. Line-cut of the Roger edition, Amsterdam, 1713. Wrappers. $50 [item no.8822]

[Trio sonatas, 2 vln, vc, bc, op.3] Sonate a tre. Opera terza. [Biblioteca Civica “Aurelio Saffi”, Forli]. _☟

Bibliotheca Musica Bononiensis, IV/[147]. Bologna, 2/ 2003. 17 x 24 cm, 4 partbooks, 160 pp. Line-cut of the printed partbooks, Rome 1689. Wrappers with handsome case in cloth. [item no.1182]

[Trio sonatas, 2 vln, bc, op.3] XII Sonatas of Three Parts for Two Violins and a Bass with a Through Bass for ye Organ, Harpsicord or Arch Lute. Opera Terza. _☟

Huntingdon, [1990]. 4º, 4 partbooks, c.96 pp. Xerographic reprint of the Walsh edition. Wrappers. $31 [item no.7023]

[Trio sonatas, 2 violins, vc, bc, op.3] Sonate à tre. Due violini e violone col basso per l’organo. Opera terza. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 241. New York, [2002]. 4º, 4 partbooks, 100 pp. Line-cut of the Roger edition, Amsterdam, 1713. Wrappers. $50 [item no.8128]

[Trio sonatas, 2 vln, bc, op.4] XII Sonatas of Three Parts for Two Violins and a Bass with a Through Bass for ye Organ, Harpsicord or Arch Lute. Opera Quarta. _☟

Huntingdon, [1990]. 4º, 4 partbooks, c.64 pp. Xerographic reprint of the Walsh edition. Wrappers. $24 [item no.7024]

[Trio sonatas, 2 violins, bc, op.4] Sonate da camera à tre. Due violini e violone col basso per l’organo. Opera quarta. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 261. New York, [2007]. 4º, 4 partbooks, 63 pp. Line-cut of the Roger edition, Amsterdam, 1713. Wrappers. $50 [item no.8823]

CORRETTE, Michel, 1709-1795

[Method, keyboard; Sonatas, violin, flute, viol] Le maître de clavecin pour l’accompagnement / Prototipes contenant des leçons d’accompagnement. _☟

Geneva, 1976. 4º, 130 pp. Line-cut of the Paris, 1753 & 1775 editions. Prototipes contains lessons in questions and answer form, and illustrative sonatas for the vln, fl, and descant viol. $76 [item no.829]

[Sonatas, flute/violin, bc, op.13a] Sonates pour la flûte ou violon avec la basse continüe, op.13. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 21. Florence, 1982. 21 x 29 cm, vii, 31 pp. Line-cut of the Paris, c.1735 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $38 [item no.763]

COSIMI, Nicola, c.1660-1717

[Sonatas, violin, bc, op.1] Sonate da camera a violino e violone e cembalo. Opera prima. [Royal College of Music, London & Conservatoire Royal de Musique, Brussels]. _☟

Alston, 2000. Oblong, 4º, ii, 53 pp. Line-cut of the London, c.1702 edition. 12 sonatas sharing many features with Corelli’s Op.5, written about the same time. Preface by Peter Holman. Ring binder. $32 [item no.7867]

COSTE, Napoléon, 1806-1883

[Works, v.8, ob/fl/vln, guitar, op.25, 36, 33b, 34a] Works for Oboe (Flute or Violin) & Guitar. Edited and Arranged by Simon Wynberg. [Op.25, 36, 33b, 34a]. _☟

The Guitar Works of Napoleon Coste, VIII. Heidelberg, 2/ 1986. 4º, v, 28 pp. New edition. Wrappers. $21 [item no.1007]

COUPERIN, Armand-Louis, 1727-1789

[Sonatas, harpsichord, violin ad lib., op.2] Sonates en pièces de clavecin, avec accompagnement de violon ad libitum . . . Œuvre IIe. _☟

Performers’ Facsimiles, 34. New York, [1987]. 28 x 38 cm, 39 pp. Line-cut of the Paris, 1765 edition. Wrappers. $20 [item no.2158]

COUPERIN, François, 1668-1733

[Apothéose de Corelli & Lully, winds/strings] Apothéose de Corelli; Apothéose de Lully. _☟

La Musique Française Classique de 1650 à 1800, 35. Courlay, 1989. 24 x 33 cm, x, 45 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $35 (more info... ) [item no.2908]

[Apothéose de Lully, winds/strings] Concert instrumental sous le titre d’Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Lully. [Nederlands Muziek Instituut, The Hague]. _☟

Performers’ Facsimiles, 248. New York, [2001]. 26 x 34 cm, 29 pp. Line-cut of another surviving print of the Paris, 1725 edition. Wrappers. $20 [item no.7942]

[Concerts royaux; Goûts réunis, nos.1-14] Concerts royaux; Les goûts réunis ou nouveaux concerts à l’usage de toutes les sortes d’instrumens de musique. _☟

La Musique Française Classique de 1650 à 1800, 36. Courlay, 1989. 24 x 33 cm, x, 91 pp. Line-cut of the Paris 1722 & 1724 editions. 14 concerts for unspecified intruments and basso continuo, notated in keyboard format. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $61 (more info... ) [item no.2909]

[Concerts royaux, nos.1-4] Concerts royaux. _☟

Música Facsímil, 18. Madrid, 1988. 21 x 30 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $16 [item no.1936]

[Concerts royaux, nos.1-4] Concerts royaux. [Rowe Music Library, King’s College, Cambridge]. _☟

Basel, c.1980. 25 x 35 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3644]

[Goûts réunis, nos.5-14] Les goûts réunis du 5e au 14e concerts. _☟

Paris, 1990. 4º, 64 pp. Line-cut of the author’s edition, Boivin, Paris, 1724. $64 [item no.4492]

[Goûts réunis, nos.5-14] Les goûts-réünis ou noveaux concerts à l’usage de toutes les sortes d’instruments de musique augmentés d’une grande sonade en trio intitulée Le Parnasse ou l’Apothéose de Corelli. [Nederlands Muziek Instituut, The Hague]. _☟

Performers’ Facsimiles, 249. New York, [2001]. 26 x 34 cm, 82 pp. Line-cut of another surviving print of the Paris, 1724 edition. Wrappers. $28 [item no.7922]

[Goûts réunis, nos.10, 12 & 13] 12e, 13e et 10e concerts extraits des “Goûts réunis ou Nouveaux concerts”. _☟

Musique pour Viole de Gambe, 1 Paris, 1981. 4º, i, 13 pp. Line-cut of the Paris, 1724 edition. Preface in Fr by Jean-Louis Charbonnier. Wrappers. $23 [item no.3833]

[Motets, 1-2 voices, flute, violin, bc, 1703] Quatre versets d’un motet composé de l’ordre du Roy. On y a joint le verset qui dat nivem, du pseaume lauda Jerusalem, 1703. [British Library, London]. _☟

La Musique Française Classique de 1650 à 1800, 94. Courlay, 1996. Oblong, 31 x 22 cm, xiv, 34 pp. Line-cut of the Chr. Ballard edition, Paris, 1703. 5 verses of a motet (“Tabescere me fecit”, “Ignitum eloquium tuum”, “Adolescentulus sum ego”, “Justitia tua in aeternum”, “Qui dat nivem”). Set for voice(s), flutes, and continuo. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.7259]

[Nations, 2 violins/flutes, bc] Les nations. Édition de 1726: La Françoise – L’Espagnole – La Piémontaise; Manuscrit de Lyon: La Pucelle – La Visionnaire – L’Astrée – La Steinkerque – La Sultane – La Superbe; Manuscrit de Paris: La Pucelle – La Visionnaire – L’Astrée – La Steinkerque. _☟

La Musique Française Classique de 1650 à 1800, 68. Courlay, 1993. 24 x 33 cm, 9 partbooks, 44, 296 pp. Line-cut of the engraved edition from the Bibl. Nationale in Paris and two non-autograph manuscripts (resp. Bibl. Nationale, Paris and Bibl. Municipale, Lyon); both of which pre-date the printed edition. Commentary by Jean Saint-Arroman and Philippe Lescat. Wrappers, in portfolio. $103 [item no.4682]

[Nations, 2 violins/flutes, bc] Musique de chambre – 3. Les Nations. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney. _☟

François Couperin: Œuvres Complètes, IV/3. Monaco, 1987. 4º, 224, 4 partbooks: 128 pp. Line-cut of the Paris, 1726 edition, together with newly revised critical edition. 2 vols, wrappers. $138 [item no.5548]

[Nations, 2 violins/flutes, bc] Les nations. Sonades; et suites de simphonies en trio. _☟

Performers’ Facsimiles, 40. New York, [1988]. 22 x 28 cm, 4 partbooks, 129 pp. Line-cut of the Paris, 1726 edition. Wrappers, with folder. $45 [item no.1687]

[Sonatas, 2 melody inst, bc (Sonades inédites)] In, Musique de chambre – 4. Apothéose de Corelli; Apothéose de Lully; Pièces de violes; Sonades inédites. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney. _☟

François Couperin: Œuvres Complètes, IV/4. Monaco, 1992. 4º, 214, with 48 pp. Line-cut of the first three sonatas from “Six sonades inédites”, from Brossard’s score (Bibl. Nationale, Ms. Vm7 1156), with sonatas entitled “La Pucelle”, “La Visionaire” and “L’Astrée”. Together with practical edition of the Apothéoses and Pièces de violes. Critical notes. Wrappers. $124 [item no.5549]

CROFT, William, 1678-1727

[Sonatas, vln/fl, bc] Six Sonatas or Solos, Three for a Violin and Three for the Flute with Thorough Bass for ye Harpsicord, Theorboe or Bass-Viol. [The College, Durham]. _☟

Alston, 1999. 4º, 2 partbooks, ii, 26 pp. Line-cut of the London, 1700 edition. Three sonatas by Croft and three by an ”Anonymous Italian, possibly Gottfried Finger. Preface by Peter Holman. Ring binder. $25 [item no.7832]

CUPIS, Jean-Baptiste, c.1711-1788

[Sonatas, violin, bc, op.1] Sonates a violon seul avec la basse continue. Ier œuvre. _☟

Performers’ Facsimiles, 27. New York, [1987]. 27 x 34 cm, 38 pp. Line-cut of the Paris, 1738 edition. Wrappers. $20 [item no.2165]

[Sonatas, violin, bc, op.2] Sonates pour le violon. Second œuvre. _☟

Performers’ Facsimiles, 28. New York, [1987]. 27 x 34 cm, 47 pp. Line-cut of the Paris c.1740 edition. Wrappers. $20 [item no.2166]

DALL’ABACO, Evaristo Felice, 1675-1742

[Concerti, vln, vla, vc, bc, op.2] Concerti a quattro da chiesa. Cioè due violini, alto viola, violoncello e basso continuo. Opera seconda. Amsterdam s.d. _☟

Archivum Musicum: Monumenta Musicae Revocata, 33. Florence, 2006. 24 x 34 cm, 4 partbooks, 16, 92 pp. Line-cut of the Roger edition, Amsterdam, c.1714 edition. Preface in It-Eng by Laura Ochs. Quarter linen. $72 [item no.8771]

[Concerti, vln, vla, bsn, bc, op.5] [VI] Concerti a più strumenti. Opera quinta, libro primo. Amsterdam s.d. _☟

Archivum Musicum: Monumenta Musicae Revocata, 34. Florence, 2007. 24 x 34 cm, 7 partbooks, 19, 143 pp. Line-cut of the Roger edition, Amsterdam, c.1716 edition. Partbooks: vln I, vln II, vln I ripieno, vln, II ripieno, vla, bsn, org/bc. Preface in It-Eng by Laura Ochs. Wrappers with portfolio in quarter linen and ties. $144 [item no.8988]

DANDRIEU, Jean François, 1682-1738

[Sonatas, violin, bc, op.2] Livre de sonates, à violon seul dédié à Monsieur de la Lande. Second Œuvre. _☟

Performers’ Facsimiles, 54. New York, [1989]. 27 x 36 cm, 40 pp. Line-cut of the Paris, 1710 edition. Wrappers. $20 [item no.3514]

[Sonatas, violin, bc, op.2] Livre de sonates à violon seul. Seconde Œuvre. Avant-propos de Brigitte François-Sappey. _☟

Geneva, 2003. 4º, x, 80 pp. Line-cut of the Paris, 1710 edition. Six sonatas, each consisting of six movts with Italian terminology. Wrappers. $61 [item no.3083]

[Trio sonatas, 2 violins, bc, op.1] Livre de sonates en trio. _☟

La Musique Française Classique de 1650 à 1800, 28. Courlay, 1988. 22 x 31 cm, xiii, 43 pp. Line-cut of the Paris, 1705 edition. Introduction by Jean Saint-Arroman. Wrappers. $31 [item no.2168]

[Trio sonatas, 2 violins, bc, op.1] Livre de sonates en trio. _☟

Béziers, 1997. 21 x 28 cm, 43 pp. Line-cut of the Paris, 1705 edition. Wrappers. $22 [item no.2169]

[Trio sonatas, 2 violins, bc, op.1] Livre de sonates en trio. [Premier Oeuvre]. Henri Foucault, Paris, 1705. [Bibl. d’Étude et de Conservation Besançon]. _☟

Faksimile-Edition Kammermusik des Barock, 3. Stuttgart, 2014. 25 x 35 cm, 43 pp. Line-cut of the Paris, 1705 edition. Hardbound in marbled paper. $49 [item no.9496]

DANZI, Franz, 1763-1826

[Duos, viola, violoncello, op.9] Trois duos pour alto et violoncelle, livre I. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 2 parts, 40 pp. Line-cut of the Paris, n.d. edition. Wrappers. $16 [item no.8901]

DEBUSSY, Claude, 1862-1918

Quatuor pour cordes. Manuscrit conservé à la Bibliothèque national de France, département de la Musique. _☟

Fac-similés de Manuscrits de Claude Debussy, [5]. Paris, 2018. 26.5 x 35 cm, 48 pp. 4-color facsimile of the autograph score issued on the occasion of the centenary of Debussy’s death. Wrappers, in special art paper. $74 (more info... ) [item no.9584]

[Quartet, string, sketches] In, Denis Herlin, “Les esquisses du Quatuor a cordes”. _☟

Cahiers Debussy, Nouvelle série. No.14 - 1990. Paris. 1991. 8º, 87 pp. This important essay provides a description and partial inventory of a two-part sketchbook (Ms 20632) that the BNF acquired in 1986 from the collection of André Meyer. It includes line-cut reproductions in reduced format—nearly 300 bars—of all the sketches dedicated to Quatuor a cordes. Variously notated on 2, 3 or 4 staves, the sketches vary greatly in penmanship, but all are extremely precise in terms of rhythm, harmony and instrumentation, and provide a unique witness to Debussy’s “workshop”, especially now that a full facsimile of the fair copy of Quatuor has been published. Wrappers. $28 [item no.5662]

DE SELMA Y SALAVERDE, Bartolome, 17th c.

[Canzoni, fantasie, winds, strings, bc, books 1-4] Canzoni, fantasie et correnti, primo [secondo, terzo, & quarto] libro, Venezia 1638. _☟

Archivum Musicum: Strumentalismo Italiano, 38. Florence, 1980. 24 x 34 cm, 5 partbooks, iii, 219 pp. Line-cut of the Venice, 1638 edition. 57 compositions for 1, 2, 3 & 4 voices with basso continuo. Introduction in It by Marcello Castellani. Wrappers and slipcover in decorative paper. $51 [item no.1196]

DEVIENNE, François, 1759-1803

[Duos concertants, flute, viola, op.5] Six duos concertants pour flûte et alto, 1784. Présentation par les étudiants du CeFEdeM Île-de-France. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 161. Courlay, 2005. 23 x 31, 2 partbooks, xii, 28 pp. Line-cut of the Paris, 1784 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $28 [item no.8542]

[Quartet; trios, strings/winds, bc] Sonate en quatuor pour le clavecin ou le forte-piano avec accompagnement de flûte, cor (ou violoncelle) et alto obligés / Six trios pour trois flûtes; Six trios pour deux flûtes et basse. _☟

La Musique Française Classique de 1650 à 1800, 140. Courlay, 2001. 4º, 11 partbooks, xiii, 101 pp. Line-cut of the Paris, 1789, Paris, n.d., & London, n.d. editions. Preface in Fr-Eng-Ger. Wrappers. $57 [item no.7920]

[Quartets, fl, vln, vla, vc, op.66] Six quatuors concertants pour flûte, violon, alto et basse, 1799. Présentation par: Audry Jacques (CeFEdeM Île-de-France). [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 170. Courlay, 2005. 24 x 34 cm, 8 partbooks, xii, c.104 pp. Line-cut of the Paris, 1799 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $56 [item no.8575]

[Symphonie concertante, 1789] Quatrième symphonie concertante (pour flûte - hautbois - cor et basson) Présentation par les étudiants de la formation supérieure aux métiers de l’orchestre des musiques classiques et romantiques. Abbaye aux Dames - Saintes. [Universitätsbibl., Münster]. _☟

La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, xx, 12 parts, 41, 63 pp. Line-cut of the Paris, 1789, edition (parts), and newly edited full score. Scored for solo hn, fl, ob & bsn solo, plus vln I-II, vla, bass, ob I-II, hn I-II, Preface in Fr-Eng-Ger. Portfolio. $56 [item no.8366]

DIEUPART, Charles, c.1670-c.1740

[Suites, harpsichord; or, vln/rec, viol/archlute, bc] Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert. _☟

Monaco, 1990. 4º, 2 partbooks 32, 64 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542]

[Suites, vln/rec, viol/archlute, bc] Six suittes de clavessin divisées en ouvertures, allemandes, courantes, sarabandes, gavottes, menuets, rondeaux & gigues. Pour un violon & flûte avec une basse de viole & un archilut. _☟

Münster, 1990. 4º, 2 partbooks: i, 49 pp. Line-cut of the Roger partbooks, (Amsterdam, 1711), for violin or recorder and viol or archlute. Wrappers. $28 [item no.4353]

DONFRID, Johannes, 1585-1650

Promptuarii musici, pars altera. Augustae Trebocorum / Paul Ledertz 1623. [Universitätsbibl. Regensburg; Württembergische Landesbibliothek Stuttgart; Proske-Bibliothek Regensburg]. _☟

Faksimile-Edition Rara, 110. Stuttgart, 2023. Upright & oblong, 22 x 32; 16 x 21 cm, 5 partbooks, 1030 pp. Line-cut of the Strasbourg, 1623 partbook edition, the second of three enormous sacred song collections published by Paul Ledertz under the title Promptuarii musici. RISM lists 16 libraries that possess 1 or more volumes of this rare work, attesting to the contemporary reception of the work. “Par altera” contains 233 settings for 2, 3 & 4 voices plus basso continuo. The composers, mostly Italian but also German, are: Agazzari, Aichinger, Allegri, Anerio, Antonelli, Archangeli, Baccinetti, Badi, Balbi, Banchieri, Belli, Benn, Bernardi, Bollius, Borsaro, Brunelli, Brunetti, Burlini, Capello, Castro, Biondi, Cifra, Cornale, Croce, Corsi, Fabricius, Fattorini, Finetti, Fontana, Grandi, De Grandis, Gussago, Hassler, Klingenstein, Lappi, Lasso, F., Lasso, Rudolph di, Leoni, Loth, Marazzi, Marenzio, Massiccio, Mezzogorri, Montesardo, Mortaro, Nanino, Pfendner, Porta, C., Porta, E., Dal Pozzo, Racholdinger, Scaletta, Spinello, Stadlmayr, Tarditi, Uffererii, Vecchi, Veneri, Vernizzi, Marchesi, Moro, Viadana, Victorinus, Zucchini. Hardbound with decorative paper boards. $330 [item no.9722]

DORNEL, Louis Antoine, c.1685-1765

[Sonatas, violin; Suites, flute, bc, op.2] Sonates a violon seul et suites pour la flûte traversière avec la basse. Œuvre second, Paris 1711. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 12. Florence, 1981. 24 x 34 cm, i, 44 pp. Line-cut. 8 sonatas and 4 suites. Preface in It by Marcello Castellani. Wrappers. $33 [item no.1198]

DOWLAND, John, 1562-1626

Lachrimae [1604]. A Reproduction of the Copy Owned by Robert Spencer. With the Commentary by Warwick Edwards for the 1974 Reproduction of the Manchester P.L. Copy and Additional Notes 1991 by Stewart McCoy and Robert Spencer. _☟

Musical Sources, 5. Aberystwyth, 1992. 23 x 33 cm, 8, 49 pp. Halftone of the London, 1604 edition. 21 pieces for 5 strings with nine-course Renaissance lute in old tuning (French tablature). Collection comprises the 7 pavans based on “Lachrimae” (Dowland’s most celebrated composition and the most widely known melody at that time), 3 other pavans, 9 gailliards and 2 almands. Printed in table-book format. Some pieces can be played as lute solos. Wrappers. $38 [item no.4449]

Lachrimae. _☟

Performers’ Facsimiles, 209. New York, [1998]. 22 x 33 cm, 49 pp. Line-cut of the London, 1604 edition. 21 pieces for 5 strings with nine-course Renaissance lute in old tuning (French tablature). Collection comprises the 7 pavans based on “Lachrimae” (Dowland’s most celebrated composition and the most widely known melody at that time), 3 other pavans, 9 gailliards and 2 almands. Printed in table-book format. Some pieces can be played as lute solos. Wrappers. $20 (more info... ) [item no.7580]

DRESSLER, Gallus, 1533-c.1580

Opus selectissimum sacrarum cantionum [quinque et pluribus vocibus in gratiam musicorum compositarum]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 21. Stuttgart, 1997. Oblong, 20 x 15 cm, 5 partbooks, c.690 pp. Line-cut of the Gerlach edition, Nuremberg, 1574. 37 sacred settings a4, 38 a5, 2 a6 and 1 a8, for voices with or without instruments. Hardbound in vellum paper, with matching slipcase. $184 [item no.7513]

DU PHLY, Jacques, 1715-1789

[Pièces, harpsichord, violin, book 3] Troisième livre de pièces de clavecin [accompagnement de violon]. _☟

Clavecinistes Français du XVIIIe Siècle, XXVI. Geneva, 1988. 24 x 34 cm, i, 35 pp. Line-cut of the Paris edition. Wrappers. $40 [item no.3335]

[Pièces, harpsichord, violin, book 3] Pièces de clavecin, troisième livre. Paris (s.d. = 1756). [Zentralbibliothek, Zürich]. _☟

La Musique Française Classique de 1650 à 1800, 79. Courlay, 1994. 24 x 32 cm, 12, 35 pp. Line-cut of the Paris, [1756] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $26 [item no.4806]

[Pièces, harpsichord, violin, book 3] Troisième livre de pièces de clavecin [accompagnement de violon]. _☟

Performers’ Facsimiles, 67. New York, [1992]. 26 x 33 cm, 35 pp. Line-cut of the Paris, 1758 edition. Wrappers. $18 [item no.4412]

DURANT, Paul Charles, 17-18th c.

Gesamtausgabe Solo- und Kammermusik-Werke für Laute Paul Charles Durant herausgegeben von Joachim Domning. _☟

Hamburg, 1986. Oblong & upright, 31 x 20 cm, 8 books, iii, c.106 pp. Line-cut. Contains Sonata a-moll, Carillon F-Dur, Duo für Laute & Violine g-moll, Ragazada D-Dur, Concerto C-Dur für obligate Laute, obligates Cembalo, obligates Violoncello und Streichquartett, Concerto F-Dur Laute & Streichquartett. Wrappers. $115 [item no.4742]

DUSSEK, Jan Ladislav, 1760-1812

[Quartet, piano, violin, viola, violoncello, op.56] Quatuor pour pianoforte, violon, alto et violoncelle. Œuv. 56. _☟

Biblioteca Classica, 22. Rotterdam, 1988. 4º, 4 parts, 42 pp. Line-cut of the Breitkopf & Härtel edition, Leipzig, c.1800. Wrappers. $21 [item no.4912]

[Sonatas, piano/harpsichord, violin, op.10] Trois sonates pour clavecin ou forte-piano, avec accompagnement de violon. Œuvre Xme. _☟

Biblioteca Classica, 19. Rotterdam, 1986. 4º, 2 parts, 35 pp. Line-cut of the Sieber edition, Paris, c.1789. Wrappers. $19 [item no.4910]

[Sonatas, piano, violin ad lib., op.13] Trois sonates pour le piano-forte avec accompagnement d’un violon ad libitum. Op.13. _☟

Biblioteca Classica, 20. Rotterdam, 1985. 4º, 2 parts, 37, i pp. Line-cut of the Dale edition, London, [1791] edition. Afterword in Eng. Wrappers. $21 [item no.4911]

DVOŘÁK, Antonín, 1841-1904

[Largo, fl, vln, vla, triangle] Largo A dur. Pro flétnu, housle, violu a triangl. Faksimile partitury s revidovanými party / For Flute, Violin, Viola and Triangle. Facsimile of the Score with Revised Parts. [Ms. Museum Antonina Dvořáka, Prague, Signatur ČMH-MAD S 76/1563]. _☟

Prague, 2006. Oblong, 4°, 5, 4, 4 pp. Full-color facsimile of the autograph score, together with modern performance parts. The recently rediscovered bifolio begins with a sketch for a piece in four-part choral texture, without words; the Largo, spanning pages 2 through 4, consist of 64 bars in 3/4 time and was probably composed in 1867. We can easily imagine this Largo having been composed to provide variety in a musical soirée in someone’s home, with the composer himself playing the viola, colleagues of his the flute and violin, and one of the audience members the triangle. Dvořák’s annotation at the end—“mea culpa, mea maxima culpa”—suggests that the piece may have been intended as a joke. Preface in Czech-Eng-Ger-Fr-Jap. Wrappers. $28 [item no.8784]

EARL OF KELLY, 18th c.

The Favourite Minuets. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, 1775 score. Scored for 2 vln, vc, db, 2 cl, 2 hn. Wrappers. $5 [item no.8288]

EBELING, Johann Georg, 1637-1696

Geistliche Andachten 1667 Paul Gerhardt samt den übrigen Liedern und den lateinischen Gedichten herausgegeben von Friedhelm Kemp. Mit einem Beitrag von Walter Blankenburg. _☟

Bern, 1975. 8º, 269, 57 pp. Line-cut of the Berlin, 1667. Hymns for 4 voices (SATB), with accompaniment for 2 violins & bc. Includes separate instrumental parts. Hardbound. $235 [item no.8837]

ECCLES, Henry, c.1675-1735

[Sonata, violin, bc, arr.] Sonate in g-Moll für Violoncello und Basso Continuo. Faksimile und Urtextausgabe herausgegeben von Sven Rössel. _☟

Collegium Musicum—Kölner Reihe alter Musik. Magdeburg, 2010. 4º, 15, 6 pp. Line-cut of the London, 1720 edition, together with new performing edition transcribed for violoncello. Wrappers. $22 [item no.9213]

ECCLES, John, c.1668-1735

A Collection of Songs. For One, Two and Three Voices Together with Such Symphonys for Violins or Flutes as Were by the Author Design’d for any of Them. And a Thorough-bass to Each Song Figur’d for an Organ. Harpsicord or Theorbo-Lute. _☟

Huntingdon, c.1994. 4º. Line-cut of the London, 1704 edition. Wrappers. $49 [item no.8260]

EGENOLF, Christian, 1502-1555 [publisher]

Geminae undeviginti odarum horatii [melodiae, quatuor vocibus probè adornatæ...]. Frankfurt, C. Egenolph 1551. RISM 1551/17. [Musikbibliothek Leipzig]. _☟

Faksimile-Edition Rara, 55. Stuttgart, 2008. 10 x 14 cm, 221 pp. Line-cut of the Frankfurt, 1551 edition. 53 polyphonic settings a4 on the odes of the Roman poet Horace (Quintus Horatius Flaccus, 65 BC - 8 BC). Hardbound with decorative paper boards. $37 [item no.9059]

ENESCO, Georges, 1881-1955

[Quartet, string, op.22, no.2 in G; quartet movt, in C] Quatours à cordes: 1) 2d Quatour pour deux violons, un alto et un violoncelle en sol majeur, Op. 22, No. 2; partition / 2) Quatour pour deux violons, un alto et un violoncelle (en ut majeur); partition (le premier mouvement). Manuscriptum. Edition publiée par les soins de Titus Moisescu. [Ms. Library of Congress, Washington, D.C.]. _☟

Bucarest, 1985. 21 x 30 cm, 96, 10 pp. Halftone of the autograph of Op.22, no.2 and the 1st movt of the quartet in C. Afterword in Fr-Rom. Wrappers. $45 [item no.2041]

ERLEBACH, Philipp Heinrich, 1657-1714

[Sonatas, violin, gamba, bc] VI Sonate. Nürnberg, Endter 1694. [Stadtbibliothek, Nürnberg]. _☟

Faksimile-Edition Stadtbibliothek Nürnberg, 3. Stuttgart, 2000. 22 x 34 cm, 3 partbooks, 96 pp. Line-cut of the Endter edition, Nuremberg, 1694. Some pieces call for scordatura tuning. The exemplar upon which this facsimile is based lacks sonata no.6. Wrappers, in portfolio. $79 [item no.7911]

ERTEL, Sebastian, c.1550-1618

Psalmodiae vespertinae [solemnibus totius anni festivitatibus octonis vocibus, et tam vocum quam variorum instrumentorum usui, accommodatae. Quibus accesserunt canticum deiparse virginis, & singulae eiusdem antiphonae, cum basso ad organum]. München, Nicolaus Heinrich 1617. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 7. Stuttgart, 2014. 16 x 21 cm, 9 partbooks, c.460 pp. Line-cut of the Munich, 1617 partbook edition (Canto/Canto, Alto/Alto, Tenore/Tenore, Basso/Basso, Organo. 22 settings for double choir. Wrappers, with slipcase covered in marbled paper. $126 [item no.9358]

Sacrosanctum magnae [et intemeratae virginis canticum. Octonis vocibus, cum intonationibus psalmorum ad octo vsitatos tonos duobus choris una cum clausula Gloria Patri &e. quà instrumentis, quà viuis vocibus cum duplici basso ad organum accommodato, compositum & iam primum in lucem editum.] München / Nicolaus Heinrich 1615. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, [34]. Stuttgart, 2015. 15 x 19 cm, 9 partbooks, 996 pp. Line-cut of the Munich, 1625 partbook edition (cantus, altus, tenor, bassus, V vox, VI vox, VII vox, VIII vox, partitura. Contents: 15 settering for magnificat. Wrappers, with slipcase covered in marbled paper. $204 [item no.9537]

FALCKENHAGEN, Adam, 1697-1761

[Complete works in facsimile] Gesamtausgabe Band III: Kammermusik für Laute herausgegeben von Joachim Domning. _☟

Hamburg, 1982. 21 x 30 cm, 3 books, iv, 99 pp. Line-cut. Contents: Sei concerti à Liuto, Traverso, Oboe a Violino e Violoncello, opera nuove [op. 4], Concerto F-Dur für Laute und Streichquartett – Augburg Staats- & Stadtbibl., Tonkunst 2º Fasz. III No. 37, Concerto g-moll für Laute und Streichquartett – Brussels, Königl. Bibl. Albert I Ms. II 4086. Wrappers. $58 [item no.4738]

FALCONIERI, Andrea, 1585-1656

[Canzone, sinfonie, winds, strings, bc, book 1] Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde alemane, volte per violini, e viole, ouero altro stromento à uno, due, et tré con il basso continuo. _☟

Archivum Musicum: Strumentalismo Italiano, 22. Florence, 1980. 24 x 34 cm, 4 partbooks, i, 210 pp. Line-cut of the Naples, 1650 edition in the original partbook format (canto, altro canto, basso, & basso continuo). Contains 29 pieces a3, 14 a2 and 7 a1 in staff notation. Introduction in It by Marcello Castellani. Wrappers and slipcase in decorative paper. $58 [item no.1263]

Sacrae modulationes [quinque et sex vocibus]. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 16. Stuttgart, 2009. 17 x 23 cm, 6 parts, 120 pp. Line-cut of the Gardane/Magni edition, Venice, 1619. 14 setting for a5 & a6. Portfolio, with decorative paper boards. $68 [item no.9097]

FALLA, Manuel de, 1876-1946

[Concerto, harpsichord/piano, fl, ob, cl, vln, vc] Concerto per clavicembalo (ou pianoforte), flauto, oboe, clarinetto, violino, e violoncello. Edición crítica de la partitura y facsímil de los manuscritos fundamentales del Archivo Manuel de Falla y del Archivo de Valentín Fuiz-Aznar. Editión y estudio de Yvan Nommick. _☟

Colección “Facsímiles”, Serie “Manuscritos”, 3. Granada, [2004]. 25 x 35 cm. lxxxviii, 193 pp. Full-color reproduction of the autograph sketches, composing copy and fair copy (including extensive revisions), plus new critical edition. The work was written in hommage to Wanda Landowsky for her indispensable role in the 20th century resurgence of the harpsichord. Commentary in Sp. Limited edition of 500 copies. Cloth. $187 (more info... ) [item no.8441]

FAURÉ, Gabriel, 1845-1924

[Quartet, strings, op.121] Quatuor Op.121. Reproduction photographique du manuscrit. [Ms. Bibliothèque Nationale (ancien fonds du Conservatoire Nationale de Musique), Paris]. _☟

Paris, 1925. 29 x 38 cm, 54 pp. Beautiful line-cut of the autograph score in its original 4º format issued in a limited edition. The E Minor quartet was Fauré’s last work, composed in 1923 and finished, shortly before his death, during the summer of 1924 at Annecy near Geneva. The first performance was given at the Paris Conservatoire on June 12, 1925, by a quartet led by Jacques Thibaud. Original paper wrappers. It’s an oddity, with all four movements in the same key, and the writing setting up its own hypnotic world. Rare. (more info... ) [item no.2866]

FERRANDINI, Giovanni Battista, 1710-1791

[Sonatas, flute/oboe/violin, bc, op.2] VI sonate a flauto traversiere o oboé, o violino, basso continuo, opera seconda. _☟

Archivum Musicum: Flauto Traversiere, 8. Florence, 1986. 21 x 30 cm, v, 32 pp. Line-cut of the Paris, c.1740 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.1805]

FERRARI, Domenico, 1722-1780

[Sonatas, violin, bc, op.5] Six sonate a violin seul ave basse op.5. Paris, Huberty. [Bibliothèque d’étude et de Conservation Besançon]. _☟

Faksimile-Edition Violino e Continuo, 3. Stuttgart, 2014. 25 x 33 cm, 27 pp. Line-cut of the Paris, [c.1762-1778] edition, engraved by Chambon. Wrappers in laid paper. $29 [item no.9503]

FERRARI, Giacomo Gotifredo, 1763-1842

[Sonatas, flute/violin, piano] Three Favourite Sonatas for the Pianoforte and Flute Obligato or Violin. _☟

Archivum Musicum: Flauto Traversiere, 23. Florence, 1992. 24 x 34 cm, iv, 40 pp. Line-cut of the London, c.1790 edition. Introduction in It by Daniele Valersi. Wrappers. $31 [item no.4289]

FESCH, Willem de, 1687-1757

[Sonatas, flute/violin, op.9] VI Sonatas for Two German Flutes. Opera IX. _☟

Huntingdon, c.1988. 4º, 24 pp. Line-cut of the London, 1739 edition. Wrappers. $11 [item no.7035]

[Tempest, songs, voice, strings/winds, selections] The Songs in the Tempest or the Enchanted Isteland as They were Perform’d at the Theatre Royal in Drury Land by Mrs. Clive and Mrs. Mozeen. _☟

Huntingdon, n.d.. 4º, 20 pp. Line-cut of the London, c.1748 edition. Wrappers. $12 [item no.7627]

[Trio sonatas, 2 flutes/violins, bc, op.12] Twelve Sonatas for Two German Flutes or Two Violins with a Bass for the Violoncello or Harpsichord, opera XII (1748). Facsimile Edition Edited by Dick van den Hul. _☟

Dutch Music Facsimiles, 1. Utrecht, 1987. 4º, ii, 3 partbooks, 75 pp. Line-cut of the Walsh edition, London, 1748. Introduction in Eng. Wrappers. $15 [item no.3658]

FESTING, Michael Christian, c.1680-1752

[Concerti, 2 solo vln/fl, strings, bc, op.3] Twelve Concerto’s in Seven Parts, the First Eight Concerto’s for Four Violins, One Tenor, One Violoncello, and a Thorough Bass. The Last Four Concerto’s for Two German Flutes, Two Violins, &c. [King’s College, Cambridge]. _☟

Alston, 2001. 4º, 7 partbooks, ii, 140 pp. Line-cut of the London, 1734 edition. Preface by Peter Holman. Ring binder. $74 [item no.7968]

[Solos, violin, bc, op.4] Eight Solo’s for a Violin and Thorough-Bass. Dedicated to the Apollo Society, at Temple-Bar. [University of St. Andrews, St. Andrews]. _☟

Alston, 1998. 4º, i, 33 pp. Line-cut of the London, 1736 edition. Preface. Ring binder. $32 [item no.7839]

[Solos, violin, bc, op.7] Six Solo’s for a Violin and Thorough-Bass. [University of St. Andrews, St. Andrews]. _☟

Alston, 1996. 4º, i, 26 pp. Line-cut of the London, c.1747 edition. Preface by Peter Holman. Ring binder. $29 [item no.7838]

FINCK, Heinrich, c.1444-1527

Schöne auszerlesene Lieder [des hoch berümpten Heinrich Finckens sampt andern newen Liedern von den fürnesten dieser Kunst gesetzt/lustig zu singen/und auff die Instrument dienstlich vor nie im Druck außgegangen]. Nürnberg/Formschneider 1536. RISM 1536(9). [Ratsschulebibliothek, Zwickau]. _☟

Faksimile-Edition Zwickau, 2. Stuttgart, 2006. Oblong, 14 x 10 cm, 4 partbooks, 456 pp. Line-cut of the Formschneider edition, Nuremberg, 1536. 55 lieder in SATB partbook format. Beautifully printed German songbook, an anthology devoted exclusively to Heinrich Finck. Hardbound in decorative paper. $124 [item no.8778]

FINGER, Godfrey, c.1660-1730

A Collection of Musick in Two Parts 1691 by Mr. G. Finger to which is Added a Sett of Ayres in Four Part by Mr. John Banister. (University College, Durham]. _☟

Alston, 2002. Oblong, 4º, 2 partbooks, viii, 47 pp. Line-cut of the London, 1691. Ayres, chaconnes, divisions and sonatas for recorders/flutes (with and without bc) and four-part strings & bc. Introduction by Peter Holman. $20 [item no.8181]

[Sonatas, violin, bc] Six Sonatas or Solos for the Violin with a Through Bass for the Harpsicord or Bass Violin, Compos’d by Mr. G. Finger and Mr. D. Purcell. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 108. New York, [1994]. 23 x 31 cm, 23 pp. Line-cut of the Walsh edition, London, [1690]. Wrappers. $18 [item no.7007]

[Trio sonatas, var. strings combinations, bc, op.1] Sonatae XII pro diversis intrumentis quarum tres priores pro violino & viola di gamba. Proximae tres pro II violinis & viola di basso, tres sequentes pro III violinis reliquae pro II violinis & viola. [The College, Durham]. _☟

Alston, 1998. 4º, i, 5 partbooks, c.125 pp. Line-cut of the Roger edition, Amsterdam, 1688, possibly engraved by Finger himself. Divided into four grouping of three pieces by their scoring: vln, bass viol& bc; 2 vln, bass vln & bc; 3 vln & bc; 2 vln, vla & bc. Introduction by Peter Holman. Ring binding. $61 [item no.7828]

[Trio sonatas, 2 vln, bc, op.5] X suonate à tre due violini e violoncello o basso continuo. Opera quinta. [Royal College of Music, London]. _☟

Alston, 1998. 4º, i, 5 partbooks, c.48 pp. Line-cut of the Roger edition, Amsterdam, 1702. No.10 is scored for violin, violone or fagotto obbligato and continuo. Introduction by Peter Holman. Ring binding. $27 [item no.7829]

FIORENZA, Nicola, fl.1720

[Concerto, flute, strings, bc] Concerto in la minore per flauto, 2 violini e basso continuo (1729). Facsimile e apparato critico a cura di Dario Benigno. _☟

Bibliotheca Musica Bononiensis, IV/106. Bologna, 2012. Oblong, 4°, 32, 32, pp + 4 partbooks. Facsimile edition together with modern edition and performing parts. Wrappers. $36 (more info... ) [item no.9295]

FIORILLO, Federigo, 1755-1823

Étude pour le violon formant 36 caprices. _☟

Offenburg, 2007. 4°. Line-cut of the Sieber edition, c.1785, Paris. Wrappers. $25 [item no.9002]

FISCHER, Johann Caspar Ferdinand, c.1670-1746

[Musicalisch Divertissement, rec/fl/ob/vln/bsn, bc] Musicalisch Divertissement (flûte à bec ou flûte traversière ou hautbois ou violon et basse). _☟

Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 32 pp. Line-cut of the J. Riedeln edition, Dresden, 1699/1700. Wrappers. $13 [item no.8850]

FLORIO, Pietro Grassi, c.1740-1795

[Trio sonatas, fl, vln, vc, op.3] Six Trios for a German Flute, Violin and Violoncello Obbligato. London s.d. _☟

Archivum Musicum: Flauto Traversiere, 40. Florence, 2006. 24 x 30 cm, 3 partbooks, xii, 37 pp. Line-cut of the London, [1781] edition. Introduction in It by Giovanni Battista Columbro. Wrappers, in decorative paper, in matching portfolio. $40 [item no.8768]

FONTEI, Nicolò, b.?-c.1647

Bizzarrie poetiche [a una, due, tre voci] op.4. Venetia, A. Vincenti 1639. [Bibl. del Conservatorio, Bologna]. _☟

Faksimile-Edition Fontei, 1. Stuttgart, 2002. 20 x 28 cm, 4 partbooks, 152 pp. Line-cut of the Venice, 1639 edition. 18 secular settings for soprano or tenor solo +bc, 2 each for contralto and bass solo + bc, 8 duos for various combinations and 4 trios for various combinations. Wrappers in portfolio. $54 [item no.8159]

Compieta e letanie [della Beata Vergine à cinque con sue antifone per ciascun tempo dell’anno à tre, e con alcuni duplicati salmi à tre voice con doi violini e doi confiteor]... op.5. Venezia, Vincenti 2640. [Bibl. del Conservatorio, Bologna]. _☟

Faksimile-Edition Fontei, 2. Stuttgart, 2004. 15 x 22 cm, 6 partbooks, 210 pp. Line-cut of the Venice, 1640 edition. 17 settings for 1 to 5 voices & bc (2 violins are indicated in 3). Wrappers, with slipcase. $74 [item no.8502]

Messa e salmi op.6 [a diverse voci et istromenti]. [Biblioteca Conservatorio, Bologna]. _☟

Faksimile-Edition Fontei, 3. Stuttgart, 2004. 15 x 23 cm, 14 partbooks, 492 pp. Line-cut of the Venice, 1647 edition. 1 mass 9 psalm and 2 magnificat settings for two SATB choirs, plus 2 violins, 3 trombones (”ò altro instromento”), bc. Wrappers, with slipcase covered with marbled paper. $119 [item no.8493]

Salmi brevi op.7 [a otto con il primo choro concertato]. [Biblioteca Conservatorio, Bologna]. _☟

Faksimile-Edition Fontei, 4. Stuttgart, 2003. 17 x 25 cm, 9 partbooks, c.315 pp. Line-cut of the Venice, 1647 edition. 19 settings for two SATB choirs, plus bc. Wrappers, with slipcase covered with marbled paper. $79 [item no.8203]

FORSTER, Georg, c.1514-1568 [compiler]

[Teutsche Liedlein, parts 1 & 2] Georg Forsters Lieder-Sammlung Bände 1 und 2. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 2. Stuttgart, 1996. Oblong, 18 x 12 cm, 4 partbooks, 470 pp. Line-cut of the Nuremberg editions (v. 1 is based on the 4th edition and v. 2 on the 3rd edition. Forster, a doctor and composer, put together an excellent anthology of the best secular pieces of the period, including such beloved works as Isaac’s “Innsbruck, ich muß dich lassen”. This is the 1st and 2nd parts of Forster’s enomous 5-part work. Hardbound in vellum paper, with matching slipcase. $184 [item no.7299]

[Teutsche Liedlein, part 3] Der dritte Teyl schöner lieblicher teutscher Liedlein, nicht allein zu singen, sonder auch auff allerley Instrumenten zu brauchen, sehr dienstlich außerlesen, ubersehen und gebessert. [Staats- & Stadtbibliothek, Augsburg]. _☟

Faksimile-Edition Augsburg, 6. Stuttgart, 1998. Oblong, 14 x 11 cm, 4 partbooks, 406 pp. Line-cut of the Nuremberg, 1552 editionn. 80 works in mensural notation for 4 voices, with or without instrumental accompaniment. Hardbound in decorative paper, with matching slipcase. $129 [item no.7659]

FOSSA, François de, 1775-1849

Trio concertante for Guitar, Violin, and Violoncello. Op.18 No.1. Edited by Margarita Mazo. _☟

Boston, 1984. 4º, vi, 52, 12 pp. Line-cut of the autograph score, together with a new practical edition (score & parts). Historical introduction. Wrappers. $17 [item no.3200]

3 trios concertantes for Guitar, Violin, and Violoncello Op. 18 (c.1825). Facsimile Edited by Simon Wynberg. _☟

Heidelberg, c.1985. 4º, Line-cut of the first edition. Wrappers. $32 [item no.3201]

FOUCQUET, Pierre-Claude, 1694-1772

[Pieces, harpsichord, op.1] Les caractères de la paix. Pièces de clavecin. Œuvre Per - 1752. [Bibliothèque Nationale, Paris]. _☟

Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 17 pp. Line-cut of Paris, [1752] edition. An eight-movement piece (two movements with violin and one with viol & violin accompaniment), preceded by a method. Wrappers. $15 [item no.8804]

FRANCŒUR, Louis-Joseph, 1738-1804

[Sonatas, violin, bc, book 1] Sonates à violon seul & basse continue. Livre premier. _☟

Shumilov Facsimile Collection. Magdeburg, [2011]. 4˚. 2 partbooks, 94 pp. Line-cut of the Amsterdam, c.1717 edition. Set of 6 sonatas. Wrappers. (extra part provided for violin) $33 [item no.9233]

[Sonatas, violin, bc, book 2, part 1] Sonates à violin seul & basse continüe. IIe livre (sonates I-VI). _☟

Shumilov Facsimile Collection. Magdeburg, [2011]. 4°, 2 partbooks, 94 pp. Line-cut of the Paris, c.1730 edition. The first 6 of a set of 12 sonatas. Wrappers. (extra part provided for violin) $33 [item no.9234]

[Sonatas, violin, bc, book 2, part 2] Sonates à violon seul & basse continue. IIe livre [sonates VII-XII]. _☟

Shumilov Facsimile Collection. Magdeburg, [2011]. 4˚, 2 partbooks, 94 pp. Line-cut of the Paris, c.1730 edition. The second 6 of a set of 12 sonatas. The second sonata is for violoncello or viol. Wrappers. (extra part provided for violin). $33 [item no.9235]

FRESCOBALDI, Girolamo, 1583-1643

[Canzoni, a1-4, strings, winds, bc, books 1 & 2] Il primo libro delle canzoni a una, due, tre, e quattro voci per sonar con ogni sorte de stromenti, Rome 1628 / Canzoni da sonare a una, due, tre e quattro con il basso continuo. Venezia 1634. _☟

Archivum Musicum: Strumentalismo Italiano, 42. Florence, 1981. Oblong & upright, 34 x 24 cm, 6 partbooks & score, c.300, ii pp. Line-cut of the Paolo Masotti and Alessandro Vincenti edition (the former issued the work in score format, the latter in partbooks). Preface in It by Lapo Bramanti. Wrappers in decorative paper, in a slipcase. (more info... ) [item no.1266]

[Fiori musicali, keyboard/voices, op.12] Fiori musicali [di diverse compositioni, toccate, kirie, canzoni, capricci, e recercari in partitura a quattro utili per sonatori. . . Opera duodecima], 1635. Présentation par Philippe Lescat. _☟

Collection Dominantes. Courlay, 1995. 24 x 32 cm, 29, 107 pp. Line-cut of the Venice, 1635 edition. For 4 unspecified singers/instruments or keyboard instrument, notated in open score. Wrappers. $57 [item no.4801]

[Fiori musicali, keyboard/voices, op.12] Fiori musicali. Introduzione di Luigi Ferdinando Tagliavini. [Biblioteca Communale Ariostea, Ferrara]. _☟

Bibliotheca Musica Bononiensis, IV/86. Bologna, 2000. 21 x 31 cm, xx, 108 pp. Line-cut of the Venice, 1635 edition. For 4 unspecified singers/instruments or keyboard instrument, notated in open scoreIntroduction in It-Eng. Wrappers. (more info... ) [item no.2470]

FURCHHEIM, Johann Wilhelm, c.1635-1682

Musikalische Taffel-Bedienung. [mit 5. Instrumenten, als 2. Violinen, 2. Violen, 1. Violon, benebenst dem General-Bass]. Paul August Hamann / Dresden 1674. [Jever, Bibl. des Marien-Gymnasiums]. _☟

Faksimile-Edition Kammermusik des Barock, 79. Stuttgart, 2020. 23 x 33 cm, 6 partbooks, 88 pp. Line-cut of the Dresden, 1674 edition. A great set of six lively sonatas by a student of Heinrich Schütz written for the Dresden Court. Wrappers with portfolio in marbled paper. $68 [item no.9618]

GALLO, Domenico, 18th c.

[Sonatas, 2 violins, bc/orchestra] Twelve Sonatas for Two Violins and a Bass or an Orchestra. _☟

Performers’ Facsimiles, 23. New York, 1987. Line-cut of the London, [1780] edition. These pieces, published under Pergolesi’s name, are now attributed to Domenico Gallo. 3 partbooks. Wrappers. $35 [item no.2073]

GARDANO, Angelo, b.?-1610 [publisher]

[Canzoni & ricercari, keyboard, book 5] Canzoni alla francese et ricercari ariosi [tabulate per sonar sopra istromenti da tasti. Libro quinto]. [Augsburg, Staats- & Stadtsbibliothek]. _☟

Faksimile-Edition Augsburg, 4. Stuttgart, 1997. Line-cut of the Venice, 1605 edition. 12 works in keyboard notation including works by Lasso, Crequillon and Jannequin. Hardbound in marbled paper. $54 [item no.7530]

GARDANO, Antonio, 1509-1569 [publisher]

[Madrigals/Canzoni francese, Ihan Gero/Clement Janequin] Quaranta madrigali di Ihan Gero insiema trenta canzoni francese di Clement Ianequin. RISM(22). Venezia, A. Gardane 1543. [Trent, Biblioteca Comunale & Eichstätt-Ingolstadt, Universitätsbibliothek]. _☟

Faksimile-Edition Rara, 43. Stuttgart, [2015]. Oblong, 22 x 16 cm, 3 partbooks, 118 pp. Line-cut of the Venice, 1534 edition containing madrigals by Gero and Canzoni francese by Janequin. No complete source of this print survives but this facsimile, by combining the incomplete Cantus and Bassus partbooks from Trent and the incomplete Tenor partbook from Eichstätt-Ingolstadt, is able to provide the music for nos. 9-55 of the Cantus; nos. 41-55 of the Tenor and nos. 11-55 of the Bassus, or 15 complete settings. Some of the missing parts can be completed from concordances found in other collections. Hardbound, in decorative paper with matching slipcase. $74 [item no.9478]

GARTH, John, 1722-1810

[Trio sonatas, 2 vln, bc, op.2] Six Sonatas for the harpsichord, piano forte and organ, with accompanyments for two violins and a violoncello, opera seconda. _☟

Huntingdon, c.1988. 4º. Xerographic reprint of the London, c.1750 edition. Wrappers. $20 [item no.7067]

GAUTIER, Pierre, 1642-1696

[Suites, 1-2 recorders/flutes/violins, bc] Symphonies divisée par suites de tons. Introduction de Marc Signorile. _☟

Musique de Chambre, 22. Geneva, 2005. Oblong, 25 x 19 cm, 16, 108 pp. Line-cut of the Chr. Ballard edition, Paris, 1707. Brings together 4 suites en duo for recorder or flute or violin & continuo, and 5 suites en trio for recorders or flutes or violins (or mixed combinations thereof) & continuo, 40 pieces in all. Introduction in Fr-Eng. Wrappers. $71 [item no.8657]

GAVINIÈS, Pierre, 1728-1800

[Matinées, violin] Les vingt quatre matinées—Exercises pour le violon. _☟

Offenburg, 2007. 4°. Line-cut of the Imbault edition (after 790). Gaviniès was one of the most important violin virtuosi of the 2nd half of the 18th c. and the first professor of violin at the Paris Conservatoire. Wrappers. $49 [item no.9003]

[Sonatas, violin, bc, op.1] Six sonates à violon seul et basse - Ier œuvre. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, [1760] edition. Wrappers. $13 [item no.8882]

GEMINIANI, Francesco, c.1680-1762

[Concerti grossi, strings, bc, op.2] Concerti grossi con due violini, violoncello, e viola de concertino obligati, e due altri violini, e basso di concerto grosso ad arbitrio. Il IV. V. e VI. si potranno suonare con due flauti traversieri, o due violini con violoncello. Opera secunda. _☟

Huntingdon, n.d. 4º. 6 parts, c.108 pp. Xerographic reprint of the London, 1732 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vc, db. Wrappers. $69 [item no.8281]

[Concerti grossi, strings, bc, op.3] Six concerti grossi, op.3. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, 1732 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vc, db. Wrappers. $69 [item no.8282]

[Concerti grossi, strings, bc, op.7] Six concerti grossi, op.7. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, [1746] edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vla, vc, db (in nos. 3-6 two flutes may double the solo vln). Wrappers. $69 [item no.8283]

[Concerti grossi, after Corelli, strings, bc, 1726, part 1] Sei concerti grossi (1726) della prima parte dell’ op. 5 d’Arcangelo Corelli. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, 1726 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vc, db. Wrappers. $60 [item no.8285]

[Concerti grossi, after Corelli, strings, bc, 1726, part 2] Sei concerti grossi (1726) della seconda parte dell’ op. 5 d’Arcangelo Corelli. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, 1726 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vc, db. Wrappers. $60 [item no.8286]

The Inchanted Forrest. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the John Johnson, London, c.1761 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vla, vc, db, 2 fl, [bsn], 2 hn, tpt. Wrappers. $67 [item no.8284]

[method, violin, op.9] The Art of Playing on the Violin. Opera IX. [private collection]. _☟

Performers’ Facsimiles, 238. New York, [2001]. 4º, 63 pp. Line-cut of the London, 1751 edition. Wrappers. $25 [item no.7928]

[method, violin/flute/vc/harpsichord, op.8] Rules for Playing in a True Taste on the Violin, German Flute, Violoncello and Harpsichord Particularly the Thorough Bass. Opera VIII. _☟

Dehli, 2017. 22 x 28 cm, 27 pp. Line-cut of the London, 1739 edition. Wrappers. $24 [item no.9698]

[Sonatas, violin, bc; Sonatas, vln, bc, op.1] Sonate a violino, violone, e cembalo. Opus I. Édition originale de 1716. Édition de 1739, agrémentation complétée. Présentation par Nicolas Fromageot. [British Library, London]. _☟

Collection Dominantes. Courlay, 1994. 24 x 33 cm, 18, 62 pp. Line-cut of the London, 1716 & 1739 editions, the latter a revision of the 1716 edition. Preface in Fr-Eng-Ger. Wrappers. $38 [item no.4802]

[Sonatas, violin, bc, op.1] Le prime sonate a violino, e basso, nuovamente ristampate, e con diligenza corrette, agguintovi ancora per maggior facilità le grazie agli adagj, ed i numeri per la trasposizione della mano. _☟

Karlsbad-Ittersbach, 1988. 4º, 42 pp. Line-cut of the London, 1739 edition (revision of the 1716 edition). Wrappers. $19 [item no.2898]

[Sonatas, violin, bc, op.1] Le prime sonate a violino, e basso. Nuovamente ristampate, e con deligenza corrette, aggiuntovi ancora per maggior facilità le grazie agli adagi, ed i numeri per la trasposizione della mano [Opus 1, in the 1739 Edition]. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 246. New York, [2005]. 4º, 52 pp. Line-cut of the London, 1739 edition. Wrappers. $20 [item no.8563]

[Sonatas, violin, bc, op.1, arr.] Trio Sonata Versions of 12 Solos, op.1. Nos.1-6. _☟

Huntingdon, c.1988. 4º, Xerographic reprint of the 18th-c. edition. Arranged by the Geminiani for trio sonata. Wrappers. $20 [item no.7055]

[Sonatas, violin, bc, op.1, arr.] Trio Sonata Versions of 12 Solos, op.1. Nos.7-12. _☟

Huntingdon, c.1988. 4º, Xerographic reprint of the 18th-c. edition. Arranged by Barsanti for trio sonata. Wrappers. $20 [item no.7056]

[Sonatas, violin, bc, op.4] Sonate a violino e basso, opus IV (1739). Présentation par Nicolas Fromageot. [British Library, London]. _☟

Collection Dominantes. Courlay, 1992. 24 x 32 cm, 40, 48 pp. Line-cut of the London, 1739 edition. Introduction in Fr-Eng-Ger. Wrappers. $39 [item no.4523]

[Sonatas, violin, bc, op.4] XII sonate a violino e basso op.IV. Londra 1739. _☟

Archivum Musicum: Monumenta Musicae Revocata, 15. Florence, 1995. 25 x 34 cm, 50, i pp. Line-cut of the London, 1739 edition. Quarter linen. $49 [item no.4575]

[Sonatas, violin, bc, op.4] Sonate a violino e basso. Opera IV. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 247. New York, [2005]. 4º, 50 pp. Line-cut of the London, 1739 edition. Wrappers. $20 [item no.8564]

[Sonatas, violoncello, bc, op.5, arr.] VI sonate di violoncello e basso continuo. Opera V. _☟

Huntingdon, c.1988. 4º, 24 pp. Xerographic reprint of the London, 1746 edition, arranged for violin from the cello sonatas. Wrappers. (2 required for performance). $15 [item no.7031]

GERLE, Hans, c.1500-1570

Musica teusch, auf die Instrument [der grossen unnd kleinen Geygen, auch Lautten]. Nürnberg, H. Formscheider 1532. [British Library, London]. _☟

Faksimile-Edition Laute, 10. Stuttgart, 2012. Oblong, 22 x 17 cm, 128 pp. Line-cut of the 1532 edition. Gerle introduces students to the rudiments of playing the renaissance lute, the viol and rebec, including the way they were tuned, held, and played. Musicologists have called it the first viol tutor. Hardbound with decorative paper boards. $45 [item no.9290]

GIARDINI, Felice (de), 1716-1796

[Sonatas, violin, bc, op.4] Sei sonate da camera [a violino solo col basso. Opera IV]. Paris, Bayard u.a. um 1760. [private collection]. _☟

Stuttgart, 2007. 26 x 35 cm, 40 pp. Line-cut of the Paris, c.1760 edition. Burney called Giardini “the greatest performer in Europe” and credits him for initiating a “new discipline and a new style of playing”. Laid paper with marbled paper coverboards and pasted etiquette. $53 [item no.8818]

GIARDINI, Felice, 1716-1796

[Sonatas, violin, bc, op.1] Sei sonate a violino solo e basso. Opera prima. _☟

Huntingdon, c.1988. 4º, 23 partbooks, 69 pp. Xerographic reprint of the London, c.1765 edition. Wrappers. $20 [item no.7032]

GIBBS, Joseph, 1698-1788

[Solos, violin, bc] Eight Solos for a Violin with a Thorough Bass for the Harpsicord or Bass Violin. [British Library, London]. _☟

Alston, 2000. 4º, i, 41 pp. Line-cut of the London, 1746 edition. Preface by Peter Holman. Ring binder. $30 [item no.7836]

GIORDANI, Tommaso, c.1730-1806

[Duets, flute/violin, op.7] Six Duets for German Flutes. Op.7. _☟

Huntingdon, c.1988. 4º, 20 pp. Xerographic reprint of the London, 1775 edition. Wrappers. $10 [item no.7036]

[Duets, violin, violoncello; 2 violins, op.21] Six Duettos, Four for a Violin and Violoncello and Two for Two Violins. Op. XXI. _☟

Early Cello Series, 7. n.p., c.1985. 4º, 28 pp. Line-cut of the London, c.1775 edition. Wrappers. $16 [item no.1661]

GIULIANI, Mauro, 1781-1829

[Serenade, flute/violin, guitar] Serenade für Flöte oder Violine und Gitarre. Reprint der Originalausgabe. _☟

Musik für Gitarre. Vienna, n.d. 4º, i, 16 pp. Line-cut of the Hofmeister edition, Leipzig, [1825]. Preface by Karl Scheit. Wrappers. $15 [item no.2880]

[Works, v.25, concerto, op.30, guitar & orchestra] Concerto for Guitar and Orchestra, Opus 30. Orchestra Parts. _☟

The Complete Works in Facsimiles of the Original Editions in Facsimiles of the Original Editions, 25. London, 2/ 2002. 4º, ix, 72 pp. Line-cut of the Haslinger edition (parts), Vienna, c.1810. Scored for guitar, vln I-II, vla, vc/db, ripieno vln I-II, fl I-II, ob I-II, clar I-II, hn I-II, bsn I-II (parts bound together). Wrappers. [item no.7414]

[Works, v.26, concerto, op.30, guitar & strings] Concerto for Guitar, op.30. _☟

The Complete Works in Facsimiles of the Original Editions, 26. London, 1985. 4º. Line-cut. Wrappers. [item no.7415]

[Works, v.28, concerto, op.36, guitar & strings] Concerto for Guitar and Strings, Opus 36. _☟

The Complete Works in Facsimiles of the Original Editions, 28. London, 1985. 4º, vi, 5 parts, 43 pp. Line-cut of the Artaria edition (parts), Vienna, 1812. Scored for guitar, vln I-II, vla, vc/db. Wrappers. [item no.7417]

[Works, v.30, concerto, op.70, guitar & orch] Concerto for Guitar and Orchestra, Opus 70. _☟

The Complete Works in Facsimiles of the Original Editions, 30. London, 1987. 4º, vi, 17 parts, 89 pp. Line-cut of the Cappi & Diabelli edition (parts), Vienna, 1822. Scored for guitar, vln I-II, vla, vc/db, fl, ob I-II, clar I-II, hn I-II, bsn I-II, tpt I-II, tmp. Wrappers. [item no.7419]

[Works, v.31, concerto, op.70, arr. guitar & strings] Concerto for Guitar and Orchestra, Opus 70. Arranged for Guitar and String Quartet. _☟

The Complete Works in Facsimiles of the Original Editions, 31. London, 1987. 4º, vi, 5 parts, 59 pp. Line-cut of the Cappi & Diabelli edition, Vienna, 1822. Wrappers. [item no.7420]

[Works, v.33, guitar & string quartet] Four Works for Guitar and String Quartet. _☟

The Complete Works in Facsimiles of the Original Editions, 33. London, 1988. 4º. Line-cut. Wrappers. [item no.7422]

[Works, v.35, guitar & flute/violin] Ten Works for Guitar and Flute or Violin. _☟

The Complete Works in Facsimiles of the Original Editions, 35. London, 1986. 4º, 2 vols. Line-cut. Wrappers. [item no.7424]

[Works, v.36, guitar & flute/violin] Twelve Works for Guitar and Flute or Violin. _☟

The Complete Works in Facsimiles of the Original Editions, 36. London, 1987. 4º. Line-cut. Wrappers. [item no.7425]

GLADWIN, Thomas, 1710-1799

[Lessons, violin, harpsichord] Eight Lessons for the Harpsichord. [British Library Board]. _☟

Alston, 1998. Oblong, 29 x 21 cm, i, 48 pp. Line-cut of the J. Johnson edition, London, c.1750. The three movements with violin accompaniment probably represent the first of that genre to appear by an English composer. Ring binding. $27 [item no.7810]

GLUCK, Christoph Willibald, 1714-1787

[Sonatas, 2 violins/flutes, bc] Six Sonatas for the Two Violins & a Thorough Bass. _☟

Performers’ Facsimiles, 53. New York, [1990]. 25 x 34 cm, 3 partbooks, 39 pp. Line-cut of the London, 1746 edition. Wrappers. $28 [item no.3793]

GODECHARLE, Eugène, 1742-1798

[Trio sonatas, 2 violins, bc, op.3] Six trios pour deux violons et basse, opus III. Inleiding-Introduction: Bernard Huys. _☟

Fontes Musicae Bibliothecae Regiae Belgicae, II/1. Brussels, 1980. 25 x 32 cm, 4 partbooks, ii, c.60 pp. Line-cut of the 18th-c. print issued in Paris between 1765 and 1774. Introduction in Flam-Fr. Wrappers, with folder. $24 [item no.1206]

GŒTZ, Hermann Gustav, 1840-1876

[Quartet, strings, Bb major] Quartett für zwei Violinen, Viola und Violoncello B-Dur. Herausgegeben von Bernhard Billeter. _☟

Winterthur, 1990. 4º, 34 pp. Halftone of the autograph score, together with a new practical edition. Wrappers. $58 [item no.4329]

GRAAF, Christiaan Ernst, 1723-1804

Sei sinfonie a violino primo, secondo, viola & basso. Facsimile Edition (Zentralbibliothek Zürich, Z AMG XIII 127 & a-f). With an Introduction by Albert Clement. _☟

Exempla Musica Zelandica, 2. Middelburg, 1994. 4º, 5 vols, xxii, 70 pp. Line-cut of the Suenonius Madelgreen edition, Middelburg, [1756]. Wrappers. $59 [item no.7466]

GRANATA, Giovanni Battista, c.1620-1680

Novi capricci armonici musicali in vari toni per la chitarra spagnola, violino, e viola concertati, et altre sonate per chitarra sola. _☟

Bibliotheca Musica Bononiensis, IV/183. Bologna, 3/ 2005. 22 x 32 cm, 55 pp. Line-cut of the Giacomo Monti edition, Bologna, 1674, in mixed tablature. Wrappers. (more info... ) [item no.1050]

GRANDI, Alessandro, 1586-c.1630

Salmi a otto brevi. Venedig / Alessandro Vincenti 1629. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 28. Stuttgart, 2013. 16 x 21 cm, 9 partbooks, c.200 pp. Line-cut of the Venice, 1629 partbook edition (Canto/Canto, Alto/Alto, Tenore/Tenore, Basso/Basso, Basso cont. 19 settings for double choir. Wrappers, with slipcase covered in marbled paper. $105 [item no.9344]

GRAUPNER, Christoph, 1683-1760

[Concerto, fl, 2 vln, vla, bc, & other works] Œuvres pour flûtes à bec: Concerto à flûte a bec, 2 violini, viola e cembalo; Ouverture à flûte a bec, 2 violini, viola e cembalo; Canon all’unissono a 2 flauti, violoncello o vero viola da gamba e cembalo. Présentation par H. Susi Möhlmeier et Frédérique Thouvenot. [Hessische Landes- & Hochschulbibl., Darmstadt]. _☟

Collection Dominantes. Courlay, 1995. 24 x 33 cm, 3 partbooks, 25, 46 pp. Line-cut of the autograph parts. Wrappers. $33 [item no.7219]

GREENE, Maurice, 1696-1755

A Cantata and English Songs. Book II. [private collection John H. Burkhalter III]. _☟

Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 2. Hebden Bridge, 2007. 21 x 30 cm, 19 pp. Line-cut of the London, n.d. edition. Contents: “Beauty, an Ode” (voice, vln I-II, vla, bc). Songs (voice & bc): “Amoroso”; “The Je ne scay quoi”; “The Poet’s Picture of his love”; “Astrea”. Wrappers. $16 [item no.8917]

[Overtures, orch] Six Overtures. _☟

Huntingdon, n.d. 4˚. Xerographic reproduction of the London, 1745. Scored for 2 vln, vla, vc, db, 2 ob/fl, bsn, kbd (flutes in slow movts of nos. 3 & 5). Wrappers $60 [item no.8287]

GRONEMAN, Albertus, c.1710-1778

[Sonatas, 2 flutes/violins, bc, op.2] Sei sonate à due flauti traversieri o violini e basso. Op.2. _☟

Musica Repartita, 53. Utrecht, 1994. 4º, 3 partbooks, 38 pp. Line-cut of the Amsterdam, [1757] edition. Wrappers. $24 [item no.7249]

GRUBER, Franz, 1787-1863

Stille Nacht, heilige Nacht! Getreue Wiedergabe der eigenhändigen Niederschrift von Franz Gruber. Mit einem Begleitwort über die Geschichte des Weihnachtsliedes [von Otto Erich Deutsch]. _☟

Vienna, 1937. Oblong, 36 x 26 cm, iv, 1, 4 pp. Beautiful halftone of the autograph fair copy of the original version of “Silent Night” scored for strings, horn, SATB and organ. The famous Christmas song with text by Josef Mohr, was first performed in Arnsdorf, Austria, Dec. 24, 1818. Afterword in Ger. Hardbound. Rare. $200 [item no.741]

Weihnachtslied “Stille Nacht, heil’ge Nacht!” Faksimile. Vorgelegt von Gerhard Waterskirchen und Thomas Hochradner. _☟

Salzburg, 1995. Oblong, 36 x 26 cm, iv, 4 pp. Color reproduction of the earliest known autograph version, together with Joseph Mohr’s text and transcription. Wrappers. $31 [item no.7505]

GUILLEMAIN, Louis Gabriel, 1705-1770

[Caprices, violin, op.18] Douze caprices pour le violon seul (avec un amusement pour le violon seul). Œuvre XVIIIe. _☟

La Musique Française Classique de 1650 à 1800, 15. Courlay, 1987. 24 x 33 cm, xii, 33 pp. Line-cut of the Paris, [1762] edition. Introduction by Jean Saint-Arroman. Wrappers. $32 [item no.2187]

[Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuors, ou conversations galantes et amusantes entre une flûtte traversiere, un violon, une basse de viole et la basse continüe. Œuvre XIIe. [British Library, London]. _☟

Performers’ Facsimiles, 243. New York, [2000]. 4º, 4 partbooks, 80 pp. Line-cut of the Paris, 1743 edition. Wrappers. $43 [item no.7796]

[Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuor ou conversations galantes et amusantes, flûte traversière, violon, basse de viole, basse continue. Œuvre XII, 1743. Présentation par les étudiants du Ce.F.E. de M. d’Île-de-France. _☟

La Musique Française Classique de 1650 à 1800, 149. Courlay, 2003. 22 x 33 cm, xvi, 88 pp. Line-cut of the Paris, 1743 edition. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.8241]

[Sonatas, violin, bc, book 1] Sonates à violon seul avec la basse continue. Premier livre. (Nouvelle édition revue par l’auteur). _☟

La Musique Française Classique de 1650 à 1800, 16. Courlay, 1987. 22 x 31 cm, xi, 79 pp. Line-cut of the Paris, [1734] edition. Introduction by Jean Saint-Arroman. Wrappers. $43 [item no.2188]

[Sonatas, 2 violins, op.4] VI sonates à deux violons sans basses. Œuvre IV, 1739, Présentation par Philippe Lescat. [Bibliothèque Nationale de France, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 142. Courlay, 2001. 4º, 2 partbooks, vii, 50 pp. Line-cut of the Paris, [1739] edition. Introduction by Jean Saint-Arroman. Wrappers. $31 [item no.8054]

[Sonatas, 2 violins, book 2, op.5] IIe livre de sonates à deux violons sans basses. Œuvre V, 1739. [Bibliothèque Nationale de France, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 143. Courlay, 2001. 4º, 2 partbooks, xii, 48 pp. Line-cut of the Paris, [1739] edition. Introduction by Jean Saint-Arroman. Wrappers. $33 [item no.8053]

HABENECK, François-Antoine, 1781-1849

[Method, violin] Méthode théorique et pratique de violon. [Bibliothèque Nationale, Paris]. _☟

Méthodes et Traités, II. Courlay, 2001. 4º, 178 pp. Line-cut of the Paris, 1842 edition. Wrappers. $64 [item no.7956]

HAGEN, Bernhard Joachim, c.1720-1787

Kammermusik für Laute herausgegeben von Joachim Domning. _☟

Hamburg, 1984. 21 x 30 cm, 3 partbooks, ii, 137 pp. Line-cut. Music for lute, violin I & II, viola & violoncello. Wrappers. $79 [item no.4741]

HAHN, George Joachim Joseph, c.1690-c.1769

[Cornucopiae Musicum, 2 voices, 2 violins/flutes, bc] Cornucopiae Musicum in se sono vocali instrumentali continens cantilenas triginta duas. Nimirum arias XX. tam latinas tam germanicas per totum annum en ecclesia decantari folitas, et threnodias XII... [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 14. Stuttgart, 2000. 20 x 32 cm, 5 partbooks, 190 pp. Line-cut of the Augsburg, 1735 edition. 32 pieces for two sopranos, two violins, & bc. Wrappers with portfolio in marbled paper. $118 [item no.7816]

HAIDEN, Hans Christoph, 1572-1617

Ganz neue lustige Täntz vnd Leidlein, [deren Text mehrer theils auff Namen gerichtet, mit vier Stimmen, nicht allein zu singen, sondern auch auff allerhand Instrumenten zu gebrauchen]. Nürnberg / Paul Kauffmann 1601. [Library of Congress, Washington, DC]. _☟

Faksimile-Edition Rara, 61. Stuttgart, 2018. 17 x 20 cm, 4 partbooks, 108 pp. Line-cut of the Nuremberg, 1601 edition. Wonderful collection of 23 dance numbers (all texted) for various string and wind instrumental groupings. Partbooks: cantus, altus, tenor, bassus) Wrappers, with portfolio. $75 [item no.9579]

HAKE, Hans, 1628-dc.1663

Ander Theil newer Pavanen, [Sonaten, Arien, Balletten, Brandlen, Couranten, und Sarabanden, mit 2.3.4.5. und 8-Instrumenten mit dem basso continuo]. Stade 1654 / Elias Holwein. [British Library, London & Stadtbibliothek Växjö]. _☟

Faksimile-Edition Rara, 61. Stuttgart, 2010. 16 x 21 cm, 5 partbooks, 222 pp. Line-cut of the Stade, 1654 edition. Wonderful collection of 43 dance movements for various string and wind instrumental groupings (a2 to a5), including 4 for 2 cornetti & 3 trombones and 2 for 5 trombones. Wrappers, with portfolio. $76 [item no.9174]

HANDEL, George Frideric, 1685-1759

[Acis & Galatea, masque, HWV 49, selections] The Songs & Symphony’s in the Masque of Acis & Galatea, Made and Perform’d for His Grace the Duke of Chandos. [private collection John H. Burkhalter III]. _☟

Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 8. Hebden Bridge, 2007. 21 x 30 cm, 38 pp. Line-cut of the London, n.d. edition. Wrappers. $26 [item no.8923]

[Cantatas, voice, bc, vols. 1-2] Cantates a voix seule et basse continue. Manuscrits autographes. Manuscrit [British Library] R.M.20.d.11. c.1706-c.1709. Présentation par Philippe Lescat. _☟

Collection Dominantes. Courlay, 2000. Oblong, 4º, 2 volumes, 62, 279 pp. Line-cut of the autograph score. Contains a total of 40 cantatas. Introduction in Fr-Eng-Ger. Hardbound. $145 [item no.7774]

[Cantatas, voice, bc, vol. 1] Cantates a voix seule et basse continue. Manuscrits autographes. Manuscrit [British Library] R.M.20.d.11. c.1706-c.1709. Présentation par Philippe Lescat. Volume 1. _☟

Collection Dominantes. Courlay, 2000. Oblong, 4º, 220 pp. Line-cut of the autograph score. Contains a total of 40 cantatas. Introduction in Fr-Eng-Ger. Hardbound. $86 [item no.8785]

[Cantatas, voice, bc, vol. 2] Cantates a voix seule et basse continue. Manuscrits autographes. Manuscrit [British Library] R.M.20.d.11. c.1706-c.1709. Présentation par Philippe Lescat. Volume 2. _☟

Collection Dominantes. Courlay, 2000. Oblong, 4º, 128 pp. Line-cut of the autograph score. Contains a total of 40 cantatas. Introduction in Fr-Eng-Ger. Hardbound. $59 [item no.8786]

[Concerti grossi, strings/winds, op.3, HWV 311-317] Concerti grossi. Con due violini e violoncello di concertino obligati e due altri violini viola e basso di concerto grosso. Opera terza. [Princeton University Library & British Library]. _☟

Performers’ Facsimiles, 133. New York, [1994]. 22 x 28 cm, 9 partbooks, c.122 pp. Line-cut of the Walsh edition, London, [1734]. Wrappers. $75 [item no.4753]

[Concerti grossi, strings, op.6, HWV 319-330] Twelve Grand Concertos for Violins &c. in Seven Parts. Opera Sexta. _☟

Huntingdon, [1990]. 4º, 8 partbooks, c.230 pp. Xerographic reprint of the Walsh edition. Scored for solo vln I-II, vc, ripieno vln I-II, vla, vc, bc. Wrappers. $148 [item no.7011]

[Concerti grossi, strings, op.6, HWV 319-330] Twelve Grand Concertos for Violins &c. in Seven Parts. Opera sexta. [private collection]. _☟

Performers’ Facsimiles, 270. New York, [2010]. 4°, 7 partbooks, c.202 pp. Line-cut of the Walsh edition, London, [1746] (third issue of the first edition). Scored for solo vln I-II, vc, ripieno vln I-II, vla, vc, bc. Wrappers. $100 [item no.9207]

[Concerti, organ, orch, op.4, HWV 289-294] Six Concertos for the Organ and Harpsicord. Opera Quarta. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the Walsh edition. Scored for Scored for org, ob 1-2, vln 1-2, vla, vc/bass, vln 1-2 rip, vc/bass rip. Wrappers. $59 [item no.8316]

[Concerti, organ, orch, op.4, HWV 289-294] Six Concertos for the Organ and Harpsicord. Opera Quarta. _☟

Performers’ Facsimiles, 220. New York, [2004]. 4º, 10 partbooks, 153 pp. Line-cut of the Walsh edition, London, [1738]. Unlike Walsh’s editions of Handel’s opp.1-3 which were probably pirated, the Concertos for the Organ, op.4 were issued with the composer’s cooperation (so the title-page claimed). Scored for org, ob 1-2, vln 1-2, vla, vc/bass, vln 1-2 rip, vc/bass rip. Wrappers. $85 [item no.8405]

[Musick for the Royal Fireworks, fl/vln, bc] The Musick for the Royal Fireworks [and Other Works] Set for the German Flute, Violin or Harpsichord. [Curtis Institute of Music, Philadelphia]. _☟

Performers’ Facsimiles, 114. New York, [1993]. 25 x 33 cm, 22 pp. Line-cut of the Walsh edition, London, c.1749. Also contains transcriptions of numbers from Atalanta, Joshua, Occasional Oratorio, Joseph, Saul, Ode for St. Cecilia’s Day, Coronation Anthem, plus two unidentified airs. Wrappers. $18 [item no.4619]

[Musick for the Royal Fireworks, orch, HWV 351; Concerti, orch, HWV 335a &335b] The Musick for the Royal Fireworks / Feuerwerksmusik, HWV 351. Concerti HWV 335a & 335b. British Library Manuscript R.M. 20.g.7. Facsimile. Introduction and Commentary by Christoher Hogwood / Eingeleitet und kommentiert von Christopher Hogwood. _☟

Documenta Musicologica, II/32. Kassel, 2004. 4˚, 26, 70 pp. Handel's great outdoor piece for strings and wind band. Halftone of the 1749 autograph score, composed for the celebration of the Treaty of Aix-la-Chapelle. The overture is the longest single instrumental movement that Handel wrote and is scored for tpt 1-3 (x3), hn 1-3 (x3), ob 1-3 (x12, x8, x4), bsn 1-2 (x8, x4), timp (3 pairs), & bc. The manuscript also includes 2 concerti, HWV 335a and 335b, intended as interludes during oratorio performances, scored for strings, 2 ob, 2 tpt (only HWV 335a), 4 hn, bsn, timp, & bc (organ). This is a fascinating score, in Handel’s forceful script, showing his erasures by smudging, his clarifications by writing note letters over a correction, and his normal abbreviations for colla parte using custodes. The manuscript also bears evidence of arguments over scoring that went on with the civil servants organizing the spectacle. Preface in Ger/Eng. Hardbound. $68 (more info... ) [item no.8448]

[Musick for the Royal Fireworks, orch, HWV 351, 1st ed.] The Musick for the Royal Fireworks in all its Parts, viz. French Horns, Trumpets, Kettle Drums, Violin, Hoboys, Violoncello, & Bassoons with a Thorough Bass for the Harpsicord or Organ. [British Library, London]. _☟

Performers’ Facsimiles, 120. New York, [1993]. 4º, 11 partbooks: 37 pp. Line-cut of the original Walsh printed parts, London, [1749]. Scored for 2 vln, 3 ob, 3 hns, 3 tpt, timp, bsn & bc. Wrappers. $40 [item no.4530]

[Sonatas, recorder, bc, op.1, selections, HWV 360, 362, 365 & 369] Four Sonatas, Op.1, Nos. 2, 4, 7, 11 for Treble Recorder and Continuo. Revised Edition by Edgar Hunt. _☟

London, 1980. 4º, v, 44, 21 pp. Beautiful halftone of the 17th-c. Walsh edition. Together with introduction and practical edition. Wrappers. $24 [item no.1588]

[Sonatas, recorder, bc, op.1, HWV 365, 362, 360, 377, 369, 367a] Die Sonaten für Altblockflöte und B.C. [Fitzwilliam Museum, Cambridge]. _☟

Münster, 1989. Oblong, 4º, iii, 54 pp. Line-cut of the autograph score. 6 sonatas: G minor, F major, A minor, C major (incomplete), B major, D minor, plus G major (vln & bc), & F major (2 flutes). Introduction in Ger by Winfried Michel. Wrappers. $27 [item no.4281]

[Trio sonatas, 2 violins/oboes/flutes, bc, op.2, HWV 386b-391] VI sonates à deux violons, deux haubois ou deux flutes traversieres & basse continue. Second ouvrage. _☟

Huntingdon, [1990]. 4º, 4 partbooks, c.80 pp. Line-cut of the John Walsh edition, London, c.1733. 6 sonatas: B minor; G minor; Bb major; F major; G minor; G major. Wrappers. $30 [item no.7019]

[Trio sonatas, 2 violins/oboes/flutes, bc, op.2, HWV 386b-391] VI sonates à deux violons, deux haubois ou deux flutes traversieres & basse continue. Second Ouvrage. [Miller Collection, Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 170. New York, [1997]. 4º, 3 partbooks, 71 pp. Line-cut of the Walsh edition, London, c.1733. 6 sonatas: B minor; G minor; Bb major; F major; G minor; G major. Wrappers. $38 [item no.7472]

[Trio sonatas, 2 violins/flutes, bc, op.5, HWV 396-402] Seven Sonatas or Trios for Two Violins or German Flutes with a Thorough Bass for the Harpsicord or Violoncello. Opera Quinta. _☟

Performers’ Facsimiles, 20. New York, 1987. 24 x 31 cm, 3 partbooks, 80 pp. Line-cut of the London, [1739] edition. 7 sonatas: A major; D major; E minor; G major; G minor; F major; Bb major. Wrappers. $38 [item no.2048]

[Water Music, orchestra, HWV 348-350] The Celebrated Water Musick in Seven Parts, viz., Two French Horns, Two Violins or Hoboys, a Tenor, and a Thorough Bass for the Harpsichord or Bass Violin. _☟

Performers’ Facsimiles, 70. New York, [1990]. 24 x 36 cm, 7 partbooks, 36 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $40 [item no.3690]

HASSE, Johann Adolph, 1699-1783

[Sonatas, flute/violin, bc, op.2] Solos for a German Flute or Violin with a Through Bass for the Harpsicord or Violoncello. Opera Seconda. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 271. New York, [2007]. 25 x 31 cm, 31 pp. Line-cut of the London, [1740] edition. Wrappers. $20 [item no.8812]

HASSLER, Hans Leo, 1562-1612

Lustgarten neuer teutscher Gesäng. Balletii, Galliarden und Intraden mit 4.5.6. und 8. Stimmen. [Schermar Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 45. Stuttgart, 1998. 16 x 20 cm, 4 partbooks, c.230 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1610. 15 settings a4, 13 a5, 8 a6, 3 a8 and 6 instrumental Intraden a6. Tenor, altus, quinta and sexta partbooks only. Wrappers, with portfolio in marbled paper. $72 [item no.7608]

Venusgarten [oder Neue lustige liebliche Täntz teutscher und polnischer art auch Galliarden und Intraden mit 4.5.6. Stimmen mit und ohne Text]. [Schermar Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 46. Stuttgart, 1998. 15 x 21 cm, 3 partbooks, c.240 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1615. 36 texted settings a5 and 11 a4 textless settings by J.L. Hassler and Valintin Haussmann. For voices, with or without instruments. Wrappers, with portfolio in marbled paper. $58 [item no.7582]

HAUSSMANN, Valentin, c.1565-c.1614

[Dances, German & Polish] Außzug aus Valentini Haußmanns [Gerbipol. zweyen unterschiedlichen Wercken als der teutschen Täntz mit 4. Stimmen und des ersten Theils polnischer Täntz so Venusgarten tituliert mit 5. Stimmen mit und ohne Text in ein Opusculum zusammen gebracht durch V. Haußmann]. Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 26. Stuttgart, 1997. 15 x 19 cm, 5 partbooks, c.284 pp. Line-cut of the Balthasar Scherff edition, Nuremberg, 1609. 11 dances a4, 28 a5, plus 59 purely instrumental dances a4. Wrappers, with handsome portfolio in marbled paper. $115 [item no.7524]

Melodien unter weltliche Texte, da jeder einen besondern Namen anzeiget, umb ein guten Theil vermehret und von neuem auffgelegt. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 25. Stuttgart, 1997. 15 x 19 cm, 5 partbooks, c.260 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1608. 51 works a5, with German texts. Wrappers, with handsome portfolio in marbled paper. $115 [item no.7485]

Venusgarten [oder Neue lustige liebliche Täntz teutscher und polnischer art auch Galliarden und Intraden mit 4.5.6. Stimmen mit und ohne Text]. [Schermar Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 46. Stuttgart, 1998. 15 x 21 cm, 3 partbooks, c.240 pp. Line-cut of the Paul Kauffmann edition, Nuremberg, 1615. 36 texted settings a5 and 11 a4 textless settings by J.L. Hassler and Valintin Haussmann. For voices, with or without instruments. Wrappers, with portfolio in marbled paper. $58 [item no.7582]

HAYDN, Franz Joseph, 1732-1809

[Duos, 2 violins] Trois grands duo. Dialogués et concertans pour deux violons. _☟

Offenburg, 2004. 4°, 3 parts, i, 155 pp. Line-cut of the Paris, n.d. edition. An arrangement for 2 violins, published during the composer’s lifetime, of a combination of quartet movements, symphonies and piano trios, including the Andante from the “Surprise Symphony”. Includes modern edition in score. Introduction in Ger-Eng by Mihoko Kimura. Wrappers. $48 [item no.9000]

[Quartets, strings, “Prussian”, op.50, 1st ed.] Six quatuors pour deux violins alto et basse. Composes et dediés a sa Majesté Frederic Guillaume II, roi de Prusse, œuvre 50e. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 80. New York, [1992]. 27 x 26 cm, 4 partbooks: 88 pp. Line-cut of the Artaria edition, Vienna, 1787. Wrappers. $50 [item no.4424]

[Quartet, strings, op.76,3] Gott! Erhalte Franz den Kaiser (Hob. XXVIa: 4) und Streichquartett Op.76, Nr.3 (Hob. III:77), “Kaiserquartett” (Variationensatz). Vollständige Faksimile-Ausgabe im Originalformat der Mus. Hs. 16.501 aus dem Besitz der Österreichischen Nationalbibliothek. Herausgegeben und kommentiert von Günther Brosche. _☟

Musica Manuscripta, 3a. Graz, 2008 32 x 23 cm, 26, 24 pp. Deluxe bibliophile facsimile in the original format of a composite ms comprising various versions of the hymn “Gott! erhalte Franz den Kaiser”, which has served as the Austrian National Anthem for more than 140 years. The fascicle contains: 1) 1st ms version of the melody (sketch material on the backside), 2) fair copy of the harmonized version with Haydn’s signature, 3) 1st version of the harmonized version with some erasures and corrections 4) complete score for unison voices and orchestra with signs of corrections, 5) four variations of the hymn for string quartet (= “Kaiser” quartet Hob. III: 77), 6) 1st printed edition of the hymn from 1787 with manuscript notations on the final page. Commentary in Ger. Binding after the original, with slipcase. $263 (more info... ) [item no.9027]

[Sonatas, violin, bass/bc, Hob. VI 1-6, op.23] Six sonates à violon seul avec la basse, Hob. VI 1-6. Inleidung-Introduction: Manuel Couvreur. _☟

Fontes Musicae Bibliothecae Regiae Belgicae, II/3. Brussels, 2002. 4˚, 9, 25 pp. Line-cut of the Bailleux edition, Paris, 1775. Introduction in Fr-Flam. Wrappers. $20 [item no.8354]

HAYM, Nicola, c.1679-1729

[Sonatas, flute/oboe/violin, bc] VI sonate da camera a flauto traversa, haubois o violino solo. Amsterdam s.d. _☟

Archivum Musicum: Flauto Traversiere, 1. Florence, 1984. 22 x 31 cm, iv, 21 pp. Line-cut of the Amsterdam, c.1708-1712 edition. 4 sonatas by Haym and 2 by Bitti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.774]

HEBDEN, John, 1712-1765

[Concertos, strings, bc] Six Concertos in Seven Parts for Four Violins, a Tenor Violin, a Violoncello with a Thorough Bass for the Harpsicord. Opera II. [British Library, London]. _☟

Alston, 2001. 4º, 7 vols, ii, c.84 pp. Line-cut of the London, 1745 edition. Preface by Peter Holman. Ring binder. $54 [item no.7910]

HELLENDAAL, Pieter, 1721-1799

[Sonatas, vln & bc, op.2] VI sonate a violino solo e basso. Opera seconda [Amsterdam 1748]. Facsimile Edition. Introduction by Leendert Haasnoot, Marijke Carasso, Eduard Melkus. _☟

Facsimilia Musica Neerlandica, 2. Amsterdam, 1986. Oblong, 31 x 25 cm, xxv, 42 pp. Halftone. Cloth. $91 [item no.1207]

HERTEL, Johann Christian, 1699-1754

[Sonatas, violin, bc, op.1] Sonate [à violino solo col violon ò cimbalo] op.1. Michele Carlo de Cene / Amsterdam 1727. [Universitetsbibl., Uppsala]. _☟

Faksimile-Edition Rara, 49. Stuttgart, 2005. Oblong, 35 x 25 cm, 33 pp. Line-cut of the Amsterdam, 1727 edition. The only known published music of Hertel, one of the best viol players of his time. Hardbound with beautiful paper boards and pasted etiquette. $57 [item no.8647]

HŒZLIN, Joseph, 16-17th c.

Sacrarum melodiarum [tribus vocibus]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 27. Stuttgart, 1997. 15 x 19 cm, 3 partbooks, 72 pp. Line-cut of the Abraham Wagenmann edition, Nuremberg, 1605. 19 settings a3 with sacred texts. Wrappers, with handsome portfolio in marbled paper. $58 [item no.7526]

Sacrarum melodiarum [tribus vocibus]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 27. Stuttgart, 1997. 15 x 19 cm, 3 partbooks, 72 pp. Line-cut of the Abraham Wagenmann edition, Nuremberg, 1605. 19 settings a3 with sacred texts. Wrappers. $34 [item no.7527]

HOFFMANN, Ernst Theodor Amadeus, 1786-1822

[Quintet, harp, strings] Quinette pour harpe e quatuor à cordes (manuscrit autographe), 1807. Présentation par Norbert Kaltz. [Hoffmann, E.T., 14 AKZ Nr.M.1185, Deutsche Staatsbibliothek, Berlin]. _☟

Collection Dominantes. Courlay, 1998. Oblong, 32 x 23 cm, 23, 29 pp. Line-cut of the autograph fair copy. Introduction in Fr-Eng-Ger. Wrappers. $29 [item no.7624]

HOFFMEISTER, Franz Anton, 1754-1812

[Caprices, violin] Six caprices pour violon seul - c.1800. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 16 pp. Line-cut of the London, [c.1800] edition. Wrappers. $11 [item no.8942]

HOLBORNE, Antony, b.?-1602

Pavans, Galliards, Almains and other Short Aeirs both Grave and Light, in Five Parts, for Viols, Violins, or other Musicall Winde Instruments. _☟

Waiblingen, 1991. 8º, 5 partbooks, c.180 pp. Line-cut of the London, 1599 edition. 65 charming instrumental pieces, suitable for strings & winds, in mensural notation. It is the largest surviving collection of its kind, most of the pieces are of the pavan-galliard combination. Handsome bibliophile edition produced with vellum-paper boards, with matching slipcase. $122 (more info... ) [item no.4149]

Pavans, Galliards, Almains, and other Short Aeirs both Grave and Light, in Five Parts, for Viols, Violins, or other Musicall Winde Instruments. [Christ Church Library, University of Oxford]. _☟

Performers’ Facsimiles, 263. New York, [2010]. 19 x 23 cm, 5 partbooks, c.180 pp. Line-cut of the 2nd edition, London, 1648. 65 instrumental pieces, suitable for strings & winds, in mensural notation. Wrappers. $45 [item no.9161]

HOOK, James, 1746-1827

[Sonatas, piano/harpsichord, flute/violin, op.54] Six Sonatas for the Piano Forte, or Harpsichord, with an Accompaniment for the German Flute or Violin, Op. LIV. _☟

Performers’ Facsimiles, 85. New York, [1990]. 25 x 32 cm, 27 pp. Line-cut of the London, 1788 edition. Wrappers. $18 [item no.3792]

HOTTETERRE, Jacques Martin, 1674-1763

[Pièces, flute, bc, op.2, book 1] Pièces pour la flûte traversière, livre premier. Première édition. Paris, 1708; Premier livre de pièces pour la flûte traversière. Nouvelle édition augmentée de plusieurs agréments. Paris, 1715. [British Library, London; Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 115. Courlay, 1999. Oblong, 31 x 22 cm, 2 vols, xviii, 126 pp. Line-cut of Paris, 1708 & Paris, 1715 editions. Introduction in Fr-Eng-Ger by Philippe Lescat. Hardbound, with slipcase. $54 [item no.7715]

[Suite, 2 flutes/recorders/viols, op.4] Première suitte de pièces à deux dessus, sans basse continue pour les flûtes traversières, flûtes à bec, violes, etc. Œuvre IVe. _☟

Musique de Chambre, 13. Geneva, 1991. Oblong, 25 x 17 cm, 18 pp. Line-cut of the author’s & Boivin edition, Paris, 1712. Wrappers. $25 [item no.3103]

[Suite, 2 flutes/recorders/viols, op.4] Première suitte de pièces à deux dessus, sans basse continue. Pour les flûtes traversières, flûtes à bec, violes, etc. Paris, 1712. [Bibliothèque Municipale, Grenoble]. _☟

La Musique Française Classique de 1650 à 1800, 86. Courlay, 1995. Oblong, 31 x 22 cm, 13, 18 pp. Line-cut of Paris, 1712 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $19 [item no.7146]

[Suite, flutes/recorders/viols, (bc), op.6] Deuxième suitte de pièces à deux dessus pour les flûtes traversières, flûtes-à-bec, violes, etc. Avec une basse adjoutée séparément et sans altération des dessus, laquelle on y pourra joindre dans le concert. Œuvre VIe. _☟

Musique de Chambre, 14. Geneva, 1991. Oblong, 25 x 17 cm, 18 pp. Line-cut of the edition published by the composer and Boivin, Paris, 1717. Pieces dedicated by the the author to his pupil, the chamberlain to the Duke of Orleans. Wrappers. $25 [item no.3104]

[Trio sonatas, 2 flutes/recorders/violins/oboes, bc, op.3] Sonates en trio pour les flûtes traversières, flûtes a bec, violons, hautbois, &c, livre premier, œuvre troisième. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 3. Florence, 1980. Oblong, 24 x 22 cm, 3 partbooks, vii, 75 pp. Line-cut of the Paris, 1712 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $49 [item no.779]

HOWARD, Samuel, 18th c.

A Cantata and English Songs. [private collection John H. Burkhalter III]. _☟

Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 6. Hebden Bridge, 2007. 21 x 30 cm, 13 pp. Line-cut of the London, n.d. edition. For voice and bc with accompaniment by flute or violin. Wrappers. $15 [item no.8921]

HUGL, Franz Anton, c.1693-d.?

[Partitas, harpsichord, nos.1-3] Parthia I-II-III für Cembalo [aus Dreyssig Cammer- oder Galanterie-Stück vor das Clavier in VI Parthien vertheilet]. Passau 1738. Facsimile-Edition. _☟

Musik aus Ostbayern, 3. Altötting, 1987. Oblong, 30 x 21 cm, 21, i pp. Line-cut of the Passau, 1738 edition. Hugl points out in the preface the possibility of doubling the melody line with a flute or violin. Afterword in Ger by Konrad Ruhland. Wrappers. $10 [item no.4372]

[Partitas, harpsichord, nos.4-6] Parthia IV-V-VI für Cembalo [aus Dreyssig Cammer- oder Galanterie-Stück vor das Clavier in VI Parthien vertheilet]. Passau 1738. Facsimile-Edition. _☟

Musik aus Ostbayern, 13. Altötting, 1988. Oblong, 30 x 21 cm, i, 21 pp. Line-cut of the Passau, 1738 edition. Preface in Ger by Konrad Ruhland. Wrappers. $11 [item no.4373]

JACCHINI, Giuseppe Maria, 1667-1727

[Sonatas, violin & violoncello; violoncello, bc, op.1] Sonate a violino e violoncello e a violoncello solo per camera. Edizione della partitura e prefazione a cura di / Score Edition and Preface by Marc Vanscheeuwijck. _☟

Bibliotheca Musica Bononiensis, IV/91. Bologna, 2005. Oblong, 31 x 22 cm, 64 pp. Line-cut of the c.1692 edition by the celebrated Bolognese cellist. 6 sonatas for violin & cello and 2 sonatas for cello and bc. Wrappers. $54 [item no.8640]

JACQUET DE LA GUERRE, Élisabeth, 1659-1729

[Cantatas, voice, violins, bc, book 1] Cantates françaises sur des sujets tirés de l’écriture, livre 1. Paris, 1708. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 101. Courlay, 1997. Oblong, 31 x 23 cm, 12, 80 pp. Line-cut of Paris, 1708 edition. Contains Esther, Le passage de la mer rouge, Jacob et Rachel, Jonas, Susanne et les Vieillards, & Judith. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $41 [item no.7450]

[Cantatas, voice, violins, bc, books 1-2, selections] Le passage de la mer rouge; Samson. Cantates pour soprano avec accompagnement de violons tirées des livres I et II des Cantates françoises sur des sujets tirez de l’Ecriture. _☟

La Cantate Française au XVIIIe Siècle, X. Geneva, 1988. Oblong, 30 x 22 cm, 58 pp. Line-cut of the Paris, 1708 & 1711 editions. Wrappers. $51 [item no.2767]

[Cantatas, 1-2 voices, violins, bc, book 2] Cantates françaises sur des sujets tirés de l’écriture, livre II. Paris, 1711. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 102. Courlay, 1998. Oblong, 31 x 23 cm, 10, 79 pp. Line-cut of Paris, 1711 edition. Contains Adam, Le temple Rebasti, Le deluge, Joseph, Jephté, Samson. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $48 [item no.7500]

[Cantatas, 1-2 voices, violin/flute, bc, book 3] Cantates françaises, livre III. Semelé, L’Ile de Delos, Le Sommeil d’Ulisse, Le Raccommodement Comique. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 117. Courlay, 1999. 24 x 32 cm, 14, 89 pp. Line-cut of Paris, c.1715. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $50 [item no.7693]

[Cantatas, voice, violins, flutes, bc] Cantates francoises. Semelé, L’Ile de Delos, Le sommeil d’Ulisse, aûquelles on a joint Le raccommodement comique. [British Library, London]. _☟

Performer’s Facsimiles, 225. New York, [1998]. 24 x 32 cm, 85 pp. Line-cut of the Paris, n.d. edition. Wrappers. $28 [item no.7635]

[Pièces, harpsichord, violin; Sonatas, harpsichord, violin] Sonates pour le violon et basse continue, 1707. Présentation par Catherine Cessac. [British Library, London]. _☟

La Musique Française Classique de 1650 à 1800, 114. Courlay, 1999. Oblong, 33 x 24 cm, x, 62 pp. Line-cut of Paris, 1707 edition. Wrappers. [item no.7668]

[Sonatas, harpsichord, violin] Pièces de clavecin qui peuvent se jouer sur le violon, 1707. Présentation par Catherine Cessac et Jean Saint-Arroman. [Bibl. Nationale de France, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 114. Courlay, 2000. Oblong, 31 x 23 cm, xi, 29 pp. Line-cut of Paris, 1707 edition. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.7884]

[Trio sonatas, 2 vlns,viol/bsn, bc] Quatre sonates en trio (partition). Présentation par Catherine Cessac. [Ms Vm7 1110, Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800 164. Courlay, 2005. 24 x 33 cm, vii, 83 pp. Line-cut of a unique manuscipt score (autograph?), a source which the theorist Brossard alludes to in his catalog. Introduction in Fr-Eng-Ger. Wrappers. [item no.8559]

JANOVKA, Tomas, 1669-1741

Clavis ad thesaurum magnae artis musicae. . . Prag 1701. [Bibliothèque Royale Albert II, Brussel]. _☟

Dictionarium Musicum, 2. Buren, 1973. 15 x 23 cm, 343 pp. Line-cut of the Prag, 1701 edition. Along with Brossard’s Dictionnaire de musique one of the first modern dictionaries of musical terms. Wrappers. $66 [item no.2115]

JOMMELLI, Niccolò, 1714-1774

[Trio sonatas, 2 flutes/violins, bc] Six Sonatas for Two German Flutes or Violins with a Thorough Bass for the Harpsichord or Violoncello. _☟

Archivum Musicum: Flauto Traversiere, 18. Florence, 1989. 24 x 34 cm, 3 partbooks, ii, 32 pp. Line-cut of the London, [1753] edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper with matching slipcase. $35 [item no.3186]

JUST, Johann August, c.1750-1791

[Duos, 2 violins, op.17] Six duos à deux violons. Œuvre XVII (c.1790). Edited in Facsimile with an Introduction by Paul van Reijen. _☟

Dutch Music Facsimiles, 5. Utrecht, 1990. 4º, 2 partbooks; iv, 19 pp. Line-cut of the Berlin & Amsterdam edition. Preface in Eng. Wrappers. $24 [item no.4321]

KAMMEL, Antonin, 1730-d.?

[Solos, violin, bc, op.8] Six Solos for the Violin with a Thorough Bass for the Harpsichord. Opera VIII. _☟

Huntingdon, [1993]. 4º, 33 pp. Xerographic reprint of the London, c.1775 edition. Wrappers. $15 [item no.4878]

KAPSBERGER, Johann Hieronymus, c.1575-c.1640

[Villanelle, a1-3, books 1-4] Libro primo [secondo, terzo & quarto] di villanelle a 1, 2, & 3 voci, Roma, 1610 [1619, 1619, & 1623]. _☟

Archivum Musicum: Strumentalismo Italiano, 28. Florence, 1982. 24 x 34 cm, ii, 4 books, 96 pp. Line-cut of the Rome, 1610, 1619, 1619 & 1623 editions. Contains 83 villanelle. Notated in score (staff notation) with lute accompaniment in Italian tablature for books 1 & 3. Books 2 & 4 are printed in movable type using staff notation. Introduction in It by Orlando Cristoforetti. Wrappers in decorative paper with slip case. $40 (more info... ) [item no.1065]

KAYSER, Isfrid, 1712-1771

Cantatae sacrae [complectentes arias XVIII. cum recitativis, et alleluja plerisque anni festivitatibus accommodatas à voce sola, 2. violinis, alto viola, et organo. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 13. Stuttgart, 2002. 20 x 32 cm, 5 partbooks, c.270 pp. Line-cut of the Munich, c.1746 edition. Scored for solo voice, 2 vln, vla & bc (organ). Hardbound in decorative paper, with slipcase. $109 [item no.8119]

[Masses, SATB chorus, orch] VI. missae a 4. vocibus ordinaris. Rieger, Augsburg 1743 (Druck Wagner Ulm). [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 4. Stuttgart, 2004. 20 x 32 cm, 11 partbooks, 427 pp. Line-cut of the Ulmg, 1743 edition. Scored for SATB, 2 vln, vc, timp, 2 trp, bc (organ). Hardbound in decorative paper, with slipcase. $156 [item no.8490]

Psalmi longiores, & breves in vesperas. . . a quatuor vocibus ordinariis canto, alto, tenore, basso, II. violinis necessar, II. Lituis ac tymp. ex diversis clavibus ad libitus colludentibus. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 9. Stuttgart, 2002. 20 x 32 cm, 11 partbooks, c.450 pp. Line-cut of the Ulm, 1746 edition. Five vesper sets scored for SATB chorus, 2 vln, 2 tpt, timp, vc, org/bc. Wrappers with slipcase. $160 [item no.8100]

KEISER, Reinhard, 1674-1739

Gemüths-Ergötzung [bestehend in einigen Sing-Gedichten mit einer Stimme und unterschiedlichen Instrumenten]. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 17. Stuttgart, 2009. Oblong, 33 x 20 cm, 3 parts, 135 pp. Line-cut of the Nicolaus Spieringk edition, Hamburg, 1698. 7 solo cantatas for various voice ranges; notated in 2-3 staves (voice with basso continuo), together with 2 supplement violin parts. Portfolio, with decorative paper boards. $65 [item no.9098]

KELLER, Godrey, b.?-1704

[Trio sonatas, tpt, ob (2 vln), bc; 2 fl, 2 ob (2 vln), bc] Six Sonatas. The First Three for a Trumpett, Houbois, or Violins, with Doubble Basses. The Other Three for Two Flutes, and Two Houbois, or Two Violins, with Doubble Basses. [British Library, London]. _☟

Alston, 2002. 4º, 7 partbooks, c.70 pp. Line-cut of the Roger edition, Amsterdam, 1700. Preface by Peter Holman. Ring binder. $58 [item no.8078]

[Trio sonatas, 2 fl/vln, bc; 2 fl, vln/ob, bc] 8 Sonatas a 3 Pties. Dont 5 sont a 2 flûtes ou violons & 2 basse & 3 a 2 flûte 2 violon ou hautbois & 2 basse le 4me est de la composition de Mr. Robert Orme Ecuyer & les 7 autres de celle de Monsr. Godefroy Keller. [Library of Congress, Washington, DC]. _☟

Alston, 2002. 4º, 4 partbooks, c.35 pp. Line-cut of the Roger edition, Amsterdam, 1700. Preface by Peter Holman. Ring binder. $28 [item no.8079]

KELLY, Thomas Alexander Erskine, Earl of, 1732-1781.

[Trio sonatas, 2 violins, bc] 6 Trio Sonatas. _☟

Chamber Music from Georgian England, 5. Huntingdon, c.1988. 4º, Xerographic reprint of the 1769 edition. Flute may substitute for vln I. Wrappers. $18 [item no.7058]

KERN, Joseph Seraphin, 1700-1779

Hortus Marianus [consistens in selectissimus 24. antiphonis beatissimae mariae virginis, per annum integrum. Nempe 6. Ave regina, 6. Regina coeli, 6. Salve regina, 6. Alma redempt. 4. vocibus. 2. violinis. 1. viola, cum duplici basso continuo. Ad primum salve regina, cum 2. clarinis & tympano. Praeterquam, ad primum Ave regina, primum Regina coeli, & primum Alma, cum clar. & tymp. ad libitum]. Hals, Johann Anton Pustätt 1746. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 31. Stuttgart, 2014. 16 x 21 cm, 10 partbooks, 178 pp. Line-cut of the Passau, 1746 partbook edition (Canto/Alto/Tenore/Basso/Violino I/Violino II/Viola/Organo/Clarino/Tympano. 24 Marian settings for choir plus intruments. Kern was Fürstbischöflicher Kammer-Kompositeur in Passau. Wrappers, with portfolio covered in marbled paper. $82 [item no.9380]

KHANDOSHKIN, Ivan Evstafevich, 1747-1804

Chansons russes variees pour deux violons, opus 2, 1796. Présentation par Pavel Serbin. [Ulianovk Local Scientific Library]. _☟

Collection Dominantes. Courlay, 2002. 4º, xvii, 16 pp. Line-cut of St. Petersbourg, 1796 edition. Preface in Fr-Eng-Ger. Wrappers. $24 [item no.8663]

[Sonatas, violin] Trois sonates pour le violon seul, c.1807 (édition posthume). Présentation par Pavel Serbin. [Musée National, Culture Musicale M. Glinka, Moskow]. _☟

Collection Dominantes. Courlay, 2002. 4º, xv, 12 pp. Line-cut of St. Petersbourg, c.1807 edition. Preface in Fr-Eng-Ger. Wrappers. $23 [item no.8172]

KINDERMANN, Johann Erasmus, 1616-1655

Cantiones pathetikai [h.e. Ad memoriam passionis domini nostre Jesus Christi, dei & hominis repraesentandam, ternis 7 quaternis vocibus, etiam cum basso continuo]. Nürnberg / Johannes Friedrich Sartori 1639. [Proske-Bibliothek Regensburg, AR.9]. _☟

Faksimile-Edition Rara, 85. Stuttgart, 2020. 20 x 33 cm, 4 partbooks, 64 pp. Line-cut of the Nuremberg, 1639 partbook edition (cantus/altus/tenor/bassus-bassus ad organum). Wonderful collection of 23 dance numbers (all texted) for various string and wind instrumental groupings. Wrappers, with portfolio with marbled boards. $43 [item no.9617]

KIRCHHOFF, Gottfried, 1685-1746

L’A.B.C. Musical. Contenant des preludes et des fugues de tous les tons pour l'orgue, ou le clavecin. Fort utile aux disciples pour aprendre à accompagner de la basse continue et à faire des preludes et des fugues. Faksimile Nachdruck 2004 der Originalausgabe Amsterdam ca. 1734 herausgegeben, kommentiert und Generalbaß realiziert von Anatoly Milka. _☟

St. Petersburg, 2004 Oblong, 28 x 21, xxvii, 33, 66 pp. Line-cut of the Witvogel edition, Amsterdam, 1734. An important source for partimento. Kirchhoff provides a single figured bass line, then the performer is expected to expand this into a filled-out prelude and fugue. The importance of this—alongside such works as J.S. Bach’s Well-Tempered Clavier—cannot be overstated. The work was considered lost until a copy was found in the State Conservatory in St. Petersburg. With complete realizations of the basso continuo examples. Commentary in Rus-Ger. Hardbound. $46 (more info... ) [item no.9684]

KNÖFEL, Johann, fl.1571-1592

Cantus choralis. Musicis numeris quinque vocum inclusus, eo ordine, quo per totum anni curriculum praecipuis diebus festis in ecclesia cantari solet. [Stadtarchiv, Heilbronn]. _☟

Faksimile Heilbronner Musikschatz, 3. Stuttgart, 1995. Oblong, 20 x 15 cm, 5 partbooks, 438 pp. Line-cut of the Dietrich Gerlach edition, Nuremberg, 1575. 14 sacred setting for five voices, in mensural notation, arranged by the liturgical calendar. Hardbound, in slipcase. $155 [item no.7180]

Newe teutsche Liedlein [mit fünff Stimmen, welche den mehrern Theil den Brauch diser Welt beschreiben und anzeigen als nemlich von untrew der Leute von vil zusagen und wenig halten von guten worten und falschem her]. Nürnberg, Katharina Gerlach und Johann vom Berg Erben 1581. [Bayerische Staatsbibl., Munich]. _☟

Faksimile-Edition Rara, 19. Stuttgart, 2000. Oblong, 20 x 15 cm, 4 partbooks, 280 pp. Line-cut of the Nuremberg, 1581 edition. 23 settings for five voices, with or without instruments. Hardbound in decorative paper, with matching slipcase. $128 [item no.8247]

KÖNIGSPERGER, Marianus [Johann Erhard], 1708-1769

[Cymbala jubilationis, op.10] Cymbala jubilationis [sive VI. missae solemniores, unà cum hymno ambrosiano Te deum laudamus, 4. vocibus obligatis, 2. violinis necessariis, alto viola, 2. clarinis, vel cornibus & tympanis ad libitum, ac duplici basso generali. Opus X. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 7. Stuttgart, 2004. 20 x 32 cm, 11 partbooks, 429 pp. Line-cut of the Ulm, 1747 edition. 6 masses for SATB, 2 tpt/hrn, timp, 2 vln, vla, vc, org/bc. Wrappers with slipcase. $154 [item no.8462]

[Sacrae ruris, op.6] Sacrae ruris deliciae seu sex missae rurales. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 5. Stuttgart, 2001. 20 x 32 cm, 11 partbooks, 209 pp. Line-cut of the Ulm, 1744 edition. 6 masses for SATB, 2 tpt/hrn, timp, 2 vln, vc, org/bc. Wrappers with portfolio. $93 [item no.7926]

[Sacrae ruris, op.5] Sacrae ruris deliciae seu sex missae rurales. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 8. Stuttgart, 2006. 20 x 32 cm, 11 partbooks, 299 pp. Line-cut of the Ulm, 1743 edition. 4 vesper settings for SATB, 2 tpt, timp, 2 vln, vc, org/bc. Wrappers with slipcase. $134 [item no.8776]

[Sonatae concertantes, op.9] Chordae corda trahentes, seu XII. Sonatae concertantes pro missis solemnibus [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 6. Stuttgart, 2004. 20 x 32 cm, 6 partbooks, 224 pp. Line-cut of the Ulm, 1745 edition. Scored for vln solo, 2 vln, vc, timp, bc (organ). Hardbound in decorative paper, with slipcase. $97 [item no.8492]

[Threnodia Davidica, op.3] Threnodia Davidica et Mariana, sue Psalmus miserere, & planctus stabat mater, ille sexies, iste bis in modulos musicos. [Stadtbibl., Ulm]. _☟

Faksimile-Edition Ulm, 12. Stuttgart, 2001. 20 x 32 cm, 10 partbooks, c.210 pp. Line-cut of the Ulm, 1743 edition. 6 miserere and 2 stabat mater settings for 4 voices with instrumental accompaniment. Wrappers, with portfolio. $138 [item no.7986]

KOPP, Anton Ernst, 17-18th c.

Der Groß=Wunderhätigen Mutter Gottes Hülff Lob=Gesang. [Gerichtet auff all ihre hohe Fest und auff die Sonntag des ganzten Jahrs]. Passau/ Georg Höller 1659. [Bischöfliche Bibliothek, Passau]. _☟

Faksimile-Edition Rara, 111. Stuttgart, 2023 10 x 16 cm. 377 pp. Line-cut of the 1659 edition. Hardbound with decorative paper boards. $53 [item no.9723]

KRADENTHALLER [Gradenthaller], Hieronymus, 1637-1700

[Musicalische Recreation; Musicalische Recreation Anderer Theil, violin, bc] Musicalische Recreation [von Alleman, den Sarabanden Gavotten und Boure. Allen Liebhabern und Incipienten der Music componirt und vorgestellet Violino solo è Basso continuo]. Regensburg 1672. [Proske-Bibliothek Regensburg]. _☟

Faksimile-Edition Violino e Continuo, 4. Stuttgart, 2017. Oblong, 21 x 16 cm, 2 partbooks, 180 pp. Line-cut of the Regensburg, 1672 edition (includes both parts). 119 settings altogether, including several sonatinas. 4 magnificent woodblock title pages. Hardbound in decorative paper with matching portfolio. $72 [item no.9539]

KRAF, Michael, 1595-1662

Virginis parentis canticum. . . Rohrschach / Johann Schrötter / Canticum deiparae virginis. . . Ravensburg / Johann Schröter 1623. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 32. Stuttgart, 2014. 16 x 21 cm, 9 partbooks, 718 pp. Line-cut of the Rohrschach (n.d.) and Ravensburg, 1623 partbook edition. (cantus/altus/tenor/bassus/quinta vox/ sexta vox/septima vox/octava vox/bas: contin:). Wrappers, with portfolio covered in marbled paper. $156 [item no.9416]

KRESS, Johann Albrecht, 1644-1684

Musicalische Seelen-Belustigung [oder Geistliche Concerten mit vier nothwendigen Vocal-Stimmen und Sechs Instrumenten, welche nach Belieben können ausgelassen werden]. Stuttgart, Paul Treu 1681. [Bibl. Jagiellońska, Krakow]. _☟

Faksimile-Edition Kress, 1. Stuttgart, 2004. 20 x 21 cm, 10 partbooks, 414 pp. Line-cut of the Stuttgart, 1681 edition. 14 settings for 4 voices and 6 instrumental parts (scored for SATB, 2 vln, 3 vla, & bc.). Wrappers, with slipcase. $162 [item no.8530]

Der süsse Nahme Jesu, oder Teutscher Iubilus Bernhardi [mit dreyen Stimmen gesetzt]. Stuttgart, Paul Treu 1681. [Universitätsbibliothek Krakow]. _☟

Faksimile-Edition Kress, 2. Stuttgart, 2006. 16 x 22 cm, 5 partbooks, 230 pp. Line-cut of the Stuttgart, 1681 edition. 15 settings a3 with basso continuo. Wrappers, with slipcase covered in marbled paper. $75 [item no.8659]

KREUTZER, Rodolphe, 1766-1831

40 études, ou caprices pour le violon. _☟

Offenburg, 2007. 4°. Line-cut of the “Magasin de musique” edition, Paris, c.1805. Wrappers. $49 [item no.9001]

KROMMER, Franz, 1759-1831

[Quintet, fl, vln, 2 vla, vc, op.104] Seventh Quintet, op.104 for Flute, Violin, Two Violas and Cello. _☟

Nashua, c.1996. 4º, 4 parts pp. Line-cut of the 1821 edition. Wrappers. $17 [item no.7732]

LA BARRE, Michel de, 1674-1744

[Trios, violins/flutes/oboes, book 1] Premier livre des trio. _☟

Huntingdon, [1993]. 4º, Xerographic reprint of the Paris, [1694 & 1707] editions. Wrappers. $30 [item no.4861]

[Trios, violins/flutes/oboes, book 2] Pièces en trio, livre second. _☟

Huntingdon, [1993]. 4º, Xerographic reprint of the Paris, [1700] edition. Wrappers. $30 [item no.4862]

[Trios, violins/flutes/oboes, book 3] Troisième livre des trio. Mêlez de sonates pour la flûte traversière. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 2. Florence, 1980. Oblong, 24 x 22 cm, 3 partbooks, vii, 152 pp. Line-cut of the Paris, 1707 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcase. $35 [item no.767]

LALANDE, Michel-Richard de, 1657-1726

[Noëls, 2 flutes/violins/oboes, bc, book 1] Noëls en trio avec un carillon, pour les flûtes, violins, et hautbois. Ier livre. [Bibl. Nationale de France, Paris]. _☟

Performers’ Facsimiles, 213. New York, [2001]. 4º, 3 partbooks, 33 pp. Line-cut of the Paris, n.d., edition. Wrappers. $25 [item no.4632]

LASSO, Orlando di, 1532-1594

Fasciculi aliquot [sacraerum cantionum cum quatuor, quinque, sex & octo vocibus, antea quidem separatim excusi, nunc vero auctoris contensu in unum corpus redacti]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 28. Stuttgart, 1997. Oblong, 20 x 15 cm, 6 partbooks, 888 pp. Line-cut of the Dietrich Gerlach edition, Nuremberg, 1582. Magnificent collection of 85 sacred songs and motets for 4, 5, 6 & 8 voices. Wrappers. $211 [item no.7535]

Teutsche Psalmen. [Geistliche Psalmen mit dreyen Stimmen welche mit alain lieblich zu singen sonder auch auff aller hand art Instrumenten zugebrauchen.] [Archiv, Freiherrn von Fürstenberg Herdringen]. _☟

Faksimile-Edition Rara, 41. Stuttgart, 2003. Oblong, 19 x 14 cm, 3 partbooks, 150 pp. Line-cut of the A. Berg edition, Munich, 1588. 50 setting a3, suitable for voices or instruments. Wrappers, with portfolio in marbled paper. $47 [item no.8202]

LAURENZI, Filiberto, 17th c.

[Arie, voice, bc, 1643; Concerti e arie, 1-3 voices, 2 vln, bc, 1641] Arie a una voce per cantarsi nel clavicembalo ò tiobra [composte per] La Finta Savia, Drama di Giulio Strozzi (Venezia 1643) e Concerti et Arie, a una, due, e tre voci, con una serenata à 5. e doi violini, e chitarrone (Venezia, 1641). _☟

Musica Drammatica, 6. Florence, 2000. 24 x 34 cm, x, c.180 pp. Line-cut of Venice, 1643 and 1641 editions in staff notation movable type. Preface in It by Alessandro Magini. Wrappers. $48 [item no.8090]

LECLAIR, Jean-Marie, 1697-1764

[Concerti, violin, orch, op.7] Ier et IIme concerto a tre violino, alto, basso per organo, e violoncello. Œuvre VIIme. _☟

Huntingdon, [1994]. 4º, 7 partbooks. Xerographic reprint of the Paris, 1737 edition. Partbooks: vln solo, vln I, vln II, vla, vc, db, kbd. Concerto no.3 can be played by flute/oboe. Wrappers. $78 [item no.4865]

[Concerti, violin, orch, op.7] Six concertos pour violon et orchestre – Opus VII, 1737. Présentation par Jean Saint-Arroman. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 178. Courlay, 2006. 24 x 33 cm, 5 partbooks, viii, 116 pp. Line-cut of the Paris, 1743 edition. Concerto no.3 can be played by flute/oboe. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. [item no.8677]

[Concerti, violin, orch, op.10] VI concerto a tre violini, alto basso per organo, e violoncello. Œuvre Xme. _☟

Huntingdon, [1994]. 4º, 7 partbooks. Xerographic reprint of the Paris, 1745 edition. Partbooks: vln solo, vln I, vln II, vla, vc, db, kbd. Wrappers. $79 [item no.4866]

[Concerti, violin, orch, op.10] Six concertos pour violon et orchestre. Opus X. 1743. Présentation par Jean Saint-Arroman. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 179. Courlay, 2006. 24 x 33 cm, 5 partbooks, ix, 116 pp. Line-cut of the Paris, 1743 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $52 [item no.8678]

[Overtures & sonatas, 2 violins, bc, op.13] Ouvertures et sonates en trio pour deux violons, avec la basse continuë, œuvre XIIIe. _☟

Performers’ Facsimiles, 83. New York, [1991]. 26 x 32 cm, 3 partbooks, 55 pp. Line-cut of the Paris, 1753 edition. Wrappers. $35 [item no.4061]

[Overtures & sonatas, 2 violins, bc, op.13] Ouvertures et sonates en trio [pour deux violons, avec le basse continuë. Œuvre XIIIe]. 1753. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 128. Courlay, 2000. 24 x 33 cm, 3 partbooks, 10, 63 pp. Line-cut of the Paris, 1753 edition. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers, with slipcase. $39 [item no.7773]

[“Recreations”, 2 violins, bc, op.6; 2 flutes/violins, op.8] Première récréation de musique, œuvre VIe; Deuxième récréation de musique, œuvre VIIIe (1737). [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 81. Courlay, 1994. 22 x 31 cm, 3 partbooks, 8, 51 pp. Line-cut of the Paris, 1737 edition. The “recreations” op.6 were engraved by Elisabeth-Catherine Ballard Boivin, Louise Catherine Leclair and Louise Anne Roussel. Preface in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $36 [item no.4808]

[“Recreations”, 2 violins, bc, op.6] Première recreation de musique d’une execution facile composée pour deux violons et la basse continue, œuvre VIe. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 123. New York, [1992]. 26 x 32 cm, 3 partbooks, 24 pp. Line-cut of the Paris, 1737 edition (engraved by Elisabeth-Catherine Ballard Boivin, Louise Catherine Leclair and Louise Anne Roussel). Wrappers. $20 [item no.4503]

[“Recreations”, 2 flutes/violins, bc, op.8] Deuxième recreation de musique d’une execution facile composée pour deux fluttes ou pour deux violons et la basse continue, œuvre VIIIe. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 124. New York, [1993]. 26 x 32 cm, 3 partbooks, 28 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4614]

[Sonatas, violin, bc, op.1] Premier livre de sonates à violon seul avec la basse continue. _☟

La Musique Française Classique de 1650 à 1800, 19. Courlay, 1988. 24 x 33 cm, xxxiv, 83 pp. Line-cut of the Paris, 1723 edition, containing 12 sonatas. Introduction by Jean Saint-Arroman. Wrappers. $53 [item no.2198]

[Sonatas, violin/flute, bc, op.1] Premier livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre I]. [Yale University, New Haven, CT]. _☟

Performers’ Facsimiles, 285. New York, [2011]. 27 x 36 cm, 86 pp. Line-cut of the Paris, 1723 edition, containing 12 sonatas. Wrappers. $30 [item no.9223]

[Sonatas, violin/flute, bc, op.2] Sonates pour le violon et pour la flûte traversière avec la basse continue (Second livre). _☟

La Musique Française Classique de 1650 à 1800, 6. Courlay, 1986. 22 x 31 cm, xiv, 86 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. No.8 is à trois (vln/fl, vdg, bc). Introduction by Jean Saint-Arroman. Wrappers. $46 [item no.2199]

[Sonatas, violin/flute, bc, op.2] Second livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre II]. [Yale University, New Haven, CT]. _☟

Performers’ Facsimiles, 286. New York, [2010]. 27 x 36 cm, 90 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. Wrappers. $30 [item no.9178]

[Sonatas, violin, bc, op.5] Sonates à violon seul avec la basse continue (Troisième livre). _☟

La Musique Française Classique de 1650 à 1800, 7. Courlay, 1986. 22 x 31 cm, xii, 84 pp. Line-cut of the Paris, 1734 edition, containing 12 sonatas. Introduction by Jean Saint-Arroman. Wrappers. $57 [item no.2200]

[Sonatas, violin, bc, op.5] Troisieme livre de sonates a violon seul avec la basse continüe. Œuvre V. [Yales University, New Haven, CT]. _☟

Performers’ Facsimiles, 287. New York, [2009]. 27 x 36 cm, 87 pp. Line-cut of the Paris, 1734 edition, containing 12 sonatas. Wrappers. $30 [item no.9136]

[Sonatas, violin, bc, op.9] Sonates à violon seul avec la basse continue (Quatrième livre). _☟

La Musique Française Classique de 1650 à 1800, 9. Courlay, 1986. 22 x 31 cm, xx, 79 pp. Line-cut of the Paris, [1738] edition, containing 12 sonatas. Introduction by Jean Saint-Arroman. Wrappers. $57 [item no.2201]

[Sonatas, violin, bc, op.9] Quatrieme livre de sonates a violon seul avec la basse continüe. Œuvre IX. [Yale University, New Haven, CT]. _☟

Performers’ Facsimiles, 288. New York, [2009]. 27 x 36 cm, 80 pp. Line-cut of the Paris, [1738] edition, containing 12 sonatas. Wrappers. $30 [item no.9137]

[Sonatas, violin/flute, bc, op.9, no.2, E minor] Sonate op. 9, no. II pour flûte traversière ou violon et basse continue. Restitution de Jean-Claude Veilhan. Réalisation de la basse Danièle Salzer. _☟

Archives de la Musique Ancienne. Paris, 1977. 4º, 36, with 6 pp. Line-cut of the early Paris edition with a new practical edition for flute. Wrappers. $31 [item no.781]

[Sonatas, 2 violins/violes, op.3] Sonates à deux violons sans basse (Premier livre). _☟

La Musique Française Classique de 1650 à 1800, 3. Courlay, 1986. 22 x 31 cm, x, 48 pp. Line-cut of the Paris, 1730 edition, containing 6 sonatas (which, according to the title page, can also be played on 2 violes). Introduction by Jean Saint-Arroman. Wrappers. (violins I & II bound together). $36 [item no.2202]

[Sonatas, 2 violins/violes, op.3] Sonates à deux violons sans basse. Troisième œuvre. On peut jouer ces sonates a deux violes. _☟

Performers’ Facsimiles, 88. New York, [1990]. 26 x 33 cm, 2 partbooks, 48 pp. Line-cut of the Paris, 1730 edition, containing 6 sonatas. Wrappers. $25 [item no.3977]

[Sonatas, 2 violins/violes, op.12] Second livre de sonates à deux violons sans basse dediées à Monsieur Baron, Conseiller du Roy, Notaire. Œuvre XII. _☟

La Musique Française Classique de 1650 à 1800, 30. Courlay, 1989. 22 x 31 cm, x, 47 pp. Line-cut of the Paris, [1747] edition, containing 6 sonatas. Introduction in Fr-Eng-Ger by Philippe Lescat & Jean Saint-Arroman. Wrappers. (violins I & II bound together). $31 [item no.2203]

LEGRENZI, Giovanni, 1626-1690

Balletti e correnti a 5. . . op.16. _☟

Huntingdon, [1993]. 4º, Xerographic reprint of the 18th-c. edition. Wrappers. $59 [item no.4853]

[Sonatas, a 2,3,5,6, strings, bc, op.8] Sonate a due, trè, cinque, e sei stromenti. Libro terzo, opera ottava. _☟

Huntingdon, [1993]. 4º, 6 partbooks, c.193 pp. Xerographic reprint of the Giacomo Monti edition, Bologna, 1671. Wrappers. $69 [item no.4852]

LE JEUNE, Claude, 1528-1600

Fantaisies pour les violes, 1612, [Moulinié: Cinquiesme livre d’airs de cour a quatre & cinq parties] 1639. Présentation par: Anne-Sophie Aliz. [Bibl. Sainte-Geneviève, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 167. Courlay, 2005. 24 x 33 cm, 9 partbooks, viii, 62 + 64 pp. Line-cut of the Paris, 1612 & 1639 editions. Two complementary sets of airs for viol ensembles (dessus/haut-contre/taille/5. voc./basse-contre; dessus/haute-contre/taille/basse-contre). Introduction in Fr-Eng-Ger. Wrappers. $59 [item no.8574]

LENDORMY, N.-G., 18th c.

[Pièces, viol, bc, books 1 & 2, op.2-3] Premier [-second] livre de pièces pour le pardessus de viole ou le violon à cinq cordes avec la basse. _☟

Viole de Gambe, IX. Geneva, 1984. 8º, 36 pp. Line-cut of the Paris, c.1760 edition. Wrappers. $30 [item no.3296]

LE ROUX, Gaspard, c.1660-c.1707

[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavessin avec la manière de les joüer. _☟

Clavecinistes Français du XVIIIe Siècle, III. Geneva, 2/ 1995. Oblong, 25 x 18 cm, 90, ii pp. Line-cut of the Foucault edition, Paris, 1705. Pieces of various kinds, grouped according to key. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $56 [item no.878]

[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavecin. _☟

Musica Repartita, 124F. Amsterdam, 1995. 4º, 90 pp. Line-cut of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $37 [item no.7248]

[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavessin avec la manière de les joüer. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 222. New York, [2001]. Oblong, 29 x 21 cm, 90 pp. Line-cut of another surviving print of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $25 [item no.7923]

LIGETI, György, 1923-2006

[Works, selections] Notenbilder. Kunstmappe mit sechs Faksimiles nach Musik-Autographen von György Ligeti und mit dem Reprint eines Ligeti-Portraits von Klaus Böttger: Volumina; Etudes pour Piano; Monument; Violinkonzert; Klavierkonzert; Requiem. _☟

Mainz/Munich, 1991. 36 x 46 cm, i, iv, 7 pp. Superb full-color facsimile leaves from six works of Ligeti, each of them from “composing” scores for the final draft of the respective work. Ligeti’s compositions take shape almost like frescos, with constant revision, crossing out, and varied use of color. Includes beautiful reprint of an original lithograph-portrait of the composer by Klaus Böttger. Bibliophile edition of 300 copies on Arches laid paper, with each leaf numbered and signed by the composer or artist. Distinctive portfolio in white paper with reverse embossed titles. $630 (more info... ) [item no.4607]

LOCATELLI, Pietro, 1695-1764

[Concerti grossi, strings, op.1] XII concerti grossi à quattro è à cinque, dedicati all’Ecce. è reve. Sig. Monsignore C. Camillo Cybo de Duchi di Massa, è Carrara & Patriarca di Costantinopoli. Opera prima. _☟

Huntingdon, [1993]. 4º, 12 partbooks, c.130 pp. Xerographic reprint of the Jeanne Roger edition, Amsterdam, [1721]. Partbooks: (concertino) vln I, vln II, vla I, vla II, vc; (ripieno) vln I, vln II, vla I, vla II, vc, continuo, bass. Wrappers. $95 [item no.4834]

[Concerti, strings, op.3] L’arte del violino. 12 concerti per violino con 24 capricci ad libitum. Reprint of the 1733 Amsterdam Edition. Introduction by Paul van Reijen. _☟

Amsterdam, 1981. 22 x 31 cm, vii, 132 pp. Line-cut of the violin solo and basso continuo parts. Wrappers. $70 [item no.2206]

[Concerti, strings, op.3] L’arte del violino. XII concerti cioè, violino solo, con XXIV capricci ad libitum, che si potrà finire al segno. Violino primo, violino secondo, alto, violoncello solo, è basso. . . Opera terza. [Toonkunst-Bibliotheek, Amsterdam]. _☟

Huntingdon, [1993]. 4º, 6 partbooks, c.230 pp. Xerographic reprint of the Le Cène edition, Amsterdam, [1733], plate no. 572. These orchestral parts supplement the violin solo and basso parts previously published by Saul B. Groen (OMI #2206). Partbooks: vln I, vln II, vla, vla, cello solo, keyboard. Wrappers. $68 [item no.4835]

[Concerti, strings, op.7] VI concerti à quattro, violino primo, secondo, alto, e violoncello, soli. Violino primo, secondo, alto, e basso, ripieni. . . Opera settima. _☟

Huntingdon, [1993]. 4º, 11 partbooks, c.300 pp. Xerographic reprint of the [1741] edition. Partbooks: solo vln I, vln II, vla, kbd; ripieno vln I, vln II, vla, vc, bass, bc. Wrappers. $79 [item no.4863]

[Introduttioni teatrali & concerti, strings, op.4] Opera quarta. Parte prima: VI introduttioni teatrali. Parte seconda: VI concerti, violino primo, secondo, alto, è violoncelle, soli violino primo, secondo, alto, è basso, ripieni. _☟

Huntingdon, [1993]. 4º, 12 partbooks, i, c.300 pp. Xerographic reprint of the Le Cène edition, Amsterdam, [1735]. Wrappers. $79 [item no.4837]

[Sonatas, violin, bc, op.6] XII sonate a violino solo è basso da camera. Opera sesta. _☟

Huntingdon, c.1988. 4º, 66 pp. Line-cut of the Paris, c.1750 edition, originally published in Amsterdam, 1737. Wrappers. $25 [item no.7033]

[Sonatas, violin, bc, op.6] XII sonate a violino solo e basso. Opus VI, 1737. Présentation par Nicolas Fromageot. [Bibl. de l’Université, Leiden]. _☟

Collection Dominantes. Courlay, 1995. 24 x 33 cm, 10, 68 pp. Line-cut of the 1737 edition. Wrappers. $42 [item no.7220]

[Sonatas, violin & bc; & 2 violins & bc, op.8] X sonate, VI a violino solo e basso, e IV a tre. Opus VIII. 1744. Présentation par Nicola Fromageot. [Bibl., University of Leiden]. _☟

Collection Dominantes. Courlay, 1997. 4º, 3 vols, ix, 70 pp. Line-cut of the Amsterdam, 1744 edition. Introduction in Fr-Eng-Ger. Wrappers. $38 [item no.7431]

[Sonatas, violin & bc; & 2 violins & bc, op.8] X sonate: VI, à violino solo è basso, è IV à tre. Dedicate al molto illustre signore il signor Abraham Croock. Opera ottava. _☟

Huntingdon, [1993]. 4º, 4 partbooks, 82 pp. Line-cut of the author’s edition, Amsterdam, [1752]. Partbooks: vln I, vln II, cello, bc. Wrappers. $30 [item no.4836]

[Trio sonatas, 2 violins/flutes, bc, op.5] Sonate à tre, o due violini, o due flauti traversieri, è basso per il cembalo. Opera quinta. _☟

Archivum Musicum: Flauto Traversiere, 25. Florence, 1992. 24 x 34 cm, 3 partbooks, iv, 48 pp. Line-cut of the Amsterdam, n.d. edition. Includes 1 sonata for two harpsichords. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $43 [item no.4493]

[Trio sonatas, 2 violins/flutes, bc, op.5] Sei sonate à trè, o due violini, o due flauti traversieri, è basso per il cembalo. Opera quinta. Présentation par Brian W. Pritchard. [British Library]. _☟

Collection Dominantes. Courlay, 1997. 4º, 3 partbooks, 46; 29 pp. Line-cut of author’s edition, Amsterdam, n.d. Introduction in Fr-Eng-Ger. Includes critical apparatus. Wrappers. $39 [item no.7593]

[Trio sonatas, 2 violins/flutes, bc, op.5] Sei sonate à trè - Opus V. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 64 pp. Line-cut of the Paris, n.d. edition. Wrappers. $24 [item no.8929]

LOCKE, Matthew, 1630-1677

His Little Consort of Three Parts: Containing Pavans, Ayres, Corants and Sarabands, for Viols or Violins. In Two Several Varieties: The First 20 are for Two Trebles and a Basse. The Last 20 for Treble, Tenor & Basse. To be Performed either Alone or with Theorbo’s and Harpsecord. [The Chapter Library, The College, Durham]. _☟

Performers’ Facsimiles, 193. New York, [2002]. Oblong, 24 x 19 cm, 3 parts, 36 pp. Line-cut of the London, 1673 partbook edition, in staff notation. Wrappers. $25 [item no.8074]

LŒILLET, John Baptiste (John “of London”), 1680-1730

[Trio sonatas, recorder, oboe, bc; 2 flutes, bc, op.1] Sonata’s for Variety of Instruments. Opera prima. London, Walsh, 1722. Présentation par Susi Möhlmeier, Fréderique Thouvenot. [British Library, London]. _☟

Collection Dominantes. Courlay, 1999. 4º, 5 vols, xvi, 52 pp. Line-cut of the Walsh edition, 1722. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.7694]

[Trio sonatas, vln/fl/ob, bc, op.2] XII Sonatas in Three Parts. Opera Secunda. London, Walsh, ca 1725. Présentation par Susi Möhlmeier, Fréderique Thouvenot. [British Library, London]. _☟

Collection Dominantes. Courlay, 1999. 4º, 3 partbooks, xvii, 75 pp. Line-cut of the Walsh edition, c.1725. Introduction in Fr-Eng-Ger. Wrappers, with slipcase. $44 [item no.7713]

LOLLI, Antonio, 1730-c.1802

[Sonatas, violin & bc] Sei sonate a violino solo col basso. [Bibl. municipale, Toulouse]. _☟

Béziers, 1989. 21 x 28 cm, 29 pp. Line-cut of the Paris, c.1774 edition. Wrappers in hand-made marbled paper. $16 [item no.3511]

LONATI, Carlo Ambrogio, c.1645-c.1710

[Sonatas, violin, bc] XII sonate a violino solo e basso. Ms. Salzburg, Milano 1701. [Paris-Lodron Universität, Salzburg]. _☟

Archivum Musicum: Monumenta Musicae Revocata, 32. Florence, 2005. Oblong, 30 x 24 cm, 12, 113 pp. Line-cut of a contemporary ms copy, reproduced from photographs in the Nachlaß of Bernhard Paumgartner. Preface in Ger-It by Christoph Timpe. Hardbound with linen spine. $62 [item no.8669]

LÖWE VON EYSENACH, Johann Jakob, 17th c.

Einstimmige neue Arien [mit zweystimmigen Rittornellen, über Johann Georg Braunens / C.I.H. Weltliche Lieder]. Nürnberg, Christoph Gerhard 1682. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 18. Stuttgart, 2008. 21 x 32 cm, 3 vols, 86 pp. Line-cut of the Nuremberg, 1682 edition. 21 arias “à voce sola con rittornello à 2. violini” . Wrappers. $60 [item no.9143]

LULLY, Jean-Baptiste, 1632-1687

[Armide, instrumental pieces] Ouverture chaconne & tous les autres airs à jouer de l’opéra d’Armide [Amsterdam, c.1710]. [British Library, London]. _☟

Performers’ Facsimiles, 113. New York, [1995]. Oblong, 26 x 19 cm, 4 partbooks, 56 pp. Line-cut Roger Marchand edition, Amsterdam, [1710]. Dessus, second dessus, taille, & basse partbooks. Wrappers. $30 [item no.7126]

[Motets, 2 choirs, strings/winds, bc] Motets à deux chœurs pour la Chapelle du Roy: Motet dies irae. Partition: copie manuscrite (atelier de Philidor); Parties séparées: édition de Ballard (1684); Livret: édition de Ballard (1703). _☟

La Musique Française Classique de 1650 à 1800, 125. Courlay, 1999. 4º, xlvii, 252 pp. Line-cut of the ms score from the Phildor atelier, the first edition of the instrumental and vocal parts, Paris, 1684 and the printed libretto, Paris, 1703. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $94 [item no.7671]

LUSCINIUS, Othmar, 1487-1537

Musurgia seu praxis musicae (Strassburg: Johann Schott 1536). Kommentar von Martin Kirnbauer. _☟

Faksimile-Edition Theoretica, 7 Suttgart, 2014. Oblong, 20 x 16 cm, 108, xvi pp. Line-cut of the Strasbourg, 1536 edition. Essentially a free translation of Virdung’s Musica getutscht of 1511, preserving the dialogue format and copies of many of the original woodcuts. The translation was made upon the request of a Milanese bookseller who wanted to make Virdung’s treatise available to his Italian clientele. Besides the Virdung redux it also provides a treatise on mensural notation and polyphonic composition. Hardbound in decorative paper. $48 [item no.9408]

MAJER, Joseph Friedrich Bernhard Caspar, 1689-1768

Neu-eröffneter theoretisch- und praktischer Music-Saal, das ist: Kurze, doch vollständige Methode, so wohl die Vocal- als Instrumental-Music gründlich zu erlernen. _☟

Dokumentationen, Reprints, 23. Michaelstein, 1990. Oblong, 21 x 15 cm, 125 pp. Halftone of the Nuremberg, 1741 edition (second, vastly reset edition of Museum Musicum). Fascinating treatment of music theory, including 10 woodcuts of instruments and a glossary of musical terms taken from Greek, Latin, Italian and French. Wrappers. $24 [item no.4221]

MALDERE, Pierre van, 1729-1768

[Sonatas, 2 violins, bc, no.30] VI Sonatas for Two Violins with a Bass for the Harpsicord or Violoncello, No XXX. [Conservatoire Royal de Musique, Brussels]. _☟

Facsimile Series, III/10. Peer, 1989. 4º, 3 partbooks, 34 pp. Line-cut of the London, 1756 edition. Music by an important virtuoso in the service of Duke Charles of Lorraine. Wrappers in folder. $16 [item no.2711]

MANCINELLI, Domencio, d.1802

[Nocturnes, flutes/violins] Six Notturnos for Two German Flutes or Violins. _☟

Huntingdon, c.1988. 4º, 12 pp. Xerographic reprint of the c.1780 edition. Wrappers. $8 [item no.7037]

MANCINI, Francesco, 1672-1737

[Sonatas, violin/recorder, bc] XII Solos for a Violin or Flute [. . . which Solos are Proper Lessons for the Harpsichord]. London s.d. _☟

Archivum Musicum: Strumentalismo Italiano, 77. Florence, 1994. 25 x 34 cm, iv, 57 pp. Line-cut of the J. Barrett & Wm. Smith edition, London, n.d. Preface in It by Giuliano Furlanetto. Wrappers, in decorative paper. $42 [item no.4762]

[Sonatas, violin/recorder, bc] XII Solos for a Flute with a Thorough Bass for the Harpsicord or Bass Violin. [Rowe Music Library, King’s College, Cambridge]. _☟

Basel, c.1980. 25 x 35 cm, 57 pp. Line-cut of the third edition by John Walsh, London, n.d. (the original title “for a Violin or Flute” has been changed to “Flute with a Thorough Bass . . .”) Wrappers. $17 [item no.3639]

MARAIS, Marin, 1656-1728

[La gamme, violin, viol, harpsichord] La gamme et autres morceaux de simphonie pour le violon, la viole, et le claveçin. _☟

Performers’ Facsimiles, 49. New York, [1988]. 27 x 34 cm, 63 pp. Line-cut of the Paris, 1723 edition. Wrappers. $25 [item no.2787]

[La gamme, violin, viol, harpsichord] La gamme et autres morceaux de simphonie pour le violon, la viole, et le claveçin (La gamme – La maresienne – Sonnerie de Sainte-Geneviève du Mont de Paris). 1723. Présentation par Jean Saint-Arroman. [Bibl. Nationale de France, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 154. Courlay, 2003. 4˚, xiii, 75 pp. Line-cut of the Paris, 1723 edition. Contents: La gamme en forme de petit opéra, Sonate à la Marésienne, Sonnerie de Ste Geneviève du Mont de Paris.Wrappers. $43 [item no.8383]

[Trios, flutes/violins/viols, bc] Pièces en trio pour les flûtes, violon, & dessus de viole. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 20. Florence, 1982. Oblong, 21 x 15 cm, 3 partbooks, xii, 342 pp. Line-cut of the Paris, 1692 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $50 [item no.787]

[Trios, flutes/violins/viols, bc] Pièces en trio pour flûtes, violon & dessus de viole. Paris, 1692. [Bibl. Municipale, Grenoble]. _☟

La Musique Française Classique de 1650 à 1800, 118. Courlay, 1999. Oblong, 4º, 3 partbooks, xvi, 342 pp. Line-cut of the Paris, 1692 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $118 [item no.8388]

[Trios, flutes/violins/viols, bc] Pièces en trio pour les flutes, violon, & dessus de viole. Edited by John Hsu. _☟

Critical Facsimiles, 4. New York, 2003. Oblong, 21 x 13 cm, 3 partbooks, xiv, 342 pp. Line-cut of the Paris, 1692 edition. “Corrected” facsimile edition reflecting the views of the editor. With critical apparatus listing all errors and inconsistencies. Laid paper, wrappers. $50 [item no.8227]

MARCELLO, Alessandro, 1684-1750

[Concerti, “La Cetra”, 2 ob/vln, strings, bc] La cetra. Concerti [da Eterio Stinfalico. Parte prima. Oboe primo ò traversiere col violono principale]. [Staats- & Stadtbibliothek, Augsburg]. _☟

Performers’ Facsimiles, 233. New York, [2004]. Oblong, 38 x 28 cm, 6 partbooks, 72 pp. Line-cut of the Augsburg, c.1740 edition. 6 concerti scored for oboe I/violin I solo, oboe II/violin II solo, 2 violin I rip, 2 violins II rip, 2 violas, violoncello, cembalo & bc. Wrappers. $75 [item no.8488]

MARCHAND, Jean-Noël, 1666-1710

[Cantiques spirituels, voices, vln/fl, bc] Cantiques spirituels. Présentation par Thierry Favier. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 124. Courlay, 1999. Oblong, 32 x 23 cm, 4 vols, xi, 97 pp. Line-cut of a contemporary ms copy, plus the Paris, 1694 edition of the text. Introduction in Fr-Eng-Ger. Wrappers. $53 [item no.7697]

MARINI, Biagio, c.1587-1663

[Affetti musicali, winds, strings, bc, op.1] Affetti musicali nella quale si contiene, symfonie, canzoni, sonate balletti, arie, brandi, gagliarde & corenti à 1.2.3 accomodate da potersi suonar con violini corneti & con ogni sorte de strumenti musicali. Opera prima. _☟

Archivum Musicum: Strumentalismo Italiano, 7. Florence, 1985. 24 x 34 cm, 4 partbooks, ii, c.60 pp. Line-cut of the Gardano edition, Venice, 1617. 27 pieces in partbook format. Introduction in It by Marcello Castelliani. Wrappers and slipcover in decorative paper. $50 [item no.1271]

[Arie, madrigali, a1-3, winds, strings, op.3] Arie, madrigali et correnti [a 1.2.3. Opera terza] (1620). _☟

Monumenta Brixiensia, Fototypice Expressa, 8. Bologna, 1970. 21 x 31 cm, 32 pp. Line-cut of the Gardano edition, Venice, 1620. 22 works for 1-3 voices notated in score format, including three for unspecified instruments and one for violin, with or without bass. Hardbound. $39 [item no.1272]

MARTIN, Frank, 1890-1974

Concerto pour 7 instruments à vent, timbales, batterie et orchestre à cordes. Partition (Reproduction du manuscrit de l'auteur)... Dédié a la "Bernische Musikgesellschaft". _☟

Vienna, 1950. 28 x 37 cm, 139 pp. Line-cut of the autograph fair copy. Wrappers [item no.9690]

MASSAINO, Tiburtio, c.1550-c.1609

[Musica per cantare, op.32] Musica per cantare con l’organo ad una, due, & tre voci di Tiburtio Massaino. Opera trentesima seconda. [Stadtbibliothek, Augsburg]. _☟

Faksimile-Edition Augsburg, 5. Stuttgart, 1998. 14 x 19 cm, 3 partbooks, 121 pp. Line-cut of the Venice, 1607 edition. 20 works a1, 21 a2, and 11 a3 in mensural notation and partbook format. Wrappers, with handsome portfolio in marbled paper. $54 [item no.7562]

Sacri modulorum concentus, a 6, 7, 8, 9, 10 e 12 voci (Venezia 1592). Edizione critica di Rafaello Monterosso. Introduzione; facsimile; testi letterari-trascrizione in notazione moderna. _☟

Instituta et Monumenta, I/VI. Cremona, 1971. 25 x 35 cm, 182 pp. Line-cut of the Venice, 1592 edition, together with a new practical edition. $91 [item no.1335]

MASSE, Jean-Baptiste, 18th c.

[Sonatas, 2 violoncelli, op.1] Sonates a deux violonchelles. Œuvre 1er. _☟

Performers’ Facsimiles, 6. New York, 1985. 28 x 36 cm, 28 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1736. 6 sonatas that can also be played by 2 bassoons, violas or violins. Wrappers. $18 [item no.1215]

[Sonatas, 2 violoncelli, op.1] Sonates a deux violoncelles (Violoncelle et basse continue), 1736. Présentation: Maëlle Trouvé. [Bibl. Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 162 Courlay, 2005. 24 x 33 cm, ix, 27 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1736. 6 sonatas that can also be played by 2 bassoons, violas or violins. Wrappers. $28 [item no.8560]

MATTEI, Stanislao, 1750-1825

Bassi numerati per accompagnare. Ridotti ad intavolatura a due violini e viola. Opera postuma. _☟

Bibliotheca Musica Bononiensis, IV/202. Bologna, 1969. 17 x 25 cm, 206 pp. Line-cut of the Milan, 1850 edition. Mattei, pupil of Martini and professor of counterpoint at the Liceo from its foundation in 1804, was the teacher of Rossini, Donizetti and many others. Bassi numerati consists of 125 lovely musical miniatures: quartets, trios and duets notated in score with basso continuo accompaniment. Hardbound. [item no.3985]

MATTEIS, Nicola, b.?-c.1749

Sen’r Nicola’s First and Second Book’s of Aire’s in 3 Parts (London, 1703). [The College, Durham]. _☟

Alston, 1999. Oblong, 4º, iii, 6 partbooks, c.108 pp. Line-cut of the John Walsh edition, London, 1703 which includes a second violin part (“the second treble never being printed before is now engraven from the authors own manuscript which renders the whole work compleat”). Introduction by Peter Holman. Ring binding. $48 [item no.7826]

MATTHESON, Johann, 1681-1764

Das neu-eröffnete Orchestre [oder universelle und gründliche Anleitung, wie ein Galant Homme einen vollkommenen Begriff von der Hoheit und Würde der edlen Musik erlangen, seinen Gout darnach formiren, die Terminos technicos verstehen und geschicklich von dieser vortrefflichen Wissenschaft raisonnieren möge]. [Niedersächsische Landesbibl., Hannover]. _☟

Hildesheim, 3/ 2002 9 x 15 cm, 364 pp. Line-cut of the Hamburg, 1713 edition. Linen. $93 [item no.2572]

[Sonatas, flute/violin, bc] Der brauchbare Virtuoso, welcher sich (nach beliebiger Uberlesung der Vorrede) mit zwölff neuen Kammer-Sonaten auf der Flute Trafersiere, der Violine und dem Claviere bey Gelegenheit hören lassen mag. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 221. New York, [1998]. 25 x 36 cm, 69 pp. Line-cut of the Hamburg, 1720 edition. Wrappers. $25 [item no.7604]

MAZAS, Jacques-Féréol, 1782-1849

[method, violin] Méthode de violon suivie d’un traité des sons harmoniques en simple et double-cordes. _☟

Méthodes et Traités, II. Courlay, 2001. 4º, 132 pp. Line-cut of the Paris, 1830 edition. Wrappers. $45 [item no.8056]

MEGERLE, Abraham, 1607-1680

Speculum Musico-Mortuale [Das ist: Musicalischer-Todtenspiegel], 1672. [Staatliche Bibliothek, Regenburg]. _☟

Faksimile-Edition Theoretica, 3 Suttgart, 2008. 11 x 17cm, 54 pp. Line-cut of the Salzburg, 1672 edition. Megerle was from Innsbruck and was once a choirboy under Stadlmayer, later a treble singer and organist with the court music ensemble at Innsbruck. Speculum Musico-Mortuale contains a few pages of autobiography but its extraordinary content are mainly its 12 engravings showing a human skull in the center, surrounded emblematic symbols and beautiful depictions of musical instruments (almost 50 in all). Hardbound in decorative paper. $29 [item no.9070]

MÉHUL, Étienne-Nicolas, 1763-1817

[Sonatas, harpsichord/piano, op.1, +violin ad lib, op.2] Trois sonates pour le clavecin ou le piano-forte – Opus 1 / Trois sonates pour le clavecin ou le piano-forte avec accompagnement de violon – Opus 2. Présentation par Joël Pontet. [Bibl. Nationale, Paris]. _☟

Collection Dominantes. Courlay, 1995. Oblong, 33 x 24 cm, 2 vols, 29, 58 pp. Line-cut of the Paris, 1783 & 1788 editions. Wrappers. $43 [item no.7221]

[Sonatas, harpsichord/piano, violin ad lib., op.2] Trois sonates pour le clavecin ou le forte piano avec accompagnement d’un violon ad libitum. Œuvre IIe. _☟

Musique pour le Piano-Forte, XIII. Geneva, 1990. 4º, 48 pp. Line-cut of the Paris, 1788 edition. Wrappers. $45 [item no.2734]

MENDELSSOHN-BARTHOLDY, Felix, 1809-1847

[Concerto, violin, orch, op.64, E minor] Violinkonzert E-Moll, Opus 64. Faksimile nach dem Autograph der Bibliotheka Jagiellońska, Kraków. Mit einem Kommentar von Stefan Drees. _☟

Meisterwerke der Musik im Faksimile, 10. Laaber, 2010. Oblong, 32 x 24 cm, xii, 68 pp. Full-color facsimile of the autograph score dated 16 September 1844. Mendelssohn's popular “Concerto for Violin in E Minor op.64”, a mainstay in the concerto repertoire didn't have an easy birth and is known in two versions, the sole surviving autograph of 1844—reproduced here in facsimile—and the printed edition of 1845, a more brilliant version incorporating many of the changes suggested by Ferdinad David, dedicatee of the piece and his concertmaster at Leipzig. On July 30, 1838, the composer wrote to him: “I would like to write a violin concerto for you next winter. One in E minor goes through my head and the beginning will not leave me in peace." David encouraged Mendelssohn but also expressed a desire for it to be ostentatious, a suitable showcase for the violinist's talents. Mendelssohn was not used to flamboyance for its own sake and this wish conflicted with his musical temperament, prolonging the writing of the concerto. More than six years later with only three months before it was to be performed he confided to David: “Do not laugh at me too much. I feel ashamed in any case, but I cannot help it. I am just groping around.” It was finally premiered on 13 March 1845 and published shorly thereafter by Breitkopf & Härtel. There are well over 100 changes between the two versions, mostly issues concerning tempo, orchestration, and solo parts. While some are outright shocking, where Mendelssohn has taken in the final version the solo line up or down an octave, added entirely new notes to the violin part, or slightly changed the wind writing, no matter which version is considered both are pure Mendelssohn, and all the magical elements that make the Violin Concerto what it is, that make it so beloved and so popular, are completely intact. Commentary in Ger-Eng. Linen. Issued on the occasion of the bicentenary of the composer’s birth. Hardbound with dark blue boards. (more info... ) [item no.9009]

Octet for Strings, Opus 20. A Facsimile of the Holograph in the Whittall Foundation Collection. With an Introduction by Jon Newsom. _☟

Washington, D.C, 1976. 28 x 36 cm, 8, 81 pp. Halftone of the autograph score. Composed when Mendelssohn was 16 years old, this work was the first of its type in the literature. The manuscript, one of the Library of Congress’ most treasured works, was formerly in the possession of Musikbibliothek Peters. Although it is an extremely clean copy, it contains a number of markings and passages that were ultimately removed for the first edition. Quarter linen and decorative paper with signature of the composer in gold on the cover. (more info... ) [item no.411]

MERSENNE, Marin, 1588-1648

Harmonicorum libri XII. In quibus agitur de sonorum natura, causis, et effectibus: de consonantiis, dissonantiis, rationibus, generibus, modis, cantibus, compositione, orbisque totius harmonicis instrumentis. _☟

Geneva, 1973. 22 x 30 cm, 367 pp. Line-cut of the Paris, 1648 edition. Complements the Harmonie universelle. The copy used for this facsimile includes many manuscript notes and corrections in the author’s hand. Hardbound. [item no.2754]

MERTZ, Johann Kaspar, 1806-1856

Divertissement über Motive der Oper: Der Prophet (Meyerbeer), op.32. Flute (Violin), Viola, and Guitar. Edited by Brian Torosian. _☟

n.p., 2008. 4°, 19, 13 pp. Line-cut of the Jos. Aibl edition, Munich, 1851, together with preface and new practical edition. Meyerbeer’s music was rarely used as a source for guitar arrangements and these works by Mertz provide a pleasing addition to the 19th-c. guitar repertoire. Wrappers. $20 [item no.9086]

MERULA, Tarquinio, c.1594-1665

Canzoni overo sonate concertate per chiesa, e camera a due, et a tre. _☟

Bibliotheca Musica Bononiensis, IV/150. Bologna, 2/ 1999. 22 x 32 cm, 4 partbooks, 105 pp. Line-cut of the Alessandro Vincenti edition, Venice 1637. Seventeen pieces a2 and seven a3 in the original partbook layout (vln I-II, violone, bc). Laid paper. Wrappers with portfolio in stiff paper. $53 (more info... ) [item no.1276]

MILLER, Edward, 1735-1807

[Solos, flute/violin/oboe, bc, op.1] Six Solos for a German Flute, with a Thorough Bass for the Harpsichord or Violoncello. _☟

Alston, 1995. Oblong, 29 x 21 cm, i, 27 pp. Line-cut of the John Johnson edition, London, c.1761. Preceded by “Remarks on the German Flute”. Ring binding. $23 [item no.7804]

MINGUET Y YROL, Pablo, fl.1733-1775

Reglas y advertencias generales que enseñan el modo de tañer todos los instrumentos mejores, y mas usuales, como son la guitarra, tiple, vandola, cythara, clavicordio, organo, harpa, psalterio, bandurria, violin, flauta traversera, flauta dulce, y la flautilla. _☟

Geneva, 1982. 8º, 120 pp. Line-cut of the Madrid, 1754 edition. An instrumental encyclopedia by a pupil of Sanz. Includes examples of dances in the Castillian, Italian, Catalonian and French styles, notated either in the author’s alfabeto-like notation or mensural notation. Wrappers. $35 [item no.3308]

MIROGLIO, Pietro, 18th c.

Sonata a violino e basso. [Opera prima. Gravées par Mle. V[e]ndôme]. Paris. Kommentar von Ernst Kubitschek. [Bibliothèque Nationale de France, Paris]. _☟

Faksimile-Edition Violino e Continuo, 1 Stuttgart, 2010. 29 x 37 cm, 28, ii pp. Line-cut of the author’s edition, Paris, c.1750. 6 sonatas. Hardbound, with marbled paper boards. $48 [item no.9175]

MODERNE, Jacques, fl.1523-1544 [publisher]

[Motets, a5 & a6] Tertius liber mottetorum ad quinque e sex voces. Lyon, Moderne. RISM 1538(2). _☟

Faksimile-Editionen Psalmen und Motetten, 2. Stuttgart, 2002. Oblong, 25 x 18 cm, 4 partbooks, c.224 pp. Line-cut of the Lyon, 1538 edition. Collection of 26 vocal (or instrumental) motets by Gombert, Archadelt, Verdelot and their contemporaries. Hardbound with decorative paper and matching slipcase. $124 [item no.8160]

Musicque de joye. Lyon. Introduction: Samuel F. Pogue. [Universitätsbibl., München]. _☟

Facsimile Series, I/B.21. Peer, 1991. Oblong, 22 x 16 cm, 4 partbooks: xiii, 160 pp. Line-cut of the Lyon, 1550 edition. A reworked and enlarged edition of Musica nova, 1540 (to the 21 four-part ricercars, 29 French dances were added). For “violons a fleutes” and “espinets”. Includes 13 keyboard works of Da Modena, as well as works by Parabosco, Cavazzoni, Willaert, Coste, Benoist and others. Wrappers. $36 [item no.3894]

MOLTER, Johann Melchoir, 1696-1765

Concerto No. 2 for D Trumpet, Strings and Continuo. Facsimile Score. Edited by Stephen L. Glover and John F. Sawyer. [Ms. Badische Landesbibl. Karlsruhe]. _☟

Blair Academy Series. Nashville, 1972. ii, 8 pp. Line-cut of a contemporary ms copy. Wrappers. $8 [item no.417]

MONDONVILLE, Jean-Joseph Cassanea de, 1711-1772

[Pièces, harpsichord, voice/violin, op.5] Les pièces de clavecin avec voix ou violon. Par Marc Pincherle. _☟

London, 1966. 31 x 41 cm, ii, 22 pp. Beautiful line-cut of the Boivin & Le Clerc edition, Paris, 1748. 9 settings of psalms for harpsichord with voice or violin accompaniment, the first publication of its type. The elaborately engraved frontis piece is a masterpiece of 18th c. pictorial art. Preface in Fr by Marc Pincherle. Bibliophile edition with laid paper & marbled coverboards. $55 (more info... ) [item no.891]

[Pièces, harpsichord, voice/violin, op.5] Pièces de clavecin avec voix ou violon. Œuvre Ve. _☟

La Musique Française Classique de 1650 à 1800, 18. Courlay, 1988. 30 x 40 cm, xiv, 22 pp. Line-cut of the Paris, 1748 edition. Introduction by Jean Saint-Arroman. Wrappers. $23 [item no.2214]

[Sonatas, violin, bc, op.4] Les sons harmoniques: sonates à violon seul avec la basse continue. Œuvre 4e. _☟

La Musique Française Classique de 1650 à 1800, 31. Courlay, 1990. 4º, 21, 44 pp. Line-cut of the Paris, [1738] edition. Wrappers. $33 [item no.2913]

MONTÉCLAIR, Michel Pinolet de, 1667-1737

[Cantatas, voice, flutes/violins, bc, book 1] Cantates à voix seule, et avec simphonie. Premier livre qui contient six cantates françoises et deux cantates italiènes. _☟

Archivum Musicum: La Cantata Barocca, 8. Florence, 1981. 20 x 29 cm, vi, 99 pp. Line-cut of the Paris, n.d. edition. 8 compositions notated in score with violin and flute accompaniment. Contents: La fortune; Le triomfe de la Constance; La Badine; Le Dépit généreux, Godimento e pena in Amore; La mort de Didon; Amante di bella donna; Le retour de la paix. Introduction in It by Piero Mioli. Wrappers in decorative paper. $35 [item no.422]

[Cantatas, voice, flutes/violins, bc, book 1] Cantates à voix seule et avec symphonie. Premier livre. Après 1709. Présentation par Bertrand Porot. [Bibliothèque Municipale, Lyon]. _☟

La Musique Française Classique de 1650 à 1800, 172. Courlay, 2005. 4º, x, 102 pp. Line-cut of the Paris, c.1709 edition. Preface in Fr-Eng-Ger. Wrappers. $49 [item no.8648]

[Cantatas, 1-2 voices, flutes/violins, bc, book 2] Cantates à une et a deux voix et avec sinfonie. Second livre qui contient six cantates françoises et une cantate italiène. _☟

Archivum Musicum: La Cantata Barocca, 9. Florence, 1981. 20 x 29 cm, vii, 105 pp. Line-cut of the Paris, n.d. edition. 7 compositions notated in score with violin, flute, & oboe accompaniment. Contents: L’amour vangé; Les syrènes; Le triomphe de l’amour, Pan et Sirinx; L’enlèvement d’Orithie; Pyrame et Thisbé; Il dispetto in amore. Introduction in It by Piero Mioli. Wrappers in decorative paper. $35 [item no.418]

[Concerti, flute/violin/oboe,recorder, bc] Concerts pour la flûte traversière avec la basse. Paris 1724, 1725. [Bibl. Nationale, Paris]. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 11. Florence, 1981. 20 x 29 cm, v, 94 pp. Line-cut of the Boivin edition, Paris, 1724-1725. Preface in It by Marcello Castelliani. Wrappers, in decorative paper. $35 [item no.797]

[Concerti, flute/violin/oboe/recorder, bc] Concert pour la flûte traversière avec la basse chiffrée, 1724. Présentation par Anne Prichard. _☟

La Musique Française Classique de 1650 à 1800, 151. Courlay, 2003. 4º, xiii, 98 pp. Line-cut of the Paris, 1724 edition. Preface in Fr-Eng-Ger. Wrappers. $52 [item no.8239]

[Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse, [1.-6. concert]. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 10. Florence, 1980. 20 x 29 cm, vii, 84 pp. Line-cut of the Paris, c.1724 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.796]

[Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse. 1724. Présentation par Anne Prichard. _☟

La Musique Française Classique de 1650 à 1800, 152. Courlay, 2003. 4º, x, 86 pp. Line-cut of the Paris, 1724 edition. 6 sonatas. Preface in Fr-Eng-Ger. Wrappers. $44 [item no.8238]

[Serenade, melody instrument, bc or trio] Serenade ou concert, divisé en trois suites de pieces pour les violons, flûtes & hautbois composées d’airs de fanfares, d’airs de fanfares, d’airs tendres, & d’airs champêtres, propres à danser, 1697. Présentation: Département de Musique Ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris. _☟

La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, 3 partbooks, xii, 104 pp. Line-cut of the Paris, 1697 edition. According to composer these pieces are suitable for dancing. Preface in Fr-Eng-Ger. Wrappers. $68 [item no.8240]

MONTEVERDI, Claudio, 1567-1643

[Madrigals, a3, bc, book 8] Madrigali guerrieri, et amorosi. Libro VIII (Venezia, 1638). Introduzione di Iain Fenlon. _☟

Bibliotheca Musica Bononiensis, IV/99. Bologna, 2005. 4°, 8 partbooks, 480 pp. Line-cut of the Venice, 1638 partbook edition. Among his secular collections, Libro VIII is the most imposing and also the one in which the composer exploits the “modern practice”. Divided into “canti guerrieri” and “amorosi” the collection includes not only the more customary madrigals “without gesture”, but also works belonging to the “theatrical genre”, among them, the warlike “Combattimento di Tancredi e Clorinda” and the amorous and allegorical “Ballo delle ingrate”. Introduction in Eng-It. Wrappers, with slipcase. (more info... ) [item no.8593]

Salve regine del Sig. Claudio Monteverde. Facsimile e edizione critica a cura di / Facsimile and Critical Edition by Luigi Collarile. _☟

Bibliotheca Musica Bononiensis, IV/105. Bologna, 2011. 16 x 21 cm & 4°, 4 partbooks, xxvi, 30, 56, 32 pp. Line-cut of the Venice printed partbooks (tenor, alto, basso, continuo) issued by Alessandro Vincenti from the only extant copy, together with a new critical edition. This wonderful Marian hymn going back to the 12th c. is one of four antiphons sung at different times within the Christian calendar. Monteverdi’s moving setting, adroitly set in the modern style, is for 3 voices with basso continuo. Introduction in Eng-It. Wrappers. (more info... ) [item no.9251]

Selva morale e spirituale. Madrigali e canzoni morali; una messa; mottetti; salmi; inni; tre salve regina, e in fine il pianto della Madonna sopra al Lamento del’Arianna (1640). _☟

Bibliotheca Musica Bononiensis, IV/88. Bologna, 2001. 8º, 10 partbooks, 772 pp. Line-cut of the Venice, 1640 edition. Introduction in It-Eng by Iain Fenlon. Wrappers, with cloth folder. (more info... ) [item no.3717]

MORIA, François, c.1720-1776

[Chansons, voice, violin, bc, 1st coll.] Recueil de chansons avec un accompagnement de violon et la basse continue. _☟

Béziers, 1997. Oblong, 26 x 21 cm, 30 pp. Line-cut of the Paris, n.d. edition. Wrappers. $23 [item no.2416]

MORLEY, Thomas, 1557-1602

[Canzonets, a2] The First Booke of Canzonets to Two Voyces. _☟

Performers’ Facsimiles, 39. New York, [1988]. 4º, 2 partbooks, c.60 pp. Line-cut of the London, 1595 edition. 11 duos (with texts) for cantus and tenor. Also contains 9 instrumental fantasies. Wrappers. $25 [item no.2693]

[Canzonets, a3] Canzonets or Little Short Songs to Three Voyces. Library of Congress & Folger Shakespeare Library, Washington, D.C.]. _☟

Performers’ Facsimiles, 93. New York, [1990]. 18 x 25 cm, 3 partbooks, c.132 pp. Line-cut of the London, 1593 edition. 20 canzonets for cantus, altus & bass. Wrappers. $35 [item no.3885]

Madrigales. The Triumphes of Oriana, to 5. and 6. Voices: Composed by Divers Severall Authors. Newly Published by Thomas Morley. _☟

Performers’ Facsimiles, 63. New York, [1992]. 18 x 24 cm, 6 partbooks, c.150 pp. Line-cut of the Thomas Este edition, London, 1601. Wonderful anthology of works by Bennet, Carlton, Cavendish, Cobbold, Farmer, Gibbons, Hilton, Holmes, Hunt, Johnson, Jones, Kirbye, Lisley, Marson, Milton, Morley, Mundy, Nicholson, Norcombe, Tomkins, Weelkes and Wilbye. Wrappers. $45 [item no.4413]

MOURET, Jean-Joseph, 1682-1738

Concert de chambre [à deux et trois parties, pour les violons, flutes, et hautbois]. Suivi u’une suite d’Airs à danser. Premier livre. 1737. Présentation: Département de musique ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris. _☟

La Musique Française Classique de 1650 à 1800, 158. Courlay, 2004. 24 x 33 cm, 4 vols, xix, 33 pp. Line-cut of the Paris, 1737. Introduction (with dance choreography) in Fr-Eng-Ger. Wrappers. $33 [item no.8467]

[Fanfares, winds/strings] Fanfares pour des trompettes timbales violons et hautbois avec une suitte de simphonies melées de cors de chasse. Livre second. [Bibl. Nationale, Paris]. _☟

Performers’ Facsimiles, 109. New York, [1993]. 4º, 23 pp. Line-cut of the Paris, c.1729 edition. Wrappers. $18 [item no.4529]

[Fanfares, winds/strings] Fanfares pour des trompettes, timbales, violons et hautbois avec une suite de symphonies melées de cors de chasse — livre second. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the Paris, 1729 edition. Wrappers. $12 [item no.8887]

MOUTON, Charles, 18th c.

Concerto à 5. [Stift Kremsmünster]. _☟

Faksimile-Edition Kremsmünster, 23. Stuttgart, 2012. 21 x 32 cm, 5 partbooks, 132 pp. Line-cut of manuscript parts preserved in the library of Kremsmünster Abber in Upper Austria. 10 chamber concertos in Italianate style scored for vlh I, vln II, alto vla, tenor vla, and basso continuo (organ). Wrappers. $77 [item no.9315]

MOZART, Leopold, 1719-1787

[Method, violin] Versuch einer gründlichen Violinschule entworfen und mit 4. Kupfertafeln sammt einer Tabelle versehen von Leopold Mozart, Hochfürstl. Salzburgischen Cammermusikus. _☟

Frankfurt, 1956. 18 x 22 cm, 288, 1 oversize foldout pp. Line-cut of the author’s edition, Augsburg, 1756, issued on the occasion of “Mozart-Jahre 1956”. Coverboards in laid paper with engraving of author. $36 [item no.1221]

[Method, violin] Versuch einer gründlichen Violinschule. Reprint der 1. Auflage 1756. Herausgegeben und mit einem Kommentar versehen von Greta Moens-Haenen. _☟

Kassel, 1995. 12˚, 321 pp. Line-cut in reduced format of the author’s edition, Augsburg, 1756. Wrappers $22 [item no.8323]

[Method, violin] Gründliche Violinschule als Faksimile herausgegeben von Prof. D. Dr. Hans Joachim Moser. _☟

Leipzig, 1956. 17 x 20 cm, x, 282, 1 oversize foldout pp. Line-cut of the third edition, Augsburg 1787, issued on the occasion of “Mozart-Jahre 1956”. With commentary in Ger and Revisionsbericht. Coverboards in decorative paper. $60 [item no.3954]

[Method, violin] Gründliche Violinschule. Faksimile-Nachdruck der 3. Auflage, Augsburg 1789. Mit einem Geleitwort von David Oistrach. Erläutert und kommentiert von Hans Rudolf Jung. _☟

Wiesbaden, 1983. 17 x 20 cm, 308, with 1 oversize foldout pp. Line-cut of the 1789 third edition. Linen. $24 [item no.2329]

[Method, violin, French edition] Méthode raisonée pour apprendre à jouer du violon composée par Leopold Mozart. Traduite de l’Allemand en Français par Valentin Roeser. _☟

Paris, 1993. 8º, vii, 96 pp. Line-cut of the French edition, Paris, 1770. Introduction by Brigitte Haudebourg. Cloth. $62 [item no.7286]

MOZART, Wolfgang Amadeus, 1756-1791

[Aria, soprano, strgs, 2 hns, K.Anh.11a (K.365a)] Die neugeborne Ros’ entzückt. Arie für Sopran, Streicher und zwei Hörner. KV Anh.11a (365a). Faksimile mit Edition. Geleitwort von Christoph Wolff. Einführung von Faye Ferguson. _☟

Salzburg, 1996. Oblong, 31 x 23 cm, 12, 1 pp. Color halftone of the autograph aria, “The new rose is enchanting”, previously unknown in any form. Commentary in Ger-Eng. Limited bibliophile edition. Wrappers in decorative paper. $44 [item no.8146]

[Adagio & Fugue, K.546, parts] Fugha per 2 Violini, Alto e Violoncello, composta dal W.A. Mozart. — Adagio und Fuge KV 546. Faksimile des 1788 von F.A. Hoffmeister in seinem Wiener Verlag erstmals veröffentlichten Werkes, das er in das 1800 neu gegründete “Bureau de Musique Hoffmeister & Kühnel (seit 1813 C.F. Peters) als Verlagsnummer 1 einbrachte. _☟

Frankfurt, [1980]. 23 x 30 cm, 4 parts, 16 pp. Fine line-cut of the Vienna, 1788 edition. This work, especially the fugue section, has a clear connection to the music of Bach, introduced to him in 1782. It is a transcription for strings of his Fugue in C minor for two pianos, K.426 written in 1783. This beautiful facsimile attempts to recreate the look of an 18th print, showing the impression of the printing plates on the paper and utilizing fine paper the exact size of the original with irregular deckel edges. As this work was the very first publication of Hoffmeister & Kühnel (forerunner of the firm C.F. Peters) the facsimile is a tribute to both composer (one of few works published within his lifetime) and the publisher. With green silk string securing the four bifolios together. $45 (more info... ) [item no.4732]

[Concerti, violin, orch, complete] The Mozart Violin Concerti. A Facsimile Edition of the Autographs. Edited and with an Introduction by Gabriel Banat. [Mss. Jagiellonian University Library, Krakow; Library of Congress, Washington, D.C. & Staatsbibliothek Preußischer Kulturbesitz Berlin]. _☟

New York, 1986. Oblong, 31 x 24 cm, 29, 400 pp. Halftone. Includes all 5 violin concerti, K.207, 211, 216, 218, & 219, the Adagio in E, K.261, and the Rondo in B-flat, K.216a. Limited edition of 800 copies. Cloth. [item no.2062]

[Concerti, violin, orch, complete] The Mozart Violin Concerti. A Facsimile Edition of the Autographs. Edited and with an Introduction by Gabriel Banat. [Mss. Jagiellonian University Library, Krakow; Library of Congress, Washington, D.C. & Staatsbibliothek Preußischer Kulturbesitz Berlin]. _☟

Mineola, 2015. Oblong, 32 x 26 cm, 29, 400 pp. Unabridged republication of the 1986 Raven Press edition. Halftone. Includes all 5 violin concerti, K.207, 211, 216, 218, & 219, the Adagio in E, K.261, and the Rondo in B-flat, K.216a. Red cloth with composer’s signature embossed in gold on the cover. $75 (more info... ) [item no.9454]

[Concerto, violin & orch, no. 5, K.219, A major] Violinkonzert A-Dur KV 219. Faksimile nach dem Autograph aus den Sammlungen der Musikabteilung der Library of Congress, Washington, D.C. Herausgegeben und mit einer Einführung Stefan Drees / Facsimile of the Autograph from the Collections of the Music Division, Library of Congress, Washington, D.C. Edited and with an Introduction by Stefan Dress. _☟

Meisterwerke der Musik im Faksimile, 35. Laaber, 2016. Oblong, 4°, xxii, 92 pp. Full-color facsimile of the autograph score. Although Mozart was an accomplished violinist, playing the premiere of the Strasboug Concerto, his last concerto was probably fashioned for Antonio Brunetti, with whom Mozart shared the concertmaster position in the orchestra of the Prince and Archbishop of Salzburg. Introduction in Ger-Eng. Hardbound with decorative paper bounds. (subscription price) $189 (more info... ) [item no.9401]

[Duos, violin, viola, K.423-424] Two Duos for Violin and Viola, KV 423 and 424. Facsimile of the Handwritten Score of 1783 and Edition of the Parts According to the Original Text, Taking into Account the Variants in the First Edition by Artaria in 1792. Edited by Ulrich Drüner. [Ms. deposit, Pierpont Morgan Library, New York]. _☟

Winterthur, 1980. 4º, iv, 16, 28 pp. Halftone of the autograph score, together with a new practical edition. Introduction in Ger-Eng. Wrappers. $27 [item no.2064]

[Fantasy keyboard, K.396, C minor] Fantasie pour le clavecin ou piano-forte composée et dédiée à Madame Constance Mozart. _☟

Biblioteca Classica, 66. Rotterdam, 1985. 4º, 8 pp. Line-cut of the Jean Cappi edition, Vienna, 1803. The surviving autograph, for piano and violin, only goes as far as the first double bar of the first movement. Stadler finished the Adagio movement, for piano solo, and had it published. Plastic ring binding. $13 [item no.4928]

[Fantasia, quartet, K.Anh. A 60; arr.] Johann Jakob Froberger: Fantasia. Fassung für Streichquartett von Wolfgang Amadeus Mozart. Erstdruck (Otto Biba). Partitur, Stimmen und vollständige Wiedergabe von Mozarts Handschrift. _☟

Diletto Musicale, 1000. Vienna, 1991. Oblong, 4º (edition, upright), iii, 4, 12 pp. Duotone of Mozart’s transcription, together with new edition of score & performing parts. The original Froberger work first appeared in 1650 in Kircher’s Musurgia Universalis. André had given a 1782 date to this Mozart arrangement, but Wolfgang Plath has recently assigned a new date, 1785-86. For exactly whom Mozart intended the arrangement (voices or instruments) is unclear–the clefs he used, soprano, alto, tenor & bass, suggests a vocal ensemble, but there are no words. Wrappers. $32 [item no.3034]

[Masonic Funeral Music, K.477] L’autografo della musica funebre massonica KV 477 (479a) della Musikabteilung della Staatsbibliothek (Preußischer Kulturbesitz) di Berlino. Das Autograph der “Maurerische Trauermusik KV 477 (479a) der Musikabteilung der Staatsbibliothek (Preußischer Kulturbesitz) von Berlin. Edizione in facsimile a cura di Giacomo Fornari. _☟

Lucca, 2006. Color facsimile of the autograph issued on the occasion of the 250th anniversary of the composer’s birth. Composed around November 1785, and scored for strings, 2 oboes, 2 clarinets, 2 horns & basset horn, Masonic Funeral Music was written for the Masonic Lodge “Zur gekrönten Hoffnung” in Vienna, and was dedicated to the memory of Esterházy, a fallen brother. The composer’s autograph includes the characteristic Mason symbol (a square and compass); the “corno di bassetto” (basset horn) has special significance in the mason tradition. (in preparation) [item no.8708]

[Quartet, oboe, strgs, K.370 (368b)] Quatuor pour hautbois, violon, alto et violoncelle, K.370 (368b). Manuscrit autographe de 1781. Édition originale de 1800. Présentation par Michel Giboureau. _☟

Collection Dominantes. Courlay, 1997. Oblong & upright, 4º, 5 vols, 36, 34 pp. Line-cut of the autograph score (1781) and first edition published by J. André (Offenbach, 1800). Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.4406]

[Quartet, piano, vln, vla & vc, K.478, G minor] Quartett in g für Klavier, Violine, Viola und Violoncello KV 478. Faksimile nach dem Autograph im Museum der Chopin-Gesellschaft in Warschau. Mit einer Einführung von Faye Ferguson. _☟

Kassel, 1991. Oblong, 34 x 25 cm, 14, 40 pp. Halftone of the autograph score dated 16 October 1785. The instrumental force called for here—cembalo (fortepiano), violin, viola, and violoncello—was practically a novelty at that time. The manuscript shows a visible alteration in the viola part from a treble clef to an alto clef at the beginning of the first, second and third movements, suggesting that Mozart first thought of scoring the work with two violins. In any case the viola voice adds a wonderful sonorous element that Mozart exploits. Preface in Ger-Pol-Eng. Handsome binding with green laid paper boards and embossed label. (more info... ) [item no.4161]

[Quartet, strings, nos. 2-7, K.155-160, “Milanese”] L’autografo dei quartetti “milanesi” KV 155 (134a) — 160 (159a) della Musikabteilung della Staatsbibliothek (Preußischer Kulturbesitz) di Berlino. (Segnatura: Mus. ms. autogr. W.A. Mozart 155-160). Das Autograph der “Mailänder Streichquartette KV 155 (134a) — 160 (159a) der Musikabteilung der Staatsbibliothek (Preußischer Kulturbesitz) von Berlin (Signatur: Mus. ms. autogr. W.A. Mozart 155-160). Edizione in facsimile a cura di Giacomo Fornari. _☟

Lucca, 2006. Oblong, 34 x 24 cm, 45, 111 pp. Color facsimile of the autograph manuscript issued on the occasion of the 250th anniversary of the composer’s birth. These 6 quartets known as the “Milanese Quartets”, were composed during Mozart’s third and last Italian journey (Oct. 1772 until March 1773) and coincide with the premiere of “Lucio Silla” in Milan. Hardbound, with coverboards that duplicate the original binding. $218 (more info... ) [item no.8621]

[Quartet, strings, no.8, K.168, F major] Streichquartett F-Dur, KV 168. Faksimile nach dem Autograph, im Besitz der Staatsbibliothek Preussischer Kulturbesitz, Berlin. _☟

[Henle Music Facsimiles, 10]. Munich, 1991. Oblong, 25 x 20 cm, 24, vi pp. Beautiful 3-color halftone of the autograph score. The first of six quartets composed during Mozart’s stay in Vienna, Aug. and Sept., 1773, written on charming, small, format paper from the “Salzburg” period. Bibliophile editon in laid paper; handsome brown laid paper boards with pasted label. $95 (more info... ) [item no.3909]

[Quartets, strings, nos.14-19, “Haydn”, first ed.] Sei quartetti per due violini, viola, e violoncello. Composti e dedicati al Signor Giuseppe Haydn. Opera X. _☟

Performers’ Facsimiles, 100. New York, [1991]. 4º, 4 partbooks. Line-cut of the Vienna, 1785 edition. Wrappers. $50 [item no.2889]

[Quartets, strings, “6 Haydn” + “6 Late”] String Quartet K. 387; 421; 428; 458; 464; 465; 499; 575; 589; 590. [British Library, London, mus. ms. 37763, 37764, 37765]. _☟

New York, 1969. Oblong 35 x 27 cm, 10 vols, 272 pp. Superb halftone of the autograph scores in their original format. This rich composite of Mozart’s string music consists of 6 quartets known as the “Haydn” Quartets (inspired by Haydn’s “Russian” Quartets op.33), and the composer’s last 4 quartets. Quartet K.458 is also known as the “Hunt”, K.465 the “Dissonant”, and K.499 as the “Hofmeister”. Quartets K.575, 589 & 590 are called the “Prussian”, being written for Wilhelm II King of Prussia (they contain striking cello passages, the instrument that the King played). Privately issued by the Lehman Foundation, this publication was never offered for sale. Printed in the Netherlands. Slipcase. Extremely rare. [item no.1866]

[Quartet, strings, no.17, K.458, “Haydn”, Bb major] String Quartet 458. [British Library, London, mus. ms. 37763]. _☟

New York, 1969. Oblong 35 x 27 cm, xii, 22 pp. Superb halftone of the 1784 autograph score of of the 3rd quartet dedicated to Haydn, K.458 “Hunt” (single volume from the Lehman Foundation 10-vol. set). Laid paper, light brown linen boards with Mozart’s signature embossed on lower right corner. Ex-library copy with stamping, good condition. $75 [item no.9417]

[Quartet, strings, no.22, K.589, “Prussian”, Bb major] String Quartet 589. [British Library, London, mus. ms. 37765]. _☟

New York, 1969. Oblong 35 x 27 cm, xii, 24 pp. Superb halftone of the 1790 autograph score of the 2nd quartet dedicated to the King of Prussia, K.589 (single volume from the Lehman Foundation 10-vol. set). Laid paper, light green linen boards with Mozart’s signature embossed on lower right corner. Ex-library copy with stamping, good condition. $75 [item no.9521]

Serenade, K.185, “Antretter”, selection] A Leaf from the Serenade in D Major, K.185. Vienna: ? July, 1773. Private Collection of Theodore Cohn. _☟

New York, 1991. 33 x 43 cm; oblong 25 x 19 cm iv, 2 pp. Fine duotone of an autograph leaf containing the 15 bar beginning of the andante that is the third movement of this serenade scored for strings, oboes, horns [& trumpets]. No.7 from the bibliophile edition “Mozart: Portfolio of a Genius”, edited and with a commentary by Neal Zaslow. $30 (more info... ) [item no.9668]

[Serenade, strg orch, “Eine kleine Nachtmusik” K.525] Eine kleine Nachtmusik. Serenade in G-Dur KV 525. Faksimile der autographen Partitur. Einführung von Wolfgang Rehm. [Ms. Dr. Arthur Wilhelm Collection, Switzerland]. _☟

Leipzig, 1989. Oblong, 33 x 25 cm, xiii, 14 pp. Collotype of the autograph score completed August 10, 1787. This celebrated serenade or "party music" in four movements originally had a fifth movement—two minuets and their trio are now lost. The autograph calls for 2 violins, viola, violoncello and bass (string quintet) but it is often performed by a larger orchestra. The manuscript was rediscovered by Manfred Gorke in 1943; it then went to Karl Vötterle, avid collector and founder of Bärenreiter Verlag who sold it for 50,000 Deutschmarks after WW2 to help rebuild the destroyed publishing house. It is now in private hands in Basel. Introduction in Fr/Ger/Eng. Handsome binding in linen with red and gold title stamp. $75 (more info... ) [item no.3901]

[Serenade, strg orch, “Eine kleine Nachtmusik” K.525] Eine kleine Nachtmusik. Serenade in G-Dur KV 525. Faksimile der autographen Partitur. Einführung von Wolfgang Rehm. [Ms. Dr. Arthur Wilhelm Collection, Switzerland]. _☟

Documenta Musicologica, II/26. Kassel, 1989. Oblong, 33 x 25 cm, 14, 5 pp. (Rpt. of Cassel, 1955 edition). Halftone, with new introduction in Ger-Eng-Fr. Coverboards in paper. $75 [item no.3645]

[Serenade, strg orch, “Eine kleine Nachtmusik” K.525] Eine kleine Nachtmusik KV 525. Introduction / Einführung: Wolfgang Rehm. _☟

Documenta Musicologica, II/46. Kassel, 2013. Oblong, 34 x 25 cm, 14, 24 pp. New color facsimile of the autograph score in its original loose bifolio and folio format. Afterword in Eng-Ger. Limited bibliophile edition with beautiful clam shell case covered in moire fabric. $239 (more info... ) [item no.9331]

[Sonata, piano, violin, K.6, 1st movt] Allegro in C-Dur für Klavier KV 6. Komponiert in Brüssel am 14. Oktober 1763. Faksimile der Handschrift Leopold Mozarts aus dem “Nannerl-Notenbuch” mit einem Vorwort von Geneviève Geffray. [Bibliothek der Internationalen Stiftung Mozarteum Salzburg]. _☟

Salzburg, 1997. Oblong, 34 x 27 cm, 8 pp. Color halftone of the first movement of K.6 in the hand of Leopold Mozart. The work was original composed in Brussels 14. Oct. 1763 and is the original version (keyboard alone) of the first movement of K.6 published in 1764 as "Sonates / Pour le Clavecin / Qui peuvent se jouer avec l'Accompagnement de Violon". Preface in Ger/Eng/Fr. Limited bibliophile edition. $35 (more info... ) [item no.9470]

[Sonata, piano, violin, K.6, 1st ed.] Sonates pour le clavecin qui peuvent se jouer avec l’accompagnement de violon. Œuvre première. _☟

Geneva, 1988. Oblong, 30 x 22 cm, iv, 22 pp. Line-cut of the Paris, [1764] edition. The first work of Mozart (at seven years of age) to be engraved. Facsimile based on the copy delivered by Leopold and Wolfgang to Madame Victoire, Louis XV’s daughter. Introduction in Fr-Eng by François Lesure. Wrappers. $40 [item no.3051]

[Symphony, no.40, K.550, arr. Clementi] Sinfonia in sol minore K 550. Adattamento per 4 strumenti di Muzio Clementi. Introduzione, facsimile dell’autografo e trascrizione a cura di Remo Giazotto. [Biblioteca dell’Accademia Nazionale di Santa Cecilia, Rome]. _☟

L’Arte Armonica, I/1. Lucca, 1991. Oblong, 33 x 27 cm, xxxiii, 23, 77 pp. Beautiful halftone in full color of Clementi’s autograph transcription of the G Minor Symphony for four instruments (piano, flute, violin & violoncello). This is a fascinating document showing the tradition common at the turn of the 18th century of arranging symphonic works for smaller chamber groups. Together with a new printed edition of the score and introduction in It-Eng. Wrappers, with slipcase. $80 (more info... ) [item no.4243]

[Trio, strings, K.Anh. 66] Streichtriosatz G-dur, KV Anhang 66. Ergänzt und herausgegeben von Franz Beyer. [Ms. Fitzwilliam Museum, Cambridge]. _☟

Winterthur, 1976. 4º, i, 3, 22 pp. Halftone of autograph fragment scored for violin, viola & basso. Mozart’s autograph consisting of 3 pages, breaks off inexplicably after bar 100. Together with performing edition and parts completed by Franz Beyer. Wrappers. $20 [item no.459]

Skizzen und Entwürfe herausgegeben von Ulrich Konrad. _☟

Supplement zur Neuen Mozart Ausgabe, X/30/3. Kassel, 1997. Oblong, 4º, 192, c.145 pp. A rare opportunity to enter the “workshop” of Mozart. Virtually every sketch and draft that has survived—192 pages—has been assembled and collated in chronological order for this superb facsimile edition reproduced in full color. Like Band 44 of the Bachgesellschaft edition which contained only reproductions of Bach manuscripts, this publication marks the culmination of the Neue Mozart Edition. The facsimiles are accompanied by careful transcriptions and critical commentary (Ger), making them accessible to both layman and specialist. Deluxe edition with clamshell case covered in burgundy linen and titles in gold lettering. An indispensable resource for any Mozart enthusiast. $395 (more info... ) [item no.7487]

MUDGE, Richard, 1718-1763

[Concerti grossi] 6 Concertos. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the London, 1749 edition. Inculudes Non nobis Dominie a 8. Scored for solo vln I/II, vc, kbd; ripieno vln I/II, vla, vc, db, kbd (tpt no.1 & organ solo no.6). Wrappers. $73 [item no.8289]

MUFFAT, Georg, 1653-1704

Armonico tributo [cioé sonate di camera commondissime a pocchi, ò a molti stromenti]. Salzburg. Giovanni Battista Mayr 1682 [Fürstlich Thurn und Taxissche Hofbibliothek, Regensburg]. _☟

Faksimile-Edition Kammermusik des Barock, 7. Stuttgart, 2017. 26 x 37 cm, 5 partbooks, 158 pp. Line-cut of the Salzburg, 1682 edition. Like Biber’s Mystery Sonatas and Sonatas 1681, this set was dedicated to Archbishop Maximilian Gandolph von Khuenberg with whom he was employed for 10 years. Scored for vln I, vln, II, va I, va II, cembalo (bc). The performance markings in the print are nearly unique for the time—perhaps aids to assist German string players with the idiom of cosmopolitan French dance styles—and include meticulous tempo, dynamic, bowing, and solo-ensemble markings. Additional performance instructions are provided in the preface (“Amico Lettore”). Wrappers with portfolio in decorative paper. $87 (more info... ) [item no.9565]

[Sonata, violin, bc] Sonata violino solo, Prag 1677. Vorgelegt von Jiří Sehnal. [Musikarchiv, Erzbischöfliche Schloss, Kremsier, Czech Rep.]. _☟

Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 4. Bad Reichenhall, 1992. 24 x 33 cm, 10, ii pp. Beautiful 2-color halftone of the autograph, dated Prague, 2 July, 1677. This elegantly copied manuscript is the earliest known composition by the composer (it was possibly a present to the Prince-Bishop Karl Liechtenstein-Castelcorn in whose library it is preserved) and is Muffat’s only known sonata for solo violin. An extremely attractive and moving sonata sharing many of the features and characteristics of his immediate circle, notably Biber, Schmelzer and Bertali. Wrappers. $33 (more info... ) [item no.4719]

MULLER, Jean-Michel, 1683-1743

[Sonatas, oboe/violin, viola, bc] XII sonates. Hautbois solo. Hautbois ou violon 1 – Hautbois ou violon 2, alto viola – basse continue. Présentation par Michel Giboureau. [Universitetsbibl., Lund]. _☟

Collection Dominantes. Courlay, 2003. 4˚, 5 partbooks, viii, 106 pp. Line-cut of the Roger edition, Amsterdam, c.1712. Introduction in Fr-Eng-Ger. Wrappers. $59 [item no.8206]

NARDINI, Pietro, 1722-1793

[Sonatas, violin, bc, integral source] VII sonates pour violon et basse avec les adagio brodés. Dernière edition. A cura / Edited by Enrico Gatti. Realizzazione e restauro di / Realization and Restoration by Carlo Denti. Con un’Appendice comparativa di sonate manoscritte inedite / With a Comparative Appendix of Manuscript Sonatas. _☟

Bologna, 2007. 4°, 4 vols, xxxi, 172 pp. Line-cut of the Decombe third edition, Paris, c.1800-1806, in score and partbook format (violin, bass). This facsimile also includes the 4 sonatas in manuscript: Seitenstetten, Stiftsbibliothek, V 535 n.5/n.8; Vienna, Gesellschaft der Musikfreunde, Ms Q 16736 n.3; Venice, Bibl. Naz. Marciana, Ms 11652, n.2. Preface in It-Eng. Wrappers, in portfolio. $83 (more info... ) [item no.8877]

NAUDOT, Jacques-Christophe, c.1690-1762

[Concerti, flute, strings, op.11] Six concertos à sept parties (flûte-traversière, trois violons, alto, basson, basse continue). Vers 1737. Présentation par Mi-Sung Kim et Emilie Stahl (etudiantes au CeFEdeM Île-de-France). _☟

La Musique Française Classique de 1650 à 1800, 197. Courlay, 2007. 21 x 30 cm, 7 parts, 136 pp. Line-cut of the Paris, c.1737 edition. Preface in Fr-Eng-Ger. Wrappers. $51 [item no.8896]

[Trio sonatas, 2 flutes, bc, op.2] Sonates en trio pour 2 flûtes-traversières avec la baße, deuxième œuvre. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 19. Florence, 1981. 20 x 28 cm, 3 partbooks, vi, 123 pp. Line-cut of the Paris 1726 edition. Together with Boismortier’s Sonates en trio (1726) and Braun’s Six sonates en trio (1728). Preface in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. [item no..753]

NEUMARK, Georg, 1621-1681

Poetisch und Musikalisches Lustwäldchen [In welches erster Abtheilung abgesonderliche geist- und weltliche wie auch keusche Ehren- und Liebeslieder mit beygefügten Melodien nach itziger neuen Ahrt. In der andern aber unterschiedliche ganze Gedichte, Hochzeits, Traut-Glückwünschungs und Lobschriften. Und in der dritten allerhand kurze Sinnlehr und Wehtsprüche etc. so wol geist- als weltliche enthalten sind]. [Stadtbibl. Leipzig]. _☟

Faksimile-Edition Rara, 53. Stuttgart, 2005. 8 x 13 cm, 228 pp. Line-cut of Hamburg, 1652 edition. Includes 29 songs and several pairs of dances for 3 tpt/vln, alto trb, 2 tenor tbn, bc. Hardbound in decorative paper. $46 [item no.8721]

NOBLET, Charles, c.1715-1769

[Suites & sonatas, harpsichord, violin] Nouvelle suittes de pièces de clavecin et trois sonates, avec accompagnement de violon. _☟

Clavecinistes Français du XVIIIe Siècle, XVII. Geneva, 1982. 4º, 44 pp. Line-cut of the Paris, 1757 edition. The suites include brilliant descriptive pieces; the sonatas with violin accompaniment are in score format. Wrappers. $30 [item no.2748]

NOORDT, Sybrand van, b.?-1705

[Sonatas, harpsichord, recorder/violin, op.1] Sonate per il cembalo appropriate al flauto & violino, opera prima. _☟

Amsterdam, 1978. 16 x 26 cm, 23, iv pp. Halftone of the Amsterdam, 1690 edition. Includes sonatas for alto recorder & continuo, viol & continuo, 2 viols & continuo, and harpsichord solo. Afterword in Du-Eng by Reine Verhagen. Wrappers. $31 [item no.2227]

ONSLOW, Georg, 1784-1853

[Quintet, 2 vlns, 2 vla, vc, op.78] 32e quintette pour deux violons, deux altos et violoncelle - Op. 78. _☟

Collection Dominantes. Courlay, 2007. 5 parts, 23 x 33 cm, 128 pp. Line-cut of Brandus edition, Paris, [1851]. Introduction in Fr-Eng-Ger. Wrappers. $54 [item no.8950]

[Quintet, 2 vlns, 2 vla, vc, op.80] 33e quintette pour deux violons, deux altos et violoncelle - Op. 80. _☟

Collection Dominantes. Courlay, 2007. 5 parts, 23 x 33 cm, 204 pp. Line-cut of Brandus edition, Paris, [1852]. Introduction in Fr-Eng-Ger. Wrappers. $75 [item no.8951]

[Quintet, 2 vlns, 2 vla, vc, op.82] 34e quintette pour deux violons, deux altos et violoncelle - Op. 82. _☟

Collection Dominantes. Courlay, 2007. 5 parts, 23 x 33 cm, 120 pp. Line-cut of Brandus edition, Paris, [1852]. Introduction in Fr-Eng-Ger. Wrappers. $51 [item no.8952]

ORTIZ, Diego, c.1510-c.1570

[Treatise, ornamentation] El primo libro nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone. _☟

Archivum Musicum: Strumentalismo Italiano, 57. Florence, 1984. Oblong, 24 x 17 cm, vi, 121 pp. Line-cut of the Rome, 1553 edition. Rules on ornamentation with examples in mensural notation. Divided into two books, part I for the performer of consort music for viols; part II presents several different kinds of compositions for one viol and cimbalo. Total of 29 works. Introduction by Marco Di Pasquale. Wrappers. $43 (more info... ) [item no.2228]

OTHMAYR, Caspar, 1515-1553 [compiler]

Bicina sacra. [Schöne geistliche Lieder unnd Psalmen mit zwo Stimmen lieblich zu singen]. Gestelt durch Caspar Orthmayr. Nürnberg/ Berg und Neuber. [Ratsschulebibliothek, Zwickau]. _☟

Faksimile-Edition Zwickau, 7. Stuttgart, 2009. Oblong, 18 x 15 cm, 2 partbooks, 136 pp. Line-cut of the Berg & Neuber edition, Nuremberg, 1547. Wonderful collection 32 duets for instruments or voices. Hardbound in decorative paper, matching portfolio. $64 [item no.9113]

OTT, Hans, b.?-1546 [compiler]

[Lieder, 4-5 voices, 1534] Der erst Teil: Hundert ainund zweintzig newe Lieder... Nürnberg/Formschneider 1534. [Ratsschulebibliothek, Zwickau]. _☟

Faksimile-Edition Zwickau, 3. Stuttgart, 2006. Oblong, 15 x 9 cm, 5 partbooks, c.936 pp. Line-cut of the Formschneider edition, Nuremberg, 1534. A wonderful collection devoted mainly to German secular songs, and a primary source for the music of Ludwig Senfl. Hardbound in decorative paper, matching slipcase. $174 [item no.8816]

[Lieder, 4-6 voices, 1544] Hundert und fünfftzehen guter newer Liedlein [mit vier, fünff, sechs Stimmen, vor nie im cruck außgangen. Deutsch, Französisch, welsch und Lateinisch lustig zu singen und auff die Instrument dienstlich von den berhümbtesten diser Kunst gemacht]. RISM 1544(20). [SPKB, Berlin]. _☟

Faksimile-Edition Rara, 28. Stuttgart, 2000. Oblong, 18 x 14 cm, 4 partbooks, c.750 pp. Line-cut of Nuremberg, 1544 edition. Wonderful anthology of German secular songs by Isaac, Senfl, Stoltzer. Müller & others. Hardbound in decorative paper, with matching slipcase. $229 [item no.7822]

PACHELBEL, Johann, 1653-1706

[Musicalische Ergötzung, 2 violins, bc] Musicalische Ergötzung bestehend in sechs verstimten Partien â 2. Violin nebst den Basso Continuo, welche denen Liebhabern der edlen Music zur Recreation gesetzt und radiert. Présentation par Frohmut Dangel-Hoffmann. [Private collection, Graf von Schönborn-Wiesentheid]. _☟

Collection Dominantes. Courlay, 1992. 4º, 3 partbooks: xxiv, 38 pp. Line-cut of the c.1695, Nuremberg edition, based on the only known surviving exemplar. With scordatura tunings provided at beginning of each piece. Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.4386]

PAGANINI, Niccolò, 1782-1840

[Caprices, violin, op.1, autogr.] 24 capricci op. 1, per violino. Facsimile dell’autografo. Introduzione di Yehudi Menuhin e prefazione de Federico Mompellio. [Ms. Archivio storico di Casa Ricordi]. _☟

Facsimiles, 2. Milan, 1974. Oblong, 32 x 23 cm, 13, 52 pp. Beautiful duotone of the autograph produced and bound in the original format. Paganini’s 24 capricci are often referred to as “the definition of violinistic virtuosity itself”, a “rite of passage”, difficult but necessary for all aspiring violinists. It is equally inspiring for composers and musicians alike. To see and experience the music in Paganini’s own handwriting—quick, free flowing, unabashed—is a daunting adventure to say the least. This remarkable facsimile published nearly 50 years ago is printed in color on fine thick paper, it is one of the most elusive facsimile publications in all the years of OMI's expertise in this field. Separate commentary booklet in It-Fr-Eng-Ger. Limited edition of 1000 numbered copies. Wrappers, in portfolio. (more info... ) [item no.481]

[Caprices, violin, op.1, printed ed.] 24 capricci per violino solo, op.1a. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 244. New York, [2002]. 28 x 35 cm, 46 pp. Line-cut of the Milan (Ricordi), 1820 edition. There is no equivalent for the Paganini capriccios in all previous violin literature. His were the first to be grounded in the romantic spirit and instead of fitting them in the circle of 24 major and minor keys (e.g., Bach's Well-Tempered) Paganini chose the keys ad libitum with regard to their suitability for the violin technique. The Capricci left an indelible mark on 19th and 20th c. music, inspiring composers such as Schumann, Brahms, Rachmaninov or Lutoslawski to compose variations on them. Interestingly the Capricci remained long in manuscript until 1820 when Ricordi of Milan published them as Paganini's opus 1. Dedicated “Agli Artisti”, because of their extreme technical requirements and new or newly exploited elements it took some time for them to enter the general repertory. This facsimile allows violinists to play or study from a genuine contemporary edition of the capricci. Wrappers. $20 [item no.8071]

[Quartet, vln, vla, guit & vc, op.5] Tre quartetti a violino, viola, chitarra e violoncello. _☟

Archivum Musicum: L’Arte della Chitarra, 15b. Florence, 1985. 24 x 34 cm, 4 partbooks, x, 68 pp. Line-cut of the G. Ricordi, 1820 edition. Introduction in It by Adriano Sebastiani. Wrappers in decorative paper with slipcover. $47 [item no.2072]

[Sonata, guitar & violin, Ms. 2] Sonata Concertata for Guitar & Violin (M.S. 2). Urtext Edition with a Facsimile of the Original Manuscript Edited by Giuseppe Gazzelloni. _☟

Heidelberg, 1990. 4º, vii, 9, 26 pp. Line-cut of the autograph, together with a new authoritative practical edition. Introduction in Eng. Wrappers, in slipcase. $15 [item no.3951]

[Sonata, guitar & violin, Ms. 3] Grand Sonata for Guitar & Violin (M.S. 3). Urtext Edition with a Facsimile of the Original Manuscript Edited by Giuseppe Gazzelloni. _☟

Heidelberg, 1990. 4º, vii, 10, 30 pp. Line-cut of the autograph, together with a new authoritative practical edition. Introduction in Eng. Wrappers, in slipcase. $25 [item no.3952]

PANDOLFI-MEALLI, Giovanni Antonio, 17th c.

[Sonatas, violin, bc, op.3-4] Sonate op.III & IV for Violin & BC - Innsbruck 1660. Facsimile, Edited by Enrico Gatti and Fabrizio Longo. _☟

Magdeburger Faksimile Offizin. Magdeburg, 2011. 4º, 30 94 pp. 4-color reproduction of the Innsbruck, 1660 edition. Although the details of Giovanni Antonio Pandolfo Mealli’s life are still largely unknown, his music is no stranger to the concert hall. Unfortunately these beautifully reproduced facsimiles of Sonata Opera Terza and Opera Quarta represent all that the world knows of this great composer and virtuoso violinist. Printed in the movable type of the time—but easy to read by modern performers today—these pieces illustrate the flourishing art of violin playing in central Italy in the heart of the 17th century. Pandolfi often writes out his ornamentation in full—a personal indication of his virtuosity—and so adds an extra dimension of interest for the modern performer. The sonatas have an almost "portrait" quality with endearing titles such as La Stella, La Cesta. La Melana, La Castella, La Monella Romanesca, La Biancuccia, La Vinciolina, etc. These are “nicknames” actual historical figures—many of them virtuosi musicians—to whom Pandolfi Mealli pays special hommage. Commentary in It-Eng. Wrappers. $74 (more info... ) [item no.9212]

PEPUSCH, John Christopher, 1667-1752

[Concerti, 2 flutes/recorders/oboes/violins, bc, op.8] VI concerts à 2 flûtes à bec, 2 flûtes traversières, hautbois ou violons et basse continue. Présentation per Susi Möhlmeier et Frédérique Thouvenot. [Universitetsbibliothek, Uppsala]. _☟

Collection Dominantes. Courlay, 1993. 4º, 5 partbooks, 32, 61 pp. Line-cut of a Roger edition, Amsterdam, n.d. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.4600]

PERGOLESI, Giovanni Battista, 1710-1736

[Sonatas, 2 violins, bc/orchestra] Twelve Sonatas for Two Violins and a Bass or an Orchestra. _☟

Performers’ Facsimiles, 23. New York, 1987. Line-cut of the London, [1780] edition. These pieces are now attributed to Domenico Gallo. 3 partbooks. Wrappers. $35 [item no.2073]

PESORI, Stefano, c.1613-d.?

[Lo scrigno armonico, winds, strings, harpsichord, bc, op.2] Lo scrigno armonico. Opera seconda. Ove si rinchiudono vaghissime danze, & ariette al modo italiano, spagnolo, e francese, per suonare in concerto con basso, violino, manacordo, & altri instromenti. _☟

Archivum Musicum: Strumentalismo Italiano, 65. Florence, 1986. 34 x 24 cm, 60 pp. Line-cut. Wrappers in decorative paper. $31 [item no.1793]

PETREIUS, Johann, 1497-1550 [publisher]

Guter seltzamer und künstreicher teutscher Gesang [sonderlich ettliche künstliche Quodlibet, Schlacht und der gleichen mit vier oder fünff Stimmen biß her im Truck nicht gesehen]. [Bayerische Staatsbibliothek, Munich]. _☟

Faksimile-Edition Rara, 5. Stuttgart, 1997. Oblong, 20 x 15 cm, 4 partbooks, c.610 pp. Line-cut of the Nuremberg, 1544 edition. 25 settings a4, for voices with or without instruments. Hardbound in vegetable vellum, with matching slipcase. $174 [item no.7495]

PETRUCCI, Ottaviano, 1466-1539 [publisher]

Frottole Libro secondo. Venedig Ottaviano Petrucci 1507 / Frottole libro tertio Venedig Ottaviano Petrucci 1507. [Bischöfliche Bibliothek, Regensburg]. _☟

Faksimile-Edition Rara, 78. Stuttgart, 2018. Oblong, 24 x 17 cm, 111; 127 pp. Line-cut of Petrucci’s 2nd vand 3rd books of frottole both published in Venice, 1507. Comprising 53 & 61 frottole respectively—the word means “trifles” or “unimportant things”—these two books are a repetorial goldmine, with composers such as Rossinus Mantuanus (R.M.), Francesco d’Ana, Nicolo Patavino, Cara, Tromboncino, Pesenti, Honophrius Antenoreus, Peregrinus Cesena, Antonius Rossetus, and others. Notated in quasi score format (if frottola fits on single page) or choirbook format (if spread over an opening). Hardbound, in decorative paper. $88 [item no.9569]

Lamentationum Jeremie... liber primus und secundus. Venezia, O. Petrucci 1506. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Faksimile-Edition Rara, 45. Stuttgart, 2004. Oblong, 24 x 17 cm, 204 pp. Line-cut of the Venice, 1506/1506 edition. Two books of lamentations settings a4, notated in choirbook format, by Agricola, Tinctoris, Bernhard Ycart, Marbrianus de Orto, Johannes de Quadris, Tromboncino, Gaspar, Francesco d’Ana, Erasmus Lapicida and others. Hardbound, in decorative paper. $64 (more info... ) [item no.8439]

Motetti A, numero trentatre. Petrucci, Venezia 1502. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Faksimile-Edition Rara, 44. Stuttgart, 2004. Oblong, 24 x 17 cm, 112, 22 pp. Line-cut of the Venice, 1502 edition. Motets a4, choirbook format, by Josquin, Compere, Agricola, Brumel and their contemporaries. In this particular Petrucci print from the CMBM four additional pieces were added in manuscript in 1850. Hardbound, in decorative paper. $62 [item no.8425]

PEZ, Johann Christoph, 1664-1716

Duplex Genius. Five Gallo-Italus Instrumentorum Concentus Opus 1. [12. Constans Symphoniis, 2. Violinis cum archiviala & basso continuo]. E. Roger Marchand / Amsterdam. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 25. Stuttgart, 2013. 21 x 32 cm, 4 partbooks, 106 pp. Line-cut of the Amsterdam, n.d. partbook edition. Scored for vln I, vln II, vc, bc. Wrappers with portfolio in marbled paper. $65 [item no.9346]

PEZEL, Johann Christoph, 1639-1694

[Neue Arien] [Schöne lustiger und anmuthige] Neue Arien [über die uberflüfzigen Gedancken von einer Vocal-Stimme begenst ihren Ritonellen, auf zwey Violinen, zwey Viole u. einen Fagot oder Violon, samt de Bc]. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 24. Stuttgart, 2021. 21 x 31 cm, 84 pp. Line-cut of the Leipzig, 1672 edition. 12 strophic songs in declamatory style with bc accompaniment, with separate parts for vln I, vln II, vla I, vla II, bsn/vc, bsn bound in. Hardbound with marbled paper boards. $51 [item no.9661]

[Delitiae musicales, 2 vln, 2 vla, bsn/vc, bc] Delitiae musicales oder Lust-Music. _☟

Huntingdon, n.d. 4º. Xerographic reprint of the Frankfurt, 1678 edition. 7 suites containing 63 pieces. Wrappers. $72 [item no.8312]

PHALÈSE, Pierre, c.1510-1574 [publisher]

Liber primus leviorum carminum. Premier livre de danseries. Löwen, P. Phalèse und Antwerpen, J. Bellère 1571. [Stadtarchiv, Heilbronn]. _☟

Faksimile Heilbronner Musikschatz, 2. Stuttgart, 1995. Oblong, 19 x 15 cm, 4 partbooks, 438 pp. Line-cut of the Louvain, 1571 edition. Liber primus leviorum carminum—or “first book of easy songs”—consists of 103 dances a4 intended for all instruments. Mostly by Jean d’Estrée, the works include pavane-galliard pairs, allemandes and numerous branles, all written in mensural notation in partbook format. Hardbound in vegetable vellum. Slipcase. $126 [item no.7287]

PHILIDOR, André Danican, 1681-1728

[Pièces, fl/rec/ob/vln, bc] 1. livre de pièces pour la flûte traversiere, flûte a bec, violons et hautbois, avec la basse continue, 1712. [Bibliothèque Nationale, Paris]. _☟

Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 25 pp. Line-cut of the author’s, Roussel & Foucault edition, Paris, 1712. Wrappers. $14 [item no.8807]

PHILIDOR, Anne Danican, 1681-1728

[Suites, flute, bc; Sonatas, recorder, bc; book 1] Premier livre de pièces pour la flûte traversière avec la basse. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 5. Florence, 1980. Oblong, 4º, 24 pp. Line-cut of the 1712 Foucault edition, Paris. 19 pieces for two players, mostly dances, including a sonata for recorder, 3 fugues and 2 picturesque pieces: “Les Forgerons et le Papillon”. Wrappers, in decorative paper. $38 [item no.791]

PHILIDOR, François Danican, 1689-c.1717

[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière. Paris 1716. [Bibl. Nationale, Paris]. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 6. Florence, 1980. Oblong, 24 x 22 cm, iii, 51 pp. Line-cut of the Ballard edition, Paris, 1716. The edition, printed with type, employs diamond shaped notes. Wrappers in decorative paper. $33 [item no.793]

[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière qui peuvent aussi se jouer sur le violon, premier livre. [Bibl. Municipale, Lyon]. _☟

La Musique Française Classique de 1650 à 1800, 56. Courlay, 1991. Oblong, 31 x 22 cm, 18, 51 pp. Line-cut of the Paris, 1716 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $31 [item no.4100]

[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière (ou le violon) - 1716. _☟

Collection FacsiMusic. Courlay, 2007. Oblong, 30 x 21 cm, 32 pp. Line-cut of the Paris, 1716 edition. Wrappers. $14 [item no.8939]

[Quartets, ob/fl/vln, 2 vln, bc] L’art de la modulation; Quatuors pour un hautbois, deux violons et basse (la partie de hautbois peut se jouer sur la flûte ou le violon). 1755. Présentation par les élèves de l’I.F.E. de M. de Rueil-Malmaison. _☟

La Musique Française Classique de 1650 à 1800, 108. Courlay, 1998. 4º, 4 partbooks, 13, 52 pp. Line-cut of the Paris, 1755 edition. Introduction in Fr-Eng-Ger. Wrappers. $45 [item no.7586]

PHILIDOR, Pierre Danican, 1681-1731

[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.1] Premier œuvre. _☟

Musica Musica, S/14. Basel, c.1980. 49 pp. Line-cut of the printed score. Wrappers. $34 [item no.2231]

[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.1] Premier œuvre contenant III. suittes a II. flûtes traversieres seules avec III. autres suittes dessus et basse, pour les hautbois, flûtes, violons, &c. [private collection]. _☟

Performers’ Facsimiles, 275. New York, [2007]. Oblong, 27 x 21 cm, 52 pp. Line-cut of the Paris, 1717 edition. Wrappers. $20 [item no.8902]

[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.2] Deuxiéme œuvre contenant II. suittes a 2. flûtes-traversieres seules avec II. autres suittes deßus et baßse, pour les hautbois, flûtes, violons, &c. [private collection]. _☟

Performers’ Facsimiles, 276. New York, [2007]. Oblong, 27 x 21 cm, 26 pp. Line-cut of the Paris, 1718 edition. Wrappers. $15 [item no.8903]

[Suite, 2 flutes; Suite, oboe/flute/violin, bc, op.3] Troisiéme œuvre contenant une suitte a deux flûtes-traversieres seules, et une autre suitte dessus et basse, pour les hautbois, flûtes, violons, &c. Avec une réduction de la chaße. [private collection]. _☟

Performers’ Facsimiles, 277. New York, [2007]. Oblong, 27 x 21 cm, 22 pp. Line-cut of the Paris, 1718 edition. Wrappers. $13 [item no.8904]

[Suites, 2 flutes, bc, op.1] Trio, premier œuvre, contenant six suites. [Bibl. Nationale, Paris]. _☟

Archivum Musicum: L’Art de la Flûte Traversière, 8. Florence, 1980. Oblong, 24 x 22 cm, v, 52 pp. $44 [item no.795]

PIANI, Giovannni Antonio, 1678-c.1760

[Sonatas, violin/flute/recorder, bc, op.1] XII sonate a violino solo e violoncello col cimbalo, opera prima. _☟

Archivum Musicum: Flauto Traversiere, 26. Florence, 1993. 23 x 33 cm, iv, 80 pp. Line-cut of the Paris, 1712 edition. Introduction by Giovanni Battista Columbro. Wrappers, in decorative paper. $39 [item no.4578]

PICCHI, Giovanni, 1572-1643

[Canzoni, winds, strings, bc, part 1] Canzoni da sonar con ogni sorte d’istromenti. Prima parte. Venezia 1625. _☟

Archivum Musicum: Strumentalismo Italiano, 24. Florence, 1979. 17 x 24 cm, 9 partbooks, vi, c.240 pp. Line-cut of the A. Vincenti edition, Venice, 1625. Consists of 19 canzons and sonatas for 2, 3, 4, 6, & 8 instruments (vln, fl, bsn, trb, cornetti, etc). Introduction in It by Marcello Castellani. Wrappers. $57 [item no.1280]

PIERRE, Constant, 1855-1918

Les facteurs d’instruments de musique. Les luthiers et la facture instrumentale. Précis historique. _☟

Geneva, 1971. 8º, 460 pp. Line-cut of Paris, 1893 edition. Treats French musical instrument makers, covering the period from the 15th to the 19th century. Wrappers. $61 [item no.4262]

PISENDEL, Johann Georg, 1687-1755

[Concerto, violin, strings & bc] Konzert Es-Dur für Violine, Streicher und Basso continuo. Faksimile nach dem Partiturautograph der Sächsischen Landesbibliothek Dresden. Mit einem Kommentar von Karl Heller. _☟

Musik der Dresdener Hofkapelle, [13]. Leipzig, 1986. 23 x 35 cm, 8, 10 pp. Halftone of the autograph score. Wrappers. $45 [item no.2074]

PITTONI, Giovanni, 17th c.

[Intabulations, theorbo, op.1-2] Intavolatura di tiorba. Opera prima e seconda, Bologna 1669. [Printed edition & Ms. G.289, Bibl. Estense di Modena]. _☟

Archivum Musicum: Strumentalismo Italiano, 29. Florence, 1980. 25 x 34 cm, v, 122 pp. Line-cut. 12 sonatas in tablature. Together with a reproduction of a ms that transmits the violin part for sonatas a 3. Introduction in It by Orlando Cristoforetti. Wrappers in decorative paper. $35 [item no.1116]

PIZZETTI, Ildebrando, 1880-1968

Quartetto in re per due violini, viola e violoncello. _☟

Milan, 1934. Oblong, 30 x 21 cm, 96 pp. Line-cut of the autograph fair copy (score), dated 3 December 1932. Coverboards in paper. $95 [item no.4465]

PLATTI, Giovanni Benedetto, 1697-1763

[Trio sonatas, vln, vc, bc] Sonate à 3 cioè violino, violoncello e basso. Présentation par Frohmut Dangel-Hofmann. [Private collection, Comte de Schönborn-Wiesentheid]. _☟

Collection Dominantes. Courlay, 2003. 4º, xx, 6 partbooks, 56 pp. Line-cut of the autographs parts. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.8230]

PLAYFORD, Henry, 1657-c.1709

Apollo’s Banquet, Newly Reviv’d: Containing New and Easie Instructions for the Treble-Violin with Variety of the best and choicest Ayres, Tunes, Jiggs, Minuets, Sarabrands, Chacones and Cybells, that have been Perform’d at both Theatres, and other Publick Places. To which are added, The Newest French Dances, now in use at Court, and in Dancing-Schools. _☟

Alston, 1999. Oblong, 4º, ii, 66 pp. Line-cut of the London, 1701 edition. A collection of choice tunes, many traceable to the suites of incidental music written for plays by Henry Purcell, John Eccles, William Croft, Thomas Tollett, Thomas Morgan and others. Novel new engraving font (“NewTy’d Character” or “new London character”, developed by the printer William Pearson. Preface by Peter Holoman. Ring binding. $29 [item no.7833]

PLAYFORD, John, 1623-1686 [publisher]

[Divisions, violin, 1st part] The Division-Violin: Containing a Choice Collection of Divisions to a Ground for the Treble-Violin. [London, 1684]. [British Library, London]. _☟

Performers’ Facsimiles, 115. New York, [1995]. Oblong, 23 x 20 cm, 42 pp. Line-cut of the London, 1684 edition. Pieces by Becket, Baltzer, Banister, Farinel, Frecknold, Mell, Powlwheel, Reading, C. & R. Smith, Tollet, Van Shmelt, and others. Wrappers. $20 [item no.7186]

[Divisions, violin, 2nd part] The Second Part of the Division-Violin, Containing the Newest Divisions upon Grounds for the Violin. The Fourth Edition. [Royal College of Music, London]. _☟

Performers’ Facsimiles, 116. New York, [1995]. Oblong, 23 x 20 cm, 53 pp. Line-cut of the 4th edition, London, [1705]. Pieces by Baltzer, Banister, Bullimore, Lord Byron, Clarke, Corelli, Dean, J. & S. Eccles, Farmer, Finch, Finger, Haym, King, Lully, Morgan, Poole, D. & H. Purcell, and others. Wrappers. $20 [item no.7187]

An Introduction to the Skill of Musick [in Two Books, The First: The Grounds and Rules of Musik, according to the Gamuut, and other Principles thereof. The Second: Instructions & Lessons for the Baß Viol: and Instruments & Lessons for the Treble-Violin, By John Playford. To Which is Added, The Art of Descant, or Composing Musick in Parts, by Dr. Tho. Campion]. _☟

Ridgewood, 1966. 12 x 19 cm, 135 & 56 pp. Line-cut of the London, 1684 edition. Cloth. $48 [item no.1642]

PLEYEL, Ignaz, 1757-1831

[Sonatas, keyboard, fl/vln/vc] Trois sonates pour clavecin ou forte-piano avec accompagnement de flûte (ou violon) et violoncelle, 1788. Présentation par Les étudiants du Ce.F.E. de M.-Ile-de-France. [Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 157. Courlay, 2004. 4º, 3 partbooks, xii, 58 pp. Line-cut of the Paris, 1788 edition. Preface in Fr-Eng-Ger. Portfolio. $36 [item no.8418]

POULENC, Francis, 1899-1963

Cocardes. Chanson populaire sur le poëme de Jean Cocteau: I. Miel de Narbonne; II. Bonne d’enfant; III. Enfant de troupe (1919). Introduction-Inleiding: Catherine Miller. _☟

Fontes Musicae Bibliothecae Regiae Belgicae, I/VII. Brussels, 2000. 27 x 35 cm, xii, 14 pp. Halftone of the autograph. Version for violin, cornet, trombone, bass drum & triangle. Wrappers. $24 (more info... ) [item no.8075]

PRAETORIUS, Michael, 1571-1621

Cantiones sacrae [de festis praecipuis totius anni, 5.6.7.10. & 11. vocum]. Ohr, Hamburg 1607. [Stadtbibliothek Augsburg]. _☟

Faksimile-Edition Augsburg, 7. Stuttgart, 2000. 15 x 21 cm, 8 partbooks, c.700 pp. Line-cut of the Hamburg, 1607 edition. 47 compositions for 5 to 12 voices, with or without instruments. Hardbound in marbled paper, with matching slipcase. $269 [item no.8245]

Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619. Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt. _☟

Kassel, 1929 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes the instruments known to the author and includes beautiful woodcut illustrations of them. Hardbound. $95 [item no.8126]

Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619. Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt. _☟

Documenta Musicologica, I/14. Kassel, 6/ 1985. 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes the instruments known to the author and includes beautiful woodcut illustrations of them. Hardbound. $87 [item no.1889]

Syntagma musicum: Musicae artis analecta / De Organographia / Termini musici. Reprint der Originalausgaben von 1614-15 und 1619. Herausgeben von Arno Forchert. _☟

Kassel, 2001. 8º, 3 vols, 1153 pp. Line-cut. Wrappers. $95 [item no.7972]

PRELLEUR, Peter, fl.1728-1755

[Method, violon] The Art of Playing on the Violin. _☟

Kassel, n.d. (Part V of the Modern Musick-Master). Line-cut. Wrappers. $16 [item no.1227]

PURCELL, Daniel, c.1660-1717

[Sonatas, violin, bc; Sonatas, recorder, bc] Six Sonata’s or Solos, Three for a Violin, and Three for the Flute, with a Through Bass for the Harpsicord. _☟

Performers’ Facsimiles, 71. New York, [1989]. 25 x 37 cm, 14 pp. Line-cut of the Walsh edition, London, [1698]. Wrappers. $13 [item no.3648]

[Sonatas, violin, bc; Sonatas, recorder, bc] Six Sonata’s or Solos [Three for a Violin, and Three for the Flute, with a Through Bass for the Harpsicord]. [British Library, London]. _☟

Faksimile-Edition Rara, 24. Stuttgart, 1997. 20 x 31cm, 14 pp. Line-cut of the Walsh edition, London, [1698]. Wrappers. $14 [item no.8330]

[Sonatas, violin, bc] Six Sonatas or Solos for the Violin with a Through Bass for the Harpsicord or Bass Violin, Compos’d by Mr. G. Finger and Mr. D. Purcell. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 108. New York, [1994]. 23 x 31 cm, 23 pp. Line-cut of the Walsh edition, London, [1690]. Wrappers. $18 [item no.7007]

PURCELL, Henry, 1659-1695

[Sonatas, 2 violins, bass, bc] Ten Sonata’s in Four Parts. _☟

Performers’ Facsimiles, 60. New York, [1988]. 23 x 35 cm, 4 partbooks, c.90 pp. Line-cut of the London, 1697 edition. Wrappers. $50 [item no.2694]

[Theater music, strings, a4] A Collection of Ayres, Compos’d for the Theatre, and upon other Occasions. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 110. New York, [1994]. 22 x 35 cm, 4 partbooks, 156 pp. Line-cut of the London, 1697 edition. Partbook format, for vln I, vln II, tenor & bass. Contents: 16 numbers from Dioclesian, 7 from Abdelazer, 7 from The Gordian Knut Untied, 8 from The Married Beau, and 7 from The Double Dealer. Wrappers. $65 [item no.4756]

[Theater music, strings, a4] Recueil d’airs a 4 parties tirez des opera tragédies & comedies. Livre premier; Livre second [Music Library Sweden]. _☟

Alston, 1999. 21 x 29 cm, 8 volumes, i, c.120 pp. Line-cut of the E. Roger edition, Amsterdam, c.1700. The Dutch plagiarized version of A Collection of Ayres. Fortunately Roger had access to the errata sheet printed with the 1697 publication as the worst errors in the original printing are avoided. Introduction by Peter Holman. Ring binding. $64 [item no.7813]

[Trio sonatas, 2 violins, bass, bc] Sonnata’s of III Parts: Two Viollins and Basse: to the Organ or Harpsecord. _☟

Performers’ Facsimiles, 10. New York, 1986. 23 x 30 cm, 4 partbooks, c.56 pp. Line-cut of the London, 1683 edition. Wrappers. $50 [item no.1228]

QUANTZ, Johann Joachim, 1697-1773

[Trio sonatas, 2 fl/vln, op.5, QV 3:2.10, 5, 3, 8, 11 & 6] Six Sonatas or Duets for Two German Flutes or Violins Compos’d by Sigr. Quantz. Opera Quinta. _☟

London, 1986. 4º, ii, 22 pp. Line-cut of the Walsh edition, London, c.1750. Introduction by Jennifer Carr. Wrappers. $17 [item no.2237]

QUENTIN, Jean Baptiste, b.?-c.1750

[Trios; quartets, strings/winds, bc, op. 11] Sonates en trio et quatre parties pour violons, flûtes traversières, viole et basse continue, Œuvre XI, c.1742. Présentation par les élèves du Ce. R.E. de M. Île-de-France. [Staatsbibl. zu Berlin]. _☟

La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, 3 partbooks, x, 60 pp. Line-cut of the author’s edition, Paris, c.1742. Preface in Fr-Eng-Ger. Wrappers. $33 [item no.8141]

RAGAZZI, Angelo c.1680-1750

[Sonatas a 4, strings, bc, op.1] Sonate a quattro per violino primo principale, violino primo di raddoppio, violino secondo, violino terzo o violetta, violone e basso continuo. Op.1 (Roma 1736). Facsimile. [Museo Internazionale e Biblioteca della Musica di Bologna, sign. II.256]. _☟

Offenburg, 2013. 4º, 6 partbooks, 112 pp. Beautiful halftone of the Rome, 1736 edition. Ragazzi, trained at the orphanage of S. Maria di Loreto in Naples, later attained the position of concert master at the Neapolitan Court Orchestra. The 12 sonatas feature experimental combinations of sonata, solo concerto and concerto grosso. Wrappers. $92 (more info... ) [item no.9373]

RAMEAU, Jean-Philippe, 1683-1764

[Cantatas, voice, violins, bc, book 1] Le berger fidèle, cantate pour soprano avec deux violons; Aquilon et Orithie, cantate pour basse avec accompagnement de violons. _☟

La Cantate Française du XVIIIe Siècle, XI. Geneva, 1988. 4º, 41 pp. Line-cut of the Paris, c.1728 edition. 2 cantatas, the first for soprano & two violins, the second for bass and violin. Wrappers. $40 [item no.2769]

[Cantatas, voice, violins, bc, book 1] Cantates françoises à voix seule avec simphonie - 1729. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 44 pp. Line-cut of the Paris, 1729 edition. Contents: Le berger fidèle; Aquilon et Orithie, Wrappers. $16 [item no.8930]

Les Indes galantes. Ballet réduit à quatre grands concerts. 1735-1736. Présentation par Pascal Duc. [Bibl. Municipale, Lyon]. _☟

La Musique Française Classique de 1650 à 1800, 166. Courlay, 2005. Oblong, 31 x 23 cm, xxxi, 230 pp. Line-cut of the Paris, 1735-1736 edition (short score). Introduction in Fr-Eng-Ger. Wrappers. $93 [item no.8572]

Les Indes galantes. Paris. [Bibliothèque d’étude et de conservation Besançon]. _☟

Faksimile-Edition Kammermusik des Barock, 5. Stuttgart, 2015. Oblong, 31 x 23 cm, 226 pp. Line-cut of the Paris, 1735-1736 edition (short score). Hardbound, with boards in decorative paper. $83 [item no.9427]

[Pièces, harpsichord, violin/flute, viol/violin] Pièces de clavecin en concert. _☟

La Musique Française Classique de 1650 à 1800, 48. Courlay, 1989. 24 x 33 cm, 14, 55 pp. Line-cut of the score. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $37 [item no.3529]

[Pièces, harpsichord, violin/flute, viol/violin, parts] Five Concertos for the Harpsicord Accompanied with a Violin or German Flute or Two Violins or Viola, with Some Select Pieces for the Harpsicord Alone. London: I. Walsh, [1750]. [Pièces de clavecin en concert]. _☟

Performers’ Facsimiles, 13. New York, 1987. 26 x 34 cm, 3 partbooks, 73 pp. Line-cut of the Walsh edition, London, [1750]. Wrappers. $45 [item no.2238]

RAVENSCROFT, Thomas, c.1590-c.1633

Deuteromelia: or the Second Part of Musicks Melodie, or Melodius Musicke, of Pleasant Roundelaies, K.H. Mirth, or Freemens Songs, and Such Delightfull Catches. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 227. New York, [1998]. 17 x 24 cm, 46 pp. Line-cut of the William Adams edition, London, 1609. Wrappers. $18 [item no.7610]

Melismata. Musicall Phansies, fitting the Court, Citie, and Countrey Humours, to 3.4. and 5. Voyces. [British Library, London]. _☟

Performers’ Facsimiles, 228. New York, [1998]. 17 x 24 cm, 45 pp. Line-cut of the William Stanley edition, London, 1611. Wrappers. $18 [item no.7611]

Pammelia. Musicks Miscellanie, or, Mixed Varietie of Pleasant Boundelayes, and delightfull Catches, of 3.4.5.6.7.8.9.10 Parts in one. [British Library, London]. _☟

Performers’ Facsimiles, 226. New York, [1998]. 17 x 24 cm, 55 pp. Line-cut of the William Barley edition, London, 1609. Wrappers. $18 [item no.7612]

REBEL, Jean-Féry, 1666-1747

Caprice (1711); Boutade (1712). Présentation par Catherine Cessac. [Nedelands Muziek Instituut, The Hague; Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 189. Courlay, 2006. 24 x 33 cm, 3 vols, vii, 58 pp. Preface in Fr-Eng-Ger. Wrappers. $32 [item no.8790]

Les caractères de la dance. Fantaisie (1715). Grand chœur / Petit chœur. Neuausgabe. Faksimile der Pisendel-Abschrift. Faksimile Erstdruck. Neuauflage 1727/1733. Herausgegeben von Stefan Fuchs. _☟

Magdeburger Faksimile Offizin. Magdeburg, 2007. 4º, 41 pp. Facsimile of Pisendel’s manuscript copy, plus the first edition (Le Clerc, 1727/1733), together with a new practical edition of the score. This fantasie, from 1715, is considered one of the great monuments of Baroque dance music (even performed by Handel in London), and can be performed ”petit choeur” (i.e. as a trio sonata) or “grand choeur” with extra inner voices. Wrappers. $46 [item no.8898]

Les caractères de la danse, 1715 / La Terpsichore, 1720. Présentation: Dona Borel, CeFEdeM Île-de-France. _☟

La Musique Française Classique de 1650 à 1800, 206. Courlay, 2012. 22 x 30 cm, x, 16 pp. Line-cut of the Paris, 1715 & 1720 editions. Preface in Fr-Eng-Ger. Wrappers. $35 [item no.9275]

Les éléments. Simphonie nouvelle. Neuausgabe. Faksimile der Pisendel-Abschrift. Herausgegeben von Stefan Fuchs. _☟

Magdeburger Faksimile Offizin. Magdeburg, 2005. 4º. Facsimile of the of Paris, 1737 edition, together with modern edition. Wrappers. $56 [item no.9077]

Fantaisie, 1729; Les plaisirs champêtres, 1734; [Les parodies nouvelles, et les vaudevilles inconnus, 1730]. Présentation par Catherine Cessac. [Nederlands Muziek Instituut, The Hague; Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 191. Courlay, 2006. 24 x 33 cm, vii, 26 pp. Line-cut of the 1729, 1734 & 1730 editions. The Fantaisie is also known as Pas de trois, with string/wind accompaniment. Les plaisirs champêtres is for 2 female and 4 male dancers (pas de six), with string/wind accompaniment. Preface in Fr-Eng-Ger. Wrappers. $23 [item no.9077]

Recueil de douze sonates a II et III parties avec la basse chiffrée. 1712. Intégralité des sources. Présentation par Catherine Cessac. [Bibliothèque Municipale de Versailles; Bibliothèque Nationale, Paris]. _☟

La Musique Française Classique de 1650 à 1800, 193. Courlay, 2006. 24 x 33 cm, 7 vols, viii, 250 pp. Line-cut of the Paris, 1712 edition, along with material in manuscript. Contents: 7 sonatas (en trio): La Flore, La Vénus, L’Apollon, La Junon, La Pallas, L’Immortelle, Le Tombeau de Monsieur Lully; and 5 sonatas (violin & bc): Le Sincère, La Fidelle, L’Iris, La Brillante, La Toute belle (plua La Forcroy). Preface in Fr-Eng-Ger. Wrappers. $86 [item no.8792]

REGER, Max, 1873-1916

[Fantasy on “Freu' dich sehr, o meine Seele”, organ, op.30] Phantasie für Orgel über den Choral “Freu' dich sehr, o meine Seele”, op. 30. Für Pianoforte zu 4 Händen bearbeitet vom Komponisten. Erstausgabe herausgeben von Jürgen Schaarwächter, Max-Reger-Institut/Elsa-Reger-Stiftung. _☟

Stuttgart, 2003. 24 x 33 cm, 32 pp. Color halftone of the fair copy autograph. Preface in Ger-Eng-Fr. Wrappers. $36 (more info... ) [item no.9309]

[Trio, violin, viola, & cello] Trio Op.77b. Faksimile der Handschrift herausgegeben aus Anlaß des 100. Geburtstags Max Regers. _☟

Musikalische Veröffentlichung des Max Reger Instituts, 3. Wiesbaden, 1973. Oblong, 17 x 13 cm, i, 68 pp. Fine 3-color line-cut/halftone issued on the occasion of the composer’s 100th birthday. The use of different inks for the notes versus dynamic and articulation markings, as is the case here, is characteristic of Reger’s fair copies. Foreword by Ottmar Schreiber. Wrappers, with beautiful presentation folder. $75 [item no.520]

REGNART, Jakob, c.1540-1599

Newe kurtzweilige teutsche Lieder / Deutsche Lieder und Motteten, Ms. [Schermar-Bibliothek, Stadtbibliothek, Ulm, sign. misc. 122]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 29. Stuttgart, 1997. Oblong, 20 x 15 cm, 5 partbooks, c.390 pp. Line-cut of two editions, one printed by Gerlach (Nuremberg, 1580), and the other a contemporary manuscript, Stadtbibliothek, Ulm, sign. misc. 122. Contains 16 settings a5 from the printed collection, plus 29 settings a4 and 4 a5 from the manuscript source. Hardbound in vellum paper, with matching slipcase. $152 [item no.7514]

REID, John, 1721-1807

[Solos, flute/violin, bc, books 1 & 2] 6 Solos for a German Flute, book 1; 6 Solos for a German Flute, book 2. _☟

Nashua, c.1996. 4º. Line-cut of the London, 1756 & 1762 editions. Wrappers. $23 [item no.7733]

RENOTTE, Hubert, 1694-1745

[Sonatas, keyboard; flute/violin, keyboard, bc] Six sonates de clavecin egalement apropres pour un violon ou pour une flute traversiere avec la bass. Premier œuvre. _☟

Musica Repartita, 181F. Utrecht, 1997. 21 x 30 cm,. 33, ii pp. Line-cut of the Liège, 1740 edition. Afterword in Dut-Eng by J.H. van Krevelen. Wrappers. $16 [item no.8615]

REPICHET, G.P., 18th c.

[Sonatas, harpsichord/piano, violin ad lib., op.1] Deux sonates pour le clavecin ou forte-piano avec accompagnement de violon ad libitum. Œuvre Ie. _☟

Musique pour le Piano-Forte, VIII. Geneva, 1983. 4º, 36 pp. Line-cut of the Paris, 1798 edition. Wrappers. $30 [item no.2729]

RHEINBERGER, Josef Gabriel (1839-1901)

[Trio, piano, strings, no.2, op.112, A major] Faksimileausgabe des Klaviertrios Nr. 2 in A op.112 nach der autographen Partitur in der Bayerischen Staatsbibliothek München. Mit einem Nachwort von Harald Wanger. [Mus.ms. 4584]. _☟

Die Gesamtausgabe der Werke Rheinbergers, Supplement, 1. Stuttgart, 1996. 4°, 59 pp. This enigmatic composer, mostly remembered today only for his organ compositions, is an important contemporary of Wagner and Brahms, and a teacher of Humperdinck, Wolf-Ferrari, George Chadwick and Wilhelm Furtwangler. Interestingly he did little to publicize his compositions in his lifetime and in many cases it was due to the vigorous initiative of his wife Fanny that a work was sent to a publisher. Fortunately the newly launched Complete Edition of the Works of Rheinberger (Carus-Verlag) will remedy this situation. The present facsimile edition, a part of this series, is based on the fair copy autograph housed at the Baravian State Library in Munich, one of two important repositories of Rheinberger's music. The Piano Trio No. 2, a highly original work dating from 1878, is classical in structure and romantic in character with many eclectic qualities lacking in of the music of his German contemporaries. The piece has many wonderful moments, the minuet section is a “lovers duet” between the strings while the piano provides the underpinning with a light flowing texture. Handsome blue linen binding with signature of Rheinberger in gold. $97 (more info... ) [item no.9259]

RIES, Ferdinand, 1784-1838

[Quartets, fl, vln, vla, vc, op.145] Three Quartets, op.145 for Flute, Violin, Viola, and Cello. _☟

Nashua, 1993. 4º, 4 parts, i, 63 pp. Line-cut. Quartets in the key of C major, E minor and A minor. Wrappers. $28 [item no.4671]

RIGHINI, Vincenzo, 1756-1812

[Concerto, fl, 2 vln, 2 ob, 2 bsn, 2 hns, vla, bc, G maj.] Concerto in sol maggiore a flauto obbligato, violino 1º e 2º, oboe 1º e 2º, fagotto 1º e 2º, corno 1º e 2º, viola e basso. Ms. Copenhagen [e Augsburg]. _☟

Archivum Musicum: Flauto Traversiere, 29. Florence, 1995. Oblong & upright, 32 x 24 cm, 2 vols, v, 104 + 21 pp. Line-cut of a contemporary ms copy (both score and parts), copied c.1802. Introduction in It by Marcello Castellani. Wrappers. $45 [item no.7142]

ROGET, Clair-Nicolas, 18th c.

[Sonatas, 2 viols, flutes/violins, op.1] Sonates pour deux pardessus de viole, flûtes ou violons. Œuvre 1er. _☟

Flûtistes Français du XVIIIe Siècle, VI. Geneva, 1985. 4º, 26 pp. Line-cut of the Paris, 1765 edition. Six sonatas in 2 movements. Wrappers. $30 [item no.3325]

ROGNONI, Francesco, fl.1608-1624

Selva de varii passaggi per cantare, & sonare. [Bibl. del Conservatorio, Milan]. _☟

Bibliotheca Musica Bononiensis, II/153. Bologna, 2/ 1983. 22 x 32 cm, xii, 130 pp. Line-cut of the Milan, 1620 edition. Francesco Rognoni came from a prominent musical family and was himself a virtuoso of several instruments. Selva contains important expressive devices of the time: portar la voce, accento, tremolo, grupp, esclamatione and intonatio, absolutely essential for performing the music of Monteverdi and his generation. Introduction in It by Guglielmo Barblan. Wrappers. (more info... ) [item no.1282]

ROLLA, Alessandro, 1757-1841

[Duos concertants violin, viola, book 4] Trois duos concertants pour violon et alto - 4e livre. _☟

Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 56 pp. Line-cut of the Paris, [c.1809] edition. Wrappers. $18 [item no.8941]

ROSENMÜLLER, Johann, c.1619-1684

[Studenten-Music, 3-5 strings/winds, bc] Studenten-Music. Darinnen zu befinden allerhand Sachen mit drey und fünff Violen/ oder auch andern Instrumenten zu speilen. _☟

Huntingdon, n.d. 4˚, 6 partbooks, 284 pp Xerographic reprint of the Leipzig, 1654 edition. 10 suites, systematically arranged in ascending order by key. Wrappers. $90 [item no.8313]

ROSSI, Giovanni Battista, 16-17th c.

Organo de cantori. [Civico Museo Bibliografico Musicale, Bologna]. _☟

Bibliotheca Musica Bononiensis, II/57. Bologna, 1984. 22 x 31 cm, 120 pp. Line-cut of the Gardano edition, Venice, 1618. A treatise on counterpoint, complete with music examples. Includes 4 instrumental canzonas for 4 instruments & bc and duos suitable for organ. Laid paper. Cloth. $71 [item no.3741]

ROSTHIUS, Nicolaus, c.1542-1622

Fröliche neuwe teutsche Gesäng, so zum Theil geistlich, zum Theil auch sonst kurtzweilig, mit vier, fünff und sechtz Stimmen. [Stadtarchiv, Heilbronn & Bibliothek der Gesamthochschule, Kassel]. _☟

Faksimile Heilbronner Musikschatz, 1. Stuttgart, 1995. Oblong, 20 x 15 cm, 6 partbooks, 286 pp. Line-cut of the Christoff Raben edition, Frankfurt, 1583. Four German songs a6, eighteen a5, and eight a4, in mensural notation. Hardbound, in slipcase. $183 [item no.7182]

[Galliards] XXX newer lieblicher Galliardt [mit schönen lustigen Texten]. [Der ander Theil newer lieblicher Galliardt mit schönen lustigen Texten [Herzog August Bibliothek, Wolfenbüttel]. _☟

Faksimile-Edition Rara, 16. Stuttgart, 2000. 17 x 21 cm, 4 partbooks, c.320 pp. Line-cut of the Altenburg, 1593 edition. 58 German galliards for 4 voices, suitable for voices and instrumentals or instruments alone. Hardbound in marbled paper, with matching slipcase. $146 [item no.7820]

ROTH, Christian, c.1585-c.1640

Couranten-Lustgärtlein, RISM 1625(10). [Stadtbibliothek, Bautzen]. _☟

Faksimile-Edition Rara, 9. Stuttgart, 1998. Oblong, 20 x 24 cm, 5 partbooks, c.180 pp. Line-cut of Wolff Seiffert edition, Dresden, 1625. 74 pieces for wind or string instruments. Wrappers, with slipcase in marbled paper. $78 [item no.7575]

RUDOLF, ARCHDUKE OF AUSTRIA, 1788-1831

[Aufgabe von Beethoven gedichtet, 40 Mahl verändert] Forty Variations on a Theme by Beethoven for Piano; Sonata in F Minor for Violin and Piano. Edited by Susan Kagan. [KromeΩrΩízΩ, Czech, Ms. A 4373, and Vienna, Gesellschaft der Musikfreunde, Ms. Q 15075]. _☟

Music of the Nineteenth and Early Twentieth Centuries, 21. Madison, 1992. 4º, iv, 136, with 45 pp. New critical edition of works by one of Beethoven’s students and patrons. Includes B/W facsimiles (in reduced format) of Beethoven’s emendations to the Archduke’s autograph of Forty Variations, as well as the complete autograph of the F Minor Sonata. Wrappers. $68 [item no.4794]

RUGE, Filippo, c.1725-c.1767

[Solos, flute/violin, bc] Six Solos for a German Flute with a Thorough Bass. London s.d. _☟

Archivum Musicum: Flauto Traversiere, 20. Florence, 1990. 24 x 32 cm, iv, 29 pp. Line-cut of the Walsh edition, London, [1751]. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.3864]

SAINT-SAËNS, Camille, 1835-1921

Le carnaval des animaux. Fac-similé du manuscrit autographe / The Carnival of the Animals. Facsimile of the Autograph Manuscripts. Introduction Marie-Gabrielle Soret. _☟

De Main de Maître, 2. Turnhout, 2018. 30 x 36.6 cm, 192 pp ( 127 color). Full-color facsimile of the autograph full score—“Stichvorlage”. The second volume of the series “De main de maître”, a facsimile collection devoted to orchestral scores of the most prestigious sources conserved in the Music Department of the Bibliothèque National de France. If there is one work in all of Saint-Saëns’ musical output that supremely captures the disposition so typical of the composer, it is The Carnival of the Animals, completed in Feb. 1886, and created for friends and performers close to Saint-Saëns and performed about 15 times between 1886 and 1894 to a small audience. Because Saint-Saëns feared that his “zoological fantasy” would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Marie-Gabrielle Soret, a Saint-Saëns specialist, provides a detailed description of the work and the context of its creation, the facsimile includes the 14 numbers of The Carnival of the Animals. It reveals the composer’s handwriting, all the performance directions as he noted them, and the playful animal drawings with which he decorated his score—a fish for “Aquarium”, the skeleton of a dinosaur for “Fossiles”, and the pale blue pencil silhouette of a swan to illustrate the famous “Swan”. Commentary in Fr-Eng. Hardbound, with colorful dust jacket. $289 (more info... ) [item no.9580]

SAMMARTINI, Giuseppe, 1695-1750

[Concerto, soprano recorder, strings, F maj.] Concerto per flauto. [Ms., Academy of Music, Stockholm]. _☟

Münster, 2/ 1991. Oblong, 4º, 26, i pp. Line-cut of the score, from a contemporary ms copy. Introduction in Ger by Winfried Michel. Wrappers. $19 [item no.4283]

[Concerti grossi, strings, op.5] 6 Concerti Grossi, op.5. _☟

Huntingdon, c.1991. 4º, 9 partbooks, c.90 pp. Line-cut of the London, 1747 edition. Scored for solo vln I, II, vc, kbd; ripieno vln I, II, vla, vc, & db. Wrappers. $76 [item no.7130]

[Solos, flute/violin/oboe, bc, op.13] Six Solos for a German Flute with a Thorough Bass. London s.d. _☟

Archivum Musicum: Flauto Traversiere, 31. Florence, 1996. 24 x 33 cm, v, 26 pp. Line-cut of the London, [1760] edition. Preface in It by Rossella Rossi. Wrappers, in decorative paper. $33 [item no.7373]

[Trio sonatas, 2 violins/flutes, bc, op.3] 12 Trio Sonatas, op.3. _☟

Chamber Music from Georgian England, 6. Huntingdon, c.1988. 4º, Line-cut of the London, 1747 edition. Wrappers. $39 [item no.7054]

SAMMARTINI, Giovanni Battista, c.1700-1775

[Sonatas, 2 violins, bc] Six Sonatas for Two Violins with Thorough Bass for the Harpsicord or Violoncello. _☟

Performers’ Facsimiles, 73. New York, [1990]. 24 x 32 cm, 3 partbooks, 31 pp. Line-cut of the Walsh edition, London, [1756]. Wrappers. $25 [item no.3756]

SANGIORGIO DI MONACO, Pietro, 16-17th c.

[Capricci, 2 voices] Il primo libro de capricci [a due voci]. [British Library, London]. _☟

Faksimile-Edition Rara, 31. Stuttgart, 1999. 16 x 22 cm, 2 partbooks, 80 pp. Line-cut of the Venice, 1608 edition. 36 duos for unspecified treble instrument and bass. Wrappers, with portfolio in marbled paper. $39 [item no.7745]

SARTI, Giuseppe, 1729-1802

[Sonatas, flute, bc; Sonatas, harpsichord, violin/flute] VI sonate a flauto traversiero solo e basso continuo. Paris, s.d. / III sonate per il cembalo con violino o flauto traverso concertante. Amsterdam s.d. _☟

Archivum Musicum: Flauto Traversiere, 17. Florence, 1989. 24 x 32 cm, 3 partbooks, v, 40 pp. Line-cut of the Paris, [1772] and Amsterdam, [1765] editions. Introduction in It by Marcello Castellani. Wrappers, in decorative paper with matching slipcover. $42 [item no.3185]

[Sonatas, flute, bc] VI sonates a flauto traversiero solo e basso continuo. _☟

La Flûte Retrouvée, [15]. Béziers, 2000. 21 x 27 cm, 17 pp. Line-cut of the Paris [1782] edition. Laid paper. Wrappers in marbled paper. $21 [item no.7914]

SCARLATTI, Alessandro, 1660-1725

[Concerti grossi, strings] VI. Concertos in Seven Parts, for Two Violins & Violoncello Obligato With Two Violins More, a Tenor & Thorough Bass. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 173. New York, NY, [1998]. 4º, 7 partbooks, c.90 pp. Line-cut of the Benjamin Cooke edition, London, c.1740. Scored for solo vln I-II, vc, kbd; ripieno vln I, II, vla, vc, & bc. Wrappers. $50 [item no.7017]

SCARLATTI, Domenico, 1685-1757

Symphony to Narcissus. _☟

Huntingdon, n.d. 4˚. Line-cut of the London, 1720 edition. Scored for 2 vln, vla, vc, db, ob, bsn. Wrappers. $28 [item no.8291]

SCHENCK, Johannes, c.1660-d.?

[Sonatas, violin, bc, op.7] Suonate a Violino e Violone o Cimbalo op.7 . Amsterdam / Estienne Roger. [Bibliothek der Kathedrale, Durham]. _☟

Faksimile-Edition Violino e Continuo, 2. Stuttgart, 2015. 19 x 31 cm, 2 partbooks, 52 pp. Line-cut of the Roger edition, Amsterdam, [1699] edition. 18 sonatas. Wrappers with handsome marbled paper boards with ties. $43 [item no.9452]

SCHICKHARDT, Johann Christian, c.1680-c.1762

[Sonatas, flute, 2 oboes, vdg, bc, op.5] Six sonates à une flute, deux haubois, une viole de gamba & basse continue. Cinquiéne ouvrage. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 183. New York, [1997]. 24 x 30 cm, 5 parts, c.60 pp. Line-cut of the Roger edition, Amsterdam, n.d. Wrappers. $38 [item no.7390]

[Sonatas, flute/violin/recorder, bc, op.30] L’alphabet de la musique [contenant, XXIV sonates-solos, pour la flûte traversière ou pour le violon avec une basse continue, selon la clef françoise pour la flûte a bec . . . XXX Ouvrage]. Londra s.d. _☟

Archivum Musicum: Monumenta Musicae Revocata, 12. Florence, 1992. Oblong, 32 x 25 cm, viii, 91 pp. Line-cut of the London, c.1735 edition. Collection of 24 sonatas in 24 different keys. Interestingly, Schickhardt employed five different English engravers for the work. Introduction in It-Eng by Marcello Castellani. Quarter linen. $54 [item no.4229]

[Trio sonatas, 2 oboes/violin, bc, op.7] XII sonates à deux haubois ou violons & basse continue. Septiéme ouvrage. [Library of Congress, Washington, DC]. _☟

Performers’ Facsimiles, 253. New York, [2006]. 4º, 3 partbooks, 64 pp. Line-cut of the Amsterdam, n.d. edition. Wrappers. $35 [item no.8675]

SCHMELZER, Johann Heinrich, 1620-1680

[Sonatas, violin, bc] Sonatae unarum fidium. Sechs Sonaten für Violine und B.c. Faksimile, Nürnberg 1664. Herausgegeben von Marc Strümper. _☟

Magdeburg, 2009. 4º. viii, 41 pp. Halftone of the Endter edition, Nuremberg, 1664. The first collection of violin sonatas published by a German-speaking composer and a milestone in the history of violin music. The first 6 sonatas are in variation form; the last two introduce dance movements with wonderful ruminative monologues. Introduction in Ger-Eng. Wrappers. $40 (more info... ) [item no.9050]

SCHMIED, Salomon, 17th c.

Dialogus wieder böse Verfolger. [Biblioteka Jagiellońska, Krakow]. _☟

Faksimile-Edition Krakau, 19. Stuttgart, 2009. 14 x 20 cm, 16 pp. Line-cut of the Daniel Starck edition, Stettin, 1665. Wrappers. $10 [item no.9117]

SCHOBERT, Johann, 1735-1767

[Sonatas, harpsichord, violin, op.1, 2, 3, 17] Sonates pour le clavecin qui peuvent se jouer avec l’accompagnement de violon. Opus I, II, III, XVII. [Archives Départementales du Lot-et-Garonne]. _☟

Collection Dominantes. Courlay, 1996. Oblong, 33 x 24 cm, xxii, 140 pp. Line-cut of the Paris, 1761, 1762, 1763 and 1767 editions. Introduction in Fr-Eng-Ger. Wrappers. $55 [item no.7223]

[Sonatas, harpsichord, violin, op.5] Deux sonates pour le clavecin avec l’accompagnement de violon. Œuvre V. _☟

Biblioteca Classica, 105. Rotterdam, 1984. 4º, 2 parts, 18 pp. Line-cut of the R. Bremner edition, London, 1780. Wrappers. $13 [item no.4933]

[Sonatas, harpsichord, 2 violins, violoncello, op.7] Trois quatuor pour le clavecin avec accompagnements de deux violons et basse ad libitum. Opera VII. _☟

Biblioteca Classica, 107. Rotterdam, 1985. 4º, 4 parts, 44 pp. Line-cut of the Robert Bremner edition, London, 1780. Wrappers. $23 [item no.4935]

[Sonatas, harpsichord, 2 violins, violoncello, op.7] Sonates en quatuor (Clavecin avec accompagnement de deux violons et basse). Opus VII, 1764. Présentation par Jean-Patrice Brosse. [Bibl. Nationale, Paris]. _☟

Collection Dominantes. Courlay, 1992. Oblong, 33 x 24 cm, 4 partbooks: 35, 38 pp. Line-cut of the Paris, 1764 edition. Introduction in Fr-Eng-Ger. Wrappers. $39 [item no.4396]

[Sonatas, harpsichord, violin, vc, op.14] Six sonates pour le clavecin. . . opera XIV. Les parties d’accompagnements fonts ad libitum. _☟

Biblioteca Classica, 114. Rotterdam, 1983. 4º, 3 parts, 61 pp. Line-cut of the Robert Bremner edition, London, c.1770. Wrappers. $30 [item no.4936]

[Sonatas, harpsichord, violin, op.14] Six sonates pour le clavecin (Accompagnement ad libitum: quatuor pour la sonate 1–violon pour les sonates 2 à 6). Œuvre XIV (1766). Présentation par Jeanne Roudet. [Bibl. Nationale, Paris]. _☟

Collection Dominantes. Courlay, 1990. 24 x 33 cm, xxxiii, 63 pp. Line-cut of the Paris, [1766] edition. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.3957]

[Sonatas, harpsichord, violin, op.17] IV sonates pour le clavecin avec accompagnement de violon. Œuvre XVII. _☟

Biblioteca Classica, 117. Rotterdam, 1984. 4º, 2 parts, 40 pp. Line-cut of the Bremner edition, London, c.1775. Wrappers. $25 [item no.4987]

SCHOENBERG, Arnold, 1874-1951

Three Pieces for Chamber Orchestra (1910). Score, Facsimile and Parts. _☟

Los Angeles, 1962. 4º, 23, 3 pp. Line-cut of the autograph score, together with new practical edition (score & parts). Scored for fl, ob, cl, bsn, hn, org, cel & strings. Wrappers. $18 [item no.557]

SCHÖFFER, Peter [publisher]

Fünnf und sechzig teütscher Lieder [vormals im Truck nie ußgangen]. Straßburg / P. Schöffer und M. Apiarius. [Ratsschulebibliothek, Zwickau]. _☟

Faksimile-Edition Zwickau, 1. Stuttgart, 2005. Oblong, 13 x 12 cm, 5 partbooks, c.450 pp. Line-cut of the Schöffer and Apiarius edition, Strasbourg, 1538. SATB + Vagans partbooks. Wonderful 16th-c. German songbook. Composers include: Alderinus (3), Bruck, Arthopius (4), Eckel (3), Grefinger (3), Greitter (5), Hofhaimer, St. Mahu, Senfl (7), Sporer (6), Stoltzer (3), Spengler, Wannenmacher, & Wüst (10). Hardbound in decorative paper. $105 [item no.8722]

SCHRŒTER, Johann Samuel, c.1752-1788

[Sonatas, harpsichord/piano, flute/violin, op.4] Six sonates pour le clavecin ou le piano forte avec accompagnement de flute ou violon ad libitum. Opera IV. _☟

Biblioteca Classica, 143. Rotterdam, 1984. 4º, 2 parts, 26 pp. Line-cut of the Paris, 1772 edition. Wrappers. $16 [item no.4937]

SCHUBERT, Franz, 1797-1828

[Quintet, piano, strings, “Trout”, D.667, A major] Grand quintuor pour le piano-forte, violon, alto, violoncelle, & contrebass [“The Trout”]. _☟

Performers’ Facsimiles, 160. New York, [1997]. 25 x 31 cm, 5 parts, 104 pp. Line-cut of the Josef Czerny edition, Vienna, [1829]. Wrappers. $45 [item no.7370]

[Sonata, violin, piano, D.384, op.137,1, D major] Sonate für Klavier und Violine D-Dur Opus 137 Nr. 1, D 384. Faksimile nach dem Autograph und einer autographen Abschrift. [Mss. Private Collection, Anne Liese Henle of Duisburg, Universitetsbibl. Lund, & The Newberry Library, Chicago]. _☟

[Henle Music Facsimiles, 9]. Munich, 1988. 25 x 33 cm, 30, viii pp. Beautiful 3-color halftone of the autograph score and autograph piano part (1st movement only), together with the song “Gruppe aus dem Tartarus” D 396 added at the end of the ms. One of three sonatas written in March and April of 1816 (possibly for home use, i.e., the “Schubertiades”) at the age of 19. The ms, divided by Schubert himself into 3 parts, preserved today in 3 separate libraries, has been re-united in this facsimile. Afterword in Ger-Eng by Martin Bente. Handsome binding with paper boards and pasted label. $119 (more info... ) [item no.2084]

[Trio, piano, vln & vc, op.100, D929, Eb major] Klaviertrio Es-dur Opus 100 D 929. Faksimile nach dem Partitur-Autograph Schweizer Privatbesitz. Herausgegeben und mit eiem Vorwort von András Schiff. Einleitung von Andrea Lindmayr-Brandl. _☟

[Henle Music Facsimiles, 25]. Munich, 2014. Oblong, 35 x 29 cm, xxi, 74 pp. Deluxe full-color facsimile of the autograph. Schubert’s Trio in Eb major op. 100 underwent many changes during its composition. The manuscript, parts of which were greatly revised, bears eloquent witness to this and offers an opportunity to trace the intricacies of Schubert’s phrasing and articulation. This source is in a private collection and this facsimile makes it accessible to the public for the very first time. In a letter to his publisher in 1828, Schubert explicitly dedicated the work to “no one, save those who find pleasure in it”. Commentary in Ger-Eng. Hardbound. $124 (more info... ) [item no.9360]

SCHWARTZKOPFF, Theodor, 1659-1732

Fuga melancholiae [hoc estharmonica, Concertus sacri, missas, psalmos & hymnos continentes, à quatuor vocibus necessariis, & quinque instrumentis ad libitum]. Stuttgart, Weyrich Rösslin 1684. [Universitätsbibl. Krakow]. _☟

Faksimile-Edition Krakau, 2. Stuttgart, 2006. 25 x 36 cm, 68 pp. Line-cut of the Stuttgart, 1684 edition. edition. 8 sacred concerti scored for SATB, vln I-II, vla I-II-III & basso continuo. Wrappers, in slipcase covered in marbled paper. $89 [item no.8664]

SHIELD, William, 1748-1829

Six Duettos, Five for Two Violins and One for Two German Flutes. Opera 1. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 188. New York, [1996]. 26 x 33 cm, 2 part, 28 pp. Line-cut of the William Napier edition, London, [1777]. Wrappers. $20 [item no.7272]

Six Duets for Two Violins. Opera 2d. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 189. New York, [1996]. 26 x 33 cm, 2 partbooks, 18 pp. Line-cut of the William Napier edition, London, c.1780. Wrappers. $20 [item no.7273]

SHOSTAKOVICH, Dmitri, 1906-1975

Sonate für Viola und Klavier / Sonata for Viola and Piano, op.147. Facsimile Edition. _☟

[Hamburg], c.2000. 24 x 32 cm, 8, 68 pp. Color facsimile of the autograph fair copy issued on the occasion of the 25th anniversary of the composer’s death. The Sonata is his last work and received its premiere on October 1, 1975, after Shostakovich’s death. As is the case with other works of Shostakovich, quotations from his other compositions as well as quotations and reminiscences from works by other composers play an important role in the Viola Sonata. During the days of its composition the composer wrote an open letter to the musicians of the world: “By building bridges into the future we must take care not to burn the bridges connecting today’s culture to its immortal past”; the Viola Sonata demonstrates this living connection between times and cultures with hypnotic power. Preface in Ger-Eng-Rus by Manashir Jakubov. Hardbound. $114 (more info... ) [item no.7904]

SIRMEN, Maddalena Laura Lombardini, 1735-c.1785

[Duets, violin] Six Duetts for Two Violins. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 179. New York, [1996]. 26 x 34 cm, 2 parts, 26 pp. Line-cut of the London, c.1775, edition. Wrappers. $20 [item no.7326]

[Trios, 2 vlns, vc, op.1] Six Trios a deux violons et violoncello obligé, œuvre première. [Library of Congress, Washington, D.C.]. _☟

Performers’ Facsimiles, 153. New York, [1996]. 26 x 34 cm, 3 parts, 45 pp. Line-cut of the London, [1770], edition. Wrappers. $28 [item no.7327]

SMYTH, Ethel, 1858-1944

String Trio in D, op.6 for Violin, Viola and Violoncello. Faksimile der Handschrift Smyth MSS 1 Durham University Library. _☟

Sound Researh of Women Composers: Music of the Romantic. Kassel, 2010. 8°, 82 pp. Full-color facsimile of the autograph score. This ambitious 4-movement trio in D major is full of vitality and displays an extraordinary eagerness to experiment with regard to the specific conditions and potential of the genre. At the same time it is permeated by a kaleidoscopic variety of themes, which is typical for this spirited composer with her broad education. She intentionally takes on the themes from different traditions and uses them to express many facets of her feelings and ability. Hardbound. $88 (more info... ) [item no.9153]

SOLER, Antonio, 1729-1783

[Quintets, strgs, organ/harpsichord, op.1] 6 quintetos con violines, viola, violoncello y órgano ô clave óbligado. Obra 1˚ (1776). Présentation par Jean-Patrice Brosse. [Ms. Bibl. del Real Monasterio de El Escorial]. _☟

Collection Dominantes. Courlay, 2004. 4º, 5 partbooks, xxiii, 368 pp. Line-cut of the manuscript parts housed at the Library of El Escorial. Wrappers. $121 [item no.8429]

SOMIS, Giovanni Battista, 1686-1763

[Sonatas, violin, violoncello, bc, op.2] Sonata da camera a violino solo, e violoncello, ò cembalo. _☟

Performers’ Facsimiles, 11. New York, 1986. 26 x 33 cm, 47 pp. Line-cut of the Amsterdam, c.1717 edition. In score format. Wrappers. $20 [item no.1237]

[Sonatas, violin, violoncello, bc, op.2] Sonate da camera a violino solo e violoncello ò cembalo. Opus II, 1723. Présentation par Nicolas Fromageot. [British Library, London]. _☟

Collection Dominantes. Courlay, 1994. 24 x 32 cm, 8, 50 pp. Line-cut of the Turin, 1723 edition. Preface in Fr-Eng-Ger. Wrappers. $31 [item no.4803]

SPADI, Giovanni Battista, 17th c.

Libro de passaggi ascendenti e descendenti. _☟

Bibliotheca Musica Bononiensis, II/55. Bologna, 3/ 2007. 17 x 25 cm, 31 pp. Line-cut of the A. Vincenti edition, Venice, 1624. Wrappers. $38 [item no.1285]

SPOHR, Louis, 1784-1859

[method, violin, WoO 45] Violinschule. Reprint der Erstausgabe Wien, T. Haslinger 1833. _☟

Munich, 2000. 25 x 33 cm, 250, vi pp. Line-cut of the Vienna, 1833 edition. Afterword in Ger by Kai Köpp. Cloth. $135 [item no.7953]

[method, violon] Gran metodo per violino. Novara s.d. _☟

Archivum Musicum: Ottocento, 1. Florence, 2008. 24 x 34 cm, 11, 247 pp. Line-cut of the Italian edition, Novara, [1832]. Preface in It by Franco Pavan. Wrappers, in decorative paper. $82 [item no.9055]

STADEN, Sigmund Theophil, 1607-1655

Musicalischer Friedens-Gesänger. [Stadtbibliothek, Nuremberg]. _☟

Faksimile-Edition Stadtbibliothek Nürnberg, 1. Stuttgart, 2000. 17 x 21 cm, 7 partbooks, 84 pp. Line-cut of the Endter edition, Nuremberg, 1651. 12 sacred and secular composition of which 9 are strophic. Scored for 3 voices plus 2 violins & basso continue. Wrappers, in marbled portfolio. $59 [item no.7756]

STADEN, Johann, 1581-1634

Hertzens-Trosts Musica geistlicher Meditationen mit einer Stim. neben dem Basso Continuo, für einen Org. Theorb. oder Lautenisten. [Stadtbibliothek, Nuremberg, Will II, 436a]. _☟

Faksimile-Edition Stadtbibliothek Nürnberg, 2. Stuttgart, 1998. 21 x 32 cm, 13 pp. Line-cut of the Nuremberg, 1630 edition, 12 strophic songs for tenor/cantus with basso continuo accompaniment (organ/theorbo/lute), concluding with a fugue a3 at the unison. This exemplar includes a page of organ tablature entered in manuscript on the last page. Hardbound in marbled paper. $23 [item no.7660]

Neue teutsche Lieder. _☟

Dokumentation zur Geschichte des Deutschen Liedes. Hildesheim, nyp. 8º, 128 pp. Line-cut of the Nuremberg, 1609 edition. Linen. $45 [item no.3606]

Venus-Kräntzlein [newer musicalischer Gesäng und Lieder]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 5. Stuttgart, 1996. 15 x 19 cm, 4 partbooks, 112 pp. Line-cut of the Jena, 1610 edition. 32 songs a4, 18 with texts and 14 without. Wrappers, with handsome slipcase in marbled paper. $64 [item no.7303]

Venus-Kräntzlein [newer musicalischer Gesäng und Lieder]. [Schermar-Bibliothek, Stadtbibliothek, Ulm]. _☟

Faksimile-Edition Schermar-Bibliothek Ulm, 5. Stuttgart, 1996. 15 x 19 cm, 4 partbooks, 112 pp. Line-cut of the Jena, 1610 edition. 32 songs a4, 18 with texts and 14 without. Wrappers. $59 [item no.7304]

STADLMAYR, Johann, c.1575-1648